<?xml version="1.0"?>
<dblpperson name="Takehiro Abe" pid="31/7456" n="2">
<person key="homepages/31/7456" mdate="2009-10-28">
<author pid="31/7456">Takehiro Abe</author>
</person>
<r><inproceedings key="conf/mhci/AbeS21" mdate="2021-09-21">
<author pid="31/7456">Takehiro Abe</author>
<author pid="01/844">Daisuke Sakamoto</author>
<title>MagneTrack: Magnetic Field Separation Method for Continuous and Simultaneous 1-DOF Tracking of Two-magnets.</title>
<pages>1:1-1:11</pages>
<year>2021</year>
<booktitle>MobileHCI</booktitle>
<ee>https://doi.org/10.1145/3447526.3472052</ee>
<crossref>conf/mhci/2021</crossref>
<url>db/conf/mhci/mhci2021.html#AbeS21</url>
</inproceedings>
</r>
<r><inproceedings key="conf/mm/YasuraokaAITOO09" mdate="2018-11-06">
<author pid="69/7458">Naoki Yasuraoka</author>
<author pid="31/7456">Takehiro Abe</author>
<author pid="77/4845">Katsutoshi Itoyama</author>
<author pid="66/3859-1">Toru Takahashi 0001</author>
<author orcid="0000-0001-7015-0379" pid="38/1658">Tetsuya Ogata</author>
<author orcid="0000-0002-8704-4318" pid="09/2222">Hiroshi G. Okuno</author>
<title>Changing timbre and phrase in existing musical performances as you like: manipulations of single part using harmonic and inharmonic models.</title>
<pages>203-212</pages>
<year>2009</year>
<booktitle>ACM Multimedia</booktitle>
<ee>https://doi.org/10.1145/1631272.1631302</ee>
<crossref>conf/mm/2009</crossref>
<url>db/conf/mm/mm2009.html#YasuraokaAITOO09</url>
</inproceedings>
</r>
<coauthors n="6" nc="1">
<co c="0"><na f="i/Itoyama:Katsutoshi" pid="77/4845">Katsutoshi Itoyama</na></co>
<co c="0"><na f="o/Ogata:Tetsuya" pid="38/1658">Tetsuya Ogata</na></co>
<co c="0"><na f="o/Okuno:Hiroshi_G=" pid="09/2222">Hiroshi G. Okuno</na></co>
<co c="-1"><na f="s/Sakamoto:Daisuke" pid="01/844">Daisuke Sakamoto</na></co>
<co c="0"><na f="t/Takahashi_0001:Toru" pid="66/3859-1">Toru Takahashi 0001</na></co>
<co c="0"><na f="y/Yasuraoka:Naoki" pid="69/7458">Naoki Yasuraoka</na></co>
</coauthors>
</dblpperson>

