Showing posts with label Green Gartside. Show all posts
Showing posts with label Green Gartside. Show all posts

Monday, 16 March 2026

Sometimes, Life Is Full Of Surprises

Alexis Taylor's new single came out at the weekend. On A Whim is a lovely slice of funky electro pop, but the masterstroke is when the chorus comes in, and the dulcet tones of Green Gartside takes the song into the stratosphere.

Alexis co-wrote the song with Green and Oliver Bayston and it's just wonderful, even if it does raise the question of when - if ever - we might hear new music from Green / Scritti Politti again. 

In the meantime, we can content ourselves with Alexis' current album, Paris In The Spring, released last Friday, and a fresh 2026 remaster of Scritti Politti's 1982 debut Songs To Remember.



Sometimes, things are too painful
For you to focus on what is real
They pull apart at your life as it turns
And the day-to-day becomes tender with burns

Something can still cause you pain
Even when you don't understand it or want it
To be a part of your makeup and brain
It doesn′t help you, help you explain
 
What if (what if, what if) you need this pain?
What if you need this pain?
What if (what if, what if) there is no shame?
 
Sometimes, life is full of surprises
And it's hard not to derail your brain
There's no hope in compromises
It ain′t pretty, but it fucks you all the same
 
On a whim, in a daze, in a day, in a way
On a whim, I could throw, throw it all away
On a whim, in a daze, in a day, in a way
I could throw, throw it all, throw it all away
 
What if (what if, what if) you need this pain?
What if you need this pain?
What if (what if, what if) there is no shame?
 
On a whim, in a daze, in a day, in a way
On a whim, I could throw, throw it all away (to feel nothing)
On a whim, in a daze, in a day, in a way
I could throw, throw it all, throw it all away (to feel nothing)
On a whim, in a daze, in a day, in a way
On a whim, I could throw, throw it all away (to feel nothing)
On a whim, in a daze, in a day, in a way
I could throw, throw it all, throw it all away (to feel nothing)
 
To feel nothing

Wednesday, 14 January 2026

A Dive Into The Mystery

I confess that it took a while for me to get into Hot Chip on account of Alexis Taylor's vocals. 

Described elsewhere as "clear voiced", for me it was definitely one for the "acquired taste" category. Hot Chip's music was so irresistible though that I'm happy to say that I acquired said taste and, more importantly, grew to appreciate what a great songwriter Alexis is in his own right.

He's about to prove it all over again with his sixth solo album, Paris In This Spring, appropriately enough landing in March.

First out of the door is Out Of Phase, a collaboration with Lola Kirke, whose few songs I've heard to date have been quite definitely contemporary country, with the requisite vocal stylings, so this song seems quite a departure in terms of genre and singing style.

In short, it's a banger. 

In typical Alexis/Hot Chip fashion, rather than an in-your-face dancefloor directive, the passive but short of insidious beats get into your system and your feet may start moving in synch with the music without instruction from your brain. Alexis and Lola's voice complement one another nicely and I've found myself sticking this on repeat.

Great video too, directed by Will Kindrick, and likely to be appealing to John Medd.

Paris In The Spring sees further collaborations with artists ranging from The Avalanches to Air’s Nicolas Godin, Ewan Pearson to Étienne De Crécy, Pierre Rousseau (Paradis) to Pale Bllue's Elizabeth White. 

The one that's got me really excited though is a rare sighting in the wild by Alexis' long-time friend Green Gartside.

There's currently no preview of On A Whim - side 2, track 2 on the vinyl edition - but if their previous collaboration from nearly a decade ago is anything to go by, it'll be pretty wonderful.

 

Thursday, 10 October 2024

Irie Irie

Confidence Man, coming on like it's 1991 with new single and video Real Move Touch, featuring Sweetie Irie.

Back in the actual 1991, Sweetie Irie was at it again for the first time (?), side by side with Green Gartside on Scritti Politti's dancehall cover of Gladys Knight & The Pips' 1967 classic Take Me In Your Arms And Love Me.

Sweetie Irie (Dean Bent to his mum) has been in demand throughout his career, working with everyone from Aswad to Ed Case to Gorillaz to Ian Brown to No Doubt to Roni Size.

Confidence Man chose wisely.

Tuesday, 26 December 2023

Unwrapped

After 2021's inaugural Boxing Day themed selection and 2022's even more tenuous link to gifts, I'm stretching credulity (and your patience) to the limit, with 14 wrap songs. That's wrap, not rap. And no, I've not hit the Harvey's Bristol Cream yet.
 
There are a couple of actual Christmassy songs in this selection, starting with Saint Etienne and a song from their fabulous festive album, A Glimpse Of Stocking. Randy Travis also makes a brief appearance, before Barry Adamson takes him around the back and duffs him up.
 
There's a bit of leftover mash (up) from Mark Vidler aka Go Home Productions - apart from The Police and Elvis Costello, how many other artists can you pick out? There's disco, Northern Soul, calypso (from O.M.D. no less), techno pop (for all you Amelia Fletcher fans out there) and some beautiful noise from The Delgados.

Green Gartside shares the mic with Annie Lennox, Idha (at least I think it's her) does the same with Edward Ball, whilst Gang Of Four clearly aren't sharing with anybody. There's a rare B-side from Sharkboy and to, ahem, wrap things up the single-that-nearly-was from XTC.
 
No refunds!
 
1) Unwrap Me: Saint Etienne (2010)
2) Shrinkwrapped: Gang Of Four (1995)
3) Wrap It Up: Eurythmics ft. Green Gartside (1982)
4) Wrapped Detective: Go Home Productions (2004)
5) Wrap My Arms Around Him: Amelia Fletcher (1991)
6) Wrap Your Arms Around Me: KC & The Sunshine Band (1976)
7) How Do I Wrap My Heart Up For Christmas: Randy Travis (1988)
8) Under Wraps: Barry Adamson (1989)
9) Gold Wrapper: Sharkboy (1993)
10) Wrapped, Tied And Tangled: LaVern Baker (1968)
11) All Wrapped Up: O.M.D. (1984)
12) Wrapped Up In Lonesome Blues: Edward Ball (1996)
13) Under Canvas Under Wraps: The Delgados (1996)
14) Wrapped In Grey: XTC (1992) 
 
Unwrapped (47:25) (KF) (Mega)
 
If you're a glutton for punishment, then click on the links at the top of the post for the previous selections from 2021 and 2022.

Saturday, 2 October 2021

Forever Green But Not To Be Seen

If you've followed this blog for a while, you'll know that I love the music of Green Gartside and Scritti Politti. When it was announced in December 2020 that Scritti Politti would be playing Cupid & Psyche 85 in it's entirety live in concert for the first time, I got a pair of tickets for what was going to be my first live gig in over 2 years. I intentionally  went for the London date as a) it was at the weekend and b) being one of the last dates of the tour, in early October, surely it would be okay to go by then. Surely?
 
I should be sitting on a train to London, with growing excitement and anticipation at seeing Green Gartside/Scritti Politti performing live on a stage for the first time since June 2007. Sadly, I’ve had to pull out of this weekend’s trip. I have loved ones who are extremely vulnerable and, whilst we’d initially discussed my going solo to London, it was both a difficult and easy decision to make. Had it been a local gig in a spacious venue, it might have been okay. As the Scritti Politti experience would involve several hours on public transport to and from London, Tube travel, the gig itself plus an overnight stay, it just wasn't an option. 
 
It probably says a lot about the fragile normality we're all living in at the moment that I literally could not give the tickets away, despite various calls out to friends, friends of friends and the wider music loving community. Add to the mix a nationwide petrol panic and people are understandably reticent about a trip to or across The Big Smoke.

JC at The Vinyl Villain made it to the Glasgow gig on Monday and posted a brilliant and heartwarming review. It not only confirmed that Green Gartside remains possessed of one of the finest voices ever, but just how much it means to get out and enjoy live music with people again. I'd be lying if I said I wasn't gutted not to be seeing Scritti Politti tonight, but some very kind people have posted songs from the Glasgow & Cardiff concerts on YouTube: a few notes into each song and my heart lifts.

So, the tickets will now go into my collection of "gigs I got tickets for, but never made it to". The irony is that, having bought the Scritti Politti tickets for London, shortly after John Grant's postponed gig at Bath Forum was rescheduled for - you guessed it - 2nd October. I still can't make it to this gig either, but I'll have more to say about that in Sunday's post...
 
Anyway, why regret when there's so much beautiful music from Green Gartside to enjoy? Today's selection shares the same name as the Forever Green mixtape I posted back in August, but is by and large the Imaginary Compilation Album (#261, to be precise) that was my debut posting on The Vinyl Villain. At the time, I stuck rigidly to the 10 songs, 5 per side of (imaginary) vinyl format. In recreating it for today's post, I realised that that there was a real imbalance in the running times. I initially considered replacing the 12" mix of Boom! There She Was with the shorter album version. Instead, I've added two bonus songs to Side Two: B.E.F.'s cover of Stevie Wonder, featuring Green on vocals, and A Place We Both Belong, which was one of two new and exclusive songs on the 2011 compilation, Absolute. I think they slot in pretty well.

This post is a thank you to Green Gartside for getting back on stage with Scritti Politti and continuing to be an inspiration. I also read that the multi-talented Rhodri Marsden - and Scritti mainstay - celebrated his 50th birthday yesterday (1st October) with the gig at Brighton. A belated happy birthday, Rhodri! Sorry I missed you all this time, hopefully I'll see you again soon.
 
Side One (25:21)
1) Boom! There She Was (Sonic Property Mix By Steve Thompson & Michael Barbiero) (UK Edit): Scritti Politti ft. Roger Troutman (1988)
2) A Little Knowledge: Scritti Politti ft. B.J. Nelson (1985)
3) Petrococadollar: Scritti Politti (2006)
4) Take Me In Your Arms And Love Me (Nice Up The Area Mix By Green Gartside & Ian Craig Marsh) (Cover of Gladys Knight & The Pips): Scritti Politti ft. Sweetie Irie (1991)
5) Flesh & Blood (Version): Scritti Politti ft. Ranking Ann (1985)
 
Side Two (24:35) 
1) Confidence: Scritti Politti (1979)
2) Tinseltown To The Boogiedown (Album Version): Scritti Politti ft. Mos Def & Lee Majors (1999)
3) Wishing Well (Cover of Anne Briggs): Green Gartside (2020)
4) Gettin’, Havin’ And Holdin’: Scritti Politti (1982)
5) I Don’t Know Why I Love You (But I Love You) (Album Version) (Cover of Stevie Wonder): B.E.F. ft. Green Gartside & Billy Preston (1991)
6) A Place We Both Belong: Scritti Politti (2011)
7) Forgiven (Live Acoustic Version) (Charles Hazlewood, BBC Radio 2, 17 May 2007): Green Gartside (2007)
 
 

Friday, 27 August 2021

Forever Green

On 27th August 2020, I had the privilege of having my first guest posting on The Vinyl Villain, part of the long-running and always excellent Imaginary Compilation Album series. I chose to feature Scritti Politti aka Green Gartside, in my opinion one of the finest voices and songwriters there is. The ICA featured 10 songs, spanning 1979-2020, plus a bonus EP with 4 Green Gartside collaborations and guest spots. 
 
To celebrate - and in growing excitement at the prospect of seeing Scritti Politti live in concert at the Shepherd's Bush Empire in London in 5 weeks' time - here's both sides of a mixtape that I recorded on 24th April 2000. I'm pretty sure I did a previous version of this for a girlfriend in the early 1990s, with a fairly similar tracklist. The mixtape title is a play on Gartside's name but it would also have been inspired by the completely unrelated song by Finitribe
 
This selection focuses very squarely on the 'pop' period, covering the albums Songs To Remember (1982), Cupid & Psyche 85 (1985) and Provision (1988), plus a few 12" mixes thrown in for good measure. Several tracks have been taken from vinyl rips and earlier CD issues, so please excuse the variable quality across each side but turn up the volume and enjoy some perfect pop sounds for the next hour and a half.

Today's post is dedicated to JC, for his encouragement and positive feedback with each guest post, and The Vinyl Villain family, who have been a constant source of inspiration and motivation, particularly in the pandemic years, both on TVV and their own music blogs. Thank you!
 
Side One (46:23)
1) First Boy In This Town (Lovesick) (Extended Remix) (1988)
2) A Little Knowledge (Album Version ft. B.J. Nelson) (1985)
3) The 'Sweetest Girl' (Album Version ft. Robert Wyatt) (1982)
4) Sugar And Spice (1988)
5) Faithless (Triple Hep 'n' Blue) (Part I) (12" Edit) (1982)
6) Overnite (1988)
7) Philosophy Now (Album Version) (1988)
8) Perfect Way (Album Version) (1985)
9) Gettin', Havin' And Holdin' (1982)

Side Two (46:28)
1) Absolute (Version) (Remix By Gary Langan) (1984)
2) Best Thing Ever (Album Version) (1987)
3) Jacques Derrida (Extended Version) (1982)
4) Sex (1982)
5) Hypnotize (Long) (Remix By Gary Langan) (1984)
6) Asylums In Jerusalem (Album Version) (1982)
7) Wood Beez (Pray Like Aretha Franklin) (Album Version) (1985)
8) Boom! There She Was (Sonic Property Mix By Steve Thompson & Michael Barbiero) (UK Edit ft. Roger Troutman) (1988)
9) Oh Patti (Don't Feel Sorry For Loverboy) (12" Version ft. Miles Davis) (1988)

If that's whetted your appetite for more Scritti Politti goodness, I posted another item in July, featuring a selection of radio sessions.
 
Scritti Politti's official website lists the upcoming UK tour dates in September and October and available tickets and (as yet) nothing else. In November, Scritti Politti will be supporting O.M.D. on 6 dates of their Architecture & More UK tour

Wednesday, 21 July 2021

I Recorded Them Once And I've Never Played Them Again

I was a little surprised to find that I've only featured Green Gartside/Scritti Politti on this blog three times. Criminal behaviour. Call myself a fan?!
 
To remedy this, here's a short but sweet mix of radio session performances from 2006-2007, featuring a few songs from the White Bread Black Beer album and a couple of beauties that have to date remained otherwise unreleased. Excuse the pun, but they're all absolutely wonderful.
 
1) Snow In Sun (Acoustic Version) (Live, Planet Claire (Radio Show), Paris, 10 May 2006)
2) Unfrozen (Live, Charles Hazlewood Show, BBC Radio 2, 16 May 2007)
3) Robin Hood (Mark Radcliffe, BBC Radio 2, 23rd May 2006)
4) Forgiven (Live, Charles Hazlewood Show, BBC Radio 2, 16 May 2007)
5) Road To No Regret (Acoustic Version) (Live, Planet Claire (Radio Show), Paris, 10 May 2006)

 
You can find the complete Charles Hazelwood session and interview on the very wonderful bibbly-o-tek blog
 
The full Planet Claire session, including a version of Robin Hood, is available on YouTube and (naturally) bibbly-o-tek.
 
Finally, bibbly-o-tek also has the full Mark Radcliffe session and interview, including versions of Snow In Sun and Road To No Regret.
 
 

Friday, 11 June 2021

Ed The Ball

Love Corporation : The Times : Edward Ball 
 
To round off this trilogy of tributes to The Times and the wonderful world of Ed Ball, I've sequenced a new mix pulling together rare remixes, extended versions and the more electronic-oriented sounds of Love Corporation. I've avoided some of the more obvious mixes, such as Palatial by Danny Rampling and the main mix of Give Me Some Love by Andrew Weatherall, because I think (hope) they are readily available elsewhere. In typically contrary fashion, I've also bookended the mix with the closing and opening tracks from Love Corporation's final album of new material, Intelligentsia, from 1994 and featuring the voice of the unique and much-missed Denise Johnson.
 
Put your headphones on and enjoy a little over an hour of Ed music...
 
1) Translucence: Love Corporation ft. Denise Johnson (from Intelligentsia, 1994) 
2) Your Mama Don't Dance And Your Daddy Don't Acid House (Ultra Living Mix): Love Corporation (from Dance Stance, 1997) 
3) Baby Girl (Album Version): The Times ft. Tippa Irie (from Alternative Commercial Crossover, 1993)
4) Septieme Ciel (Triple J Astral Projection Mix): The Times (Australian promo 12" single, 1990)*
5) A Beautiful Village Called England (Album Version): The Times ft. Angel Dust aka Cindy Lovecore (from Pure, 1991)
6) Lundi Bleu (Album Version): The Times (from Pure, 1991)
7) Palatial II (Remixed By Doug Martin): Love Corporation (12" single B-side, 1990)**
8) Give Me Some Love (Remix By Love Corporation & Andrew Weatherall): Love Corporation (12" single B-side, 1991)***
9) Translucent: Love Corporation ft. Denise Johnson (from Intelligentsia, 1994)
 

* This mix also appears on the The Times compilation Pink Ball, Brown Ball, Ed Ball from 1991, retitled I've Got All This And Heaven Too (Astral Projection Mix).

** On the Palatial 12" single sleeve, this version is credited to Doug Martin, on the label both mixes are attributed to Danny Rampling - I think it's the former. Palatial II also appeared on the 1990 Creation Records compilation, Do You Believe In Love?

*** This is the same as Give Me Some Love (Mix II), which appears on the promo 12" single.

Thursday, 10 June 2021

Et Deux Créa Les Temps

Inspired by yesterday's response to The Times, I dove deep into the recesses of the attic and rediscovered a box of CD singles containing the 'missing' B-sides I needed to complete the mixtape.

Therefore, much sooner than planned, here is Side Two of a 1998 mixtape, this time dedicated to Brian and Swiss Adam. 

Brian, you may particularly enjoy track 5...

1) Pour Kylie (from Et Dieu Créa La Femme, 1990)
2) "...now what went wrong?" (from Alternative Commercial Crossover, 1993)
3) Soultight (ft. Jan Stevens) (from Finnegans Break EP, 1993)
4) A Girl Called Mersey (Album Version) (from Pure, 1991)
5) Baby Girl (Remix By Marius De Vries & Steve Sidelnyk) (ft. Tippa Irie) (from Baby Girl EP, 1993)
6) Heaven Sent Me An Angel (from Beat Torture, 1988)
7) Mash It Up (from Baby Girl EP, 1993)
8) Snow (Album Version) (from E For Edward, 1989)
9) Confiance (Album Version) (from Et Dieu Créa La Femme, 1990)
10) The Colour Of My Love (ft. Jan Stevens) (from Baby Girl EP, 1993)*
11) Sorry, I've Written A Melody (from Alternative Commercial Crossover, 1993) 

* This song was later re-recorded and released in 1997 as a single called Love Is Blue, and also featured on Edward Ball's album Catholic Guilt the previous year.

Thursday, 31 December 2020

30 From 20

A selection of music that made 2020 that little bit brighter...

Scars III: The Affectionate Punch ft. The Vinyl Villain & The Additions

Whole New Mess: Angel Olsen 

Maker (Acoustic Version): Anjimile 

Mariana Trench: Bright Eyes 

The Patron Saint Of The Lost Cause: Catherine Anne Davies & Bernard Butler 

Party 4 U: Charli XCX

Conquer Virus: David Harrow

Music Shall Live: Denise Sherwood ft. Lee 'Scratch' Perry

Boogie Removal Machine (The Cult vs. Earth, Wind & Fire vs. Madonna): Go Home Productions

Wishing Well: Green Gartside

The Crack: Goat Girl

That Ain't No Way To Make A Million: Julian Cope 

Remembering: Kaitlyn Aurelia Smith

Crystallise: Keleketla! ft. Yugen Blakrok & Tamar Osborn

Corner Of My Sky: Kelly Lee Owens ft. John Cale & Michael Sheen

Hydroharmonia (Episode 1): Kelsey Lu 

Song For Our Daughter (Tiny Desk (Home) Concert): Laura Marling 

Bittersweet (Tiny Desk (Home) Concert): Lianne La Havas

Flux: Luke Abbott 

Witness: Lyra Pramuk

Trust Fades: Nine Inch Nails

90% Of Me Is You: Prince Fatty ft. Shniece McMenamin & Monkey Jhayam

Don't Believe: The Psychedelic Furs 

Sudden Awareness Of Now: Rival Consoles

Murphy's Law (Acoustic) (Live @ Home): Róisín Murphy

 
And here's a hour long slipshod mix featuring 20 of 'em:

Wednesday, 9 December 2020

50@50, Part Four: 2000-2010

Side One (25:24)
31) The Time Is Now (Full Length Version): Moloko (2000)
32) Paths (Future Sound Of London 'Cosmic Jukebox' Remix Edit): Robert Miles ft. Nina Miranda (2001)
33) Lessons Learned From Rocky I To Rocky III (Album Version): Cornershop (2002)
34) New New York: Tes (2003)
35) Shut Up, Let's Hook Up (GHP Pink Gees Unclean Mix By Go Home Productions): Jason Downs (2004)
36) No Reason To Cry: The Go-Betweens (2005)

Side Two (23:29)
37) Petrococadollar: Scritti Politti (2006)
38) Revival: Soulsavers ft. Mark Lanegan (2007)
39) I Heard Wonders (Album Version): David Holmes (2008)
40) Sunlamp Show (Disco Bloodbath Effect): The Aliens (2009)
41) Kiss Kiss Kiss (Acoustic Version): Martina Topley-Bird (2010)

These days, I absolutely love Róisín Murphy, but I found it harder to love Moloko to begin with as they initially seemed to be jumping on the coat-tails of the trip hop movement. Sing It Back was the big hit, but The Time Is Now is the song that really changed it all for me. A fabulous slo-mo video and fantastic song. My then-girlfriend now-wife had the album and I was clearly thought it was better than she did as I insisted on sticking it on the CD player whenever I visited. I hated Robert Miles' big hit Children, but was blown away by FSOL's remix of Paths, which was effectively the transition to their current psychedelic incarnation of Amorphous Androgynous. Jockey Slut was an essential music mag in the 1990s and early 2000s and whilst the advent of cover-mounted CDs was a sign of the end, they introduced me to some great music, including Tes career high, sampling disco classic Shadow Dancing, written by the Bee Gees but given away to their brother Andy. And who would have thought that mash-ups would be so addictive? I never thought I needed to hear the Bee Gees spliced with Pink Floyd until Mark Vidler did it with his remix of one-hit wonder Jason Downs. Having belatedly discovered The Go-Betweens in 1990, after they had split, I was overjoyed when they reformed in the early 2000s and devastated when Grant McLennan's untimely death brought about their premature end. No Reason To Cry appeared on a mixtape CD that I compiled for my wife that Christmas. I have loved Scritti Politti since the early 1980s, was fortunate to see Green Gartside and band perform in 2007 and am looking forward to seeing Scritti Politti in 2021, performing Cupid + Psyche 85 in its entirety for the first time live. I've seen David Holmes many times, both DJing and with The Free Association, and his soundtrack work has been amazing, but The Holy Pictures was an incredible album in its own right. The Aliens are essentially The Beta Band minus Steve Mason, so (apart from Andrew Weatherall) the only artists to make multiple appearances in the 50@50 but this track is all about Disco Bloodbath aka Ben Rymer. And a wonderful closer from Martina Topley-Bird, who provided a critical counterpoint to Tricky on his early landmark albums, but who went on to create some incredible music in her own right.