Monday, 16 March 2026
Sometimes, Life Is Full Of Surprises
Wednesday, 14 January 2026
A Dive Into The Mystery
Thursday, 10 October 2024
Irie Irie
Tuesday, 26 December 2023
Unwrapped
Saturday, 2 October 2021
Forever Green But Not To Be Seen
Friday, 27 August 2021
Forever Green
Wednesday, 21 July 2021
I Recorded Them Once And I've Never Played Them Again
Friday, 11 June 2021
Ed The Ball
* This mix also appears on the The Times compilation Pink Ball, Brown Ball, Ed Ball from 1991, retitled I've Got All This And Heaven Too (Astral Projection Mix).
** On the Palatial 12" single sleeve, this version is credited to Doug Martin, on the label both mixes are attributed to Danny Rampling - I think it's the former. Palatial II also appeared on the 1990 Creation Records compilation, Do You Believe In Love?
*** This is the same as Give Me Some Love (Mix II), which appears on the promo 12" single.
Thursday, 10 June 2021
Et Deux Créa Les Temps
* This song was later re-recorded and released in 1997 as a single called Love Is Blue, and also featured on Edward Ball's album Catholic Guilt the previous year.
Thursday, 31 December 2020
30 From 20
A selection of music that made 2020 that little bit brighter...
Scars III: The Affectionate Punch ft. The Vinyl Villain & The Additions
Maker (Acoustic Version): Anjimile
The Patron Saint Of The Lost Cause: Catherine Anne Davies & Bernard Butler
Music Shall Live: Denise Sherwood ft. Lee 'Scratch' Perry
Boogie Removal Machine (The Cult vs. Earth, Wind & Fire vs. Madonna): Go Home Productions
That Ain't No Way To Make A Million: Julian Cope
Remembering: Kaitlyn Aurelia Smith
Crystallise: Keleketla! ft. Yugen Blakrok & Tamar Osborn
Corner Of My Sky: Kelly Lee Owens ft. John Cale & Michael Sheen
Hydroharmonia (Episode 1): Kelsey Lu
Song For Our Daughter (Tiny Desk (Home) Concert): Laura Marling
Bittersweet (Tiny Desk (Home) Concert): Lianne La Havas
90% Of Me Is You: Prince Fatty ft. Shniece McMenamin & Monkey Jhayam
Don't Believe: The Psychedelic Furs
Sudden Awareness Of Now: Rival Consoles
Murphy's Law (Acoustic) (Live @ Home): Róisín Murphy
Wednesday, 9 December 2020
50@50, Part Four: 2000-2010
These days, I absolutely love Róisín Murphy, but I found it harder to love Moloko to begin with as they initially seemed to be jumping on the coat-tails of the trip hop movement. Sing It Back was the big hit, but The Time Is Now is the song that really changed it all for me. A fabulous slo-mo video and fantastic song. My then-girlfriend now-wife had the album and I was clearly thought it was better than she did as I insisted on sticking it on the CD player whenever I visited. I hated Robert Miles' big hit Children, but was blown away by FSOL's remix of Paths, which was effectively the transition to their current psychedelic incarnation of Amorphous Androgynous. Jockey Slut was an essential music mag in the 1990s and early 2000s and whilst the advent of cover-mounted CDs was a sign of the end, they introduced me to some great music, including Tes career high, sampling disco classic Shadow Dancing, written by the Bee Gees but given away to their brother Andy. And who would have thought that mash-ups would be so addictive? I never thought I needed to hear the Bee Gees spliced with Pink Floyd until Mark Vidler did it with his remix of one-hit wonder Jason Downs. Having belatedly discovered The Go-Betweens in 1990, after they had split, I was overjoyed when they reformed in the early 2000s and devastated when Grant McLennan's untimely death brought about their premature end. No Reason To Cry appeared on a mixtape CD that I compiled for my wife that Christmas. I have loved Scritti Politti since the early 1980s, was fortunate to see Green Gartside and band perform in 2007 and am looking forward to seeing Scritti Politti in 2021, performing Cupid + Psyche 85 in its entirety for the first time live. I've seen David Holmes many times, both DJing and with The Free Association, and his soundtrack work has been amazing, but The Holy Pictures was an incredible album in its own right. The Aliens are essentially The Beta Band minus Steve Mason, so (apart from Andrew Weatherall) the only artists to make multiple appearances in the 50@50 but this track is all about Disco Bloodbath aka Ben Rymer. And a wonderful closer from Martina Topley-Bird, who provided a critical counterpoint to Tricky on his early landmark albums, but who went on to create some incredible music in her own right.







