@intermissionmag

REVIEW: In Tarragon and Native Earth’s Mischief, the jokes aren’t the point | Intermission MagazineReview: In Tarragon’s 'Mischief,' the jokes aren’t the point

REVIEW: Talk Is Free’s Company is valiant but imperfect | Intermission MagazineReview: Talk Is Free Theatre’s 'Company' is valiant but imperfect

REVIEW: Canadian Stage’s A Doll’s House weighs the burden of our inherited roles | Intermission MagazineReview: 'A Doll's House' weighs the cost of our inherited roles

REVIEW: Primary Trust harnesses anxiety for good at London’s Grand Theatre | Intermission MagazineReview: 'Primary Trust' harnesses anxiety for good

REVIEWS: High Performance Rodeo 2026 | Intermission MagazineREVIEWS: High Performance Rodeo 2026

REVIEW: Before heading to Soulpepper, Copperbelt strikes gold at the NAC | Intermission MagazineReview: Before Soulpepper run, Copperbelt strikes gold at the NAC

REVIEW: Mirvish’s well-cast Kimberly Akimbo never stops surprising | Intermission MagazineReview: Mirvish’s well-cast Kimberly Akimbo never stops surprising

REVIEW: A Question of Character examines the psychology of a filmmaker who created Nazi propaganda | Intermission MagazineReview: A Question of Character examines Leni Riefenstahl's mind

REVIEW: Wet, weird, and woeful, Pu Songling: Strange Tales is a riotous trip into the mystical | Intermission MagazineReview: 'Pu Songling' is a riotous trip into the mystical at Crow's

REVIEW: Ophis dunks viewers into a gothic experience of Medusa’s psychic landscape | Intermission MagazineReview: 'Ophis' dunks viewers into Medusa’s psychic landscape

Twelve indelible moments of performance from 2025

REVIEW: Ruby and the Reindeer conjures a very Ontario Christmas

REVIEW: The Storyville Mosquito buzzes brilliantly at the NAC

REVIEW: Tom Rooney dazzles in Rogers v. Rogers at Crow's

REVIEW: National Ballet’s Nutcracker is a scrumptious dream

REVIEW: Bad Hats’ Narnia is a joyful, heartwarming escape

REVIEW: Robin Hood panto is anticapitalist fun for the whole family

REVIEW: Public Consumption captures the internet’s emptiness

REVIEW: Moonlight Schooner is a poetic but uneven period piece

CBC’s PlayME debuts 2026 season, starting with Kim’s Convenience | Intermission MagazineCBC’s PlayME debuts 2026 season, featuring Kim’s Convenience

NEWS: Tara Beagan wins 2025 Governor General’s Award for drama

Canadian Stage’s A Doll’s House marks the second entry in a trilogy of productions about marriage | Intermission Magazine'A Doll’s House' continues a trilogy of productions about marriage

Tarragon’s Mischief explores activism, matriarchy, and collective grief | Intermission MagazineTarragon’s 'Mischief' reflects on activism and collective grief

What I discovered at rehearsals for TIFT’s world premiere musical All the Cows Are Dead | Intermission MagazineWhat I discovered at rehearsals for TIFT's 'All the Cows Are Dead'

In Canadian Stage’s A Doll’s House, the house is a window within | Intermission MagazineIn Canadian Stage’s 'A Doll’s House,' the house is a window within

‘Through science, art, theatre, we create’: Antoni Cimolino looks ahead to his final year as Stratford’s artistic director | Intermission MagazineAntoni Cimolino looks ahead to his final year at Stratford

Ludmylla Reis wants artists to embrace ‘the detour’

National Summit for New Musicals showcases original works from across Canada | Intermission MagazineTheatre Aquarius showcases original works from across Canada

Wing Chun Dance Drama is a martial arts movie come to life | Intermission MagazineWing Chun Dance Drama is a martial arts movie come to life

In A a | a B : B E N D, Aszure Barton aims to rebuild dance from the inside out