Sophie O'Neil moves to deep East Texas and succumbs to socialite Margo's charms. Her life is soon consumed by obsession, seduction, and murder.Sophie O'Neil moves to deep East Texas and succumbs to socialite Margo's charms. Her life is soon consumed by obsession, seduction, and murder.Sophie O'Neil moves to deep East Texas and succumbs to socialite Margo's charms. Her life is soon consumed by obsession, seduction, and murder.
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Featured reviews
All Cliché, No Substance
The Hunting Wives is packed with nudity, which I don't mind, but just know what you're getting. It's unintentionally funny thanks to over-the-top clichés. Think exaggerated Southern accents, shallow takes on religion, and hypocritical Christians played for cheap drama. I'm personally not a Southern Bible thumper, but even I found the portrayals lazy and insulting. The show wants to be edgy and mysterious but ends up predictable and hollow.
Don't listen to the negative reviews
I saw the negative reviews on this and almost skipped watching it. I turned it on for background noise and ended up binge watching the whole show today. Some don't dig the nudity, I get it, but I don't mind it. Women have sex, people have sex, all sex lives are different and I thought it was about to be a crazy love story. This show turns out to be a who done it murder mystery kind of thing, and actually kept me on my toes after the first few episodes. I can usually predict what's going to happen in those types of scenarios because I watch too much TV but this show was pretty good at creating a Clue like situation. Im a country girl, and I was down for these badass women in this show. The ending was unpredictable and intriguing. I highly recommend you watch and decide for yourself. Brittany Snow in a role you've never seen her in before, and Malin Ackerman rocks her character so well it's hard to tell if she's acting.
a pathetic and hypocritical show
A moral mess wrapped in luxury and booze. The Hunting Wives pretends to be a sexy, provocative thriller, but it's really just a cheap mix of drugs, drinking, infidelity, and toxic relationships. Nothing new, nothing deepjust shock value.
What's truly disgusting is the double standard: everything's "fine" sleeping with an 18-year-old at 45, drinking, drugs, lesbian flings, open relationships, shooting guns, killing animals but when it comes to a woman's right to choose, suddenly it's a crime.
That line "abortion is murder" perfectly exposes the hypocrisy of the whole thing. How can you normalize abuse and decadence, yet condemn a woman making a personal choice?
The show is revolting because of the moral double-speak it pushes. It doesn't spark thought, it doesn't inspire empathy it judges where it shouldn't, and glorifies what it should question.
The Hunting Wives isn't art; it's a lesson in how low TV will go for attention.
What's truly disgusting is the double standard: everything's "fine" sleeping with an 18-year-old at 45, drinking, drugs, lesbian flings, open relationships, shooting guns, killing animals but when it comes to a woman's right to choose, suddenly it's a crime.
That line "abortion is murder" perfectly exposes the hypocrisy of the whole thing. How can you normalize abuse and decadence, yet condemn a woman making a personal choice?
The show is revolting because of the moral double-speak it pushes. It doesn't spark thought, it doesn't inspire empathy it judges where it shouldn't, and glorifies what it should question.
The Hunting Wives isn't art; it's a lesson in how low TV will go for attention.
A good binge
The show begins with Sophie and her family that move to a Texas town. You watch Sophie navigate making new, bizarre friends with everyone carrying some sort of secret, trauma, or morally corrupt drama. Halfway through, it transitions from sex & scandal to a dark murder mystery. You won't be shocked when the truth is revealed, but watching the theories evolve will take you on a fun ride.
Plainly put, there's nothing here worth watching.
Sophie O'Neil, a former editor-in-chief of a glossy magazine, moves with her husband and son from New York City to a quiet town in East Texas. There, she meets local socialite Margot Banks, who runs an exclusive club for women - filled with cocktails, skeet shooting, and endless gossip. Enchanted by the atmosphere, Sophie gets pulled into their glamorous world, but things take a dark turn when a young girl's body is found on the edge of the woods. Soon, the club members become prime suspects.
Pros:The biggest asset here is the cast. Malin Åkerman carries the entire show on her shoulders - she brings both charm and emotional authenticity to the role. The small-town setting, with its undercurrent of secrets, is visually well-crafted. Cinematography and atmosphere are on point.
Cons:Unfortunately, that's where the strengths end. Rebecca Cutter, known for Hightown, falls short this time. What could've been a gripping psychological thriller turns into a soap opera with forced drama. The mystery is drowned in shallow melodrama, and there's little to no chemistry between the actors.
This is no Bad Sisters, no Why Women Kill, and certainly no Big Little Lies. The attempt to blend genres results in a show that looks polished but feels hollow. It all rests on Åkerman's charisma and decent direction.
As for the explicit scenes - nothing groundbreaking. This isn't The L Word, and today's audiences need more than that to be surprised.
Verdict:A disposable watch for one evening. Stylish but shallow. Don't expect depth, suspense, or memorable characters.
Pros:The biggest asset here is the cast. Malin Åkerman carries the entire show on her shoulders - she brings both charm and emotional authenticity to the role. The small-town setting, with its undercurrent of secrets, is visually well-crafted. Cinematography and atmosphere are on point.
Cons:Unfortunately, that's where the strengths end. Rebecca Cutter, known for Hightown, falls short this time. What could've been a gripping psychological thriller turns into a soap opera with forced drama. The mystery is drowned in shallow melodrama, and there's little to no chemistry between the actors.
This is no Bad Sisters, no Why Women Kill, and certainly no Big Little Lies. The attempt to blend genres results in a show that looks polished but feels hollow. It all rests on Åkerman's charisma and decent direction.
As for the explicit scenes - nothing groundbreaking. This isn't The L Word, and today's audiences need more than that to be surprised.
Verdict:A disposable watch for one evening. Stylish but shallow. Don't expect depth, suspense, or memorable characters.
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Soundtrack
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Did you know
- TriviaThe series was set up at Starz, but as part of the separation agreement between Starz and Lionsgate, the series moved to Netflix.
- GoofsNo place in "deep East Texas" looks like this.
Details
- Runtime
- 50m
- Color
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