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- To The Student
- To The Teacher
- Lesson 1: Nice to Meet You
- Lesson 2: Do You Live Near Here?
- Lesson 3: Hi, How Are You Doing?
- Lesson 4: Hello, This is Mike Calling.
- Lesson 5: Do You Happen to Know...?
- Lesson 6: Go Straight Down This Street.
- Lesson 7: May I Help You?
- Lesson 8: That's a Nice Sweater.
- Lesson 9: I’m Trying to Study.
- Lesson 10: Could You Possibly Help Us?
- Lesson 11: What Time Did You Get Here?
- Lesson 12: How’s the Weather?
- Lesson 13: Are You Going to Get a Job?
- Lesson 14: When Does Your Flight Leave?
- Lesson 15: Something Strange Happened.
- Lesson 16: If I Had a Million Dollars...
- Lesson 17: In My Opinion...
- Lesson 18: I’d Like the Steak, Please.
- Lesson 19: Why Don’t You Come Over?
- Lesson 20: What’s Your Favorite Holiday?
Communication in English
for the International Age
William Boletta
Logos InternationalTo
The Student
| Ge IS A TOOL. Like all tools, ithas many uses, but it is
‘otworth very muchby itelf We use language to express thoughts
orfeelings. Grammar and words alone arenot esimportant as the
content of what you say. In fact, without content and meaning,
language would be useless. iF you want
‘Languege, then, is away to communicate what youneed, to speak Eng-
avant, think, or fel. Thisis tre ofall nguages, notonly English. lish, you must
Your native language and English arevery similar Roth areused be willing to
to communicate with other human beings. This is true of all do two things:
languages in all countries. Make mistakes
and
How can I learn to speak English? fe hence?
English is nota mystery orsecret. Anybody canlearn itasa second
language, and millions of people do every year, butif you want (0
learn to speak English, you must be willing to do two things: Make
mistakes and take chances.
‘When you speak English, you will make some mistakes
because nobody can start speaking a foreign language perfectly
from dies Ifyvs mais wetil you knoveall hesworde and forme
perfectly, you will never be able to speak English. So start now,
‘wherever you are in your English studies, and spesk the best way
‘you can. You can learn new words and better grammar later, but
ifyou don't start talking now, you will never improve.
"This is why itis important to take chances, Ifyou wait
until you are sure that everything you say will be perfect, you will
wait along time. Maybe forever!Don't be afraid to say what you
‘want to—now Ifyou makea mistake thistime, the’s O.K. Ifyou
are shy at first, don't worry. The next time it will be easier. The
more mistakes you make and the more chances you take, the
casierit will be to speak without fear.
‘What about grammar? What happens if you don’tspeak.
correct English? Of course, sometimes people might not always
understand you, but even with speakers ofournativelanguage, we
‘often need to explain things in a different way. If people don’t
iunderstand what you say at fist, you can ty it againa diferent way.
Andifyoudon't understand another person, you canask themagain,
and they will usually explain it another way untl you understand.
To the Student xiii“Learning to
speak a lar-
guage can be a
great adven-
ture—if you are
willing to be a
little daring.
xiv Fast Fluency
Will this book help me?
Fast Fluency is filled with interesting communication activities
that give you an opportunity to use your English to talk about all
sorts of things. But you can’tsimply read it, youmnust speak with
‘other people.
If you study the conversations and variations in these
lessons, practice speaking with your classmates, and discuss the
topics given in this book, your English will definitely improve.
‘You can learn to read a language alone in your room, with a
dictionary and a grammar book, but you cannot learn to speaka
language by yourself. You musthaveaconwversation partner to talle
with and something interesting to talk about.
Language and life are always full of surprises. When you
are having a conversation with someone (in any language) you
neverknow what the otherpersonis goingto say next. And like life
itself, learning to speak a language can be a great adventure—if
you are willing to be a little daring and take a few chances. It
docsn'tmatterhow good or bad your spoken English isnow. Ifyou
study the material here and practice with your classmates, it will
get better. That is a guarantee. Will your English be perfect? Of
course not, but it will improve and you will have much more
confidence ara! speaking ability when youfinish this book. ! hope
you enjoy it. Good luck!
W.B.To
The Teacher
‘with language they can use and it should furnish something they
cantalkabout. Thisbookstrivesto doboth by offeringthestudent
cating in contemporary. everyday English.
Most of ushavenever found the perfect textbook, and this
one doubtless has its faults too, but I have tried to steer a course
hetween the two extremes of conversational texthooks as I see
them: an overabundance of content on the one hand and a
concentration on structure to the detriment of communication
and meaning on the other. While the assumption here is that
students already have a basic working knowledge of English
structure and lexicon, there is a consistent attempt to make
patterns of spoken English.
‘The premise of the book is that language is communica
testing intelligence. The purpose of language is to communicate
with other people on subjects of mutual interest to the speakers,
‘whether that be finding out where the bus stops or discussing
material for practicing basicsurvivalEnglishss well asfor express
ing themselves on a wide variety of subjects.
‘There are twenty lessons, and teachers may cover themin
any order. They arenot graded, and each onecontainsvery imple
aswell as more difficult and less frequently-used language items.
While there is a certain logic to the presentation of the subject
‘matter of the conversations, the level of difficulty remains moreor
less uniform throughout. Early lessons treat greetings, introduc-
fons, and small talk—topics and functions which often occur
carly in relationships orin initial encounters withstrangers—but
they need not be covered during the first few weeks of the course.
Itis [Link] for students to deal with these social functions
early in the course when they are still uncomfortable: talking with
their classmates and may likely not even know them. These
“Language is
communica-
tion, nota
puzzle, nota
complex sys-
tem of rules,
not a medium
for testing
intelligence.”
Tothe Teacher xvdecide. While the structural patterns and functional applications
introduced throughout reflect the author's own preferences and
experience, there wes some effort to cover a repertoire of basic
communication needs as suggested in standard inventories such
as Van Ek and Alexander's Threshold Level English (Oxford:
Pergamon Press, 1975).
Each lesson has a uniform formatconsisting of iveparts:
Conversation
Variations
Your Turn
Sharing
‘Try Your Hand
“
‘Each lesson
has a uniform — Followingisa brief summary of the format and character ofeach
format consist- _ séction witha few suggestions for teaching strategies.
ing of five
parts.%9 Conversation
| ‘The Conversation” sections which open each esson seek to bes
| authenticas possible, with no artificial language. A major problem
confronting the author of a conversational textbook is deciding
which register to pitch the conversations at. While there aresome
examples of more formal English in many kinds of situations,
including politeness language when talking to strangers, I have
hoped to avoid the wooden quality that casts a pall of artificiality
‘over so many textbooks which have the goal of tesching spoken
English. Endeavoring to avoid cold and priggsh textbook lan-
‘guage that no native speakers in their right mind would everutter,
Ihave frequently included colloquial expressions such as “yeah,”
“uh, huh,” “hmm,” “let’ssee," and many other such pause mark-
ersandspeech fillers. They remain opaque andlifeless on thepage,
of course, until the teacher models how they occurin an organic
conversational and social context
Also, though few textbooks ever take cognizance of it,
English speakers quite frequently omit subject pronouns, par-
ticularly “I.” Occasionally, I have tried to reflect this and other
such elliptical tendenciesin the conversations. If [have erred on
the side of being too colloquial at times, I hope that teachers and
students alike will find this transgression at least more desirable
in the greater scheme of things than reinforcing the idea thet
spoken English isa robot-like language devoid of contractions,
reduced forms, casual expressions and—ultimately—bled dry of
its lifeblood,
xvi Fast Fluency
SEERVariations
Immediately following the conversations in cach lesson are six
specific locutions drawn from the opening conversation along
with examples of how they can change in everyday conversation
They are often picked up and practiced in subsequent exerci
frequently supplying much ofthe languageused in the commun
cative exercises later in thelesson. By design, no directionsaccom-
pany either the “Conversations” or the“ Variations.” Teachersare
thereby t liberty to introduce and use the material ina variety of
ways according to their own taste and style and the needs of
individual classes,
Some teachers might be surprised to see what appear to be
chimericspecters ofthe Audiolingual Methodcomebeek te haunt us
in the form ofpattern practicesin disguise. ‘The premises upon which
this textbook are based differ drastically, of course, from orthodox
ALM theory. Having been a student in French and German classes
‘aught via the ALM in the fifties, and later teaching those languages
myselfthrough the ALM, lam definitelynot espousinga return tothe
untinctured version ofthatapproach, After teaching communicative
ESL/EFL materials for several years, however, and observingstudents
sometimes bewildered by lack of specificity and definite language in
‘many communicative textbooks, I saw-a need for some concrete
examples of the shape of English which can serve students as a
conversational lifepreserverto embrace whentheyfindthemselvesat
sea conversationally. The pedagogical purpose of the “Variations”,
then, isto establish a sense of comfort with tums of phrase common
inspokenEngishby giving studentsa feeling forthe contoursofthe
‘vernacular and helping them to developan awareness of the kinds
‘of variation possible,
While the patierns have the same format on the page (2
ion of boldface and italic typefaces), there are actually
4 types. Both employ an unchanging element (in bold-
face) with varied extensions (in italics). ‘The difference lies in
where the emphasis is. Frequently the main item of study is the
unchanging boldface element. Suchas the following (from
Lesson 7):
Is there a department storearound here?
abakery
supermarket
a sporting goods store
alibrary
Less frequently, the main focus is on the italic element, and
“Teachers are
at liberty to
use the mate-
rial in a variety
of ways ac-
cording to
their own
taste and
style.”
‘To the Teacher xvii“We some-
times forget
how intimidat-
ing pairwork
can be for
students who
have but a little
conversational
facility.?
xviii Fast Fluency
synonymous expressions appear as variations, asin the following
example (from Lesson 2
How about you, Pedro?
what about you
and you
how do you feel about that
what do you think
Your Turn
‘The “Your Turn” section hasan overtly communicative focusand
is, in many respects, the heart of the textbook. Pair and group
materials furnish a context for practicing the language or subject
matter of each lesson, concentrating mainly on the functional
language ucreaoaiy for evetyday survival (diteutivisy requests,
compliments, and the like).
In this section, students are asked to do a variety of
activities designed to get themto talk to each otherin English using
whatever linguistichooksandcrooks theycancome up with. They
are not completely abandoned, however, for there are numerous
‘Suggestions for specific turns of phrase they can use, and language
material gleaned from the “Conversations” and “Variations”
portions of the lesson usually finds a natural fit here.
As teachers, we sometimes forget how intimidating
pairwork can be for students who have buta little conversational
facility. Many dyad and groupactivities appear deceptively simple
and self-explanatory, but it is a risky pedagogical practice to
supply a topic, picture, or activity, and then simply leave students
to their own devices. In spite ofits enshrinement as the reigning
s in the ESL classroom,
modality of communicative a
pairwork is still not conventional communication. It simulates
real communication, but it is not always a perfect match. As
authenticas we might try to make communicationactivitiesinthe
classroom through developing materials and structuring the at-
mosphereofthe location, inevitably alingeringartificality remains.
‘Therefore, exhaustive demonstration of how to do the pairwork
activitiesisessential, and the involved teacher will monitorstudent’s
activities, coaching and supporting them with suggestions, hints,
and encouragement.
Sharing
‘The “Sharing” section introduces mature material for reflection
and discussion. Inkeeping with the book’s subtitle, Communica-
tion in English for the International Age, the themes introduced
here have a global and cross-cultural flavor. There is also someattemptat sociolinguistic consciousness-raising, presented inthe
form of questions for small group work.
Ifthe “YourTurn” section is the mezt ofthe lesson, then
surely the “Sharing” section mustbe the dessert. Here studentsare
asked to move beyond the classroom and talk about real life, the
world around them, and their own experience. Each section
begins with a brief note pointing out some cultural aspect of
English and English-speaking society or broader, international,
socio-cultural topics. Then the students are asked to discuss with
tcir classmates a variety of topics. The subject matter is usually
related (ifsometimes only loosely) to the material of the opening,
conversation. The scope of the topics is uniform for each lesson
andexpands on the subject matter, inviting students toshare their
own experience,
‘Thereare three general sts of topics for discussion which
appear consistently in the following order in each lesson:
I. Discussion topics which ask students to look at the
customs of their own country. These opening reflections
and discussionsgive students a grounding in their home
culture which they ean then use as a springboard to leap
into discussion of sociolinguistic and cultural contrasts
in amore global context
Tl. Topics which encourage the studentstoshare details of
theirown pastexperience visa vis thesubject matter ofthe
lesson. Theemphasis here ison sharing personal impres-
sions and feelings.
IIL. Topics which allow students to expand on their own
‘experience by using their imagination orby seeing things
in a broader, international context. This section some-
times suggests a certain fantasy situation or otherwise
invitee the eudont 0 engog?
to contemplate global issues.
celprehientcal ella kingiem
While the material provided for conversational discus-
sion here and elsewhere in the book is sometimes difficult, it
strives always to be challenging and stimulating at an adult level.
‘Once again, teacher intervention in modelling how to carry on a
discussion is crucial here. One suggestion for structuring the
discussion would beto divide the class into small groupsand have
each group select 2 discussion leader (rotating with each class
jctinng) aad ascaibe who aheoinutes and repsts to Useelass ates
“Teacher
intervention
in modelling
how to carry
on a discus-
sion is cru-
cial .”
‘To the Teacher xix“The purpose
of the writing
exercises is to
ify conver-
sational mate-
rial already
learned ana
give the stu-
dents a feeling
of confidence,
security, and
accomplish-
ment.”
xx Fast Fluency
onthe group's discussion. Without such structuringand frequent
assistance by the teacher, students at this conversational level can
quickly lose their focus.
‘Try Your Hand
The last section of each lesson has material for reading and
vocabulery enrichment along with three short writing excrciscs.
‘The material here ranges from letters, schedules, word lists, a
menu, and 2 resumé to cultural matters, technology, and new
terms tn English.
Quite often, textbooks which emphasize oral communi-
«ation ignore writingaltogether. The primary goal of Fast Fluency
is to improve skills in the spoken language, but since the students
who will use this textbook probably have an imbalance ofexperi-
ence in writing and reading English, I have tried to capitalize on
their existing strengths. The purpose of the writing exercises is to
solidify conversational material already learned and give the stu-
dents a fecling of confidence, security, and accomplishment.
‘The short writing assignments invite the students to use
the reading material aa a model, personalize it, and write some
thing of theirown. The topicshereare often related to the material
of the lessonsand give students a further opportunity to apply the
language they hare just finished practicing, Teachers whodo not
wish to assign writing practice will find that the “Try Your Hand”
sections easily adapt to oral discussion also, whether in pairs or
small groups
Illustrations
Illustrations occur throughout the book and are often related to
the subject matter of the conversations and the practice material
While their spiitis often playful, teachers can nonetheless use the
pictures and drawings as teaching aids, Simple questions to the
students asking them to describe what they scc can often get the
conversational juices lowing, Some teachers may choose to use
theillustrations asan impetustoward more communicative shar-
vriting the students to use their imaginations: “Who do
‘you thinkis this?”; “Whatare these peopledoing?: "What are they
thinking’; “Would you like to havedinnerwiththisperson?”;“Do
you think you might enjoy taking a trip with her?"; “Would you
Tike t0 ride om thic hiie?” Aceacinnally, «map or other vicual
material appears in connection with specific communication
tasks. In such cases, there is an explanation of what students ere
supposed to do.Apologia
have tried to put together a textbook which teaches students
how tospeak basic, colloquial English and which provides them
with entertaining ways to practice and use their English. In
addition tothe conversational languagewehave come toexpect,
there isalso material with « broader cultural perspective and an
international focus.
1 believe that if students are going to learn to speak
English, they need something to talk about which engages their
minds and personalities, not just patterns, pair work, and limited
communication exercises. If you have nothing to talk about,
conversation is impossible. Each lesson of this book takes the
student from short conversations through pattern variations and
pairwork on toan opportunity to exchange ideas and think about
questions which affect the lives of everyone, “Facilitating
Facilitating communication across cultures and linguiss- © communica-
ticbordersis he ultimate purpose oflearningtospeakany for tion across
Janguage, but particularly is this true for English, which, asthe cultures is
international language, hasan importance and utiliy farbeyond the ultimate
the borders of English-speaking countries. Whether inan FFLor purpose of
and ESL context, “conversation” isnot simply the acquisition ct learning any
survival level skills; students need and deserve more even inthe foreign. lan-
earlier stages of their studies. guage
Whatever this book’s shortcomings, and there surely are
many, hope that neither you nor your students will finditboring.
Thave tried to create a textbook that provides teachers a way to
challenge studentsboth linguistically and intellectually. You and
your students will be the arbiters of the book’s success in achieving
these goals. I don’t recall that Dante designated special place in
his Infernoreserved forthe eternal tormentofboring teachers, but
there surely must be one down there somewhere in one of the
lower bolge. [hope thisbook may insomesmall way serve to spare
both you and me from that gruesome fate.
WB.
To the Teacher xxi
aiseConversation
Mike:
Tom:
Mike:
Betty:
Mike:
Tom:
Mayumi:
Mike:
Dr. Lee:
Mayumi:
Dr, Lee:
Mayumis
Ms. Lee:
Nice to meet you.
This is really a big reception, isn’tit?
There must be at least two hundred people here
‘Oh, look. There’s Betty. Hello, Betty, how are things?
Not too bad, Mike. I'd like you to meet my new roommate, Mayumi.
Hi, Mayumi, nice to meet you. This is my friend, Tom.
Nice meeting you, Mayumi
i: Nice to mect you both,
Mayumi’s from Japan, She's going to be taking some English courses.
‘Oh, really. Say, isn’t that Dr. Lee over there? He teaches in the
Language Institute, Maybe you'd like to meet him.
Sure, why not?
Excuse me, Dr. Lee, I'd like to introduce you to a new student from
Japan. This is Mayumi,
It's good to meet you, Mayumi,
< Fe
Pleased to meet you, too, Dr. Lee. ( Nice to meer’
Mayumi, let me introduce 8 ee
my wife, Ruth, q ic
How do you do, Mrs. Lee? )
I'm happy to meet you, Mayumi, Lh
2 Fast FluencyVariations
Mike, Id like you to meet Mayurni.
Td like to introduce Joanne
this is Betty
let me introduce you to Dr. Lee
meet Tom
Hi, Mayumi, nice to meet you.
nice meeting you
it's good to meet you
pleased to meet you
I'm happy to meet you
She’s going to be taking some English courses.
studying at the Language Institute
living in the dormitory
travelling to New York over Christmas
staying for one semester
Say, isn’tthat Dr. Lee over there?
the new English teacher
your roommate
the library
the school cafeteria
Maybe you'd like to meet Dr, Lee.
have lunch tomorrow
8010 the movies with me
tell me what’s on your mind
study together tonight
Sure, why now?
I'd like to
Pdlove to
that's fine with me
that sounds good to me
LessonOne 3
caeYour Turn
u.
Go around to as many people as you can and introduce yourself. Choose
some of the following language. Don’t forget to shake hands and look the
person in the eye.
——e |
Hi Pm
Hello, my name z
How are you? I'm
But youcan call me
Just call me —
Tm from
Pm majoring in ‘ sive
Hive in
Ask if your partner would like to meet another classmate, (Make sure you
know the other person’s name first.) Then introduce the two of them.
Maybe you'd like to meet.
Would you like to meet.
Let me introduce
Td like you to meet
Thisis___
Introduce your partner to a few other people. Then let him introduce you to
some other classmates, Use the appropriate language for meeting people.
Ask how to spell the other person’s name. Then find out which name is their
first name (given name) or last name (family name). Choose some of the
following questions.
How do you spell that? Jones
What's your first name?
Whar’s your last name? J-O=N=E8Se
Is that your first name or last name?
1s your name French (German, Arabic, Spanish, Japanese, Chinese, ete?
Write down the names of five or six famous people. Don’t show them to
your partner. Then say the names and ask for the spelling.
A: Have you ever heard of
B: Ofcourse./Sure,
A: Can you spell her/his name?
Fast Fluencyj
Sharing
\’ Meeting new people is an important social activity. In addition 10 using some of the phrases
‘you have practiced in this esson, shaking hands and locking the person you are meeting in
theeye (eye contact) are often essential non-verbal skills you need when you meet someone
in English. The word “nice” is very common in introductions and greetings and i, in fac,
one of the most common words in spoken English. Notice the many different contexts where
itisused throughout this book.
1. Bvery culture has special social rituals for meeting people, What are some of the things
yousay and do in your country when meeting someone forthe firs time? Are there any
differences from introductions in English? Any similarities?
Il. In your own experience, have you ever meta person who was important, unusual,
interesting, or inspiring? Talk about what it was like. What did you say? What did the other
person say?
IIL Have you ever wanted to meet a famous person? Who are the three people in the world,
youwould most like to meet? Why? Share with your classmates what you would say to
these people if you had a chance to meet them and chat with them.
Try Your Hand
‘Read the followingletter and then write on the topics below.
CENTRAL COLLEGE Topic One
Write a short nate to Jack
‘Taylorintroducing yourself,
Hil
Tim Jack Taylor, and just found out
you are going to be my coommate next year
Lat me tell you a litle about myself. “Tam
majoring in Economics, anc my favorile course
Topic Two
Describe Jack Taylorin a
is macroeconomics. J ke jazz music a lay and
mv fever enger ta Elle Fitagarald. note to friend,
Afler J graduate, J hope to work in
ineemational banking and fo live in Garope and
Asia. J am quite interested n other counties
‘end exjoy meeting people from abroad. Of
conreey J alae tee te trowel Topic Three
Write a brief description of
Tim really looking forward to meeting you
your best fiend
Please write f you have time:
Sincerely,
Jack
Lesson One 5Do you live near here?
Conversation
Dr. Lee:
Ms. Lee:
Mayumi:
Dr. Lee:
Mayumi:
Ms. Lee:
Mayumi:
Ms. Lee:
Mayumi:
Dr. Lee:
Mayumi:
Dr. Lee:
Ms, Lee:
Mayumi:
Ms. Lee:
‘There are so many new faces at this reception.
Tecan hardly believe it.
Do you live near here, Mayumi?
Yes, I live on campus in a dorm,
How do you like campus life?
‘To tell you the truth, things
were a little difficult at first,
but now I’m getting used to being here.
Where are you from in Japant
T'm from Kyoto.
That's supposed to be a beautiful city.
Well, there are lots of famous places there.
By the way, what’s your major, Mayumi?
International Relations.
Oh is that right!
How interesting!
I guess you like it.
Wel, it keeps me busy.
Tl bet it does.
6 Fast FluencyVariations
Ican hardly believe it
wait till spring vacation
remember everybody's name
afford a new car
understand this chapter
How do you like campus life?
living in America
‘your history teacher
‘working at MacDonalds
this party
To tell you the truth, things were difficult.
I didn’t understand much when I arrived
my neighbors are alittle noisy
Pdrather live off-campus
failed the chemistry exam
That’s supposed to be a beautiful city,
can interesting field
the best newspaper in America
one of the oldest buildings in Europe
a difficult language to learn
By theway, what's your major?
who's your roommate
that’s Dr. Lee over there
how do you like your new job
let's have lunch together soon
Ob, ic that right!
how interesting
really
you don't say
that’s fascinating
Lesson Two 7Your Turn
I. Find out as much as you can ebout your partner. Teke some nuteyand be
prepared to tell someone else or a group what you have found out.
Here are some things to ask about:
name/nicknames eo ig
hometown ic Bene
family
current living situation
job
favorite subject
major field
favorite activities
hobbies
likesdistikes
travel
Use some of the following language:
Do you like ?
How doyoulike
What do you like about.
Where do you live?
What lo you like 10 do on weekend?
How do you spend your free time?
What's your favorite
Who's your javorite
2
TI, Nowtalk about your partner to somcone else (another student, a small
group, of the whole class). Tell them all the important information you
learned in activity “I” above.
IL, Tell the class about your country and your hometown or the region where
you are from. Where is it? What are the main attractions? Is it famous for
anything in particular? What do you like or dislike about it? What was it like
growing up there? What is the most interesting building? Who is the most
interesting person from there?
8 Fast FluencySharing
When we start a conversation in Enclish, whether with friends or strangers, there is usually
ashort warns-up period. If we don't know the person, we usually ask questions about where
they are from or how they like something. Depending on the situation, wecan talkabout
‘work or family also. Thisis called “small talk.” Such harmless and trivial exchange is ins-
portant or establishing a conversational relationship. Even with friends, we often talk
‘about the weather or other general topics before going on to more important matters. With
strangers, the kinds of opening questions vary with the culture.
LB there “small talk” in your native language? What kinds of things do you talk about
with someone you have just met? Does the content depend on the nationality, age, or
social status of the other person? Are there any taboo subjects? What do you talk about
wit friends after the initial greeting? How and when did you learn these customst
Tl Have you ever had any surprising or unusual conversations with strangers in your
native language? What did you talk about? What did the other person do or say that was
strange?
IIL. Have you ever seen a movie or television program in English? Did the characters use
small talk? How was it like or unlike greetings and small talk in your native language? Do
you think itis O. K. to speak English using the rules of your own culture about the subject
‘matter of small talk? Can you see any dangers in this?
Try Your Hand
ead the follewing listof nicknames end then writeon the topics below.
NICKNAMES Topic One
Men ny Write about some typical
Albert Al Catherine Cathy ee
Andrew Andy Christine Chris
Anthony Tony. Deborah Debbie
Charles Charlie Eleanor Ella
David Dave Elizabeth Betty Topic Two
Dent DE te Ag ee Make alistofnunesand
Francs Frank jac Jey (reat
John Jack Julia Julie
Joseph Joe Margaret Meg
Lawrence Larry Marjory Marge z
Mike ‘Martha == Marty Topic Three
Pete Paria’, (Pay Explais to someone from
Dick Rebecca Becky oe ent oe ae
Bob Sindra Sandy ta
Scephen Steve Suzanne Sve
‘Thomas Tom Virginia Ginny
Lesson Two 9Hi, how are you doing?
Conversation
Tom: Hi, Joanne, howare you doing?
Joanne: Not bad, Tom, how about you?
Tom: Oh, I'm 0. K.
Joanne: Just 0. K? Theard you and Mike found a great new apartment.
Tom: ‘Yeah, it’s pretty nice, but the problem is we have to move, and that’s
no fun.
Joanne: — I agree. Well, look who’s here.
Mike: Hello there, Joanne, how are things going?
Joanne: Pretty good, Mike. How have you been doing?
Mike: Well, staying fairly busy.
Tom: Did you talk to the landlord yet?
Mike: Yeah, we can move in on the thirtieth. One day early.
Tom: Wonderful! I can’t wait.
Me either.
Listen, you guys, I have to be going now. It was good sceing you.
Nice to sce you, too, Joanne.
Take care,
Bye now.
See you later.
10 Fast FluencyVariations
Mt, how are you dotngt
how are things going
hhow have you been
hhow have things been
hhow have you been doing
Oh, I'm ©. K.
alright
not bad
5050
pretty good
Wonderfull I can’t wait
terrific
great
fantastic
Listen, I have to be going now.
I must be going now
Thave to run
I need to go now
Thave to get going
Nice to see you, Joanne.
‘good seeing you
nice talking to you
enjoyed seeing you
good to see you again
Bye now, take care,
see you later
so long
have a nice day
take it easy
Lesson Three
ai]Your Turn
i
0,
Ml.
R
Say “hi” to yout partner and to as many other people as you can. Be sure to
use first names. 1f hey are far away from you, wave to them when you say
hello. Use as many variations as you can when greeting people and when
answering them.
Say hello to your partner and ask
about her or his neighborhood,
apartment, house, roommates,
family, pets, and the like. Switch
roles and talk sbout your living
situation. Finally, say you have
to be going and then leave.
Now have several short conversations with different people like this:
Say hello to several different dassmates.
Tell each of them something about yourself, something that happened
recently, or something you are going to do.
Tell them you have toleave and say goodbye,
Here are some subjects you can talk about:
‘your parents, friends, spouse, et.
wihat you did last weekend
ee u
new clothes
acD
your favorite pianist
«club you belong t0
00d food ‘\
the resent news AA yn
a TV program \
your job
amovie
problem
some good news
some bad news
yur social life or lack of t)
4 concert
‘Fast FluencySharing
° Wherewe live, pray, and play is important toall of us. Various cultures view space differ
ently, but people in many countries separate homes, churches, and places of entertainment.
Inpublic places, we know who stands where in a fine or who sits ina certain place in the
dining room or church, In other cultures, the rules are sometimes different. Breaking the
rules or violating space taboos can be as dangerous as serious errors in language communi-
‘cation, We must know both to communicate well.
| LHowis space divided up in your culture? Where do people live, pray, and play? Are
they separate? How can you tell these places spart? Are there any special rules or
| taboos about space and places?
IL Have you ever gone into a place where you were not supposed to go? What hap-
pened? Why did you go there?
IL In some countries, there are strict rules about where people can go. At one time in
certain parts of the United States, black people were not allowed to ride in the front
ofpublic buses or to use toilet facilities with white people. South African apartheid
laws also have closed certain spaces to black people. In some countries women are
forbidden to enter certain places. Have you heard of any other such customs or laws
inthe world? How do you feel about them?
Try Your Hand
‘The floor plan below is related to Topic One. The other topics deal with real and imaginary places,
Topic One
Imagine youare living in the
apartment oa the left. Describe
ito friend in aletter.
BEDROOM
LIVING ROOM
Topic Two
is st sanyo he
ost impresive place you
neers ae
BATH-
ROOM
DINING | KITCH:
Topic Three
ROOM EN Describe your dream house in
detail Let your imagination
ru free.
HALLWAY
Lesson Three 13Conversation
Ring. .. Riinng. .. Ritianng
Voice: Hello.
‘Mike: Hello, mayT speak with Mayumi
Voice: Hold on a second, please,
Hallo, thisis Mayumi,
Mike: Hello, Mayumi, this is Mike calling,
Mayumi: Oh hi, Mike,
Mayum
Mike: Listen, Mayumi, Iwas wondering ifyou would
like to go to the movies with me next Saturday,
Mayumi: Pdlove to, Did you have any particular movie in mind?
Mike: Well, how about that new Woody Allen movie?
Mayumi: That sounds great. Where should we meet?
Mike: Hmm, let’ssee, we could meet at the Cedar Hills Shopping Center.
Mayumi: Sounds good. What time should I be there?
‘Mike: The first showing is at 2:00, so why
don’t we meet about 1:00 and havea
quick sandwich before the movie?
Mayumi: That sounds O.K, ts
Mike: Well, it was nice talking
to you, Mayumi,
Mayumi: I'll see you Saturday,
Mike, Bye now.
Mike: Bye.
14 Fast Fluency
Hello, this is Mike calling.Variations
Hello, may I speak with Mayumi?
is Mike in
could I speak with Pedro
Ta like to speak with Mr. Brown, please
could you give me the sales department
Iwas wondering if you would like to go to the movies.
‘you have time fora chat
‘you'd lke to play tennis sometimne
‘you'd like o have dinner together soon
‘you'd like to join usfor bridge on Sunday
How about that new Woody Allen movie?
‘going to the Madonna concert
‘aquick sandwich
calling me tomorrow
meeting at 1:00
‘That sounds great.
good
wonderful
Tike fun
terrific
Why don’t we meet about 1:00?
‘goto the baseball game together
try that new pizza place
talk tomorrow on the phone
Ihave adrink together soon
Well, it was mice talking to you
Tejoyed talking with you
it was good chatting with you
it was nice to hear from you
thanks for calling
Lesson Four 15Your Turn
1. With your partner, practice using telephone language. Since you can’t see
people on the other end of the telephone line, look away from your partner
When you talkso that you can’t give or receive non-verbal hints, Calland
invite your partner to do some of the following. Then change roles, and your
partner will call you.
0 out for cofjee
study together for the test
goto Disneyland
have a pizza
play football
see “Back to the Future”
visit the Metropolitan Museum
go camping
{go out dancing
IL. You need to make an appointment at the places listed at the bottom of the
page. Take turns playing the telephone receptionist. Here is some telephone
language you can use:
A:Td like to make an appointment with
B: Certainly. What time?
A: Three o'clock.
B: Three o'clock is fine, We'll look for you then.
fornext Tuesday.
A: Could I possibly see on the thirtieth at____ o'clock?
B:’msorry, we're all booked up then,
A: How about on at ?
B. Yes. That's open. See you then.
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16 Fast Fluency t
FlaieSharing
"Language is only one aspect of communication. Non-verbal gestures and signals are sometimes
ven more important than words. A nod of the head, a wave ofthe hand can often express more
meaning than dozens of words. Non-verbal communication varies with the ature, and using
the wrong gesturcs can bedisastrous, We miss non-verbal omenunication when talking on the
telephone in a foreign language. Suddenly, the non-verbal hints are not there, and we must
depend on sounds alone to understand our conversation partner.
[Link] you think of somenon-vertl signals or gestures common in your country? What éo
peopledo when they sy hello or good-bye, when they apologize, when they are sad, happy,
embarrassed, surprised?
TL Gesture and movement are important in dramatic presentations. Have you ever seen a movie
‘ora play where you noticed this? Have you ever beertto the ballet orto other kinds of dance
performances which tella story? What wasitlike?
IIL Since English isthe international language, many people stady it, but what about the non-
‘vabal aspect of communication? What happens if we speak English but use non-vertat signals
ffom another culture? When communicating internationally in English, how can wesolve the
differences in non-verbal commurication between countries and cultures?
Try Your Hand
Study the following lit and then write on the topics Below.
Peunuus Tuventous
tuple One
Choose one ofthe inventions
and write aboutits importance
inyouelife.
Date Invention Inventor
HAT Movable Type Gutenberg (Germany)
1583 eadhlum Galo aly)
168 Telexope Lppersey Wethotand) Topic Two
1642 Adi Machine Pascal ren) Writea short note about any
1709 Fano. Gistofori (aly) Aarne ee
1829 Lacomoliwe ——_Slepheaso nga)
1835 Photopaphy —_Diguere (france)
1516 ‘Telephone Bal 8.41
1877 Phonegraph son. S.A.)
1889 Automobile Daimler (Germanyt
1605 Rai Marc (la)
Airplane ‘Wright Bros.
Topic Three
‘Whatinveation do you think
fas changed theword moze
‘than eny oer? Explain why.
Lesson Four 176] Do you happen to know... ?
Conversation
Mayumi: Excuse me, but I need to get to the Cedar Hills Shopping Center,
‘Do you happen to know which bus I should take?
Lady: Ub, letmesee. I'm pretty sure it's number 44,
Moyurais Eace. Aud could you tell me where the bus stop is?
Tady: Oh, sure, It’s right over there, across the street.
Mayumi: Thanks so much. Do you by any chance know how long it takes to get
there from here?
Lady: Oh, I'd say about twenty minutes or so.
Mayumi: Do you mind if ask you one last question?
Ladys Sure. na problem
Mayumi: Do you happen to know how much the bus fare is?
ady: Tm faily sure i's sixty cents, but you'd better ask the driver just to be
on the safe side,
Mayumi: O.K, Thanks alot. [really appreciate your help,
Not at all. Glad to be of help. You'd better hurry, though, the bus is
coming now. Good luck finding the Shopping Ccates.
Mayumi: Thanks a million,
You bet.
18 Fast FluencyVariations
Tneed to gt fo the shopping center.
catch the bus
take a break
do some shopping
meet my friend, Tom
Do you happen to know which bus should take?
have a map of the city
have some time this afternocn
know what time the show starts
have a spare pen
Could you tell me where the bus stop is?
‘when the next flight leaves
how to get downtown
‘who is in charge of sales
show much this costs ~
Do you byany chance know how long it takes?
need a new car
remember her name
have the time
watch the evening Blab eeeee oc
‘Thanks ator BERS yee RIGHT OVER
oe THERE.
‘very much
a million
loads
Notat al, Glad to be ofhelp.
don't mention it
you bet
wy problem
‘no trouble at allYour Turn
I. _ Below are some symbols you often see in public places. Take tums asking
your partner what they mean, Here is some suggested language:
Do you by any chance know.
Do you happen to know...
Could you tell me...?
Do you mind if Task you... ?
SOS i Ht Ot
RAS. Cee
I, Almost everyone knows how to DO at least one thing well. It may be our job,
our major in school, our hobby, a sport, playing a musical instrument, or
something else. Find out what your partner knows how to make or do best.
Then askher or him to tell you as much as possible about thet activity. Ask
as many questions about that subject as you can, Be specific. Then tell your
partner what you can do best and answer his or her questions about it.
II, Partner A is Chief of Detectives at the International Bureau of Investgation
(1BI). Partner B is an investigator and must find out all the information
about a new case and what the IBI’s mission is. Here are the cases below.
Partner A explains case 1; then Partner B explains case 2. DON'TLOOK AT
YOUR PARTNER'S CASE DESCRIPTION. What was stolen? How much is
it worth? Who stole it? Why? Where? When? For what purpose? How serious
| isthe case? What can we do?
case 1 Partner A): A priceless peat
nectace. "the Menmai’s Tear” has
been stolen, is value is over mil
ion dolla Itbelongstethe Queen
fof the ancient Mediterranean
county of Lazadors The King
Jeoesn’ewantthepresstoknow
Jabout the theft. The IBI’s
mission isto recover the
| neckiace quietly and
quickly. The only chusie
enoesigned with"V"
CASE2 (Partner B):Poi, |
son waeetolen from iby
ratory in the capital cir of |
Zeronagrad, There is enough
poison to kill the entire cty| \
Terrorists have made a phone| |
call tothe mayor and want al po.
litical prisoners freed or they
pour the poison in the water supply,
‘The IBI's mission is to find out who] |
stole the poison, get the poison back |
andio capturetheterroristsdead ordive
| 20 Fast Fluency/ Sharing
Communication is no longer simply aface-to-fae activity. The mails, the telephone, and
the telegraph have been with us for vears. and now facsimile trancmiesion (FAX), copiers,
Aligitl storage, computers, and satellites enable us to find out what we need to know almost
instantly. English is by far the most frequently-wsed language when messages are sent
‘round the world through these new media. In this sense, English has come to play a central
role in the “information revolution” and the “communication revolution.”
|.In the United States, one third of all people use a computer regularly. Are computers
\idely used in your country? Who uses them? What for? Do you feel that computers are an
important aspect oflife in your country? What about satellites? How about cable telev
IL, How do you get the information you need? Through books? Radio? Television? Other
sedis? When you write, do you simply use a pen or pencil? Do you know how to type?
Have you ever used a computer? What for? Do you watch television very much? Do you
vatch video moviesat home? How do you feel about the new communications media?
I, Do you think the new communications media mentioned above are changing the
world forthe better Is, discuss some of the positire aspects of modem communications
technology. If not, what is the negative side of these inventions?
ry Your Hand
Look atthe following definitions and then writeon the topics below.
Topic One
What fit a technology had
On your everyaay it Wie
short eseyof explanation
eoooneS aeean
“SEE ERLTutorA
pe eee ee ae
Modano rans dove hh erties crguters to
ise wards topos hea to Somuncaea
‘Tetcormunteaians (Grek “slr corrurcatn
‘Sar Saence tg lore toaara cartons
Sofeware—irforratin which tls hansiare what to do
‘Sito yee ws an ware
law rater asprcie wytopree pent
things you don't understand
about computers.
Detaase-accletont rmaton tt cane
“Svar ways cs conpuce si arched oot
CD-ROM» conpac: dick ue wed in tre
srarts fare’ etgare canoe carters
SorREar tare Saad ota
Soe pete aey spies
are dangerous. Write a short
‘ssay explaining why you
agrecor disagree.
Lesson Five 21Go straight down this street.
Conversation
Mayumi:
Man:
Mayumi:
Man:
Mayumi:
Man:
Mayumi:
Mayumi:
Man:
22 Fast Fluency
Pardon me, but I'm looking for the Cedar Hills Shopping Center.
Could you please tell me how to get there?
‘Well, let me think now. You go straight down this street
and take alleftat the next corner.
Uh, huh,
‘Then you'll see a large supermarket on the right. 0. K?
OK.
Go past that supermarket and turn right at the next traffic signal. You'll
find the shopping center on the left hand side of the street, im the
middle of the block, across from the bank.
Ise, Left at the next corner and then right at the stoplight.
Exactly, You've got it.
‘That sounds pretty easy.
Thanks so much.
Just be careful
not to take
the wrong turn
at the stoplight.
Twill.
‘Thanks so much.
My pleasure.
Don't mention it.Variations essere
Pardon me, but T'm looking for the shopping center,
‘a bookstore
the nearest gas station
the rest room
the closest post office
‘Well, let me think now.
let's see now
just a second
let me think a minute
etme see now
Go straight down this street and take a lef,
turn right
Exactly. You've got it.
‘you understand
that's it
‘you're right
‘youll eve no probhins
‘That sounds pretty easy,
‘fairly simple
difficult
hhard to find
easy to get 0
Just be careful not to take the wrong tur,
go straight down thie creat
-youdon’t make the wrong turn
of the traffic
about arriving on timeYour Turn
L
Here are two different versions of the same map, one for Partner A, one for
Partner B. Choose one map and cover the other one. DO NOT LOOK AT
YOUR PARTNER'S MAP. Find out the missing information from your
partner. You are both at the corner of Washington and Broad.
PARTNER A:
‘Ask your partner where the following places are and write the answers on
your map.
Be
Doctor's 3 Auto Showroom
one —T_| § | sne Café Formidable
el VY Candy Store
& Broad Street ” Market
= lorist
‘ark +
3 |—~Beauty Salon Hotel Royale
Post | = Super Laundromat
of isan art
PARTNER B:
I.
‘Ask your partner where the following places are and write the answers on
your map.
Fehlaet
gg [ —ptanremat
Bank 5 sl :
Hotel Royale
Bor eet 2 Lo Frome
Beauty Salon s
Doctor’s Office 2 Broad Street
Post Office B [Feist
Shoe Store =
Super Discount Mart
Zz fete hw
Candy Store
Your partner is coming to visit. Drawa map of where you live. Then
explain how to get to your house. Make sure your partner understands.
Switch roles.
Fast Fluency









