Art and Politics
FR 269/CLT 231F/PSC 282/AAS 269
Spring Term 2005
Kimberley Healey
Jim Johnson
Lattimore 411 Tel 5-4355
Harkness 312 Tel 5-0622
[email protected][email protected]Office hrs: Tues/Thurs 12:20-1:20
Office hrs/ Tues. 9:30-11:00
This course on the interactions between art and politics in the twentieth century will be
conducted as an intensive and advanced seminar. Drawing on art history, literature and political
theory we will explore the ways that politics and the practices of artistic representation intersect.
Much of the course will treat questions of race and identity. Our focus will primarily include
French and American examples including but not limited to the representation and theoretical
discussion of war, torture, forced migration, lynching, globalization and racial categories.
Students will be expected to look at art, read poetry and literary texts, analyze and understand
political theory and participate in a series of speakers and symposia outside of the class. This
course has been designed for students from across the humanities and the social sciences.
Course Grade:
35% Participation (including attendance to play, make-up classes and several presentations);
More than 2 unexcused absences will result in a lowered grade;
5% Short (3 page) writing assignment;
20% Take-home midterm;
15% Oral presentations to be done in small groups of roughly 10 mins; Each student also must
turn in annotated bibliography showing that you have read the
sources used in the presentation (The group can use same sources but notes must be your
own at least a few sentences per source) you must cite
at least 3 non-internet sources;
25% A 15 page independent research paper or project (topic must be approved by both faculty
members by March 3 this option is required for those taking the course for the Political
Science "W" requirement) or take-home final (3-4 specific essay questions, 10-12 written
pages).
We will provide complete, detailed instructions for each assignment.
NOTE: We have not ordered books for this course. Most of the readings will be on electronic
reserve at Rush Rhees Library. But We will ask you to purchase several texts which should be
available at your favorite on-line used book purveyors.
January
Mon.
Tuesday
Wed
.
Thursday
Fri.
13 Introduction
Distribute syllabus;
What is art? What is politics?
14
17
18 Introduction
READ: Karl Marx
"Contribution to the
Critique of Political
Economy"; Michel Foucault
"What is an Author";
Hannah Arendt, "The Crisis
in Culture"; John Dewey
Art and Experience (Ch 1);
Walter Benjamin "The
Work of Art in the Age of
Mechanical Reproduction"
(520-7)
19
20 Introduction
READ:
John Hutton "Pieties and
Impieties" (74-82);
August Endell excerpt "The
Beauty of Form"(59-61);
Kandinsky "Concerning the
Spiritual" (82-89);
Anthony Appiah "Postcolonial and
the Aesthetic"(374-379);
Clive Bell "The Aesthetic
Hypothesis"(107-110);
Klingender "Content and Form in
Art" (437-9).
21
24
25 Introduction
26
27 Migrations
28
First writing assignment
what is art? what is politics?
READ: Edouard Glissant
The Black Beach;
Diego Rivera "The
Revolutionary Spirit"(421424);
Maya Lin "Untitled
Statements" (524-5);
Arthur Danto "The Abuse
of Beauty" ;
Clifford Geertz "Art as a
Cultural System" (109-18).
READ: Stephen Castles. The
International Politics of Forced
Migration";
Michel Foucault
"Governmentality" and "'Omnes
Et Singulatim': Toward a Critique
of Political Reason";
Hannah Arendt "The Perplexities
of the Rights of Man".
February
1 Migrations
Sebastiao Salgado
Migrations
(Selections).
READ: Elaine Scarry
On Beauty and Being
Just (pp. 58-93).
Derek Walcott The
Fortunate Traveler
(Selections);
Adam Jagajewski
"Refugees".
8 Migrations/War
FILM: "Marooned in
Iraq"
9 Aaron
McGruder visit
15 War
Pablo Picasso
"Guernica"; Robert
Motherwell "Elegy for
the Spanish Republic";
Jacob Lawrence "The
War Series".
READ: Maya Lin
"Landscapes and
Memorials";
Critical Art Ensenble
Electronic Civil
Disobedience and
Resisting the Bunker
Jacob Lawrence "The
Migration Series."
READ: Anne Rice, ed.
Witnessing Lynching
(Selections);
Carol Stack Call to
Home
(Selections).
10 War
11
READ: Marguerite
Duras The War (Section
1); Futurist manifesto at
http://cscs.umich.edu/~cr
shalizi/T4PM/futuristmanifesto.html;
Adorno from
"Commitment" (779783) art after Auschwitz.
READ:
Aaron McGruder The
Right to Be Hostile
(Selections);
14
3 Migrations
16
17 War
Golub, mercenaries;
Purple Hearts photo
essay by Nina Berman.
READ: Golub interview
(241-244); Jorg
Immendorf (255-257);
Rosenquist (347-349)
CA Sourcebook, Gustav
Metzger pp. 8-19,
manifestoes (401-4) CA
Sourrcebook.
18
21
22 War Mouloud
Feraoun reflections on
French-Algerian War
(Selections).
23
24 NO CLASS
Play;
Take Home Midterm;
READ: Artaud Theatre
of Cruelty, both versions
25 Play
Major
Barbar
a
March
Monday
Tuesday
Wednesday
Thursday
Friday
1 NO CLASS
Arts Library
Orientation
3 Art In the
Streets
READ: Martin
Luther King, Jr.
"Letter from
Birmingham City
Jail"; Elizabeth
Spelman "Anger:
The Diary";
Critical Arts
Ensemble
Recombinant
Theater & Digital
Resistance
READ:
Douglas Crimp
Aids
Demographics
7 spring break
8 ---- READ
Sanford
Levinson
Written in Stone
9 ---------
10 -----------------
11 ----------------
14
15 Art In the
Streets
Barbara Kruger;
Jenny Holzer;
Krzysztof
Wodiczko.
READ: P.
Phillips
Creating
Democracy: A
Dialogue with
Krzysztof
16
17 Art In the
Streets
18
group
presentations
Wodiczko;
Keith Haring
(369-71) CA
Sourcebook
21
22 Art In the
Streets
23
24 Torture
The Abu Ghraib
Pictures.
READ: Susan
Sontag "Against
Interpretation"(24
9-255); Susan
Sontag
"Regarding the
Torture of
Others"; Mark
Bowden "The
Dark Art of
Interrogation"
30
31 Torture
Elaine Scarry The
Body In Pain
(Chs. 1&3).
group
presentations
28
29 Torture
group
presentations
READ: Simone
de Beauvoir on
Djamila
Bouchala; JeanPaul Sartre The
slow death of
Andreas Bader
at
http://
www.marxists.
org/reference/
archive/sartre/
1974/
baader.htm
25
April*
Monday
Tuesday
Wed
Thursday
Fri
5 Torture group
presentations
7 Thinking In Color
READ: Anthony Appiah "Race,
Culture, Identity";
Ludwig Wittgenstein Remarks
on Color ;
Patricia Williams Seeing a
Color-Blind Future.
READ Jeff Donaldson "Ten in
Search of a Nation"(366-9) CA
Sourcebook
11
12 Thinking in Color
13
READ: Coco Fusco &
Brian Wallis Only Skin
Deep (Selections)
14 Thinking in Color group
presentations
15
READ: Edouard Glissant The
Relative and Chaos and
Distancing, Determining
18
19 Thinking in Color
group presentations
20
21 Do Art & Politics
Necessarily Intersect Around
Events? Readings TBA
22
25
26 last class
27
28
29
* 2 Thursday evenings in April make-up class for oral presentations.
