Les Machines de l'Île 2019 Overview
Les Machines de l'Île 2019 Overview
— 2019 —
CONTENTS
IN THE UNIVERSE OF LES MACHINES DE L’ÎLE ..................................... P.3
THE GALERIE DES MACHINES .....................................................................P.4
THE GRAND ÉLÉPHANT ............................................................................. P.6
THE CARROUSEL DES MONDES MARINS ................................................... P.7
THE WORKSHOP, THE FILM, THE EXHIBITION AND THE PROTOTYPE
BRANCH ............................................................................................................... P.10
THE COMPANY LA MACHINE ................................................................... P.11
THE HERONS’ TREE ................................................................................... P.12
THE GIFT SHOP AND THE CAFÉ DE LA BRANCHE ................................... P.14
SEASONS OF LES MACHINES DE L’ÎLE ...................................................... P.15
4TH ÉDITION: NANTES MAKER CAMPUS FROM 5 TO 7 JULY .................. P.1 6
THE TRAIL ON THE SITE OF THE FORMER SHIPYARDS ........................... P.17
THE CO-AUTHORS OF LES MACHINES PROJECT ...................................... P.18
A MEANINGFUL, INSPIRATIONAL URBAN PROJECT .............................. P.19
FINANCING ............................................................................................... P.21
LE VOYAGE À NANTES .............................................................................. P.22
SPONSORS OF THE MACHINES DE L’ÎLE .................................................. P.23
2019 OPENING HOURS AND DATES ................................................................ P.24
PRACTICAL INFORMATIONS & PRICES ..................................................... P.25
MAP ........................................................................................................... P.28
IN THE UNIVERSE OF
LES MACHINES DE L’ÎLE
Located on the site of the former shipyards, emblematic place of
the industrial and port heritage of the city, extraordinary machines
are being built. “Les Machines de l’île”, monumental mechanical
structures open to the public, imagined by François Delarozière
and Pierre Orefice, is an unprecedented artistic project.
Nantes Métropole decided to breathe new life into the site of the
former shipyards by creating a large-scale tourist and cultural
project, as part of the urban redevelopment of the Île de Nantes.
The first machines came to life in 2007 with the Grand Éléphant’s
first stroll and the visit of the Galerie des Machines. In 2012, the
IN 2018
opening of the Carrousel des Mondes Marins was the result of the 642 670 VISITS, INCLUDING:
work initiated since the inauguration based on the theme of the sea.
303 419 VISITS IN THE
GALERIE DES MACHINES
Today, the limitless ways of imagining vegetation have been given
85 471 RIDES ON THE GRAND
centre-stage in the Galerie des Machines, heralding a new chapter ÉLÉPHANT
in this incredible adventure: The Arbre aux Hérons (Herons’ Tree) 252 119 VISITS IN THE CARROUSEL
in the Chantenay quarry. Opening expected in springtime 2022. DES MONDES MARINS
1 661 VISITS AT NANTES MAKER
Visitors can watch the creators of the company La CAMPUS
Machine at work in the workshop from a gangway. 4447 TICKETS SALES FOR SEASONAL
PROGRAMMATION
(PRINTEMPS DES NEFS, ÉTÉ INDIEN
From sketches, that call to mind the inventions of Leonardo AUX NEFS, NOËL AUX NEFS)
da Vinci, to the machines in operation, the entire creative
process is presented in a magical site, which resembles
both a laboratory and a performance/exhibit.
Since 2018, you can discover the crucial prototypes for the studies of the
Herons’ Tree set up in the Galerie and a large 1:5 scale model of the trunk,
branches, struts, and roots. In 2019, a sloth and a hummingbird joined an
other giant hummingbird gathering nectar from a flower, a flock of wild geese,
a mechanical spider, a giant ant, an inchworm, and an 8 meters heron joined
the bestiary of the Herons’ Tree at the heart of the Galerie des Machines. They
will be the first prototypes to inhabite the Tree.
Since the initiation of the study phase on the Herons’ Tree in 2017, the Galerie des
Machines is the sharing place of this fantastic artistic adventure, which is also a real
technical and industrial challenge. As a tree growth, his construction is a living process.
From the very first sketches to fully functioning machines, the entire creative process is on
display in this Galerie-Laboratory. It shows the construction of the Grand Éléphant, of the
Carrousel des Mondes Marins and the ongoing research being done for the Herons’ Tree.
Once aboard, the passengers will see the moving gears that power the legs.
A machinist will tell stories about the elephant and have it trumpeting. FEATURES
12 M (40 FT.) HIGH, 8 M (26 FT.) WIDE
AND 21 M (70 FT.) LONG
Being on the back of the Grand Éléphant, is like being on the 4th
48,4 METRIC TONS OF WOOD (TULIP
floor of a travelling house, with a breathtaking view of the former POPLAR AND BASSWOOD) AND STEEL
shipyards. In this carriage, the passengers travel out of time to METAL BODY LUBRICATED WITH 2500
the imaginary world of Jules Verne in the city where he was born. LITRES OF IDRAULIC OIL
2 500 LITRES D’HUILE HYDRAULIQUE
Every weekend, several hundred people accompany it.
150 HP MOTOR
SPEED 1 À TO 3 KM/H
Last year, The Grand Éléphant has gotten a facelift after nearly 20,000 kilometres SET IN MOTION USING 62 CYLINDERS,
(12,500 mi.) and no less than 23,000 trips. He get back, and more silent than 46 OF WHICH ARE HYDRAULIC,
6 PNEUMATIC AND 10 GAS POWERED
ever, with a new hybrid motor following the hybrid motorization of the dragon
horse Long Ma. The world’s first eco-friendly mechanical pachyderm! 3 DIFFÉRENTS ITINERARIES
DURATION: APPROXIMATELY 30 MINUTES
Those who are curious to know more can follow the Grand Éléphant’s evolution in (INCLUDING BOARDING/LANDING)
the workshop, and then later in the walkway of the walkway of La Machine’s atelier. AN INDOOR LOUNGE WITH FRENCH
DOORS AND BALCONIES
A TERRACE ACCESSIBLE VIA STAIRWAYS
* According to schedules
The film
A 14-minutes film, realized by Dominique Deluze, describing the entire
adventure of Les Machines de l’île is shown on one of the terraces. It tells
the story of the Machines de l’île, from its genesis to today.
Movement
At the heart of the artistic process of the company La Machine,
motion is interpreted as a language, as a source of emotion. The
machines come to life thanks to manipulation. A scene is played out
between the people handling the elements and the public.
Work
What is produced by a workman, a craftsman, an artist. This is exactly
the superimposition of the gestures of each member of the building team
of the company La Machine that makes a sensitive object of this work.
Studies today are being carried out on the development of the flora with the goal of obtaining
a clean ecosystem. The Prototype Branch located above the gift-bookshop has been walked
on over 4 million times since the Machines de l’île opened in 2007. It has allowed us to test
the sturdiness, safety, and possibility of growing vegetation in the suspended gardens.
“If we’re showing up in unexpected places, it’s no accident. Our Award in Los Angeles, La Machine
in Beijing and throughout the world, our encounter with the Makers movement, our conferences
at the Maker Faire in Paris and New York, François Delarozière’s assembly before the West Coast
Makers in San Francisco, both visits to Nantes by the California founders of the Makers movement,
as well as by the art director of Burning Man... all of this shows that we’re also seen as a hub of
innovation, technology, and industry throughout the world.”
Both a science festival and an all-out celebration, the Nantes Maker Campus brings
together tech enthusiasts, manufacturers, amateurs, engineers, science clubs, artists,
students and start-ups.
What sets it apart from the 120 other Maker Faires around the world is how it showcases
designers and builders who work in artistic fields and wish to meet the public. You’ll find
exceptional machines roaming between the Maker Faire, rue des Nefs, and the square
outside the Machines de l’île.
This is where one of the éléphant boarding platforms is located. On one side is the Galerie des Machines with a
capacity of 300 people, where the public can in particular discover the universe of plants and of the Herons’ Tree.
On the other side is the workshop and the bar/gift shop. A gangway upstairs overlooks the workshop so that
visitors can watch the creators of the company La Machine at work, and then access the Branch of the
Herons’ Tree. Another gangway leads to the Elephant boarding platform.
FRANCOIS DELAROZIERE His latest production, LongMa Jing Shen, features a horse
named Dragon, and was created in 2014 for the 50th
François Delaroziere graduated from the Beaux-arts de
anniversary of diplomatic relations being established
Marseille fine arts school and founded the association,
between France and China, which was held in Beijing. Since
La Machine, in 1999. Its mission was to build sets and
then, it has been presented in Nantes, Calais and Ottawa.
machines for the theatre, as well as merry-go-rounds. As
the company’s artistic director, he has tirelessly explored
PIERRE OREFICE
the art of machines in movement and their ability to
Pierre Orefice holds a masters in economics and attended
enchant spectators.
Sciences Politiques in Paris. From 1985 to 1998, he was the
producer and administrator of Royal de Luxe, the street
In 2003, François Delaroziere and Pierre Orefice created
theatre company based in Nantes since 1989. He also
Les Machines de l’île as a way of accompanying the urban
directed the project Cargo 92. Le Cargo Melquiades-Ville de
renewal of the westernmost tip of l’Île de Nantes designed
Nantes carried on board four French theatre companies –
by architect Alexandre Chemetoff. This cultural and
Royal de Luxe, Mano Négra, Philippe Découflé and Philippe
touristic project paved the way for the “machines de villes”:
Genty – and docked at eight ports in South America.
these either mobile or permanent structures revitalize
urban space.
From 1998 to 2007, Pierre Orefice was the artistic director
In 2005, he also participated in the architectural revamping
of Manaus – an association creating and producing
of Le Channel – Calais’ state-funded theatre – alongside
events in outdoor urban spaces. As such, he was invited
Patrick Bouchain. In 2013, he created the project, “Les
by the cities of Antwerp and Nantes to coordinate their
animaux de la place” in La Roche-sur-Yon.
respective celebrations of the new millennium on the night
New projects for permanent machines would soon be
of December 31st 1999. In 2004, he created an event for
completed – first in Nantes, with the Heron Tree, which he
Nantes’ Floralies festival by building “the vegetal port of
has co-designed and built. Toulouse and Calais will also be
l’Île Feydeau,” followed by the “Embankment Gardens” in
home to new creations in 2018 and 2019 respectively.
the Ceineray basin. In 2013 – the year when Nantes was the
European Green Capital – this creation became permanent.
François Delaroziere is also a scenographer and theatre
Since 2001, Manaus has worked on the outdoor sets of the
director. As such, he was responsible for Le Grand
fictitious State of Groland, as well as the organization of
Répertoire – Machines de spectacle: a performance-
the 2004 edition of the Angoulême International Comics
exhibition featured between 2003 and 2006. Again in 2003,
Festival, where Groland was invited as guest country.
he created La Symphonie Mécanique with Mino Malan,
combining the worlds of classical music and mechanical
Co-author with François Delarozière of the Machines de
sounds. In 2008, Les Mécaniques Savantes were a world
l’île, Pierre Orefice is its director. He also is the director
exclusive in Liverpool during its year as the European
of the Nefs and the art director of the Seasons of Les
Cultural Capital. This mechanical bestiary was presented
Machines: Printemps des Nefs, Été indien aux Nefs and
the following year in Japan for the 150th anniversary of the
Noël (theater, music, circus, dance…) aux Nefs and Nantes
port of Yokohama. In 2010, a new show was born: Le Dîner
Maker Campus.
des petites mécaniques, which reinvented the culinary
He settled in the Herons’ Tree endowment fund created by
arts, while L’Expédition végétale and its crew of botanical
Nantes Métropole in 2017 in order to co-pilot the project.
scientists took flight.
Pierre Orefice was dubbed Chevalier de l’Ordre des Arts et
des Lettres by Aurélie Filippetti, Minister of Culture in 2013.
18 PRESS PACK 2019
A MEANINGFUL, INSPIRATIONAL
URBAN PROJECT
The Île de Nantes is a huge area undergoing redevelopment
located in the heart of the city along the banks of the Loire River.
The Machines project highlights this essential component
of Nantes history by blending technology and poetry to give it
new life.
Nantes Métropole wanted to give a new vocation to the site of the former shipyards while still
respecting its past. With the SAMOA, a public-private corporation in charge of orchestrating the
urban redevelopment of the Ile de Nantes, Nantes Métropole wanted, with the Machines project,
to create a tourist attraction with a strong arts focus in the public space. The 337-hectare Ile de
Nantes project is one of the largest urban projects in Europe. The redevelopment plan, designed
by the team of Alexandre Chemetoff, urban planner and architect, respects the principles of
sustainable development and expresses the diversity of both the population and the architecture.
[Link]
Total cost of the first phase: 7.7 M € Total cost of the project of Le Carrousel des Mondes
- Artistic (Gran Elefante and Galerie des Machines): Marins : 10 M €
5.2 M € - Artistic: 5.7 M €
- Construction of the company La Machine workshop - Shell and spatial planning: 4.3 M €
and the Galerie des Machines (rehabilitation of the
warehouses not included): 2.5 M € Financing shared by
Nantes Métropole: 36,5 %
Financing shared by European Union: 20 %
Nantes Métropole: 50.4 % French Government: 20 %
Pays de la Loire Region: 26.6 % Loire Atlantique department: 13,5 %
European Union: 23 % Pays de la Loire Region: 10 %
Its mission is to promote the cultural project established by Nantes, and more generally by
the destination of Nantes Métropole. To this end, and what makes this structure exemplary,
is the yearly event it organizes every summer highlighting this cultural project via an urban
itinerary, where city spaces are filled with both temporary and permanent artworks.
It was decided that, as of 1st January 2011, tourism and key cultural sites would be merged
into a single structure.
Le Voyage à Nantes brings together all the local governments of the region within its pool of
shareholders: Nantes Métropole (68%), the Ville de Nantes (18%), the Région des Pays de la Loire
(5%), the Département de Loire-Atlantique (5%), the Ville de Saint-Nazaire (3%) and the local
towns making up the Coeur d’Estuaire, Loire et Sillon and Sud Estuaire (1%). Le Voyage à Nantes,
headed by Jean Blaise, is chaired by Fabrice Roussel, Nantes Métropole Tourism Vice-Chairman.
His Vice-President is Stéphane Junique, Deputy of Heritage and Tourism for the City of Nantes.
INFORMATIONS
& PRICES
NON-STOP TICKET SALES, DURING THE TICKET OFFICE OPENING HOURS,
WITHIN THE LIMIT OF THE NUMBER OF AVAILABLE PLACES
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provide proof
Additional ride: 3€
Family price : valable le jour même
• 30,20€ for 1 adult and 4 young people
(4-17 years old)
• 31,80€ for 2 adults and 3 young people
(4-17 years old)
ACCESSIBILITY
Galerie and Carrousel des Mondes Marins:
accessible to disabled people
Grand Éléphant ride:
1 disabled place is possible per ride.
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PASSES
Pass Ambassadeur : 38€
nominative - unlimited access to the Galerie
and to the Carrousel (without ride)
1 Éléphant ride – 5% discount at the gift shop
valid for 1 year.
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METHODS OF PAYMENT
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LE CARROUSEL LA GALERIE
DES MONDES DES MACHINES
MARINS