2016

BROCHURE
#LIVEFORMUSIC

#LIVEFORMUSIC

MARSHALLAMPS.COM
Marshall Amplification plc, Denbigh Road, Bletchley,
Milton Keynes, MK1 1DQ England

Whilst the information contained herein is correct at the time of publication, due to its policy of constant improvement
and development, Marshall Amplification plc reserves the right to alter specifications without prior notice.
 CONTENTS For further information on any of the products featured in
this brochure, please visit marshallamps.com

INTRODUCTION
24
02 #liveformusic
04 The Sound’s Source
05 The Sound’s Reach
06 Made in England

AMPS 08
08 CODE
10 Mini Silver Jubilee
12 Astoria
14 Silver Jubilee & 50th Ann. Stack
16 MG Carbon Fibre Series
20 DSL Series
28 22 JVM2 Series
24 JVM4 Series
28 Handwired Series
32 Vintage Re-Issue Series
36 Acoustic Series
38 Micro Amps

SPEAKER CABINETS 40
40 Build

16 42
44
4 x 12"
1 x 12"/2 x 12"
46 MX Speaker Cabinets

DESIGN STORE 48

PEDALS 50
50 FX Pedal Range
52 Stompware®

50 LIFESTYLE 54
56 Stereo Loudspeakers
58 Headphones

AMP SPECIFICATIONS 60
47 58

Marshall 2016 Brochure   |  1

 No matter who you are; no matter where you
are from; or what your background is, one thing
can unite us all – music.
It’s self-expression; it’s feeling the connection;
it’s laughing; it’s crying;
it’s inspiring. It’s concerts; it’s festivals;
it’s the time of your life.
Music is magical. We love everything about it –
the people, the scene,
the lifestyle. We live for music.

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 THE THE
SOUND’S SOUND’S
SOURCE More than half a century ago, Jim Marshall,
REACH
Marshall amplifiers have been, and are, used by many
the founder of Marshall Amplification, began building great guitarists, with the iconic ‘wall of Marshalls’
amps in the back of his West London music shop. being the backdrop to uncountable live performances:
Hendrix, The Who, Led Zeppelin, AC/DC, the list goes on.
This was in response to the conversations
he’d had with the likes of Pete Townshend,
Richie Blackmore and many other artists, Having played a pivotal role in rock music’s sonic
about how they just couldn’t find the sound evolution over the past five decades, the Marshall
they were looking for. They wanted a sound sound has become the ‘sound of rock’, with the
that was more powerful; more than that, they Marshall signature logo and the stack or half stack
wanted ‘tone’, and they wanted it loud. being immediately recognisable the world over.

Jim discovered that pushing the valves harder To become a global icon takes dedication,
inside an amplifier would produce the sweet, innovation and passion; a passion for making
harmonically complex tone that Townshend, genre-defining amps; a passion for music.
Blackmore and others were looking for.
He set to work with his team on what was Share our passion for music – whether you’re
to become the archetypal rock guitar learning to play guitar or performing in front
amplifier: the JTM45. And with the JTM45 of thousands, there’s a Marshall amp for you.
a revolution was born: the ‘Marshall Sound’.

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 MADE
IN
Images?
Almost all Marshall valve amps and cabs are made in Britain at
the Marshall production facility in Bletchley, England, where
they have been made continuously since 1966.

Every amp and cab made at Bletchley is made with passion

and precision, with a human touch that’s rare in today’s
manufacturing processes: precision wiring, speaker fitting,

ENGLAND
and amp and cab covering are all done by hand.
It is this attention to detail that sets Marshall apart.

TO DISCOVER
MORE ABOUT
OUR SKILLED
CRAFTSMANSHIP
AND BUILD
PROCESS GO
TO PAGE 34.
6  |  Marshall 2016 Brochure Marshall 2016 Brochure   |  7
CODE
NEW FOR 2016
TM CODE is a new generation of Marshall amplifier. Fully
programmable, with 100 user editable Presets, CODE
combines authentic Marshall-Softube (MST) amplifier and
speaker cabinet modelling with professional quality FX.
CODE features 14 classic & contemporary MST preamp
models (including JTM45, 1962, Plexi, JCM800, Silver
FIVE DECADES OF FINE TUNING. Jubilee and more) 4 MST power amp voicings and 8 MST
speaker cabinets. CODE’s 24 FX include: Compressor,
CODE100
100 Watt combo
classic stompbox distortions, Pitch Shifter, different types
of Chorus, Flanger, Phaser, Auto Wah and Tremolo, as well Built for performance, the CODE100 combo is loaded with 2 custom
voiced 12” speakers. MST modelling, professional quality FX and
as versatile Delays and Reverbs, with up to 5 FX dedicated CODE footcontroller (PEDL-91009 sold separately) afford
simultaneously. you the sonic versatility to perform in just about any playing situation.

Download the Marshall Gateway™ App for your iOS or

Android device to control CODE’s panel functions, easily
deep edit Presets and stream audio via Bluetooth. Share
and swap Presets with other CODE users and connect
CODE via USB to record with your DAW. CODE is a
powerful tool that lets you make music your way.

CODE25
25 Watt combo
The flexible CODE25 is a smaller amplifier with a big sound. MST amp and
speaker cabinet modelling with professional quality FX makes CODE25 great
for practice, loud or in headphones, and recording. CODE25 has a custom
voiced 10” speaker with well defined high, mid and bass response. CODE100H
100 Watt head
The CODE100 head has plenty of performance power. Paired
with the CODE412, the CODE100H is at home on any stage. MST
modelling, professional quality FX and dedicated CODE programmable
footcontroller (PEDL-91009 sold separately) makes the CODE100H a
serious performance amplifier.

CODE50
50 Watt combo
From practice to performance, CODE50’s got it covered. Intimate enough for
quieter or ‘silent’ practice yet gutsy enough for live performance. With MST
modelling, professional quality FX, Bluetooth/USB connectivity and custom
voiced 12” speaker, CODE50 offers maximum flexibility.

CODE412
Speaker cabinet
Loaded with 4 custom voiced 12” speakers, the angled CODE412
speaker cabinet, when used with the CODE100 head, gives you the
classic Marshall half stack experience. Turn it up and feel the wind at
your back.

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MINI SILVER JUBILEE
NEW FOR 2016

MINI
The JCM25/50 Silver Jubilee Series was produced in
1987 to celebrate 25 years of Marshall Amplification
and 50 years of Jim Marshall being in the music business.

JUBILEE
Inspired by this acclaimed series the 2525C 1 x 12” combo
and the 2525H ‘small box’ head combine Silver Jubilee
preamp features and styling in a lower power, ‘mini’
design.

MAXIMUM
This contemporary ‘mini’ take on the Jubilee Series fea-
tures: Bass, Middle & Treble tone stack, Presence, Output
Master (footswitch/pull channel), Lead Master and Input

TONE
Gain (pull rhythm clip), ECC83 (12AX7) & EL34 valve set
with FX Loop, power Output switch (20 Watt to 5 Watt)
and independent 4/8/16 Ohm speaker outputs.

The 2525 Mini Jubilee is expertly crafted and is designed,

engineered and constructed to the highest possible
standards at the Marshall factory in Bletchley, England.

2525H
20 Watt head
Mini Jubilee combines the aesthetics and panel controls of the 1980s Silver
Jubilee Series amplifiers in a quirky, boutique-esque design. Its preamp is
functionally the same to the original Silver Jubilee amplifiers and is supplied with
channel footswitch.

2525C
20 Watt combo
Mini Jubilee conjures up the sonic voodoo, and has the distinctive look, of those
original Silver Jubilee amplifiers. The Mini Jubilee combo is loaded with a single
12” Celestion G12M Greenback speaker. It’s a compact, lower power design with
lashings of tone.

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ASTORIA
AST2-H
30 Watt head
The Astoria Custom is for tone
seekers who want it vintage, but with
the convenience of contemporary
features, such as: valve driven,
footswitchable FX Loop with
independent Loop Level control, Body
control, footswitchable +20dB gain
Boost, Brightness, Edge and Power
Reduction.

PURE MARSHALL.
The Astoria Series is about pure, unfettered vintage tone, from loud, unbroken clean to
sublime saturation. Built for the connoisseur using precision point to point hand wiring,
Astoria is for the serious guitarist who craves authentic all-valve tone, but who also wants
contemporary features.

All three Astoria models are expertly crafted and are designed, engineered and
AST2-112
constructed to the highest possible standards at the Marshall factory in Bletchley, England.
Speaker cabinet
The AST2-112 is an optional speaker
AST2-C cabinet for the Astoria Custom
30 Watt combo head or for the Astoria Custom
combo as an extension cabinet. This
The Astoria Custom combo is loaded colour-matched mono 1 x12” cab is
with a single 12” custom-voiced loaded with the same custom-voiced
Celestion Creamback speaker. Celestion Creamback speaker as the
combo.

AST3-H
AST1-H 30 Watt head
30 Watt head The Astoria Dual, with footswitchable
channel change, can take you from
The Astoria Classic will appeal to
vintage pure-valve cleans, to dirty-
purists who want clean, authentic
sweet overdrive, to higher gain
all-valve tone, and to boutique pedal
harmonic distortion. Combine this
enthusiasts who will find it the perfect
with an independently controlled,
pure-valve foundation for their
valve-driven, footswitchable FX Loop
sound. It features: Power Reduction,
and extended tonal shaping: Body,
Sensitivity and Edge controls.
Edge and Power Reduction, for added
performance flexibility.

AST1-112 AST3-112
Speaker cabinet Speaker cabinet

AST1-C The AST1-112 is an optional speaker

AST3-C The AST3-112 is an optional speaker
cabinet for the Astoria Classic head cabinet for the Astoria Dual head
30 Watt combo or for the Astoria Classic combo as 30 Watt combo or for the Astoria Dual combo as
an extension cabinet. This colour- an extension cabinet. This colour-
The Astoria Classic combo is loaded The Astoria Dual combo is loaded with
matched mono 1 x12” cab is loaded matched mono 1 x12” cab is loaded
with a single 12” custom-voiced a single 12” custom-voiced Celestion
with the same custom-voiced with the same custom-voiced
Celestion Creamback speaker. Creamback speaker.
Celestion Creamback speaker as the Celestion Creamback speaker as the
combo. combo.
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SILVER JUBILEE & 50TH ANNIVERSARY STACK

POLISHING THE
The JCM 25/50 Silver Jubilee Series was created in 1987 to
celebrate the 25th anniversary of the founding of Marshall
50
SILVERWARE YEARS OF
Amplification and 50 years of Jim Marshall being in the music
business. This limited edition series of all-valve amplifiers and
speaker cabinets looked stunning in silver vinyl covering, with the
amps having chrome-plated control panels.

A LEGEND
A LEGEND HAS BEEN REBORN. The Silver Jubilee 2555 head caused a sensation when it was
launched in January 1987 and has since become a collector’s
piece. But the real reason the 2555 acquired legendary status is
because of the playing public, who took it to their hearts.

Since the Jubilee series was discontinued in 1988, one of the most
common questions we have been asked is, “when are you going 2015 is the 50th anniversary of the Marshall stack.
to re-issue the 2555 Silver Jubilee head?” And so, by popular To celebrate half a century of continuous production we
demand, we have created the 2555X. have issued two very special 4 x 12” speaker cabinets: the
812A-50 angled and the 812B-50 straight. This British
made stack is limited edition, with production lasting
only until the end of the anniversary year.

2555X
100 Watt head
Based on JCM800 2203 and 2204 Master
Volume models, the 2555 was among the first
Marshall products to feature Pentode/Triode
switching. It had an innovative preamp circuit
with three gain ‘modes’: ‘Clean’, Rhythm Clip,
and footswitchable Lead Channel. The Bass,
Middle, Treble & Presence controls were
re-designed and offered more tonal variation
than any other Marshall product had before.

British built, the 2555X is a modern re-issue

of the 2555 head, with the same sonic
characteristics and functionality.

2551AV & 2551BV 812A-50 & 812B-50

Speaker cabinets Speaker cabinets
To accompany the 2555X are two 4 x 12” Aesthetically true to the 1965 originals,
speaker cabinets. The 2551AV angled front the anniversary cabs feature authentically
and the 2551BV straight front cabs are reproduced fret cloth, era correct 20 Watt
covered with Jubilee silver vinyl and are Celestion G12M speakers with solder tags,
loaded with Celestion ‘Vintage 30’ speakers. and leather strap handles. Both angled
Partnered with the 2555X they make the and straight cabs bear a commemorative
impressive looking, and incredible sounding plaque identifying them as limited edition
Silver Jubilee re-issue stack. 50th Anniversary models. And because
not every guitarist will want or need a
(2551AV & 2551BV cabs are sold separately) full stack, each cab is available to buy
separately.

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MG CARBON FIBRE SERIES
1  MG15CFR 2  MG15CFXMS 3  MG15CF 4  MG30CFX
15 Watt 1 x 8" combo 15 Watt head with 15 Watt 1 x 8" combo 30 Watt 1 x 10" combo
two 1 x 10" cabinets
The MG15CFR has the same spec The MG15CF is a ‘no frills’ 15 Watt With a 10” custom speaker, the
as the MG15CF, but wit h an added This ‘micro stack’ is a portable combo, and although small in stature, MG30CFX delivers great tone. It
spring Reverb. Until the advent recreation of the iconic Marshall stack, it’s big on sound. The Clean and combines distinctive Marshall solid-state
of digital FX, all Marshall Reverb with a straight bottom cab and angle Overdrive channels share three-band tonal circuitry with digital FX. Choose
units were ‘spring’. Spring Reverb is top cab, each loaded with a custom EQ for excellent tonal control. There is between Clean, Crunch and Overdrive
analogue and has a retro-style sound, 10” speaker. The head has the same also a handy MP3/line in for jamming channels, with Reverb, Chorus, Phaser,
and although less precise than digital front panel features as the MG15CFX along to a track, and an emulated Flanger, Delay (with tap-tempo feature)
Reverb, it has an unmistakable, much – featuring solid-state tonal circuitry, headphone output for great sounding and Octave (fixed). This wide palette of
sought sonic character. four channels and digital FX. The ‘silent’ practice. sounds, FX and footswitchable memory
MG15CFXMS combines great makes the MG30CFX incredibly flexible.
Marshall sound and versatility in a fun
‘micro stack’ configuration.

5  MG10CF 6  MG15CFX
10 Watt 1 x 6.5" combo 15 Watt 1 x 8" combo
The no-nonsense 10 Watt MG10CF Loaded with an 8" custom speaker,
has Clean and Overdrive channels with this combo blends famed Marshall
a Contour control on the Overdrive solid-state tonal circuitry with modern
channel, so you can fine-tune your digital FX. Featuring four channels and
tone. There is also a handy MP3/line six FX, the MG15CFX has two modes:
in for jamming along to a track, and an Manual and Preset. In Manual mode
emulated headphone output for great it operates like any ‘normal’ amp; in
sounding ‘silent’ practice. Preset mode you can store and recall
your settings. It’s the best of both
worlds.

POWER TO THE PEOPLE

3 6

Get the great sound of Marshall in a bold carbon-fibre

look. The MG Carbon Fibre Series successfully combines
digital and analogue FX with tried and tested solid-state
tonal circuitry. The result? 100% Marshall tone combined
with a multitude of quality FX. Feature-loaded MG
Carbon Fibre amplifiers range from 10 Watt to 100 Watt,
offering an amp for any playing situation: from practice 1
to rehearsal, from recording to performing on the move, 5
from small gigs to bigger live shows.

16  |  Marshall 2016 Brochure Marshall 2016 Brochure   |  17

MG CARBON FIBRE SERIES
7  MG101CFX 8  MG100HCFX 9 MG50CFX 10  MG102CFX 11  MG412ACF/BCF
100 Watt 1 x 12" combo 100 Watt head 50 Watt 1 x 12" combo 100 Watt 2 x 12" combo 4 x 12" cabinet
The MG101CFX is a serious combo, For full-on performance, the The MG50 is a gig-worthy amp The MG102CFX is a 2 x 12” combo Whether straight or angled,
kicking out 100 Watts. Like the MG100HCFX head will let you with four channels: Clean, Crunch, with the same amp and FX feature the MG412s fire a broadside
MG50CFX, it has four channels driven perform like a pro, while going easy OD1 and OD2, driven by famed set as the MG101CFX: distinctive of 4 x 12" Celestion speakers.
by tried and tested Marshall solid-state on your pocket. It has the same amp, Marshall solid-state tonal circuitry. Marshall solid-state tonal circuitry and Designed to be used with the
tonal circuitry, and features the same FX and switching features as all It features some great digital FX, digital FX. With a pair of custom voiced MG100HCFX head, you can take
FX set. With footswitchable Preset MG combos above the MG50CFX. which include two Reverb types, 12” speakers, this powerful combo to the stage with confidence,
and Manual modes, the MG101CFX Combine the MG100HCFX head with Vibe effect, and an independent moves some serious air. Used with our knowing that you’ve got the
offers MG operational flexibility, with the MG412ACF and MG412BCF Delay section consisting of hi-fi, innovative Stompware footswitching great sound and look of a
practical performance capability. 4x12” cabs and experience the power tape, multi and reverse delays, technology, the MG102CFX is truly a genuine Marshall behind you.
and feel of a 100 Watt Marshall stack. all with switchable memory. gig-worthy combo.

11 Images being shot Monday

NOT ONLY DO THEY CONTAIN

THE CLASSIC, WARM, UNIQUE
TONE THAT MAKE MARSHALL
THE GREATEST AMP EVER MADE,
THE BUILT-IN EFFECTS AND
11
REVERB SOUND AMAZING.
7 10 Zakk Wylde.
9

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 DSL SERIES
1  DSL5C 2  DSL15C 3  DSL100H 4  DSL40C 5  DSL15H IT’S THE ICONIC
5 Watt 1 x 10" combo 15 Watt 1 x 12" combo 100 Watt head 40 Watt 1 x 12" combo 15 Watt head
LOOK. WE’RE IN A
The all-valve, Celestion loaded DSL5C
has two footswitchable channels:
The Celestion loaded DSL15C is an
all-valve 15 Watt combo powered by
From rehearsal room to the stage,
the DSL100H all-valve head is truly
The critically acclaimed, Celestion
loaded DSL40C features footswitchable
Powered by two 6V6 valves, with
three ECC83s in the preamp, this ROCK BAND AND
Classic and Ultra Gain, for brilliant
cleans, sweet crunches and saturated
two 6V6 valves, with three ECC83
valves in the preamp. And with
versatile. With footswitchable
Classic and Ultra Gain channels
Classic and Ultra Gain channels (FS
supplied) and digital Reverb, with
no-nonsense mini-brute is identical to
the DSL15C combo, minus the Reverb IT’S THE DREAM
distortions (FS supplied). The DSL5C
is ideal for playing live, recording and
footswitchable Classic and Ultra Gain
channels (FS supplied), Deep switch
(FS supplied), it can take you from
brilliant cleans to high-gain shred,
Resonance control, Pentode/Triode
switching and Tone Shift. The popularity
and of course the speaker. It features
footswitchable Classic and Ultra Gain GROWING UP,
practicing: a high/low Power switch
drops the DSL5C from 5 Watts to 1
to boost lower-end chunk, and on the
back panel a Pentode/Triode switch
and all places in-between. It features
Resonance control, which gives you
of the DSL40C lies in its feature-packed
capability, versatility, its volume-to-
channels (FS supplied), Deep switch
to boost lower end thump, and on the YOU SEE YOUR
Watt. On the back panel are a series FX
Loop, Headphone/Emulated Line Out,
for maximum flexibility, the DSL15C
perfectly combines performance
greater control of lower-end chunk,
studio quality digital Reverb, rear
size ratio, and its value for money.
The DSL40C is a ‘keen reminder that
back panel Pentode/Triode switching,
which drops power to 7.5 Watts for FAVOURITE BANDS
Audio In, and an extension speaker
socket to expand your sound.
with value for money. It’s a portable
powerhouse of tone.
panel Pentode/Triode switch, which
changes the amp’s tonal character,
Marshall has earned every one of
[its] 50 years at the top.’ – Total Guitar
maximum flexibility.
AND THEY’RE ALL
and a series FX Loop. Magazine.

6  MX412A
USING MARSHALL
James Gillett, Mallory Knox.
MX412B
3 MX112
MX212
IF YOU’RE For full information see page 40.

STEPPING UP
TO YOUR FIRST
MARSHALL, 6
THEN THESE
DSLS WON’T
DISAPPOINT.
Guitarist Magazine.

6 DEFINE YOUR SOUND

5

6 Based on the critically acclaimed,

best-selling JCM2000 DSL100 head,
the DSL Series delivers on tone,
1 affordability and portability.
6 The all-valve DSLs are available in
five head and combo configurations,
with some neat new design features.

2 4

20  |  Marshall 2016 Brochure Marshall 2016 Brochure   |  21

JVM2 SERIES

FULLY LOADED 5
British built, and designed to complement the versatility,
tone and power of the four-channel JVM4s, the all-valve,
dual channel JVM2 Series broadens the range, without
compromising its incredible sonic spectrum. Loaded with
an impressive array of features and a streamlined front
panel, the JVM2 is a versatile tone machine. All JVM
heads and combos feature our innovative Stompware 6
footswitching technology.

EVERYTHING
YOU COULD
1
YOU JUST CAN’T POSSIBLY
DENY MARSHALL, ASK FOR.
END OF F***ING IGNORE AT
STORY. YOUR PERIL.
Alexi Laiho, Children of Bodom.
Guitarist Magazine.
6

2 3 4

1  JVM205H 2  JVM205C 3  JVM210C 4  JVM215C 5  JVM210H 6  1

 960A
50 Watt head 50 Watt 2 x 12" combo 100 Watt 2 x 12" combo 50 Watt 1 x 12" combo 100 Watt head 1960B
The all-valve JVM205H offers a more With 100 Watts of power and a pair of The JVM210C features the same ground Loaded with a Celestion G12B speaker, this Driven by two EL34 power valves and four For full information see page 36.
straightforward two-channel preamp, Clean/ Celestion 12” speakers, this combo delivers breaking technology and versatility as its 50 powerful yet easily transportable combo has ECC83s in the preamp, this 100 Watt beast has
Crunch and Overdrive, than the JVM410H’s a fat sound with some serious low-end Watt siblings. With 100 Watts of power and two channels, Clean/Crunch and Overdrive, the power to take you from brilliant, powerful
four channels, for guitarists who prefer a chunk. With two channels, Clean/Crunch a pair of Celestion 12” speakers, this combo that can take you from ‘Plexi’/JTM45 cleans, cleans, through to warm crunch and on to
more stripped down, ‘fewer frills’ approach. It and Overdrive, each with three Modes, the delivers a fat sound with serious low-end through JCM800 roar to modern high gain, and heinously high gain. Pair up with a single 4 x
features two independent channels, both with JVM205C can take you from ‘Plexi’/JTM45 chunk. Featuring two independent channels, everywhere in between. The JVM215C also 12" cab for the half stack or two 4 x 12"s for
three modes, and Stompware footswitching cleans, through JCM800 roar to modern high each with three modes, Reverb and FX Loop, features studio quality Reverbs, FX Loop, and the full-stack experience.
technology that will recall your Reverb, FX Loop gain tones and everywhere between. It also the JVM210C can take you from brilliant Stompware footswitching technology.
and Master settings. features studio quality Reverbs, FX Loop and cleans through solid crunch, up to modern
Stompware footswitching technology. high-gain tones – all controllable using
Stompware switching technology.

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JVM4 SERIES
1  JVM410H
100 Watt head

IN A MARKET SECTOR WITH

This all-valve 100 Watt head features four
independent channels, with three switchable
Modes per channel, making it the most versatile

1
Marshall head ever made. Hailed as the most
significant Marshall amp since the JCM800, the MORE THAN ITS FAIR SHARE OF
INDIFFERENT, RUN-OF-THE-MILL
JVM4 can take you from ‘Plexi’ cleans to bluesy
drives, to JCM800 roar and on to the most
profane high gain imaginable, with four digital
Reverbs, all switchable using our innovative
Stompware footswitching technology. BLACK BOXES, MARSHALL UNLEASHED
A POWERHOUSE OF TONES THAT
EASILY COMPETES WITH BOUTIQUE
DESIGNS COSTING TWO OR THREE
2  JVM410C
3
100 Watt 2 x 12" combo
The all-valve JVM410C combo redefines
versatility thanks to four tonally-independent
channels: Clean, Crunch, OD1 and OD2,
TIMES AS MUCH.
each with three switchable modes. Each Guitarist Magazine.
mode reconfigures the gain structure of
each channel, making 12 modes in total. The
JVM410C is loaded with a Celestion ‘Vintage
30’ speaker and a Celestion Heritage speaker,
both of which have their own sonic character.

3  1
 960A
1960B
For full information see page 36.

ALL YOU NEED

The British-built JVM4 is the current flagship
Marshall amp series. Hailed as a market leader,
the JVM4 Series crushes the competition
on versatility, tone and value for money.
Seen as the most comprehensive and
versatile Marshall to date.

24  |  Marshall 2016 Brochure Marshall 2016 Brochure   |  25

SIGNATURE SERIES

IT’S GOT MORE

VERSATILITY THAN
I COULD HAVE
IMAGINED. THIS AMP
SOUNDS AMAZING.
THE IT’S THE PUNCHIEST,
TONE MOST EXCITING AMP
I’VE EVER PLAYED
MACHINE THROUGH.
Joe Satriani

Hailed as the ‘The CEO of Shred’, Joe Satriani needs

no introduction. After meticulous R&D and extensive
testing, both in the studio and on the road by Satch
himself, we have created the stunning JVM410HJS.

At first glance, the Joe Satriani JVM head looks very

similar to the stock JVM410H, but look and listen a
little closer.

JVM410HJS 100 Watt head

The channels and modes of the JVM410HJS
have been modified to Joe’s exact specifications. There
are four independent noise gates instead of Reverb
pots, plus a footswitchable Mid-Shift button to boost
mid-frequencies.

Tonally, the Clean channel is based on the 30th

anniversary 6100 when in green mode, with the
orange and red modes being hotter variations of that.
The Crunch channel includes some of the popular
AFD circuitry, and the Overdrive channels are voice
matched for smoother transition between modes.

This incredible amplifier also features individual

channel EQ, two Master Volumes and Stompware®
switching technology. There is also an Emulated
Output that can be used for recording or, as Joe does,
used to monitor on stage. The amp is also supplied with
our fully programmable, revolutionary, patent-pending
Stompware, six-way footswitch.

26  |  Marshall 2016 Brochure Marshall 2016 Brochure   |  27

HANDWIRED SERIES

1
1  2245THW
30 Watt head THE REAL THING
This hand-soldered replica of the extremely
rare ‘Bluesbreaker’ head is based on the
The Handwired Series of all-valve amps celebrates
archetypal JTM45 head, the amp that started the legacy of more than 50 years of Marshall’s
it all back in 1962. It’s the 2245THW’s GZ34 influence on the sound of rock and blues music.
rectifier that helps recreate the sublime
output stage compression associated with
These handcrafted re-issues capture in detail
the 1960s era JTM. And with valve-driven the authentic, legendary sound of Marshall,
Tremolo, the 2245THW captures that cool not only for connoisseurs and collectors, but also
’60s mojo.
for a new generation of gear-savvy musicians.
8

2  1962HW 3  1958X 4  1973X

30 Watt 2 x 12" combo 18 Watt 2 x 10" combo 18 Watt 2 x 12" combo
The all-valve 1962HW is an incredibly This hand-soldered re-issue of the extremely The 1973X is a painstakingly accurate re-issue
authentic recreation of the classic two-channel rare 1958, 18 Watt all-valve combo is of the highly revered 1973. The two ‘aged’
Series II 1962 ‘Bluesbreaker’ combo – famously painstakingly accurate. The 1958X is a plain, 20 Watt Celestion speakers have been
used by Eric Clapton. The 1962HW’s GZ34 straightforward amp that sounds best when meticulously duplicated for that softened-
rectifier recreates the joyous output stage cranked, producing harmonically complex with-age sound. And its lower power means
compression and clean sustain associated with tones when its EL84s are overdriven. For extra that the 1973X can be cranked to get those
the singing tone of the 1962. For maximum authenticity, the 1958X also features valve- harmonically rich Marshall tones at a volume
authenticity the 1962HW features valve- driven Tremolo, and is loaded with two 10" that won’t shift your hearing. For extra
driven Tremolo and uses KT66 valves. G10F-15 speakers. authenticity, the 1973X also features
valve-driven Tremolo.

Top view

2
Front view

4
3

28  |  Marshall 2016 Brochure Marshall 2016 Brochure   |  29

HANDWIRED SERIES

8
GREAT COMBO,
SAME HUGE
TONE I GET
FROM MY
BIG AMPS.
Angus Young from AC/DC
about his 1974X.

5  1959HW 6  2061X 7  1974X 8  1

 960AHW
100 Watt head 20 Watt head 18 Watt 1 x 12" combo 1960BHW
2061CX
To the minds and ears of many, The 2061X is an accurate re-issue of The 1974X is a hand-soldered re-issue
6 the all-valve 100 Watt Super the 2061 ‘Lead and Bass’ heads from of the revered 1974. Dual channel, For full information see pages
Lead heads of the mid to late 1960s the late ‘60s and early ‘70s. It produces this combo produces authentic vintage 36 and 39.
(’67–’69) with the famed Plexiglas that highly desirable, hand soldered, Marshall tone, even at lower volumes.
8 front panel, have been the holy grail all-valve sound in a compact ‘small Great for the studio as well as live
of great rock tone. With the classic box’ design. The 2061X’s solid-state performance. For added authenticity,
tonal notes of those early ‘Plexis’, rectifier adds an aggressive edge, the 1974X also features valve-driven
the hand-soldered 1959HW which means it can sound surprisingly Tremolo. Its single 12" Celestion
produces harmonically rich tone contemporary. It’s great for live work T1221/67 Greenback speaker has
8 with chest-punching projection. and in the studio. been ‘aged’ for a vintage ’60s vibe.

30  |  Marshall 2016 Brochure Marshall 2016 Brochure   |  31

VINTAGE
VINTAGE RE-ISSUE
RE-ISSUE SERIES SERIES

THE SOUND OF A GENERATION

After five decades of being hailed as the ‘the sound of rock’
by guitarists all over the globe, it’s hardly surprising that demand
for the all-valve Vintage Re-Issue Series is always high. This series
is made up of faithful reproductions of the original Marshalls
that played a pivotal role in rock music’s sonic evolution.
3

WHEN YOU FIND SOMETHING AS RELIABLE

AND CLASSIC AS A MARSHALL, YOU DON’T
MESS WITH ANYTHING ELSE
Tim Mcllrath - Rise Against 4

1  2203 JCM800
100 Watt head
2  1962 ‘Bluesbreaker’
30 Watt 2 x 12" combo
3  4100 JCM900
100 Watt head
AS LONG AS I’M
The JCM800 re-issue 2203 model (’81–’84), This all-valve combo is a re-issue of The JCM900 was the next evolutionary step on PLAYING GUITAR,
I’M PLAYING
is one of the most highly respected 100 Watt the legendary 1962 ‘Bluesbreaker’, as from the JCM800. The 4100 JCM900 re-issue
Marshall heads. Originally evolving from the used by Eric Clapton with John Mayall’s is a players’ favourite. Known for its incredible
‘Plexi’ head, the JCM800 was the first Marshall Bluesbreakers in 1966. With GZ34 tone and workhorse roadworthiness, it has
to feature a Master Volume. Its purist-pleasing
front panel and its distinctive roar set the
standard by which all other rock amps were
rectification and Celestion Greenback
speakers, this stunning re-issue produces that
heady, ‘high in the mix’ sound that made the
many fans due to its feature set and versatility:
from sparkling clean to saturated scream, with
an independently controllable series FX Loop
MARSHALL AMPS.
judged. legend of the ‘Bluesbreaker’. It also features for use with rack FX or stomp boxes.
footswitchable Tremolo for that
John 5 – Rob Zombie,
classic ’60s feel. about his 4100 JCM900.

4  1960A
1960B
For full information see page 36.

32  |  Marshall 2016 Brochure Marshall 2016 Brochure   |  33

VINTAGE RE-ISSUE SERIES

THE 1959SLP HEAD IS EVERYTHING YOU

NEED FROM AN AMP. IT’S CRISP AND
BEEFY AS F**K. WHAT MORE COULD YOU
ASK FOR IN A ROCK BAND? IT’S THE
MOST ROCKING HEAD I’VE EVER HAD.
Simon Neil – Biffy Clyro.

EVERYBODY KNOWS
I PLAYED MARSHALL
FROM DAY ONE.
Yngwie Malmsteen, about his 1959SLP.
8

5  2245 JTM45 8  1
 960TV
30 Watt head 1960A
1960B
This was where it all began. The 2245 JTM45
is a meticulously accurate re-issue of the first 1960AX
Marshall amp – the JTM45. It was an instant
For full information see page 36.
hit and launched a whole new generation of
groundbreaking guitar players and sounds.
The harmonically subtle sound of the JTM45 is
the original, unmistakable, and much emulated
sound of 1960s Marshall.
5 6

6  1987X
50 Watt head
8
The 1987X shares the same front panel 8
features as the 1959SLP. But because it is half
the power, like the original 1987 head, it has
its own distinctive sonic personality: sweet,
warm and harmonically complex. As with the
8
1959SLP, the only modern addition to the
1987X is a tonally transparent series FX Loop,
with a true bypass switch.

7  1959SLP
100 Watt ‘Plexi’ head
To ensure absolute tonal authenticity, we
took an era ‘Plexi’ head (’68–’69) and used
it as a template, from which our R&D
experts developed a replica so exact, that
sonically we couldn’t tell them apart. The only
modern feature added to the 1959SLP is a
tonally transparent series FX Loop, with a
true bypass switch.

34  |  Marshall 2016 Brochure Marshall 2016 Brochure   |  35

 Lifestyle
ACOUSTIC SERIES shots
to go in

MARSHALL. NATURALLY. Cream AS50D

Given that Marshall’s heritage is in loud, dirty-sweet Image?
electric guitar tones, it might seem surprising that one of
the most successful acoustic combos in the world bears
the Marshall logo. The Acoustic Series has been designed
to be ultra clean and exceptionally versatile.

1  AS50D
50 Watt 2 x 8" combo
With specially designed Celestion speakers, dual channels,
THE COMBO HAS ATTACK AND CLARITY,
and a high fidelity polymer dome tweeter, the AS50D
gives you rich clean tones and brilliant highs. Designed
BUT ALSO WARMTH AND LUXURY.
for a variety of different acoustic instruments, it features THE PERFECT ACOUSTIC AMP TO GIVE
YOU CONFIDENCE IN A GIG SITUATION.
a range of digital FX assignable to either or both channels.
The AS50D is ideal for intimate acoustic gigs.

2  AS100D James Dean Bradfield – Manic Street Preachers.

100 Watt 2 x 8" combo
With twice the power, the AS100D has a range of input
features so you can accommodate instruments with 2
magnetic pickups, piezos and microphones. There are
also 16 digital FX to choose from, plus for two pickup
instruments, CH1 and CH2 can be linked so each pickup
can be controlled independently. The AS100D is the first
choice for many professional musicians.

36  |  Marshall 2016 Brochure Marshall 2016 Brochure   |  37

 MIGHTY MINIS
MICRO AMPS
2

With the Micro Amp Series you can perform

whenever and wherever. Popular on tour buses,
in bedrooms, and in the middle of nowhere,
they’re portable, practical and a whole lot of fun.

4
1
3

1  MS-2R – Red 2  MS-4 – Black full stack 3  MS-2C – Classic 4  MS-2 – Black
MS2 MS4

1 Watt of gut-wrenching power: featuring channel switching, The MS-4 full stack is the ultimate in mini Marshall.
a battery and a headphone jack that doubles as a preamp out, Battery powered, with separate gain and volume controls,
so you can rock while you roll. The MS-2 mini half stack is you can go from clean to full shred just about anywhere.
anything but a toy. It has bags of serious tone, and has even The MS-4 also features a pull-out stand for upward
been used in professional recording studios; placed in a angled sound projection – it’s a real Marshall stack
shoe box with a hole cut for a microphone. We kid you not. in miniature form.

MICRO AMPS
SPECIFICATION MS-2R MS-2C MS-2 MS-4
OUTPUT 1 WATT 1 WATT 1 WATT 1 WATT
VOLUME YES YES YES YES
TONE YES YES YES YES
GAIN NO NO NO YES
HEADPHONE JACK YES YES YES YES
DIMENSIONS (MM) – W x H x D 110 x 140 x 60 110 x 140 x 60 110 x 140 x 60 110 x 250 x 60
WEIGHT (KG) 0.34 0.34 0.34 0.51

38  |  Marshall 2016 Brochure Marshall 2016 Brochure   |  39

SPEAKER CABINETS BUILD
BIRTH OF AN ICON
Marshall speaker cabinets have a heritage that stretches back BUILT LIKE NO OTHER
to the early 1960s. The iconic Marshall 4 x 12" design has All of our cabinets have to be tough, and deliver
changed little since 1962, and has become the touchstone every time. There’s only one way to do this. Never
for all other 4 x 12" cabs. compromise on quality. From the materials, to the
construction, to the finishing – everything is done to
Jim Marshall and his design team created an all-valve 30 Watt the highest standards. But what really sets our British-
amp in 1962 that sounded like nothing else. But the double built cabinets apart is that they’re built with passion,
12" speaker cabinets at the time couldn’t handle its power. with many processes still done by hand:
‘We were blowing speakers left and right,’ Jim recalls.
So he created the first 4 x 12" speaker cabinet. • We only use tough 15 mm Russian ply.
The rest, as they say, is rock history.
• All joints are glued and ‘fingerlocked’ for extra
strength.
• Crucial tasks like sanding, wiring, fitting baffles and
speakers are still done by hand.
• All covering is done by hand.
• On the inside of each cabinet is the name of the
person who made it.

A CUTE ANGLE
Jim added the distinctive
slant purely for aesthetic
reasons. Later, he discovered
it was a smart move.
Standing at the back of
a packed Tremolos gig,
he could hear the guitars cut
through the crowd, and it
was all thanks to the two
speakers facing upwards,
on the slightly angled baffle,
projecting sound to the back
of the room.
ANGLED OR STRAIGHT?
Angled cabinets (A cabs) have four speakers.
The bottom two push the sound forward,
STACKED TO THE MAX while the angled top two project up slightly.
This gives a wider spread of sound,
When you see a wall of Marshall stacks on stage, you know the band means and to some extent, accentuates
business. It all started with The Who’s Pete Townshend and John Entwhistle top-end frequencies.
in 1965. The Who were performing in increasing larger venues and Pete and
John wanted more volume – to be loud enough to make sure The Who had their Straight cabinets (B cabs) also have four
audience’s undivided attention. speakers, but do not have the angled baffle.
All four speakers point forward for a tighter,
Jim and his team’s solution was to created the first 100 Watt Marshall amplifier, punchier sound. And with a lower resonant
the Super 100 head, and the colossal Marshall 8 x 12” speaker cabinet. The 8 x frequency, straight 4 x 12" cabs produce
12”, while devastatingly effective, proved too cumbersome to transport around a slightly thicker sound.
easily. So Jim and Pete came up with a practical resolution; cut the 8 x12” cabinet
in half to create two 4 x 12” cabs and stack them together. And so the iconic
Marshall stack was born.

40  |  Marshall 2016 Brochure Marshall 2016 Brochure   |  41

SPEAKER CABINETS 4 X 12”

1960A/B 1960AV/BV 1960TV MG412ACF/BCF

• 300 Watts (RMS) • 280 Watts (RMS) • 100 Watts (RMS) • 120 Watts
• Celestion G12T-75 speaker • Celestion G12 Vintage • Celestion G12M-25 • Celestion G12E60
• Mono/Stereo • Mono/Stereo • Mono • Mono
• 16/4 Ohm (mono) • 16/4 Ohm (mono) • 16 Ohm • 8 Ohm
• 8 Ohm (stereo) • 8 Ohm (stereo) • Dimensions (mm) W x H x D 770 x 820 x 365 • Dimensions (mm) W x H x D 695 x 675 x 390
• Dimensions (mm) W x H x D 760 x755 x 365 • Dimensions (mm) W x H x D 760 x 755 x 365 • Weight 39kg • Weight 24kg
• Weight 36.4kg – 37kg • Weight 40.6kg – 41.4kg • Made in England
• Made in England • Made in England

The Marshall four-speaker

configuration has changed
very little over the years.
That’s because it works so
FULL POWER
well. Combined, an A cabinet
and a B cabinet create
the legendary and iconic
HANDWIRED Marshall stack.
1960AHW/BHW 1960AX/BX
• 120 Watts (RMS) • 100 Watts (RMS)
• Celestion G12H-30 • Celestion G12M-25
• Mono • Mono
• 16 Ohm • 16 Ohm
• Dimensions (mm) W x H x D 760 x755 x 365 • Dimensions (mm) W x H x D 760 x755 x 365
• Weight 36.4kg – 37kg • Weight 37kg – 38.2kg
• Made in England • Made in England

42  |  Marshall 2016 Brochure Marshall 2016 Brochure   |  43

SPEAKER CABINETS 1 X 12”/2 X 12” EXTENSION CABINETS
1912
• 150 Watts (RMS)
• Celestion G12B – 150
• 1 X 12”
• Mono
• 8 Ohm
• Dimensions (mm) W x H x D 510 x 465 x 290
• Weight 14.6kg

1922
•
•
150 Watts (RMS)
Celestion G12T – 75
PERFECTLY FORMED
• 2 X 12”
• Mono/Stereo
• 8 Ohm (Mono)
• 16 Ohm (Stereo)
• Dimensions (mm) W x H x D 675 x 515 x 260
• Weight 19kg
• Made in England

1936
• 150 Watts (RMS)
• Celestion G12T – 75 Not everyone needs the muscle of a 4 x 12" cabinet.
• 2 X 12” If you’re playing smaller gigs or are recording,
• Mono/Stereo the Marshall range of one and two speaker
• 8 Ohm (Mono)
cabinets is for you. Also, using an extension
• 16 Ohm (Stereo)
• Dimensions (mm) W x H x D 740 x 600 x 305 cab with a combo will give you the flexibility
• Weight 24.6kg to upsize for bigger gigs when you need to.
• Made in England

1936V
• 140 Watts (RMS)
• Celestion G12 Vintage
• 2 X 12”
• Mono/Stereo
• 8 Ohm (Mono)
• 16 Ohm (Stereo)
• Dimensions (mm) W x H x D 740 x 600 x 305
• Weight 24.6kg
• Made in England

JVMC212
HANDWIRED HANDWIRED
• 140 Watts (RMS) 1974CX 2061CX
• Celestion Vintage & Heritage
• 2 X 12” • 20 Watts (RMS) • Dimensions (mm) • 60 Watts (RMS) • Dimensions (mm)
• Mono • Celestion G12M-20 W xH x D 610 x 535 x 230 • Celestion G12H-30 W x H x D 650 x 665 x 305
• 16 Ohm (Stereo) • 1 X 12" • Weight 14kg • 2 X 12" • Weight 24kg
• Dimensions (mm) W x H x D 690 x 490 x 265 • Mono • Made in England • Mono • Made in England
• Weight 24kg • 15 Ohm • 8 Ohm
• Made in England

44  |  Marshall 2016 Brochure Marshall 2016 Brochure   |  45

SPEAKER CABINETS MX RANGE

3 4 5

1 2

DEFINE YOUR SOUND

1  MX412A 2  MX412B 3  MX212 4  MX112
Loaded with four Celestion The four 12" Celestion The two 12" Celestion This single 12” mono speaker
G12E-60 speakers, the G12E-60 speakers deliver Seventy 80 speakers deliver cab delivers quality beyond
MX412A has the awesome where it matters. This straight plenty of projection in a its size. It’s ideal for use with
projection of an angled cab. cab is great for heavier rock more compact cabinet. It can the DSL15H head, or as and
It goes with most Marshall genres. Pair with almost add versatility to any setup, extension speaker for the
heads, but is best paired with any Marshall head, ideally whether you’re on the road, in DSL15C combo. The MX112
With the new MX Series, you get the the DSL100H – a proper half a DSL100H, for a more the studio, or rehearsing. is loaded with a Celestion
stack that won’t break the affordable half stack. Seventy 80 speaker.
great sound and iconic look of a genuine bank.
Marshall cab at a more affordable price.

5  MX212A
The MX212A’s vertical 2 x
12” speaker configuration
means that it matches
perfectly with the DSL15H
‘small box’ head, making a
cool alternative to the more
traditional horizontal 2 x
12” speaker configuration.
And with the cabinet being
angled, the MX212A delivers

EXTENSION CABINETS
excellent sound projection
with a pair of Celestion
Seventy 80 speakers.

46  |  Marshall 2016 Brochure Marshall 2016 Brochure   |  47

DESIGN STORE

DESIGN
STORE
Everyone has a unique sound. So why not have a

SPECIAL PRODUCT
unique amp. That’s what Design Store is all about.
Whatever image you want for your band, get an
amp that goes with it. Choose the colours, graphics,
vinyls and frets you want. We can do pretty Want to create your own full-on custom
much anything. We can even change some of the amp? You’ve come to the right place.
components to fit your requirements - adding a If you can imagine it, we can probably
unique look to your unique sound. build it. You’ve got all the Factory Fitted
options at your disposal, plus the added
difference of changing the amp’s spec
to fit the way you play. Customise the
switches, dials, speakers and front panels.
Just tell us what you want and we’ll see if
we can make it happen. Please note, we
cannot customise electronic components
inside an amp’s chassis.

FACTORY FITTED

There’s a whole range of options to

choose from, which are fitted right
here in our factory. Want an all-white
amp – no problem. Or how about a
snake-skin finish with a basket weave
fret. Pick from our sample palette of
coverings, grille cloth, logo, piping and
beadings –and we’ll do the rest.

48  |  Marshall 2016 Brochure Marshall 2016 Brochure   |  49

FX PEDAL SERIES
4 5 6

SPECIAL FX

4  GV-2 Guv’nor Plus 5  BB-2 Bluesbreaker II 6  EH-1 Echohead

An update of our ’80s classic. The GV-2 With two modes, it’s like two Paint soaring, sonic landscapes with
delivers incredible levels of distortion. pedals in one. Boost mode gives an array of different Delays. There are
Go from vintage amp break-up you more upfront without affecting six to play with, all fully controllable,
and chunky classic rock tones, to your original tone. This gives solos from hypnotic reverse Delays to
modern-day super saturation with more lift. Switch to blues mode and vintage spacey echos. Create pulsing
liquid sustain. A Deep control has go warmer and more natural for rhythmic textures with an incredible
Despite the proliferation of been added to give the similar feel and leads with a distinctly ’60s maximum Delay time of 2000ms.
digital devices that claim to response of the resonant thump ‘Bluesbreaker’ flavour. Also features stereo outputs and
‘model’ everything, including of a Marshall 4 x 12" cab. a tap tempo Delay input.
the kitchen sink, simple stomp
boxes that deliver the goods
remain essential components of
most guitarists’ setups. Marshall
FX pedals are built like tanks
and can take the rigours of live
performance. They also feature
100% true passive bypass.

1 2 3

7  RG-1 Regenerator

Flanger, Phaser and Chorus in one sturdy metal 7 8

stomp box, with six modes for you to explore:
from waves of vintage Chorus to a Phaser that
swells with energy, to Flanger that can sweep
right across your soundscape. With control over
the speed, depth and regeneration, it’s every
modulation pedal you’ll ever need.

8  ED-1 Compressor
1  JH-1 Jackhammer 2  RF-1 Reflector 3  VT-1 Vibratrem The ED-1 modifies dynamic response, boosting
decaying signal and flattening signal peaks. This
This one’s for going to extremes. Get Take Reverb to another dimension. The VT-1 recreates that ’60s style allows you to control attack and boost clean
the aggression into your playing with Six Reverbs add diffuse trails to your Tremolo. Go for the classic sound or sustain – great for clear, clean chords, and muted,
eye-watering levels of distortion. But playing without swallowing your tone: use the wave-shaping control to shift percussive funk lines. The ED-1 also features an
you’re always in control, and because studio quality Reverbs, simulated spring between two modulations, or even fuse Emphasis control, which allows you to target the
this is a Marshall pedal, it’s never at Reverbs, and the ghostly textures of them together to produce everything frequencies you want to compress.
the expense of tone – a must-have for reverse mode. Experiment with the from groovy, trembling tones to
serious metal players. RF-1 and find your unique sound. psychedelic quasi-vibratos.

50  |  Marshall 2016 Brochure Marshall 2016 Brochure   |  51

STOMPWARE

IN CONTROL

Practical, intuitive and genuinely innovative.

We haven’t just evolved footcontrollers – we’ve
revolutionised them. Born out of a necessity
to control the monstrous JVM4 Series, the
patented Stompware® technology is a real game
changer.
By using a regular, detachable guitar cable,
you’re no longer ‘tied’ to your amp, giving
you more freedom during performance and
removing the age old problems that used to
come with replacing a damaged cable. Not only
that, unlike other footcontrollers, certain front
panel settings are stored in the controller, so
when you plug in, they can be instantly recalled.
This also means you can ‘hot swap’ between
comparable amps. Genius.

NOW THAT’S SMART!

Guitar Player Magazine

STOMPWARE
FOOTCONTROLLERS
ARE AVAILABLE FOR
the JVM2, JVM4 and
MG Carbon Fibre Series.

52  |  Marshall 2016 Brochure Marshall 2016 Brochure   |  53

 MARSHALL FRIDGE LIFESTYLE

54  |  Marshall 2016 Brochure Marshall 2016 Brochure   |  55

LIFESTYLE STEREO LOUDSPEAKERS

STANMORE
Don’t be fooled by its compact size. Available in black and
cream, its two tweeters and 5¼" woofer deliver ultra clear
tunes whatever the volume, even when it’s cranked up to its
maximum 80 Watt output. Plug in your player using the retro
guitar cable, or go wireless with Bluetooth. Available in Black,
Cream, Brown and Pitch Black.

ACTON
With well balanced audio boasting a clear midrange and extended
highs, the Acton gives an experience that is both articulate and
pronounced. It might be nimble and versatile, yet it still follows the
long standing Marshall family tradition of loud. When it come to looks,
the Acton has inherited all the family traits, featuring the classical
and durable vintage design, and iconic script logo that is so distinctly
Marshall. Available in Black and Cream, the Acton is right at home with
the rest of your Marshall collection.

STOCKWELL

SIZE DOESN’T MATTER

Built for life on the road, the Stockwell is the smallest travel speaker
made by Marshall today. This portable active stereo speaker weighs
just 1.20 kg, which means it’ll go wherever you want it to. Rechargeable
lithium-ion batteries are built into the Stockwell, which give it 25
hours of playing time. The handy USB port also allows you to charge
your devices when you’re on the go. Using the Stockwell to receive and
end phone calls is a breeze, just tap the phone button on the control
panel to answer, or tap it again to end a call. For added protection
the Stockwell comes with a multi-functional flip clover. This guitar
inspired cover features a rich velvet red lining, durable vinyl shell and
a gold Marshall badge on the front of the case.

Your digital playlist deserves better. Hook your

MP3 player up to a Marshall stereo speaker and
experience superior sound. These stunning
looking speakers are small enough to go in any
room, but big enough to shake the foundations. KILBURN
The Kilburn portable active stereo speaker takes the unmistakable
look and sound of Marshall, unplugs the chords, and takes the show on

WOBURN the road. Weighing in at a taut 3kg, The Kilburn is a lightweight piece
of vintage styled engineering. Setting the bar as one of the loudest
speakers in its class. The Kilburn is a compact stout-hearted hero with
The Woburn is designed with loud in mind and you’ll well-balanced audio which boasts a clear midrange and extended highs
quickly hear by its performance that it holds true for a sound that is both articulate and pronounced. A built-in battery life
to the Marshall name. This loudspeaker hits high of up to 20 hours means the jams will be kicking for as long as you are.
trebles cleanly, handles low bass with ease and has a Now charge it up, plug it in, crank it up, and take pride in your new piece
clear, lifelike mid range. It’s made to deliver accurate in a long line of Marshall’s unwavering legacy of loud.
response throughout the frequency range. Available in
Black and Cream, the Woburn is literally built to thrill. Please note: Our stereo loudspeakers are only intended for use with MP3 players and
other personal audio devices. Please don’t attempt to play guitar through them.

56  |  Marshall 2016 Brochure Marshall 2016 Brochure   |  57

 LIFESTYLE HEADPHONES

Mode EQ
MODE/MODE EQ
Mode offers a huge sound in a small
package. Featuring customised
drivers delivering high-output sound
at minimal distortion. With unique
in-ear design anchors to your ear,
while still providing a comfortable fit
featuring interchangeable size sleeves
in S, M, L, and XL ensure a custom fit.

The Mode also comes equipped with

microphone and remote for use with
your cell phone. Combined with
excellent audio, a tangle resistant
cord and unique styling that embodies
the Marshall legacy.

PURE BRILLIANT SOUND

This isn’t style for style’s sake. We’ve put half a century of sonic knowhow into creating
headphones that produce high audio performance. In-ear or over-ear, the Marshall logo
lets everyone know you’re serious about sound.
Mode EQ

MONITOR
Marshall Monitor headphones have
stood the test of time. That’s because
Mode EQ

they’re brilliant at their job – high-fidelity

sound in a cushioned, closed-cup design.
Slim, light and elegant, you can wear them
comfortably for hours. Plus, you can
customise their setup with our FTF
system. Completely collapsible, Monitor
headphones are easy to store.

MAJOR II
An impressive second act, the classic
Major kicks up its performance a
few notches. Updated sound, looks
and durability, as well as improved
ergonomics, give way to a whole new
level of listening. A rock-solid character
that’s built to last, the Major II makes its
presence known.

It’s more advanced sound features

include customised drivers, to deliver
deeper bass and more extended detailed
highs with a refined mid- range and
overall lower distortion. Available in
black, white, brown and pitch black.
58  |  Marshall 2016 Brochure Marshall 2016 Brochure   |  59

Mode
SPECIFICATIONS
MG CARBON FIBRE SERIES P16 DSL SERIES P20
SPECIFICATION MG2CFX MG10CF MG15CF MG15CFR MG15CFX MG15CFXMS SPECIFICATION DSL5C DSL15C DSL15H DSL 40C DSL100H
1 x 6.5" BATTERY MODEL TYPE 1 x 10" COMBO 1 x 12" COMBO HEAD 1 x 12" COMBO HEAD
MODEL TYPE 1 x 6.5" COMBO 1 x 8" COMBO 1 x 8" COMBO 1 x 8" COMBO MICRO STACK POWER OUTPUT (RMS) 5 WATT 15 WATT 15 WATT 40 WATT 100 WATT
POWERED COMBO
POWER (RMS) 2 WATT 10 WATT 15 WATT 15 WATT 15 WATT 15 WATT CHANNELS 1 2 2 2 2
CHANNELS 10 2 2 2 4 (PROGRAMMABLE) 4 (PROGRAMMABLE) TRIODE MODE OUTPUT (RMS) – 7.5 WATT 7.5 WATT 20 WATT 50 WATT
REVERB DIGITAL – – SPRING DIGITAL DIGITAL LOW POWER OUTPUT (RMS) 1 WATT – – – –
DIGITAL FX YES – – – YES YES PREAMP VALVES 3 x ECC83 3 x ECC83 3 x ECC83 3 x ECC83 3 x ECC83
FDD YES YES YES YES YES YES POWER AMP VALVES 1 x 12BH7 1 x ECC83, 2 X 6V6 1 x ECC83, 2 X 6V6 1 x ECC83, 2 x EL34 1 x ECC83, 4 x EL34
MP3/LINE IN YES YES YES YES YES YES DUAL FOOTSWITCHABLE CHANNELS YES YES YES YES YES
HEADPHONES OUT YES YES YES YES YES YES TWO MODES PER CHANNEL – – – YES YES
STOMPWARE COMPATIBLE – – – – YES YES 3 BAND EQ, MID SHIFT AND
YES YES YES YES YES
SPEAKERS CUSTOM 6.5" CUSTOM 6.5" CUSTOM 8" CUSTOM 8" CUSTOM 8" 2 x CUSTOM 10" PRESENCE CONTROL
DIMENSIONS (IN MM W x H x D) 263 x 260 x 175 315 x 295 x 180 385 x 380 x 210 385 x 380 x 210 385 x 380 x 210 385 x 960 x 240 RESONANCE CONTROL – – – YES YES
WEIGHT (KG) 3.1 4.8 7.4 7.4 7.7 18.7 DEEP SWITCH YES YES YES – –
DIGITAL REVERB – YES – YES YES
PENTODE/TRIODE SWITCH YES YES YES YES YES
SERIES FX LOOP (BYPASSABLE) YES – – YES YES

MG CARBON FIBRE SERIES CONT. P18 SUPPLIED FOOTSWITCH

SPEAKERS
1-WAY
CELESTION G10R-30
1-WAY
CELESTION G12E - 60
1-WAY
–
2-WAY
CELESTION SEVENTY 80
2-WAY
–
DIMENSIONS (IN MM W x H x D) 455 x 430 x 240 505 x 475 x 255 500 x 240 x 235 621 x 490 x 252 741 x 274 x 242
SPECIFICATION MG30CFX MG50CFX MG101CFX MG102CFX MG100HCFX WEIGHT (KG) 12.7 16.8 10.2 22.85 24.2

MODEL TYPE 1 x 10" COMBO 1 x 12" COMBO 1 x 12" COMBO 2 x 12" COMBO HEAD
POWER (RMS) 30 WATT 50 WATT 100 WATT 100 WATT 100 WATT
CHANNELS 4 (PROGRAMMABLE) 4 (PROGRAMMABLE) 4 (PROGRAMMABLE) 4 (PROGRAMMABLE) 4 (PROGRAMMABLE)
REVERB DIGITAL – – – – JVM2 SERIES P22
DIGITAL FX YES – – – –
FDD YES YES YES YES YES
MP3/LINE IN YES – – – – SPECIFICATION JVM205H JVM205C JVM210C JVM210H JVM215C
HEADPHONES OUT YES – – – – MODEL TYPE HEAD 2 x 12" COMBO 2 x 12" COMBO HEAD 1 x 12" COMBO
STOMPWARE COMPATIBLE YES YES YES YES YES POWER (RMS) 50 WATT 50 WATT 100 WATT 100 WATT 50 WATT
SPEAKERS CUSTOM 10" CUSTOM 12" CUSTOM 12" CUSTOM 12" – ALL-VALVE YES YES YES YES YES
PROGRAMMABLE DIGITAL REVERB (2) – YES YES YES YES PREAMP VALVES 4 x ECC83 4 x ECC83 4 x ECC83 4 x ECC83 4 x ECC83
PROGRAMMABLE DIGITAL MOD (4) POWER AMP VALVES 1 x ECC83, 2 x EL34 1 x ECC83, 2 x EL34 1 x ECC83, 4 x EL34 1 x ECC83, 4 x EL34 1 x ECC83, 2 x EL34
– YES YES YES YES
& OCTAVE CHANNELS/MODES PER CHANNEL 2/3 2/3 2/3 2/3 2/3
PROGRAMMABLE DIGITAL DELAY (4) – YES YES YES YES 3 BAND EQ PER CHANNEL YES YES YES YES YES
SWITCHABLE/PROGRAMMABLE REVERB PER CHANNEL YES YES YES YES YES
– YES YES YES YES
DAMPING 2 SWITCHABLE MASTER VOLUMES YES YES YES YES YES
EMULATED LINE OUT/ MASTER PRESENCE AND RESONANCE YES YES YES YES YES
– YES YES YES YES
HEADPHONE OUT MIDI SWITCHABLE YES YES YES YES YES
FX LOOP – YES YES YES YES EMULATED LINE OUT YES YES YES YES YES
SUPPLIED FOOTSWITCH – 2-WAY 2-WAY 2-WAY 2-WAY 2 FX LOOPS (ONE SERIES/PARALLEL) YES YES YES YES YES
DIMENSIONS (IN MM W x H x D) 480 x 420 x 225 520 x 505 x 280 595 x 540 x 280 675 x 505 x 280 595 x 255 x 280 SUPPLIED FOOTSWITCH 4-WAY 4-WAY 4-WAY 4-WAY 4-WAY
WEIGHT (KG) 10.8 16.6 20 22.4 11.4 1 x CELESTION VINTAGE, 1 x CELESTION VINTAGE,
SPEAKER(S) – – 1 x CELESTION G12B
1 x CELESTION HERITAGE 1 x CELESTION HERITAGE
DIMENSIONS (IN MM W x H x D) 750 x 310 x 215 690 x 510 x 265 690 x 510 x 265 750 x 310 x 215 605 x 510 x 265
WEIGHT (KG) 17.5 29.5 34.5 22 26.5

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SPECIFICATIONS
JVM4 SERIES P24 ACOUSTIC SERIES P36
SPECIFICATION JVM410H JVM410C SPECIFICATION AS50D AS100D
MODEL TYPE HEAD 2 x 12" COMBO MODEL TYPE 2 x 8" COMBO 2 x 8" COMBO
POWER (RMS) 100 WATT 100 WATT POWER (RMS) 50 WATT 50 WATT + 50 WATT
ALL-VALVE YES YES CHANNELS 2 4
PREAMP VALVES 4 x ECC83 4 x ECC83 MICROPHONE INPUT YES CHANNELS 2 & 3
POWER AMP VALVES 1 x ECC83, 4 x EL34 1 x ECC83, 4 x EL34 PHASE SWITCH YES CHANNELS 2, 3 & 4
CHANNELS/MODES PER CHANNEL 4/3 4/3 PHANTOM POWER CHANNEL 2 CHANNELS 2 & 3
3 BAND EQ PER CHANNEL YES YES PHONO INPUTS CHANNEL 2 CHANNEL 4
REVERB PER CHANNEL YES YES ANTI-FEEDBACK FILTER YES CHANNELS 1 & 2
2 SWITCHABLE MASTER VOLUMES YES YES DIGITAL FX MONO CHORUS 6 (STEREO)
MASTER PRESENCE AND RESONANCE YES YES REVERB MONO 10 (STEREO)
MIDI SWITCHABLE YES YES FX LOOP MONO STEREO
EMULATED LINE OUT YES YES D.I. OUTPUTS & LINE OUTS MONO STEREO BALANCED
2 FX LOOPS (ONE SERIES/PARALLEL) YES YES SPEAKERS 2 x 8" CELESTION 2 x 8" CELESTION
SUPPLIED FOOTSWITCH 6 WAY 6 WAY TWEETER 1 x POLYMER DOME 2 x POLYMER DOME
1 x CELESTION VINTAGE, DIMENSIONS (IN MM W x H x D) 550 x 415 x 255 605 x 530 x 270
SPEAKER(S) –
1 x CELESTION HERITAGE WEIGHT (KG) 16 21
DIMENSIONS (IN MM W x H x D) 750 x 310 x 215 690 x 510 x 265
WEIGHT (KG) 22 34.5
SIGNATURE SERIES P26
HANDWIRED SERIES P28 SPECIFICATION JVM410HJS
MODEL TYPE HEAD
SPECIFICATION 1959HW 2061X 1974X 1962HW 2245THW POWER (RMS) 100 WATT
MODEL TYPE HEAD HEAD (SMALL BOX) 1 x 12" COMBO 2 x 12" COMBO HEAD VINYL COLOUR BLACK
POWER (RMS) 100 WATT 20 WATT 18 WATT 30 WATT 30 WATT ALL-VALVE YES
CHANNELS 2 2 2 2 2 PREAMP VALVES 4 x ECC83
PREAMP VALVES 2 x ECC83 1 x ECC83 2 x ECC83 3 x ECC83 3 x ECC83 POWER AMP VALVES 1 x ECC83, 4 x EL34
POWER AMP VALVES 1 x ECC83, 4 x EL34 1 x ECC83, 2 x EL84 1 x ECC83, 2 x EL84 1 x ECC83, 2 x KT66 1 x ECC83, 2 x KT66 CHANNELS/MODES PER CHANNEL 4/3
VALVE RECTIFIER – – 1 x EZ81 1 x GZ34 1 x GZ34 PROGRAMMABLE MID-SHIFT OD1 & OD2
VALVE TREMOLO – – YES YES YES PENTODE/TRIODE SWITCH –
SUPPLIED FOOTSWITCH – – YES YES YES SWITCHABLE NOISE GATES 4 (ONE PER CHANNEL)
1 x CELESTION G12M - 2 x CELESTION G12C 2 SWITCHABLE MASTER VOLUMES YES
SPEAKERS – – –
20 SPECIAL GREENBACK MASTER PRESENCE AND RESONANCE YES
DIMENSIONS (IN MM W x H x D) 750 x 305 x 210 510 x 225 x 210 610 x 535 x 230 815 x 625 x 270 695 x 305 x 230 MIDI SWITCHABLE YES
WEIGHT (KG) 22 10 19 32.5 15.1 EMULATED LINE OUT YES
2 SERIES FX LOOPS YES
FOOTCONTROLLER 6 WAY

HANDWIRED SERIES CONT. P30 DIMENSIONS (IN MM W x H x D)

WEIGHT (KG)
750 x 310 x 215
22

SPECIFICATION 1958X 1973X

MODEL TYPE 2 x 10" COMBO 2 x 12" COMBO
POWER (RMS) 18 WATT 18 WATT
CHANNELS 2 2
PREAMP VALVES 2 x ECC83 2 x ECC83
POWER AMP VALVES 1 x ECC83, 2 x EL84 1 x ECC83, 2 x EL84
VALVE RECTIFIER 1 x EZ81 1 x EZ81
VALVE TREMOLO YES YES
SUPPLIED FOOTSWITCH YES YES
SPEAKERS 2 x CELESTION G10F-15 2 x CELESTION G12M
DIMENSIONS (IN MM W x H x D) 610 x 535 x 230 710 x 540 x 235
WEIGHT (KG) 19.5 23

VINTAGE RE-ISSUE SERIES P32

1962
SPECIFICATION 1959SLP 1987X 2245 2203 4100
‘BLUESBREAKER’
MODEL TYPE HEAD HEAD (SMALL BOX) HEAD (SMALL BOX) HEAD HEAD 2 x 12" COMBO
POWER (RMS) 100 WATT 50 WATT 30 WATT 100 WATT 100 WATT 30 WATT
PREAMP VALVES 2 x ECC83 2 x ECC83 2 x ECC83 2 x ECC83 2 x ECC83 2 x ECC83
POWER AMP VALVES 1 x ECC83, 4 x EL34 1 x ECC83, 2 x EL34 1 x ECC83, 2 x 5881 1 x ECC83, 4 x EL34 1 x ECC83, 4 x 5881 1 x ECC83, 2 x 5881
GZ34 VALVE RECTIFIER – – YES – – YES
TRUE BYPASS FX LOOP YES YES YES YES YES YES
DIMENSIONS (IN MM W x H x D) 750 x 310 x 215 665 x 265 x 205 665 x 265 x 205 750 x 315 x 210 750 x 310 x 210 740 x 610 x 265
WEIGHT (KG) 20.5 15.3 14.6 20.5 18.8 30.2

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