“ TRIBAL MUSEUM AND DEVELOPMENT CENTER “ - a socio, cultural & economic rejuvenation for Baiga Tribe. Thesis Report: 2019 Akshat garg, 1450106 Priva warPrivacy yao7D.C. PATEL SCHOOL OF ARCHITECTURE ARVINDBHA! PATEL INSTITUTE OF ENVIRONMENTAL DESIGN ‘SPONSORED BY PARISAR TRUST & CHARUTAR VIDYA MANDAL Afiiated with Sardar Patel University, Vallabh Vidhyanagar Vallabh Vidhyanagar - 388120 (Gujarat) Phone: 237586, 235179 Fax: (02692) 237586 E-mail: info@[Link], director@[Link], [Link] APPROVAL CERTIFICATE This Dissertation Title TRIBAL MUSEUM 8 DEVELOPMENT CENTER, DINDORI and done by Mr. Akshat Garg Roll No. 145106 is hereby approved as creditable work on the approved subject, carried out and presented in a manner sufficiently satisfactory to warrant its acceptance as a prerequisite to the Degree for which it has been submitted It is to be understood that by this approval the undersigned do not necessarily endorse approve any statement made, opinion expressed or Conclusion drawn therein, but approves the Study only for the purpose it has been submitted and satisfies himself as to the requirements laid down by the Dissertation Committee. NAME OF INTERNAL GUIDE: Prof. Dilip Vaidya, SIGNATURE & DATE: NAME OF EXTERNAL GUIDE: Ar. Shikhia Paticiar SIGNATURE & DATE: EXAMINED BY INTERNAL GUIDE: EXTERNAL EXAMINER: CHAIRMAN, DISSERTATION COMMITTEE: Privacy anarPrivacy yoyUNDERTAKING | Akshat Garg, the author of the thesis titled “Tribal Museum and Development Center, D “hereby declare that this is an independent work ds partial fulfilment of the requirements for the award of the Bachelor of Architecture degree by D.C. Patel School of Architecture, A.P..E.D., Sardar Patel University, Anand, Gujarat. This work has not been submitted to any other institution for the award of any degree/ diploma. | also certify that the thesis report has been written by me. Any help received in undertaking this research and preparing the thesis submission has been duly acknowledged. All views and opinions expressed in this thesis report are mine, and do not necessarily represent those of the institute. | also understand that any part(s) (eg. conceptual ideas, empirical findings, data etc.) of this study work are not mine, if not-duly acknowledged, constitutes plagiarism. Sign: Name. : Akshat Garg Roll No.: 14sa106 TRIBAL MUSEUM & DEVELOPMENT CE [INDORL MADHYA PRADESH PAGE | Privacy sarPrivacy soyACKNOWLEDGEMENT | would like to express my sincere and heartfelt gratitude towards all who have supported me in this endeavour. Without their guidance, critique, help, encouragement and co-operation, | would not have made headway in this journey of architecture. lam indebted to Arvindbhai Patel Institute of Environmental Design, Sardar Patel University for giving me this opportunity to undertake a study based design project of personal interest as a part of Bachelor of Architecture curriculum, | am extremely thankful and pay my gratitute to Principal Ar. Vinit Shrivastava, Co-ordinator Ar. Sanjay Pitroda, Internal guide Ar. Dilip Vaidya, External guide Ar. Shikha Patidar and all other respected faculties for their patience, valuable guidance and knowledgeable support at every step of this thesis project right up to the completion. | would like to extend my sincere thanks to Mr. Harchandan Singh Bhatty Cheif Artist at National Tribal Museum for providing me information and the guidance to carry out Tribal concerned project. A heartful thanks to Mr. Anurag Dubey, NGO worker for Baiga in Dindori and Mr. Nitin Agrawal for initiating all the contacts and helping me in all possible ways during my site visits. | am extremely thankful to my senior Ar. Somya Jain for always standing as my backbone during my architecture course. Also my friends Kratin, Murtaza, Nirav, Paranshu, Nirja And Shivani without whom my survival in architecture would be difficult. Special mention to Ar. Harshad Manglori for supporting me during my Internship and Ar. Mohit Natani for always guiding me as my big brother. Finally, my gratitute towards my grandmother, parents, my sister and whole family, who have always supported me morally as well as economically. Any omission in this brief acknowledgement does not mean lack of gratitute. [INDORL MADHYA PRADESH PAGE! Privacy merCONTENTS CHAPTER 01 INTRODUCTION 01-11 1.1 General Introduction 02 1.2 Study of Primitive Vulnerable Groups 03 1.3 Baigas: The National Humans 04 1.4 Baigas over the past years 05 1.5 Problem Identification 06 1.6 Need of the project 08 1.7 Aim and objectives 09 1.8 Methodology 10 CHAPTER O2 BACKGROUND STUDY 12-22 2.1 Lifestyle 1B 2.2 Unique Identity 4 2.3 Occupation and Rituals 15 2.4 Skills and Craft W 2.5 Vernacular Architecture 9 2.6 Traditional Knowledge 22 CHAPTER 03 CASE STUDIES. 23-45 3.1 Tribal Mueum, Bhopal 3.1.1 Introduction 24 3.1.2 Inferences 31 3.2 Tribal Habitat, Bhopal 3.1.1 Introduction 32 3.1.2 Inferences 36 3.3 Khamir Craft Institute, Bhuj 3.1.1 Introduction 7 3.1.2 inferences $e 3.4 Comparative Study 43 ‘TRIBAL MUSEUM & DEVELOPMENT CENTER, DINDOR, MADHYA PRADESH PAGE I Priva © narCONTENTS CHAPTER 04 CHAPTER 05, CHAPTER 06 SITE ANALYSIS 4.1 Site Location 4.2 Reasons for Site Selection 4.3 Tourist Circuit 4.4 Tourist Survey of Mahakoshal Region 4.4.1 Amarkantak Pilgrimage 4.4.2 Tribal University & Fossil Park 4.4.3 Kahna National Park 4.4.4 Tourist Mapping 4.5 Site Justification 4.6 Site Analysis PROGRAMMATIC ANALYSIS & CONCEPT 5.1 Programmatic Analysis 5.2 Design Program 5.3 Design Guiding Factors 5.4 Vision and Concept DESIGN DRAWINGS 6.1 Site Drawings 6.2 Site Sections 6.3 Individual Units 6.4 3-Dimensional Views TRIBAL MUSEUM & DEVELOPMENT CENTER, OINDORL MADHYA PRADESH 46-60 47 48 49 50 51 52 53 54 56 61-79 BER 80 PAGEIV Priva narPrivacy yaarABSTRACT “Is it eccentric to live in beautiful scenery in the hills among some of the most charming people in the country, even though they may be ignorant and poor?"- Verrier Elwin, Anthropologist. Artis, without a doubt, one of the most ancient and treasured elements of human culture. Art and culture are expressions of thoughts - they are the ways to represent the socio behavioral characteristics and knowledge of a particular group or society. Tribes are one such society, which are determined by their art, culture and traditions. Sadly, somewhere in race of urbanisation these groups are losing their existence. Largely due to trends in popular practice, there seems a strong urge to ‘As such, in present-day scenerio there is a rising need to sensitize people towards these tribes’ aesthetic and cultural norms. Also, it's important to rejuvenate these vulnerable groups socially and economically. This can be done via reviving art and architecture as they showcase a cultural connect with the target users. Hence, the crux of the project here aims at Development of Baiga Tribe of Madhya Pradesh, India with a focus on reviving their lost cultural identity. The idea here is to provide an interactive platform for the visitors and the locals, artlovers and the craftsman, the urban and the rural. The development of Baiga Tribe with emphasis on social, economic and cultural growth can catalyse a more effective perception. When successfully so, this can further provides a progressive growth pattern to the whole region. Here is an honest attempt, in the name of society, culture & tradition. TRIBAL MUSEUM & DEVELOPMENT CENTER, OINDORL MADHYA PRADESH PAGEV Privacy warPrivacy yaarIntroduction TORU Ra Tone Doce) TRIBAL MUSEUM & DEVELOPMENT CENTER, OINDORL MADHYA PRADESH PAGE 01 Priva narIndia is a home to large number of indigenous people, who are still untouched by the lifestyles of the modern world. With more than £4.4 million, India has the largest population of the tribal people in the world. These tribal people also known as the adivas's and are the poorest in the country, who stil depends on haunting, agriculture and fishing. Sautisidenties Tribal Distribution In india as Image 01 : Tribal Distribution in Inia, Source: Census 2011 = India is a land of multitudinous cultures and people. Every state of India has its own culture and tradition. The are certain states in India where the number of tribes is much more than the rest of the country. Due to presence of these tribes india is culturally rich and the tribal people are real treasure of our country. = Major population of tribes are found in Chhattisgarh, Orissa, Jharkhand, Madhya Pradesh, and North east states of India. TRIBAL MUSEUM & DEVELOPMENT CENTER, DINDORY, MADHYA PRADESH PAGE 02 Privacy vao7WHAT IS TRIBE? A tribe is a social division in a traditional society consisting of families linked by social, economic, religious, oF blood ties, with 8 common culture and dialect. A tribe possesses certain qualities and characteristics that make it a unique cultural, social, and political entity. A tribe isa distinctive people, dependent on their land for their livelihood, largely self suficient, and not integrated into the national society. In India there are 705 tribal groups notified as scheduled. Under Article 342, tribe constituting 8.6% of the total population. mage 02 : Baiga tribe of Madhya Pradesh Image 03 : Sahariya tribe of Madhya Pradesh Source: Intach Source: Intach TRIBES OF MADHYA PRADESH Madhya Pradesh is the 2nd largest state of India. Because of its centrally location, it is often called as the ‘Heart of Incl’ alo has huge forest cover which i residence of large number of tribes. Adivasi Population: 73.34 million i.e. 22% of the total population. ‘There were 46 recognised Scheduled Tribes and three of them have been identified as "Special Primitive Vulnerable Tribal Groups" in the State. Main tribes of MP are Bhil, Gond, Baiga, Saharia, Bharia, Kol, Korku and Agaria, Image 04 : Tribal Distribution in MP, Source: Govto!MadhyaPradesh TRIBAL MUSEUM & DEVELOPMENT CENTER, OINDORL MADHYA PRADESH PAGE 03 Privacy soyWHO ARE PVTGs ? PVTGs (Primitive Vulnerable Tribal Groups) are tribal groups which are given special mention by the Ministry of Tribal Affair, India that needs to be preserved. PVTGs (Primitive Vulnerable Tribal Groups) have some basic characteristics - - mostly homogenous, -with a small population, = relatively physically isolated, - relatively simple technology and ~slower rate of change. IDENTIFICATION CRITERIA. - Traditions of pre agricultural practices. - Low level of population growth. i a The population of PVTGs is i on either stagnant or declining. a Fondant - Extreme Low literacy rate. 8% Year 1991 Year 2001 Year 2011 - Poor Nutrition. - Wide spread Unemployment. There are 75 PVTGs in India out of which Madhya Pradesh has 3 groups (Baiga, Sehariya & Bharia). BAIGA: Population 1,31,425 Mandla, dindori, Balaghat & Seoni BHARIA: Population 2,012 Chhindwara district SAHARIYA: Population 4,17,171 Image 05 : Bhara tribe of Machya Pradesh All districts of gwalior Source: Intach Data Source: Ministryoftrbalafairs TRIBAL MUSEUM & DEVELOPMENT CENTER, DINDORY, MADHYA PRADESH PAGE 04 Priva snarBAIGA: THE NATIONAL HUMANS: The Baiga are a Munda or Kolarian people (part of the Bhuiya tribe) located in the central highlands of India. The name "Baiga” means “sorcerer, medicine man". They are known for their traditional treatment of diseases and shifthing ‘bewar'cultivation. Apart from this they are heavily depended on forest product collection Source: The Baiga, Ehvin2002 Image 07 : Baiga tribe of Madhya Pradesh Image 06 : Baiga tribe of Madhya Pradesh Source: indigenouspeopleettheword ‘Souree: indigenouspeopleoftheworid Spread across the vast forest reserves of Kanha nal Park & Bandhavgarh Reserve, Baiga are considered as worshippers of Mother Earth and are mainly found in Dindori, Mandla, Balaghat and seoni districts of Madhya Pradesh. Image 08 : Baiga Distribution in Madhya Pradesh These Baigas are residing in seven blocks of Dindori district (undivided Mandla) of Madhya Pradesh, ie. Dindori, Shahpura, Mehdwani, Amarpur, Samnapur, Karanjia and Bajag Because of the dominance of Baiga in a particular area of Dindori district, it is known as Baigachak (pocket of the Baigas) This Baigachak consist. of 52 villages Image 09 : Baiga tribe of Madhya Pradesh Source: Intech TRIBAL MUSEUM & DEVELOPMENT CENTER, OINDORL MADHYA PRADESH PAGE 05 Priva merBAIGAs OVER THE PAST YEARS In the past years, Baiga people have seen miserable life. Their relation with the forest made their survival challenging. Till 1866 1867 1890 2002 2014 Baige use to practice shifting cultivation and that was their only means of survival. They use to lve inside the forest areas where they feel suitable. Temporary dwelling inside the forest land. x Later British Govt. banned shitting cultivation in order to conserve forest. This ban took their identity and forced them to change their means of income. So, they started settling in clusters where they can farm. Permanent settlements in clusters. After few years seeing poor conditions of Baiga, Govt demarcated 8 villages as BAIGA CHAK region in which they are allowed to practice shifting cultivation. Bewar cultivation is allowed in marked boundary. The Baigas from the surrounding regions of Baiga chak were forcefully evicted from forest in the name of Forest Conservation act which lead to downfall in baigas and they faced severe problems like Unemployment, informal settlements, illiteracy, Poor Nutrition etc. Habitat rights given to 7 villages of Baiga chak belt which means that around 9304 hectares in the seven villages have been granted to about 900 families where they are allowed to use forest products for their livelihood. Data Source: downtoearth TRIBAL MUSEUM & DEVELOPMENT CENTER, DINDORY, MADHYA PRADESH PAGE 06 Privacy yaarPROBLEM IDENTIFICATION Around 2001-2002, various villages around National Park were forcefully evicted by officials from their homes and were forced to not enter the forest (a major source of livelihood) in the name of forest and tiger conservation act. Since then they shifted their dependency majorly on agriculture. But that is not sufficient in fulfiling their daily requirements. Situation of Baiga regions are not good while comparing other regions, because even today majority of Baiga tribes resident are situated in Jungles and far from other developed areas. These areas lack in ke electricity education, roads, hospitals, etc, basic needs. While comparing to other areas, people in these areas are very poor because of no employment, lack of educations, and lack of basic needs. There are 425 schedule castes, out of which 43 schedule castes ere present in Madhya Pradesh. Out of these 43 castes, three Baiga, Bharia and Saharia are declared as special caste, which is called as “Adim Janjati". As per census 2011 total population of Baiga is 4,14,526 in Madhya Pradesh. Baiga tribe mostly present in Dindori, Mandia, Sahdol, Anupur and Balaghat. The subtypes of Baiga are Bifhvaar, Bhumia, Bharotia, Nahar, Bhana, Muria, Kodvan, Gond, etc Source: The Hindu’ dated 26 july 2017 Image 11 : Beiga tribe eviction from forest area. Source: Thewire + $0, there is a need to reduce their dependency on forest and wildlife and empower them socially and economically by utilizing their traditional skillsets and hence providing them alterative source of livelihood. - Apart from providing employment it will also preserve their tradition, art and culture losing its identity with the present and upcoming generations. TRIBAL MUSEUM & DEVELOPMENT CENTER, OINDORL MADHYA PRADESH PAGE 07 Priva anar~The study shows the dependency of Baiga on nature economically, culturally and socially Their routine, practices, and occupation justifies their love and respect for nature. - They are still living in pre-agricultural stage but posses various skills of bamboo craft (as they create household products with it), wood carving (as they decorate their wooden doors and make carved pillars), jewellery making (women used to make their own jewellery with beads and thread) and painting (they use to paint their regional stories & figures) & also have indepth knowledge of herbal medicines (they collect herbs from Mahakoshal region & prepare medicine from it) - inspite of having such skillsets they are considered vulnerable and remained backward. Also the Gout. rules does not allow them to use forest as per their need, hence they are suffering from Unemployment, Iliteracy, and informal settlements, - So there is a need to provide them a platform which will allow them to grow economically and also preserve their ancestral and unique cultural identity. Image 12 : Poor Baiga family with unemployment and informal settlement. Source: Edgeofhumanity = The south eastern region of Madhya Pradesh has the highest percentage of Baiga Population. - Lack of poor infrastructure facilities fails to serve the basic needs of the community. - Due to lack of employment people are migrating to other regions for earning. - And because of migration they are losing their cultural identity. TRIBAL MUSEUM & DEVELOPMENT CENTER, DINDORY, MADHYA PRADESH PAGE 08 Privacy eaterImage 13 : Poor Baiga woman and undernutrished children, Source: Edgeothumanity Image 14 : Baiga with poor feciities, Source: Edgeothumanity ‘Thus this thesis deals with designing a Museum that reflects their art & culture for the people ‘outside to take a glimpse of various art and tradition of the tribe, a Herbal Centre which provides knowledge of rich biodiversity of the region used for treatment and a training center for the local community people with commurity gathering spaces to enhance their skillsets and support socio- cultural aspects of their living. So that the overall development of the village takes place and the tribal community doesn't feel neglected. it emphasizes on analysis of the local architectural style of the community and the day to day activity. /ELOPMENT CENTER, OINDORI MADHYA PRADESH PAGE 09 PrivacyEta -To built a environment that allows community to EXTEND, EVOLVE and EXPRESS themselves To deal with the existing character of the tribe that needs preservation for upcoming generations. eoscanres To synthesize study of socio-cultural aspects of community, local architecture and trends in their lifestyle. ~ To develop a platform where the tribal people can work, stay and upgrade their skills. = To inculcate the traditional knowledge system of the community while designing the center. See = Apart from the functional use, the project will include vernacular architectural techniques exploring local materials keeping in mind the principles of sustainibility. - The programme does not act as discrete entity but rather it will be a modified entity of a already made proposal. ~To counter the scarcity of portable water by designing solutions for harvesting rainwater at both unit and site level. - To conserve surrounding forest and create an environment which is representative of natural habitat of that region. by Govt, ADHIVAS| LOK KALA EVM BOLI VIKAS ACADEMY, MADHYA PRADESH SANSKRIT! PARISHAD has proposed a cultural center (displaying art culture & habitation) for Baiga ‘Tribe in Dindori district of Madhya Pradesh. - Design (Training center) will only focus on artisans of age group 22 - 40. - The artisans in accomodations will not be permanent, rather temporary as per the training sessions. - The use of materials will only be limited to the locally available resources such as wood, bamboo, mud and concrete. TRIBAL MUSEUM & DEVELOPMENT CENTER, DINDORY, MADHYA PRADESH PAGE 10 Privacy aor1 Data collection stage: - Visit Dindori and near by tribal village settlements. - Study and understand art, culture, lifestyle and architecture. - Study existing government policies. - Preparation of questionaire for tribal people and government authorities. ~ To seek information on the subject by interactiong with the experts. - Prepare drawings for analytical studies. - Literature review: - Referring books and research papers related to the topic - Study existing educational trends - Precedent studies = Primary case studies - Secondary case studies 2 Data analysis and design stage: - Prepare analytical study from the data collected from above stage. - Comparative analysis - Preparation of charts - Data analysis - Draw inferences from the study which would help in further designing. - Inferences from the analysis. = Inferences from the literature review and case studies. - Formation of program - Designing the sustainable environment wher knowledge can be spread along with conserving the tribal art, culture and natural habitat. 3 Design process & Conclusion stage: = Site Analysis - Preparation of program - Conceptual - Designi = Conclusion. Image 15 : Baiga in hope. Source: Edgsathumanity TRIBAL MUSEUM & DEVELOPMENT CENTER, OINDORL MADHYA PRADESH PAGE 11 Priva narPrivacy yoyCHAPTER 2 Background Study a. CIR eNO acelin eses Image 16, Source: Indigenouspeopleoftheworld in TRIBAL MUSEUM & DEVELOPMENT CENTER, OINDORL MADHYA PRADESH PAGE 12 Priva sarALL ABOUT BAIGA Baigas are forest dwelling adivasis who lived in the intimacy with the elements of nature. They consider themselves as o”iginal inhabitants of earth thus also known as Bhumiya right on earth) Their love towards nature can be traced in their social, cultural, economical, spiritual and architectural aspects. Origin Of Baiga God created Earth and 2 ascetics emerged from the depth of the ground; Brahmin and Baiga (Naga Baiga & Naga Baigan). Both were given their task: to read & write and to cultivate res ly. Since then Baiga worship Earth as mother and consider themselves as the guardian of forest. Paintings by Artist Suresh Ohruve depicting the ‘mythological stories on the origin of Baigas, Source: The Baiga, Elvin 2002 Image 17 Image 18 Clothing Men use to wear dhoti and a waist coat along with a turban on his head while women wear lugra {short saree) with beautiful ornaments made by themselves. They use to make their own customized clothes; saree shorter than the regular and shawls decorated with various design patterns. Baiga man and woman in pagdhi and short saree reepoctivl Source: Edge of humanity Image 19 TRIBAL MUSEUM & DEVELOPMENT CENTER, DINDORY, MADHYA PRADESH PAGE 13 Privacy estarArt of tattooing Baigan women are fond of tattoo (godna). Each of these tattoos has a specific cultural significance and tattooed at a particular age and a specific location of the body. Tattoos are treated as wealth and ornaments of Baiga , ) Flower (Phu): On arms & knees. Peacock (mayur onbreasct so when she reaches puberty. ary Sus ee, es axl seota rasoh On forehead before mariage: ‘Tattoo designs used by the tribal people. Source: The Baiga, Ehvin 2002 These tattoos are symbolic representation of god and goddess who protect them from different natural calamities, evil spirits, black magic, enemies, wild animals ete. Tattoo was treated one of the most important aspects of the tribal life and culture, Body tattooing was very much essential for some tribal groups of central India This tribal group was using their traditional method and handmade colour for this purpose, but now a days, this tradition has been changed. Presently, it does not confine within the people of the tribal and folk communities, it enters in to the life and cultures of the urban people and it became their important fashion which present in their dress and body. Image 23 : Tattooed baigan woman Source: Edge of humanity TRIBAL MUSEUM & DEVELOPMENT CENTER, OINDORL MADHYA PRADESH PAGE 14 Priva narOccupation The Baigas possess the most knowledge about the forests, compared to other communis. Their relationship with the forest is very intimate. They know when they must visit the forests, how much forest produce they can extract, all that they, can, get from the forests, which vegetation is used for what purpose, thus support their livelihood. - Agriculture = Major source of income Forest Dwelling --- ~~ Collect timber & NTFP. {Make baskets, hats, plates and talfomtee mr i ’ WS = Image 24: Weman making patel fom sal leaves Bamboo Craft -~ Image 27: Woman harvesting crop. ~----Treatment By Ethnomedicines - Posses skill of identifying the mecca her & us them fr ‘curing disease. e “og. Root extract of ‘ghumchi’ Tree 2: Werner solr Image 26: Group of women in (Abrus precatorius) cures cough bamboo baskets bamboo workshop. and cold, Music and Dance Festivals, birth, marriage, fairs are incomplete without dancing and singing. People gather in a ‘open ground to dance and celebrate. Karma, saila, Sua etc are some common dance forms. Their dance and music ae vey attractive and strongly reflect their culture. They mostly dance around their sacred grooves in order to pay respect their god and nature. Image 28 : Karma Dance around the tee during festa Image 29 : Dashara Nach in open area. TRIBAL MUSEUM & DEVELOPMENT CENTER, DINDORY, MADHYA PRADESH PAGE 15, Privacy yaarFestivals Al festivals are dedicated towards forest conservation. The celebrations are carried out to pay tribute to the plants that sustain human life. Some of the festivals of Baiga are- -Ras Nave: Celebrated in october when plant ‘mohti' blossoms. ~ Dashara Nach: Workship nature and river at night in forest by dancing and eating together. Image 30 : During ths religious ceremony, the ‘wheat plant is worshipped inthe form of 8 Devi Sacred Grooves Deo stall near the dwellings The Beige consider nature and its elements as their religious identity. Along with that they used to install various objects that symbolise the religious figure. There are 3 major sacred grooves that Baigas worship in their daily routine. - Bada Deo sthall, near the village entrance, - Thakur Deo sthall, inside the village campus, - Marahi Devi, water body near to the dwelling unit. Image 32: Thakur deo sthal Image 33 : Bada deo sthall, TRIBAL MUSEUM & DEVELOPMENT CENTER, OINDORL MADHYA PRADESH PAGE 16 Priva anarBamboo Craft & Wood carving The bamboo work of Madhya Pradesh is a reflection of its raw rural lifestyle, and continues to serve purposes both utilitarian as well as ornamental. Abundantly available in the regions of Shahdol, Balaghat, Mandla and Seoni, Bamboo is used to create products ranging from hunting tools to household baskets. Skill of wood carving is largely seen in Baiga tribe. They use to carve various artifacts of wood and also they use to carve Out intricate designs in the doors of their households. Image 38 : Wooden mask Image 39: Baiga Image 40 : Carved doors in women sculpture designs TRIBAL MUSEUM & DEVELOPMENT CENTER, DINDORY, MADHYA PRADESH PAGE 17 Priva narPainting and Jewellry making Influenced from Gond art culture, Baiga also started painting their own stories and religious figures. Use of natural and bold colors make their work attractive. Also they posses art of tattoo making which they use to make graphics through it Women of the community use to make their own jewellry with beads and buttons. They sell these jewelry to nearby regions. Also their jewellries are liked by the urban population. Image 437, 448 : Handmade jewellery TRIBAL MUSEUM & DEVELOPMENT: DINDORL MADHYA PRADESH PAGE 18 Priva narVernacular Architecture. Vernacular architecture gets its character from geography, climate, culture and locally available materials. It is specific to place and people. Dwellings are the part of their habitat which keeps as evolving with the change in needs of the far, Baiges have always been engaged in cultivation and selling forest goods and medicines. Their dwellings were made by themselves with community involvement. Settlements Baiga villages expresses the friendly, open hearted, honest and communistic nature of the tribe. Villages are hard to find; one either on top o¢ hill or low down the valley. They settle as per location of site without disturbing the nature. Baiga tribes has scattered settlement patterns in hilly forest close to the river. The Baiga build their villages either in the form of a large square, or with houses lining the sides of a broad street. Detling vit Pee Ferland VILAGE LAYOUT macha, patio anid Seopa man a House of Baiga A traditional baiga house consists of a room which is segregated by grain bins. The pigsty is detached. The courtyard and house are surrounded by a fence (parda) of wood lags. Roof were made of chhira, Anheda, Ravai and bamboo mats. 2, Hearth for cooking b. water pots , Hearth for fre row of grain bin @. Grindstone [Link] room 4g. outer room 1 verandah Plan of typical Baiga dwelling TRIBAL MUSEUM & DEVELOPMENT CENTER, DINDORY, MADHYA PRADESH PAGE 19 Privacy .anera. kitchen Fb eating room «. sleeping room . courtyard ©. cattle shed i gate Plan of typical baiga Upper dwelling Roof covered with ee ‘Colored murals to decorated wal. Cattle shed attatched Strong foncing of wood ogrtom Sorwitlanieae Section of typical Baigs dwelling beetle Section of typical Baiga Vilage showing the public interactive spaces ‘TRIBAL MUSEUM f DEVELOPMENT CENTER, DINDORL MADHYA PRADESH PAGE 20Materials and technology used by them WALLS- Baigas used to do shifting cultivation hence their houses are temporary with walls made up of bamboo and mud, wattle and daub. Later they started making cob walls so dwellings could breathe & stay long. Afterwards on changing occupation to seitled agriculture they started construction by mud blocks. Wattle and daub construction \___Image 45 : Cob wall preparation ROOFS- The roof was made up of thatch and tightened with bamboo or thin wooden logs. Then came the handmade tile, uneveness and natural texture was its quality and in the process wooden truss are evolved. Teracotta Tiles Thatched roof Bamboo PLASTER: Plaster was done with cow dung as it is ‘puriins easy to apply on wattle & daub, cob walls. This gave uniformity to the wall. Earthen colors added new dimensions to the unit and brought a distinct character in the built form. Then came the lime plaster which slowly got replaced by cement. Wooden logs Different roofing materials used by Baiga. ORNAMENTATION: There was no oramentation when cow dung was used as plaster. Later natural colors allowed making creative patterns through floral design, motifs and art forms which added to the aesthetic value. Natural colors got replaced with lime plaster and later with oil paints gave rise to different type of art forms. ~The wooden doors have inticate carvings are expressive of artistic perception of baiga man & decorated walls By woman manifest their aesthetic sense Image 46 Cares doors representing the symbols of nstre Ifetwoon Sars, eves et TRIBAL MUSEUM & DEVELOPMENT CENTER, DINDORY, MADHYA PRADESH PAGE 21 Image 47 ypc! dling with verandah mage 48 Decomted wall ith ae @ aor and vatous peters Privacy ewerKnowledge of Herbal Medicines India is a great Mega biodiversity country of the world and Home to a great variety of ethno- medicinal plant species and ranked seventeenth Mega diversity countries of the world. The household remedies practiced by the rural Communities through trial and error method are not only accurate but also confirm to the ayurvedic system Mahakoushal region is situated at a height of about 1000m above MSL on the satpura plateau between 220 41” N latitude and 810 466 longitude in Madya paradesh. The area is the eastern most extremity of maikal range. Maikal hills and surrounding area are mainly inhabited by baiga people. The Baiga chak villages located in dense forest area of Maikal range. This region is also called "Heaven of medicinal plants” because most of endemic, endangered & rare medicinal plants are found here and grow naturally in forest area of Maikal hils. It is also famous for feligious aspects in India. It is the place of origin of Narmada, son and jhohila rivers, The economy of maikal baiga chak villagers is based Upon forest & forest product . Some commonly found ethnomedicines 5] Local Name Scientific Name FamilyName | Uses No. T | Galbatawal THedychinum coronariam | Ungiberaceae. | Conductiviies & cure other eye Disorder 2 | Bahn CenvetaasaticagLinn) ‘Aplaceace Cure syphilis, Mental disorder & Skindisease 3] Paattu | Puerara iberosa Fabaceae Cure abdominal disorder. (Vidar tang) = [Akarkara Splanthus paniculata ‘teraceae Use mn curing teeth disorder. | Brahma Hydrocotyteassiatica Apiaceace Skindisease 6 Shivlingy ‘Bryonio aba. Gucurbtaceae | Make steriligy 7 Anantmoot Hemidesmus indicus ‘Asclapiadacewo | Fever, kidney stone problem: | chitrak Plumbago zplenika Plumbaginaceae | Indigestion. 9) Nirgundi Vitex negundo Verbenaceae | Cure to antitoxicants ta body 10 | Van Adrake Zingiber zerumbet (L) Zingiberaceae. | Gold fever. Date Source: Ethnomedicinal Plants used by Baica Tibes by Rupesh Kapale -Baiga people very well know when they ETS epee must visit the forest, how much forest Re = produce they can extract, all that they can A get from forest. “Whenever the Baigas want to bring any medicinal herb or root from the forest, they identify them and then immediately think of preserving them for the future. - They use to prepare medicines from the extracted parts and cure local diseases. This their another sources of income. Image 47: Meccnal Fler of Maia Range ‘TRIBAL MUSEUM & DEVELOPMENT CENTER, INDORL MADHYA PRADESH PAGE 22 Privacy estarPrivacy yaarCASE STUDIES NT rae TRIBAL HABITAT BHOPAL TRIBAL MUSEUM BHOPAL NOOR MADHYA PRADESH PAGE 23 Privacy Y omarPrivacy yaarSTUDY PARAMETERS ~ To study various tribal groups of Madhya Pradesh. To observe involvement of local artisans in construction technology. ~To understand tribal rhythms, geometries, materials, forms, aesthetics and spatial consciousness. ~ To understand gallery spaces inside the museum » TRIBAL MUSEUM BHOPAL PAGE 24 Privacy Y anarE Tribal National Museum, Bhopal The cultural diversity seen in Madhya Pradesh is hard to find anywhere else. There are around 46 scheduled tribe in Madhya Pradesh. Some of which are Gond, Bhil, Baiga, Korku, Bhariya, Halba Kaul, Mariya, and Sahariya. The museum of Tribal Heritage at Bhopal is thus a reflection of art, culture, myths and habitation of major tribal groups found in Madhya Pradesh. OCATION : Shymala Hills, Bhopal, Madhya Pradesh ARCHITECT : Kamath Studio, Ar. Revathi Kamath IENT : Adivasi Boli Vikas Academy, Bhopal 7 Acres Image 50 : Site plan of Tibal Museum, Bhopal, MP, Source: Googlaearth Situated in City Of Lakes Bhopal, Tribal Museum is constructed on Shymala Hills surrounded by buildings of great importance The state Museum of Bhopal and Indira Gandhi Manav Sanghralaya. Inspite of having various museums in Bhopal, Tribal Museum imparts a pleasant surprise to the visitors. & Image ST: Site Entrance Image 52: Museum Entrance image 53: Courtyard view PAGE 25 Privacy Y anarThe programs are designed in such a way that it involves the tribal commurmity and provides them a platform to evolve and express. ‘And providing them a oppurtunity to connect with the urban world. [Bl Workshops i canteen Bi Admin LOWER LEVEL PLAN 1) Gallery i Auditorium WE Lirary UPPER LEVEL PLAN GALLERY, to showcase the rich diversity of tribal culture. There are 6 galleries each of area 300 sq mts WORKSHOPS, for artisans to produce artifacts and develop installations. LIBRARY, providing vast knowledge of tribes around the world, THEATRE, platform for various cultural activities and sacial gatherings. DORMATORY, for stay of artisans and their families. ‘TRIBAL MUSEUM & DEVELOPMENT CENTER, INDORL MADHYA PRADESH PAGE 26 Privacy aayWorkshops are _ arranged around open spaces such that workers can’ use maximum outdoor spaces. IMAGE 54: LOWER LEVEL PLAN ‘Source: Kamathstudio org Galleries are organised as a yeurney with intervals in etween, to provide the i * Viewers a sense of transition #£ % ah aN 4 IMAGE 55: UPPER LEVEL PLAN Source: [Link] (CROSS SECTION The galleries are raised above the ground on colurnns, forming a continuous, multileveled veranda, following the contours of the sloping, rocky terrain. TRIBAL MUSEUM & DEVELOPMENT CENTER, DINDORY, MADHYA PRADESH PAGE 27 Privacy aorThe sprawling campus is divided into 6 colorful galleries showing the diversity of the seven tribes of the state. The lifestyle, folklores, social customs and rituals of the seven indigenous tribes of Madhya Pradesh ~ the Bhils, Gonds, Bharias, Korku, Sahariya, Baiga and Kol are displayed in the museum through a repository of traditional art and elegance. Space for various i Se eee ae ‘culation in the galleries are 7s ee organised as a journey with imarval in Govryecs pancre inightand i? Q Come foe Me sac i Sooo ectalee jCRCUATION Introdsetion galley, LAYOUT OF ART GALLERIES The gallery displays the habitation of tribal groups. They are known for building their houses using locally available material. The exterior of the houses had colourful murals and paintings. This gallery is a visual delight and provides a good insight to the tribal life, their way of living, tools they use, how they cook and preserve the food grains. nage 58 House of Bhi tbe Tage 58 Image 59 ier Keth granary commen in Gand household Sahariya courtyard TRIBAL MUSEUM & DEVELOPMENT CENTER, OINDORL MADHYA PRADESH PAGE 28 Privacy awiarARCHITECTURE The building of the museum is entirely done by modern construction. The use of traditional materials as fabrication is done afterwards. The forms responds to the location of the site. Also the spaces being provided at levels in correspondance with the existing terrain, ‘Wall painted with mud and murals done with oil colors. Image 60: Elevation Souree: [Link] + | Image 62: Darmatory of artisans Source: [Link] Image 61 : Courtyard between corridors Source: [Link] Image 63 Open gatheringt Image 64: Landecape with artistic approach Source: Kamathewcl org Suree:Kamathet org TRIBAL MUSEUM & DEVELOPMENT CENTER, DINDORY, MADHYA PRADESH PAGE 29 Priva war‘Tribal National Museum, Bhopal Glimpses of Tribal Museum Image 47 : Huge installations inside the gallery. Image 68: Symbolic elements to represent tbe Image 70 Column treatment with nat material PAGE 30 Privacy Y sarINFERENCES © Main strategy is to utilise the skill sets of the various tribal artisans to develop the displays. ‘Climate responsive and sustainable design * Architecture of the buiding does not involve use of local materials and techniques. ‘s Height of the galleries is almost triple height which created trouble while designing interior of gallery. The galleries are provided with full height glass which is the architectuaral drawback. It is then painted with patterns by the artist to ensure soft sunlight inside. The architecture of the building is too foreign for the tribal people. Inspite maintaining the culture, it fails to preserve their survival. « The galleries been placed ina sequential manner inorder to provide the vistors a fixed path during the visit. ‘* Galleries next to each other will forcefully binds the visitor to the exhibits. Landscape has been designed very artistically in order to attract the visitors. ‘* Workshops are placed near to canteen, which may cause distraction to the workers. * Dormatory does not reflect any identity of the tribes. Yet they are placed away from the museum building maintaing the privacy of the artisans. TRIBAL MUSEUM & DEVELOPMENT CENTER, DINDORY, MADHYA PRADESH PAGE 31 Privacy yaarSTUDY PARAMETERS um exhibits around 40 and more tribal culture dwelling of various Indian tribes in different, — ‘eco-climatic zones of India. ~The intent is to study the different modes of exhibition technique and use of traditional architecture. Bio 7 VOTE Um [ela \e [INDORL MADHYA PRADESH PAGE 32, Priva narThe Indira Gandhi Rashtriya Manav Sangrahalaya (|GRMS), also known as “The Museum of Mankind” is an open-air anthropology museum that celebrates many tribal traditions and cultures of India. This exhibitions includes the unique dwelling types of architectural marvels from different tribal communities from all regions of India. LOCATION : Shymala Hills, Bhopal, Madhya Pradesh SITE AREA : 200 Acres Museum lies in a prehistoric landscape at Bhopal, the capital city of Madhya Pradesh in the central province of India. Spread across the Shymala hills in Bhopal, it covers a sprawling 200 acres of the area. The Museum lies in a prehistoric landscape with evidences of prehistoric human settlement in its premises. There are three kinds of exhibitions in display including open air exhibitions, indoor galleries and periodical or temporary exhibitions. CLUSTER TYPOLOGY Clusters being created as exact replica of village settlements, along with that their crafts, household items, mythological beliefs and scared grooves are exhibited. The actual size displays has been built up directly by the tribal communities by using their traditional materials and techniques. 60 Years oo 00 20 00 Total 7000 100.0 100.0 1000 Table 01 ; Percentage of domestic sameday and overnight visitors as per age group. EEK TTT) Male Female 0 - 14 Years 0.0 0.0 15 — 24 Years 206 36.1 25-34 Years 39.0 639 35~—44 Years 204 90 45 — 60 Years 20.0 0.0 >60 Years 00 00 Total 100.0 100.0 Table 02 : Percentage of foreign overnight visitors as per ace group. Data Source: Ministry of Tourism Madhya Pradesh. CONCLUSION Weather condition in region is one of the major determinants of tourist arrival. In case of Domestic Tourists; the survey findings suggest that peak month for overnight and same day tourist visits was October. Overall, lowest arrivals of domestic tourists were measured during the months of May and June. Furthermore, In the case of Foreign Tourists, a peak month for ‘overnight tourist visits was December. Whereas there were no same day visits were made by foreign tous. Specially the Amatkantak region has peak month during Shivatri ‘ebxuray) and shravan (july). ‘TRIBAL MUSEUM & DEVELOPMENT CENTER, INDORL MADHYA PRADESH PAGE 54 Privacy aaySITE LOCATION The proposed site is 4.77 acres and situated on SH22. It is Skms from the Dindori district headquaters, Narmada river is flowing at a distance of kms from the site. The soil present is mainly Mixed red and black soil. The undulating terrain, river valley and the thick dense forest will provide suitable location for the project. Tod Image 107 : Site location with immediate context. Site Justification = [Link] State Highway 22 which connects Dindor istrict direty tothe nearest cy Jabalpur _Easly approachable trough read transports ike bus, atorckshaw and personal vehicles ~ A spot of attraction as it serves an entry to the town. ~ Caters 2 good amount of vehicular and pedestrian frequency as it lies on the way to ‘amarkantak. ~ Surrounded by dense forest cover it sets to be ideal place for Tribal center and the hilly terrain provide 2 perfect place for nature lovers TRIBAL MUSEUM & DEVELOPMENT CENTER, DINDOR, MADHYA PRA PAGE S4 Privacy 2narPlan: Site Contour Plan Plan: Site Plan ‘TRIBAL MUSEUM f DEVELOPMENT CENTER, DINDORL MADHYA PRADESH PAGE 56 PINOY yarImage xx: Site boundary with marked views. SITE PLAN VIEW 01 TRIBAL MUSEUM & DEVELOPMENT CENTER, DINDORY, MADHYA PRADESH PAGE S6 Privacy yao7Site Analysis VIEW 02 VIEW 03 VIEW 04 PAGE 58 Privacy sarVehicular ‘access Fig: Existing Vegetation. Fig: Site Context, Maximum level differnce 15 mts 15.00 Lo 170.00 Fig: Site section. TRIBAL MUSEUM & DEVELOPMENT CENTER, DNDOR, MADHYA PRADESH PAGE S® PrVaey sorSite Analysis , Townes Dense * scan and \ Am eeR ’ Towards ‘, mountains & ~ w viloge Fig: Views from site Fig: Site Drainage. A Image : View to mountains Image : Vegetation on the outer periphery Image : View to Valley behind Image : Nearby village view DINDORL MADHYA PRADESH PAGE 60 Privacy Y omnarPrivacy yaarCHAPTER 5 Programmatic analysis and Concept CONCEPTUAL PLANNING ‘TRIBAL MUSEUM & DEVELOPMENT CENTER, DINDOR| MADHYA PRADESH PAGE 61 PriVaey yaarThis study has been carried out in order to understand the area requirements of various workshops. Each workshop has different process and activities with certain quality of spaces. The reference of the study is further used in designing the programm of the project. PER PERSON AREA REQUIREMENT FOR THE WORKSHOP : ‘A. Wood Carvin -4.7 sqm B, Bamboo Cra =3.9 sqm C. Textile -7.2 sqm D. Pottery -5.0 sqm POTTERY wornsHor [tgw> WOOD CARVING NoeksHo? 35 nr oles -~ ae ales, $s od * ote J precanation, fae Ftc = Pi as See Aeuseud a ~ Beer a Pwnecior esa pierbieurton PHmbEsMOr Anca pteteteuitod TRIBAL MUSEUM & DEVELOPMENT CENTER, DINDORY, MADHYA PRADESH PAGE 62 Privacy yaarBAMBOVD woRKsHOP 139m" TEXTILE = WORK SHOE Igo m" see a Weasls Wondtabnt Herbal Center -The herbal center will be created in order to reflect the rich biodiversity of Maikal ills. These tribes collect plants and herbs from forest and extract the useful part of it in order to make medicines. Te endnote ed ted on Sa Step 1- Step 2- Step 3- Step 1- Collecting plants from Extracting the useful Crushing or boiling Packaging in form forest. partlike root, leafor that part as per the of oils in bottles flower. requirement. and powder in packets. t r t t eons, “TRIBAL MUSEUM & DEVELOPMENT CENTER, DNDORL MADHYA PRADESH PAGE 63 Privaey aorThe aim of the Museum is to bring together culture, lifestyle, customs and beliefs of the Baiga tribe of the Mahakoshal region. Purpose of any museum Planning Factor Functional requirement Zoning of functional requirement. - Reception - Museum Block “Circulation space needed ~ Library ~ Souvenir shop = Disable access requirement - Gallery = Av room| ~ Security needs. ~ Official legal norms A5m* anet_b < ¢ —, ‘Avea distribution in a museum block TRIBAL MUSEUM & DEVELOPMENT CENTER, DINDORY, MADHYA PRADESH PAGE 64 Privacy yaarCirculation Requirement = Museum should be designed such that visitors do not have to take extra steps. + Minimise the number of teps by not providing backtrecking - Avoid designing with multiple choice points. Circulation pattern in a museum gallery. - Every gallery should be provided with a buffer space that will act as a pause in the journey. - These intervals can be converted into small courtyards that gives a sense of transition from one closed space to other. Buffer spaces in between galleries "THBAL MUSEUM & DEVELOPMENT CENTER, ONDORL MADHYA PRADESA PAGE 65 Privacy yaarRECEPTION: 55 sq. m. 1, Entrance Lobby & waiting +35 sq. 2. Information counter = 10 sq. 3. Ticketing = 10sq. ADMINISTRATION: 75 sq. m. 1. Reception = 10 sq. m. 2. Director's office + 205q.m. 3. Meeting room +25 sq.m. 4. Toilets = 20 sq.m. MUSEUM: 750 sq. m. 1. Exhibition gallery = 250 sq.m. ‘close, semi-open) 2. Storage = 80 sq.m. 3. Library = 80 sq. m. 4. Souvenir shop = 48 sq.m. (4 nos. 12 sqm each) 5. Theatre room +50 sq.m. & Cafeteria = 200 sq.m. 7. Toilets +35 sq.m. WOOD CARVING WORKSHOP: 155 sq. 1. Storage - 35 sq.m. 2. Workspace (carpentary) - 80 sq. (10-12 Users) 3. Seasoning room + 20sq.m. 4. Shed room = 20 sq.m. 5. Toilets + 20 sq.m. BAMBOO WORKSHOP: 155 sq. 1. Storage - 35 sq.m. 2. Bamboo cutting = 20 sq.m. 3: Workspace = 100 sq. m. (10-12 Users) 4. Toilets + 20sq.m. TRIBAL MUSEUM ® DEVELOPMENT CENTER, DINDORY, MADHYA PRADESH PAGE 66 Privacy yaarPOTTERY WORKSHOP: 155 sq. m. 1, Storage + 35sq.m. 2. Workspace - 80 sq. m. (12-15 Users) 3. Drying +15 sq.m. 4. Kiln room - 25 sq.m. 5. Toilets - 30 sq. m. TEXTILE WORKSHOP: 165 sq. m. 1. Storage +35 sq. 2. Weaving workspace +100 sq. ar 3. Packaging +30 sq. 4. Toilets -30sq. PAINTING WORKSHOP: 120 sq. m. 4. Storage - 20 sq. m. 2. Workspace - 100 sq. m. (10-12 Users) JEWELLERY MAKING WORKSHOP: 120 sq. m. 1. Storage + 20 sq. m. 2. Workspace - 100 sq. m. (10-12 Users) ARTISAN'S ACCOMODATION: 250 sa. m. 1. Local Artisan Dwelling Units +22 sq.m. 6 nos (2 person in each unit) 1. Master Artisan Dwelling Units +28 sq.m. 3 nos (2 person in each unit} HERBAL CENTER: 125 sq. m. 1. Dispensary + 20 sq. 2. Treatment Room 225 sq. 3. Manufacturing hall - 80 sq. RECREATION: 250 sq. m. 1. Canteen + 250 sq. m. 2. Open air theatre = 300 sq. m. 3. Plaza and Sculpture garden 4 Toilets +30 sq.m. ‘TRIBAL MUSEUM & DEVELOPMENT CENTER, INDORL MADHYA PRADESH PAGE 67 Privacy estarThere are various factors that has to kept in mind while designing a project on a contoured land. These factors help us achieve a better design with all possibilities. ° o.4 M CREATING ORIGINAL MULTIPLE SMR WiLL PADS | swe ve: = = — “ tend, €e@ slepe, banks €) Lethe foued, Veni Ta top LZ J, .¢ Peat as USE OF aNates ANd uslifoe crores USE OF Papi aup UNEVEN View _tomens we wks ean ad SITE dh ‘TRIBAL MUSEUM & DEVELOPMENT CENTER, INDORL MADHYA PRADESH PAGE 71 Privacy yaarDesigning for a community is no doubt inspired from the traditions and knowledge of that particular community. Their traditional built environment and the spatial organisation will further lead to a successful design for the target tribe MuP eesti STORAGE USER 48 Partition usep id FOR, GATHER G {wierd VERANDAH AcTS As THe MOsT AexiVE Wreraction SFACE igs MR USED For stoRaNE oF GRE S Ane Gatueetde tor FoR FeOPLe TD sit f test wie eOnMuNiTy Open 404 Bujw09 sioy}s1A ag | e1aUp Se apisino YepuesaA UI SejO Jo WHO} UI papiAoId Used sey care BunIEM “ainyind jequa ayt Bunzayas Wored snovien ypim pareiorap aie s|jem ay. 4equa |equeH “ssnu}. uapoom pue pny aie pasn sjeuarey wonas, PAGE 90 TRIBAL MUSEUM & DEVELOPMENT CENTER, OINDORL MADHYA PRADESH ‘.anar Privacysdoysyon, von39g “Gurowge6 pue Bupjiom so} pasn aq ued saoeds yepueran ayn sly -Buny6y| jeumeu pue uone|nuen ss019 40} a2uersip as0}9 12 papiAoid ale sMOpUIM “aimjno jequa ays Bunsayes wisnied snouen ypim paieiorap aie sijem 94, “eumonugs sues} 991 Pue Gasd aie pasn severe PAGE 91 ‘TRIBAL MUSEUM & DEVELOPMENT CENTER, INDORL MADHYA PRADESH Privacy aorsep @xoosBuew ym paiencd UEyR SI YDIYp JOO4 10} pasn Us—q Sey sSNA POOM, “pas st ABQjouye1 yea pawies em s04 “ejanuoa pue sal Weyes ‘pnw ‘pom aie atay pasn sleuaIeA uonepoworre s,uesiiy uoioas, non : fi rr | | | I a mle “sBuyjomp ay yroq 104 ods Buviaineb se De sep sagan pue Bulpyini wo uonnied jo 2s: ‘seni6 a1un jo peaye aveds usdo, ‘aimjeu 0) asop siajjamp axp scaay uoneis69n 4 yepueian vad ‘TRIBAL MUSEUM & DEVELOPMENT CENTER, INDORL MADHYA PRADESH PAGE 92 PINOY yayeze|g |enued uons3s, “Aayunuus09 oun Jo sponse Bursesmoys uapse6 esmdinag “¢9 “yods asayjoy ay} s9pisuo> eBieg Ypiyea“jeups COP AMAEY ZO “seine sayjo pue aouep [equ ayy Aolua 0} SiOUsIA Jo} anesyydwie jews YIM eze|d [eRUS. “10 err PAGE 93, i é i e S j = z i i i Zz i ‘.anar Privacya = 9 & s o = e £ 3 § a E € 5 o YDORL MADHYA PRADESH PAGE 94 Priva warsar PrivacyDesign Drawings ‘Ayunwwos jequa ayt jo siasijpjs 243 Bulseomoys apse anydinas PAGE 96 snerunoyUo ay} sad se paubisap uapieB aimdjnos PAGE 97 mer ysano |Je peauds s1adaes ym syans ooquieg yum papeys s Kemyjed arajdwo ayy PAGE 98 anar PrivacyDesign Drawings Workshops with extended verandahs. PAGE 99 Privacy anerBuppom jequy siomain Bulpinoud Buluado pasaanoy yay Jersnp doys}ion PAGE 100 vier Privacysuesque ayy 10} wioyejd annoesaqul Ue sepincid sero papuarxg a2ner Privacysanianze Jofew ayp je Buy2auU09 Kemyreg wtar PrivacyLIST OF IMAGES Image 00 : Baiga women Source: [Link] Image 01 : Tribal Distribution in India, Source: Census 2011 Image 02 : Baiga tribe of Madhya Pradesh Source: Intach Image 03 : Sahariya tribe of Madhya Pradesh Source: Intach Image 04 : Tribal Distribution in MP, Source: GovtofMadhyaPradesh Image 05 : Bharia tribe of Madhya Pradesh Source: Intach Image 06 : Baiga tribe of Madhya Pradesh Source: Indigenouspeopleoftheworld Image 07 : Baiga tribe of Madhya Pradesh Source: Indigenouspeopleoftheworld image 08 : Baiga Distribution in Madhya Pradesh image 09 : Baiga tribe of Madhya Pradesh Source: Intach Image 10 : Baiga Chak Region Image 11 : Baiga tribe eviction from forest area. Source: Thewire Image 12 : Poor Baiga family with unemployment and informal settlement. Source: Edgeothumanity image 13 : Poor Baiga woman and undernutrished children. Source: Edgeothumanity Image 14 : Baiga with poor facilities. Source: Edgeothumanity Image 15 : Baiga in hope. Source: Edgeothumanity image 16 : Baiga women Source: [Link] Image 17, 18 : Paintings by Artist Suresh Dhruve depicting the mythological stories on the origin of Baigas. Source: The Baiga, Elwin 2002 Image 19, 20 : Baiga man and woman in pagdhi and short saree respectively. Source: Edge of humanity Image 21, 22, 23 : Tattooed baigan woman Source: Edge of humanity Image 24: Woman making pattal from sal leaves, Image 25: Woman selling bamboo baskets. Image 26: Group of women in bamboo workshop. Image 27: Woman harvesting crop. Image 28 : Karma Dance around the tree during festival Image 29 : Dashara Nach in open area Image 30 : During this religious ceremony, the plant they worshipped as Devi Image 31 : People worshipping thakur deo (sal tree). Image 32 : Thakur deo sthall Image 33 : Bada deo sthall Image 34 : Bamboo cutting Image 35 : Bamboo hats Image 36 : Bamboo craft image 37 : Pawn catcher Image 38 : Wooden mask Image 39 : Baiga women sculpture Image 40 : Carved doors in designs Image 41 : Baiga Folk Painting Image 42 : Baiga Painting Image 43, 44 : Handmade jewellery Image 45 :Cob wall preparation Image 46 ‘Carved doors; representing the symbols of nature like moon, stars, trees etc image 47 :Typical dwelling with verandah. Image 48 :Decorated well with colors and various pattems. Image 49: Medicinal Flora of Maikal Range Source: wikimediacommons Image 50 : Site plan of Tribal Museum, Bhopal, M.P, Source: Googleearth TRIBAL MUSEUM & DEVELOPMENT CENTER, OINDORL MADHYA PRADESH PAGE 111 Priva narLIST OF IMAGES Image 51 : Site Entrance Image 52 : Museum Entrance Image 53 : Courtyard view Image 54 : Lower level plan Source: [Link] Image 55 : Upper level plan Source: [Link] Image 56 : House of Bhil trbe Image 7 : House of Gond tribe Image 58 : Lillar Kothi, granar Image 59 : Sahariya courtyar Image 60 : Elevation Source: [Link] Image 61 : Courtyard between corridors Source: [Link] Image 62 : Dormatory of artisans Source: [Link] Image 63 : Open gatherings Source: [Link] Image 64 : Landscape with artistic approach Source: [Link] Image 65 : Decorated glass to prevent direct light. Image 66 : Jali constructed by earthen pots. Image 67 : Huge installations inside the gallery. Image 68 : Symbolic elements to represent tribe Image 69 : Bamboo installations Image 70 : Column treatment with natural materials. Image 71 : Site plan of Tribal Habitat, Bhopal, M.P. Source: Googleearth Image 72 : Entry to village exhibition Source: [Link] Image 73 Sacred grove exhibition Source: [Link] Image 74 : Actual size dwelling unit Source: [Link] Image 75 : Tribal habitation decorated with murals Source: [Link] Image 76 : Use of traditional materials Source: [Link] Image 77 : Village settlements exhibits Source: [Link] Image 78 : Local community involved in construction Source: [Link] Image 79: Dwellings surrounded by nature Source: [Link] Image 80 : Site plan of Khamir institute, Bhuj Image 81 : Guest house Source: [Link] Image 82 : Workshops Source: [Link] Image 83: Gatherings Source: [Link] Image 84 : Section through workshop unit showing rubble stone masonry. Image 85 : Detail of rammed earth at plinth level Source: [Link] Image 86 : Process of making rammed earth Source: [Link] Image 87 : Types of CSEB Source: Aurovilleearthinstitute Image 88 : Wattle & Daub construction Source: Aurovilleearthinstitute Image 89 : Wattle & Daub wall Source: [Link] Image 90 : Cluster layout tribal habitat Image 91 : Existing nature is used to create landscape around the campus. Image 92 : Artificial nature elements are used to create landscape. Image 93 : Veethi Sankul- indoor museum Image 94 : Gond household- East gallery Image 95 : Actual size habitation exhibit. Image %6 : Baiga dwelling with articulations Image 97 : Sacred grooves created in the center of nature; Traditional murals in tribal house. Image 98 : Artistic depiction of their sacred grooves symbols and objects worshipped by the tribal people. Image 99 : Location of Dindori & the nearest cities. Image 100 : Location of Dindori & the nearest tourist destination ‘TRIBAL MUSEUM & DEVELOPMENT CENTER, BINOOR,, MADHYA PRADESH PAGE 112 Priva sarLIST OF IMAGES image 101 : Temples in Amarkantak Image 102 : Pilgrims gathered at Narmadakund Image 103 : Tribal University Image 104 : Fossil Park Image 105 : Wildlife at Kanha National Park Image 106 : Wildlife at Kanha National Park image 107 : Site location with immediate context. ‘TRIBAL MUSEUM & DEVELOPMENT CENTER, INDORL MADHYA PRADESH PAGE 113, PINOY yarBIBLIOGRAPHY -[Link] [Link]/urban-biodiversity-end-conservation-seminar/ -[Link] [Link] in/news/governance/baiga-tribals-become-india-s-irst- community-to-get-habitat-rights-52452 -hitps:/[Link]/[Link] -[Link] ‘community-to-get-habitat-rights-52452 -[Link] -[Link] hangadale -[Link] -[Link] -[Link] Book referred: + ‘Vibrant Bhils’ by Sudha Anand Bhandari ~ ‘Development and its human cost’ by Anthony Dias - ‘Highlands of Central India’ by James Forsyth - ‘The Baigas by Elwin Varrier ~ ‘Baigas: The hunter gatherers of centeral India’ by Rajesh K. Gautam Research Papers: - Ethnomedicines Plants used by Baiga Tribes of Maikal hills - Rupesh Kapale ~ Tattoo and tribal identity- Dr. Basant Kumar Mohanta - Beverages of Baiga tribe of Amarkantak Region - Rupesh Kapale TRIBAL MUSEUM & DEVELOPMENT CENTER, OINDOR,, MADHYA PRADESH PAGE 114 Priva nar