Matt Weisberg
VOICING
lead-line/ PRACTICE
melody spacing
-use melody of tune -4 way close
-octatonic scale
-pentatonic -drop 2/3/4/
-diminished -double lead
-arpeggios
-misc. patterns -use of
substitutions*
HARMONY
-chromatic/parallel (in reference to Common Substitutions
melody/)
- -diatonic within tonality/scale R 3 5 7
(9, b9, #9) (11, #11,
- DIMINISHED PASSING (ii, iii, vi) b13, 13)
- -V-I motion
- gospel iv-I (ii, iii, vi)
dom 7 9, b9, #9 #11,
b13, 13
maj 7 9 #11, 13 6 if melody
on top
min 7 9 11, 13