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Ghostbusters Trumpet Arrangement

This document is a musical score for an arrangement of the Ghostbusters theme song performed by the a cappella group Pentatonix. The score is written for trumpet and contains the melody, lyrics, and musical notation over three pages. It builds tension and dynamics throughout, with sections labeled to indicate the structure and progression of the song arrangement.

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Douglas Holcomb
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© © All Rights Reserved
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0% found this document useful (0 votes)
522 views3 pages

Ghostbusters Trumpet Arrangement

This document is a musical score for an arrangement of the Ghostbusters theme song performed by the a cappella group Pentatonix. The score is written for trumpet and contains the melody, lyrics, and musical notation over three pages. It builds tension and dynamics throughout, with sections labeled to indicate the structure and progression of the song arrangement.

Uploaded by

Douglas Holcomb
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
  • Ghostbusters Sheet Music - Introduction
  • Section B - Variation
  • Section A - Main Theme
  • Section C - Bridge
  • Section D - Development
  • Section G - Climax
  • Section H - Conclusion

B♭

Trumpet 2 Ghostbusters
a la Pentatonix Pentatonix

   
Arr. Douglas Swayne

     
   
I tried to be spoopy



  
 

                            
cresc.


6 This is comedically corny

 


   
  
A

 
10 GHOSTBUSTERS

 
 
 

  
                       
 
14

                  
                      
B

   
18

                                

         
21

      

               
 
24





     
26



                  
C


30


      

        
 
33

             


             
35 So edgy

                                  
 

      
D

  
38

                                

         
41

                     
 
   
 
44

    



    
46
E Half Time FEEL

    
   

    
Okay, back to normal time
50

   

     
    
F
 
   

   
  
55 Time to build tension

 

2
  
 

              
  
58

  


   

 
 


 

61

  
 
                            
63 Sike

                               

  
G

    
67 Tutti, anyone?

            
 cresc.

    

  
71


    
              

73

                             
            


      
75
H BRING IT HOME

      
                                  


   
78

              
   
     
81

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