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Reaksyon sa "Ako ay Pilipino"

1) The document discusses the author's father's criticism of Filipino teleseryes and how the author initially disagreed but now agrees. 2) It analyzes how Filipino teleseryes tend to have predictable plots and focus more on romance than culture, while Asian dramas show more originality and culture. 3) The author also argues that actors and athletes who enter politics without experience in law or governance tend to be incompetent and waste taxpayer money.
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0% found this document useful (0 votes)
1K views3 pages

Reaksyon sa "Ako ay Pilipino"

1) The document discusses the author's father's criticism of Filipino teleseryes and how the author initially disagreed but now agrees. 2) It analyzes how Filipino teleseryes tend to have predictable plots and focus more on romance than culture, while Asian dramas show more originality and culture. 3) The author also argues that actors and athletes who enter politics without experience in law or governance tend to be incompetent and waste taxpayer money.
Copyright
© Attribution Non-Commercial (BY-NC)
We take content rights seriously. If you suspect this is your content, claim it here.
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Download as DOC, PDF, TXT or read online on Scribd

Kristine Nicole J.

Avio ENG 2 B-4R May 12, 2011

2009-49918 Reaction Paper

Ako ay Pilipino

When I was a child, my father used to say (and is still saying) that I should not

watch ‘teleseryes’ or Filipino movies. He said that I would get nothing and learn from

those mushy scenes in those kinds of media that focuses only on romance. To quote

him, “Mapupurol lang ang utak mo jan sa mga teleserye na yan.” At first, I thought he

was rather judgmental and skeptic, and that he wasn’t proud to be a Filipino. Eventually,

as I grew up and thought of what he said, I agree with him.

In Gloc-9’s “The Bobo Song”, I am guilty of loving ‘chinitos at

chinitas’/’asianovelas’, and watching ‘telenovelas’. In my opinion, the reason why so

many Filipinos watch ‘asianovelas’ and ‘telenovelas’ is because of the dullness and

consistent storyline of Filipino shows or more importantly the ‘teleseryes’. Also,

nowadays, they remake movies, and ‘asianovelas’ and ‘koreanovelas’, turning them into

primetime or afternoon shows on TV. The usual plot of Filipino ‘teleseryes’ is the rags-to-

riches romance story wherein the main protagonists are the love team of the century

making it easier for us, the audience to guess the ending. The only twists in the story are

the ever bitter antagonists – which is usually the character who has a one-sided love for

one of the protagonists or the evil mother – making the lives of the lead characters a

living hell. Furthermore, it showcases a lot of slapping and shouting matches, and more

‘kilig’ scenes that you can count. What I like about ‘asianovelas’ are its originality and

unpredictability. Unlike Filipino ‘teleseryes’, they show different plots - not just the rags-

to-riches love stories - that are interesting, and defies the usual and conventional style of

TV shows. Moreover, I have observed that they are also proud of their culture and

heritage with their shows like ‘Jumong’, ‘Princess Hours’, ‘Jewel in the Palace’, ‘Amazing

Twins’, etc. One can rarely see production movies or shows that showcase Filipino

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culture and heritage. Unfortunately, Filipino shows focus more on the marketability of the

show rather than its value and the quality.

As for the actors-turned-politicians, even athletes-turned-politicians, I agree with

him on that part. I believe that those with no mastery of something as big as politics or

law for that matter should not run for higher office. Politics is no movie or ‘teleserye’. It is

not enough that you feel pity or you sympathize with the impoverished members of

society as your purpose for running as senator or even Vice President. You will do them

great injustice if you don’t even have the slightest bit of knowledge when it comes to

governing the State. There’s no point in actors and athletes, with no background on law

or at least public administration, involving themselves with the government because they

will look incompetent compared to the more seasoned politicians. What has Jinggoy and

Erap Estrada, Lito Lapid, and Bong Revilla did in their years of ‘serving’ the State? All

the Estradas did was to complain and squander the people’s money; Lito Lapid just sat

there in his place in the Senate without making any responsible and relevant bills or

laws, and Bong Revilla was busy making movies and TV shows, while focusing more on

entertainment issues like the one with Katrina Halili. They should be focusing on

governing the State, not making paltry actions!

The gossips in the local entertainment industry are irrelevant and yet they feature

some of the most outrageous and trivial news in the industry. There is no significance

whatsoever in knowing who’s dating who, who got pregnant or what were their latest

tweets in their twitter accounts. By tackling on issues regarding premarital pregnancy,

cougar love affairs or any related gossip only render negative connotations towards its

readers (for gossip columns) and audience (for TV shows). For example, the notion of

separation, premarital pregnancy, live-in partners, child actors posing for FHM, or sex

scandals invoke the notion of it being a widely accepted norm in society. Actors are

public figures in society who are easier to be seen due to the effects of media. Whether

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they like it or not, they are models that people watch on television or read on

newspapers. They should at least guard their actions and what they’re saying properly.

Judging from Gloc-9’s “The Bobo Song”, the influence of the local entertainment

industry on society is immense. Whether it is in television, movies, or even politics,

actors involve themselves in the lives of ordinary people. Unfortunately, most of it has a

negative effect on society, and as what the lyrics of the song says, “Nakaka-bobo”.

“Nakaka-bobo” when during elections when actors top the list. “Nakaka-bobo” when all

you watch are predictable and valueless shows. My father was right in saying that the

local entertainment industry, as a whole, is irrelevant and trivial. However, society does

not thoroughly scrutinize its effect because they only see the positive aspect of the local

entertainment industry.

On the other hand, patronizing foreign acts or shows above our own, watching a

boxer win, or seeing someone on ‘Oprah’ or ‘The Ellen DeGeneres Show’ does not

constitute the essence of being a Filipino. For me, these are just symbols, mere reasons

that make us want to be proud of who and what we are. Patronizing our own shows,

products or athletes and actors are mere symbols that confuse us on what being a

Filipino is. They are somewhat similar to the national flag, anthem and hero that we

have. Its existence, rather its loss does not tell us that we are no longer Filipinos if they

are gone. For me, being a Filipino is accepting our nationality and history as a whole

despite the Filipino society’s flaws. Being proud of your existence as a Filipino and doing

something for the benefit of the Filipino society, no matter how big or small that change

is to society, is nationalism. You don’t have to die, be featured in CNN or win a

prestigious award to be acknowledged as a Filipino. You should first acknowledge

yourself as a Filipino, and love and respect the country and its countrymen.

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