0% found this document useful (0 votes)
3K views3 pages

The Highwayman: A Poetic Tale

The poem tells the story of a highwayman who rides to visit his lover, the landlord's daughter Bess, late at night. He promises to return by moonlight after robbing someone. However, he does not return as expected. That evening, redcoat soldiers arrive at the inn, gag and bind Bess to her bed, preparing to shoot the highwayman if he appears. When he finally rides back, Bess is able to fire her musket and warn him, but is killed by the soldiers in the process. The highwayman hears of her death and is later shot down while trying to avenge her. The poem suggests that on winter nights, the highwayman's ghost still rides to the old inn,
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOCX, PDF, TXT or read online on Scribd
0% found this document useful (0 votes)
3K views3 pages

The Highwayman: A Poetic Tale

The poem tells the story of a highwayman who rides to visit his lover, the landlord's daughter Bess, late at night. He promises to return by moonlight after robbing someone. However, he does not return as expected. That evening, redcoat soldiers arrive at the inn, gag and bind Bess to her bed, preparing to shoot the highwayman if he appears. When he finally rides back, Bess is able to fire her musket and warn him, but is killed by the soldiers in the process. The highwayman hears of her death and is later shot down while trying to avenge her. The poem suggests that on winter nights, the highwayman's ghost still rides to the old inn,
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOCX, PDF, TXT or read online on Scribd

THE HIGHWAYMAN But he loved the landlord’s daughter,//

By Alfred Noyes
The landlord’s red-lipped daughter.//
Dumb as a dog/ he listened,/ and he heard the
PART ONE
robber say—//
The wind/ was a torrent of darkness/ among the
gusty trees.//
“One kiss,/ my bonny sweetheart,/ I’m after a
The moon/ was a ghostly galleon/ tossed upon
prize to-night,//
cloudy seas.//
But I shall be back/ with the yellow gold/ before
The road/ was a ribbon of moonlight/ over the
the morning light;//
purple moor,//
Yet,/ if they press me sharply,/ and harry me
And the highwayman/ came riding/
through the day,//
Riding/—riding—//
Then look for me/ by moonlight,/
The highwayman came riding,/ up to the old
Watch for me/ by moonlight,/
inn-door.//
I’ll come to thee/ by moonlight,/ though hell/
should bar the way.”//
He’d a French cocked-hat/ on his forehead,/ a
bunch of lace at his chin,//
He rose upright/ in the stirrups./ He scarce/
A coat/ of the claret velvet,/ and breeches of
could reach her hand,//
brown doe-skin.//
But she loosened her hair/ in the casement./ His
They fitted/ with never a wrinkle./ His boots/
face burnt/ like a brand//
were up to the thigh.//
As the black cascade of perfume/ came tumbling
And he rode/ with a jewelled twinkle,/
over his breast;//
His pistol/ butts a-twinkle,/
And he kissed its waves/ in the moonlight,//
His rapier/ hilt a-twinkle,/ under the jewelled
(O,/ sweet black waves/ in the moonlight!)
sky.//
Then he tugged/ at his rein in the moonlight,/
and galloped away/ to the west.//
Over the cobbles/ he clattered and clashed/ in
the dark inn-yard.//
PART TWO
He tapped/ with his whip/ on the shutters,/ but
all was locked and barred.// He did not come in the dawning./ He did not
come at noon;//
He whistled a tune/ to the window,/ and who
should be waiting there// And out of the tawny sunset,/ before the rise of
the moon,//
But the landlord’s black-eyed daughter,//
When the road was a gypsy’s ribbon,/ looping
Bess,/ the landlord’s daughter,//
the purple moor,//
Plaiting a dark red love-knot/ into her long black
A red-coat troop/ came marching—//
hair.//
Marching/—marching—//
King George’s men/ came marching,/ up to the
And dark/ in the dark old inn-yard/ a stable-
old inn-door.//
wicket creaked//
Where Tim/ the ostler/ listened./ His face was
white and peaked.// They said no word/ to the landlord./ They drank
his ale instead.//
His eyes/ were hollows of madness,/ his hair/
like mouldy hay,//
But they gagged his daughter,/ and bound her,/ Tlot-tlot;/ tlot-tlot!/ Had they heard it?/ The
to the foot of her narrow bed.// horsehoofs ringing clear;//
Two of them knelt at her casement,/ with Tlot-tlot;/ tlot-tlot,/ in the distance?/ Were they
muskets at their side!// deaf that they did not hear?//
There was death/ at every window;// Down the ribbon of moonlight,/ over the brow
of the hill,//
And hell/ at one dark window;//
The highwayman/ came riding—/
For Bess could see,/ through her casement,/ the
road that he would ride.// Riding—/riding—//
The red coats/ looked to their priming!/ She
stood up,/ straight and still.//
They had tied her up/ to attention,/ with many a
sniggering jest./
They had bound a musket beside her,/ with the Tlot-tlot,/ in the frosty silence!/ Tlot-tlot,/ in the
muzzle/ beneath her breast!// echoing night!//
“Now,/ keep good watch!”/ and they kissed her./ Nearer he came/ and nearer./ Her face was like a
She heard the doomed man say—// light.//
Look for me/ by moonlight;/ Her eyes/ grew wide for a moment;// she drew
one last deep breath,//
Watch for me/ by moonlight;/
Then her finger/ moved in the moonlight,/
I’ll come to thee/ by moonlight,/ though hell/
should bar the way!// Her musket/ shattered the moonlight,//
Shattered her breast/ in the moonlight/ and
warned him/—with her death.//
She twisted her hands/ behind her;/ but all the
knots held good!//
She writhed her hands/ till her fingers were wet/ He turned./ He spurred to the west;/ he did not
with sweat or blood!// know who stood//
They stretched/ and strained in the darkness,/ Bowed,/ with her head/ o’er the musket,/
and the hours crawled by like years// drenched/ with her own blood!//
Till,/ now,/ on the stroke of midnight,// Not till the dawn/ he heard it,/ and his face grew
grey to hear//
Cold,/ on the stroke of midnight,//
How Bess,/ the landlord’s daughter,//
The tip/ of one finger/ touched it!/ The trigger/
at least was hers!// The landlord’s black-eyed daughter,//
Had watched for her love/ in the moonlight,/ and
died in the darkness there.//
The tip of one finger/ touched it./ She strove no
more/ for the rest./
Up,/ she stood up to attention,/ with the muzzle Back,/ he spurred like a madman,/ shrieking a
beneath her breast.// curse to the sky,//
She would not risk their hearing;/ she would not With the white road/ smoking behind him/ and
strive again;// his rapier brandished high.//
For the road/ lay bare in the moonlight;// Blood red/ were his spurs/ in the golden noon;/
wine-red/ was his velvet coat;//
Blank/ and bare/ in the moonlight;//
When they shot him down/ on the highway,/
And the blood/ of her veins,/ in the moonlight,/
throbbed to her love’s refrain.// Down like a dog/ on the highway,//
And he lay in his blood/ on the highway,/ with a
bunch of lace/ at his throat.//

. . .

And still of a winter’s night,/ they say,/ when the


wind is in the trees,//
When the moon/ is a ghostly galleon/ tossed
upon cloudy seas,//
When the road/ is a ribbon of moonlight/ over
the purple moor,//
A highwayman/ comes riding—/
Riding/—riding—//
A highwayman comes riding,/ up to the old inn-
door.//

Over the cobbles/ he clatters and clangs/ in the


dark inn-yard.//
He taps with his whip/ on the shutters,/ but all is
locked/ and barred.//
He whistles a tune/ to the window,/ and who
should be waiting there//
But the landlord’s black-eyed daughter,//
Bess,/ the landlord’s daughter,//
Plaiting a dark red love-knot/ into her long black
hair.//

THE HIGHWAYMAN
By Alfred Noyes
PART ONE
The wind/ was a torrent of darkness/ among the 
gusty trees.//   
The moon/ was a gho
But they gagged his daughter,/ and bound her,/ 
to the foot of her narrow bed.//
Two of them knelt at her casement,/ with 
mu
And he lay in his blood/ on the highway,/ with a 
bunch of lace/ at his throat.//
.       .       .
And still of a winter’s n

You might also like