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— PAUL SIMON
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a. dow ant oon SSS you're cathe streses Shen “eve = ming
3. See additional 1yrice
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‘TD.
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troubled wa-ter Xai ss el, Mk MO OotI Sa
aie ae
abieb e eh ble’
Bb Sa aS eae
cb pb/eb ebigh
5 wWiislig FAM r 5
you're! trou-bled water
IM le G e ce c-eh et ee etleb
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Ir will lay me down - (ovnaso)
eb/er Bb a ay pe et = en
See SSS
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Additional Lyrics
3. Sail on , silver girl, sail on by.
Your time has come to shine,
All your dreams are on their way.
See how they shine.
Oh, if you need a friend, I’m sailing right behind.
Like a bridge over troubled water I will ease your mind.
Like a bridge over troubled water I will ease your mind.oF 2 2 Sf 2 + f—-
= LE tf Fee f flere |
on in that beau-ti-fu1 mindy oy
dom gait, "you'recey muse my worst, Wievtrac ""tiea, ay riy-th oad bluease
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ft i? Fe ah Ee —— +]
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BSS EEE bP of bere eel¢ DON MC Lean
& vet be ¢
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a a a Trcun still re- member hovthat
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isa id) uosdGumana ea eatin and 1 mews T had mychance that
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could-n’t take [Link]’tre-mem-ber if IcriedwhenI read a-bouthis wid-owed bride.
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sonevthing touched un daw in-aida_ tha day tham-slo died.
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oe so bye - bye, Miss A - mer-i-can Pie drove 5
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&. dD _mHe- a’
Boa a]
whis-key and rye_ sing-in’ this-‘ll be the day. thatI__ die,
Ty souns OF UNIVERSAL, THCSS SS
this-‘ll be theday. thatl__ die. Did you_write the
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pp pe te a
book of [Link] do you havefaith in dod a-bover- 1f the Bi-ble tells.
D G D &-
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— you so nowdo you. be-lieve in rockand roll... can
A c E- a
Feet pip pr ee a |
muveic save your mor-tal soul. and can youteach me how to dance.
D E- D
real elon Well, mow that yourrein love with hin_‘cause
E- D ¢ G a
t re Fy ia
2
Oe fa ee
Cc OT ft. G D ee
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ig those rhy-thmand blues._____ I was. a_lone-1yteen - age_ bronc-in’ buck. witha
A- c E-
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oh eet BP Ge eM
bere Ad tos alti
expen we ad - i -ty: O-pen your uss. took wp te the hen, oad
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doss-n’t real-ly mat = ter to me, ~_—
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nov i've pene and throm {8 alla mem, ok
aeave you ‘cil behind and face the erat. eee ee
ALL Rights Administered by Sony/ATV Music PubliaMing Lie "Te Church Street, Suite 1200, Mashelite, TH 37219eve e-leb ob Feb abn o- F-
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et e& 6h ee F- pe ob/p Bb
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T see a lit-tle sil-hou - et-to of aman, Scar-a -
D/A _A wh oA wk OIA Ob we
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mouche, Scar-a-mouche, will you do the Fan ~ dan - go? ‘Thun-der-bolt and light - ning,
aoe mun
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Bo oA - bet A Bb Abeber cho eb abled eb eb eb
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I’m Just a poor boy and no-bod-y loves me. He’s just a poor boy from a poor fam-i-1y.nw ele Fe oh ebigehtet 3 bh A oP
pS SSS ea
co
Spare him his life from this mon-stros-i-ty. Easy come, eas-y go,
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will you let me go, Bis - mil-hah! No, we allele teats
shell
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Weh-ing wed- ty mt-eee te
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Now, ‘what ~ev-er hap - pened to me” =
So hard to find" my way Sow thet Ie a
07 G ©
Dp et
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run-nin tn’ and a - jump
sun igh auaTtn? Rita") 27 ATR bow! want,
ter tines 1’m 9 - vor= come. thinkin‘ “bout
G
in the mist - =
Slip-pin’ and a slid
mak - in’ love in ‘the
my brown - eyed
girl.
ALL Rights for the U.S. and Canata coperotteg andDo you re-mem - ber when we used to sing?
6 _¢t
te creer Clr oor rs de FA
mad aay fay apa laa te, da da, te, dae
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‘REPEAT AND FADE
&, ¢ G 0"
Ge crpr tite
she, 1a, 2e, te, de, dey de, deta, a, a, te, da.Be ele Bile eb Be/p For Bt c-7 Bb/p
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BES chs DOORS SE MRIS reat cae SET oe GLE Ba SHED ath.
BP F/A o et oF eck
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phoma
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though it’s eas - y to pre - tend, 1 know you're not
‘a fool. 50- 6-1 5 a7
Eee eee =s=: f
should have known bet-ter than to cheat a friend,—and waste a chance that I’ve been giv-en,
poms? HZ Db
eee ere er pp
so I'm nev-er gon-na dance
— the way I dance_with you.
DS. ALD |
warm xv)
G1 pet pba A
Ea eee ee ey
(@urtnn) 7 way I dance_ with you, oh.
i
Ma
e
Ss a s poet Eee
Seer = night them - sic sems 20 loud, I
ot AT phn? 7
frp fF ~ f—p
Por toa to ee oy
wish that we could love tie crowd, maybe Ate bet = tar thle way, if we'd
a ~ o- = ~
Ho hee Le et er bert
hurt each oth-er with the things we want to
— We could have been_ so good to-geth - er, we
6-7 p-1 peat
+ ' mt 7 f a, £ ff » # »
could have Lived this dance for-ev - er, but now who's gon - na dance with
re D- DSS 2 $2 DiS. AMD FADE
Peete ery EES rea
me? «Please ance.____ I’m nev-er gon-na dance a-gain,— way dance_with you.—= GUY BERRYMAN/TON BUCKLAND/WILL CHAMPION/CARIS MARTIN
WTRO cll ele FO NAK
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reef eet PPT ay
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ae
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[Link] go out and I can’t be saved._ Tides that I tried to
fg. at wt gm it RS ge
3.,4. See additional lyrics
e- eb BP
pS et S|
Sree cee Cee eee eee
ee ee en
PS Sp Se a
a
cht beg aed plead. sing-tn’!
Spaeth ae ee BAe Gene; — Gems Bin —
t ff =e E I
x are.
pr. boa?
ebm eh oF aie
eA SSS Set y
a i i,
che? DSS. AL:
—_ (WTA REPEAT
Pg Pe
CustRo)
é pve
mas: aeazeiz. ‘wanes = =
eb pb I. jbo * sb ‘D.S.S. AND FADE
ae
SSS
- Confusion never stops.
Closing walls and ticking clocks gonna come back and take you home.
I could not stop that you now know.
+ Singin’, come out upon my seas, curse missed opportunities.
Am I a part of the cure or am I a part of the disease?— BARRY MANILOW/BRUCE SUSSMAN/TACK FELDMAN
ot Fe 6-7 Fe &-7 cH-1G-7
a es ey
ebm?
t f ie peor ee
ms > es wisn yet - tow
= ow > girise But that was”
G-mj?) G7 ov
Z te SSS re
oan ane
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ibd orb ty If ot hee
fin = {ahea, he caliea her = tue “ni'- ‘co
i: one mee ei i a
wy tend - g4 bar. A. cross the
‘a cross the bar, then
in” her aeir, She sits there
iG
Fy if a ts
four. mey wore
ea ine, theve ‘was
naif piind. she owt her
¢-1 peu
er
young and they had each other, who could ask for more?
Be EPO BARS Ghai REG ST) ce ome ore
youth and she Jost fer ‘To shes let er mind
A "Kights"Kaatntstarea Sy" Galsoraet Basteeva e1 py ebm? gl e-1 per
betes, Mie. bot tant eget wth SE cathe MA the Gos pai So-peree
eo" 0! e BY 6 04 Fw
pa Sei a= shec and, “slo twae sl woen tani aeerteny Bn eee! 00 = a
om e4 Fe 4 Fe G4 ee?
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ee tre Fe Efe |
i ee : 2 sons
e eH 64 eH 64 = 4 G4 Beg
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co- pa - ca - ba - na.WTRO oP
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(PIANO)
pe
te hte
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Look in-to you will gee.
Hook in=8 your Resze— yea wait #fxa—— there's
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peo? ne/pb
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Seip TE) there's noth -"Tag want ; y
pemwat
erbeit ee 7
try-thing I do, I do tt for__ you.Foe pont ob 8 €
lot = T= Stat
T™ere’s no love Like your love, and no
oP
eure ectibiee et be eee of
- could give more love. ‘There’s no way, unless
a" eb ah pln
hero -tatrt a t § 624
you're there all the time, all the way, yeah.
(odd) h(a)
Beebe sas pS] Seer]
(WUSTRMENTAL SOLO)
b be
——— tot ptt
Oh, youcan’t tell me it’s not worth try-ing
phat ab be u
Es A we os as 4
tor. X oan‘e help it, there's noth-ing X want more. Yeah, would
oP vhwt gh ah Ahmet a
poop ey
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fide, tox eu a Mea for you wath
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pe/ae Heowast xb a ow ob A
pS SS EES
true, ev-‘ry-thing I do, oh, oh, I do it for_ you.anna pp Mat
(DRUM
ele ov emit Bt?
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we papi a (00h Ggreige opur meng gue aq) to, aes
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we oiiien’ “oka S Ee A dw ice
mat pw 87
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1a ling to tq your stapgogie tobe freq: there must be
co igs BS ele yee ih, ar stra sie fo. Be sien Mere meee Be
& a €-
= é é de
fie - ty ways to leave your lov - cr
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B SS SS aS 1
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SSS Saat
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Wade aw
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Pape
you don’t need to be coy, Roy, { 33st —— eele
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pe I- |
=} Hop on the bus, ous;
oe
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you don’t need to dis-cuss__ mach j just drop off the
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the first time ev-er x
The fret Eine gis I
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re
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ana Felt
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in my
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ead a ae reer
(Gurtnr S0L0)
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There‘li be good tines a - gain for me and_ your — but we
AT oY AT
Ss SS sl- Fall
S - iid <
Just can’t stay to-geth-er; don’t you feel it too? still I’m glad for what we had_
‘D.S. AL:
——
oye
But it’s too%o ols
+
oii ad J J
It's nine of clock on
Sohn scte ‘ber is
Paul fsa, real es-tate
peet-ty good cao Sow Set - ur - day,
cle ema? ck
[fy # | = = Fl
the reo = = lar crowd shuf-ties
ie sree my drinks ton
mv = ot maa “tine for 8
and the me neo gives :
Gt e
a FEA 3 |
There's an old See
And he’s quick with a joke.
And he’s Cale - “int with Dev WF
\. cause he that it’s
ole en cle
pa
E& FS — |
a3
— sit-ting next to me___ mak - in’
aa or to, light oo rec: cack, but there's
who's “° still in the Ma = w ana
= tney've been “com = in te see Te tee
F Gtaat e
I 2 | ]
de aD a
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sons = —splace that bea rath = or bee
pep as hy will be foc Tite.
cet 27 test lite for . white.
| 47 4
ele a omy _ G “—t
I | Beet |
Me says,
He says,
And "the
dad the
ALI Rights adsiniatered by ALMO MUSIC CORP.if
E
“son, can you play
“pill, I be - lieve
wait’ - ress is prac -
pia - no at sounds
me
this
tic
like
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from his
get
like a
and it’s
that I
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sweet,
od xz mew = it om = opiate sen
could be a mov - ie star if
arink they coll ome = ii - oeee but it's
bar and put bread in my jar and say,
e Fie
==
ZT wre a young
Z could get. “out
pet eer than drink
wun, viet are you
wR r/o
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La, te, 20
gayh bles viet “)
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ta, 1a My aia, a,
G ole cle 6/0 Ds. MK
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c che e/a ele
KH ot Seater |
Sing us a song, you're the pia-no ‘man. —__
all in the mood for a mel-o ay, and
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Sing us a song to - night. Well, we're
you've got ts
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feel-ing al OO Now
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— ELTON TORN/BERNIE TAUPIN
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you'll mar-ry a om
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(WISTRUMENTAL)
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We've on - ly just be - gua to
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And when the evening comes: we
FH
white lace
So man
So much of
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a kiss for — luck and we're on
we start out walk - ing and learn
= We'll find a place where there’s room
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— Shar-ing hor-i-zons that are new to us, watch-ing the signs a-long theFe pm BP ebm? BP eto?
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way. Talk-ing it o- ver, just the two of us,
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and ween the eve-ning © coma wos aulle.
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close eyes_ and think of me and
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—_ At good te kmow that you've got_ a frtend_ when peo-ple can be so cold?
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gameyour seat Afyou toe___tten, ah penton ase, pou don am pans Oe
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— Courrr) You've gota friend, yeah. Mace net eenerreeee
A D A D ee
DP Seal
a friend? Ain’t 1t good__toknowyou'vegota friend? oh, yeah, yeah, you’vegot a friend. —









