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Understanding Passive Voice Usage

The passive voice focuses on the recipient of the action rather than the performer. It is formed by using a form of "to be" plus the past participle of the main verb. The passive voice is useful when the performer is unknown, unimportant, obvious, or when formality is desired. It can also be used to rearrange sentences for stylistic purposes. Some verbs like "give" can form two passive sentences depending on which object is chosen as the subject. The passive voice can also be used in subordinate clauses and with passive gerunds or infinitives.

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0% found this document useful (0 votes)
138 views6 pages

Understanding Passive Voice Usage

The passive voice focuses on the recipient of the action rather than the performer. It is formed by using a form of "to be" plus the past participle of the main verb. The passive voice is useful when the performer is unknown, unimportant, obvious, or when formality is desired. It can also be used to rearrange sentences for stylistic purposes. Some verbs like "give" can form two passive sentences depending on which object is chosen as the subject. The passive voice can also be used in subordinate clauses and with passive gerunds or infinitives.

Uploaded by

Gustavo Cruz
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd

Passive voice

The passive voice is used to demonstrate interest in the person or object that
experiences an action rather than the person or object that performs said action.

A good way for you to understand the passive voice is by taking a look at the
active voice as well.

Active sentence: My sister drank a glass of wine.

Passive sentence: One glass of wine was drunk by my sister.

The active sentence begins with the subject first (my sister) followed by the verb
(drank) and then the object (one glass of wine). The object is the person or thing
that the action happens to.

In passive sentences we place the verb “to be” into whichever tense we need and
then add the past participle. For regular verbs we make the past participle by
adding -ed to the infinitive.

When to use the Passive voice.

1) When we want to change the focus of the sentence:

The Mona Lisa was painted by Leonardo Da Vinci. (We are more interested in the

painting than the artist in this sentence)

2) When who or what causes the action is unknown or unimportant or obvious


or 'people in general':

He was arrested (obvious agent, the police).

My bike has been stolen (unknown agent).

The road is being repaired (unimportant agent).

The form can be obtained from the post office (people in general).

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3) In factual or scientific writing:

The chemical is placed in a test tube and the data entered into the computer.

4) In formal writing instead of using someone/ people/ they (these can be


used in speaking or informal writing):

The brochure will be finished next month.

5) In order to put the new information at the end of the sentence to improve
style:

Three books are used regularly in the class. The books were written by Dr. Bell. ('Dr.
Bell wrote the books' sound clumsy)

6) When the subject is very long:

I was surprised by how well the students did in the test. (More natural than: 'how
well the students did in the test surprised me')

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How to make the Passive Voice

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Verbs with two objects

Some verbs that have two objects can make two different active sentences, and so
two different passive sentences too.

For example, the verb ‘give’ is like this:

Active: He gave me the book / He gave the book to me.

You can choose either of the two objects to be the subject of the passive sentence.

Passive: I was given the book (by him)/ The book was given to me (by him).

Other verbs like this are: ask, offer, teach, tell, lend, promise, sell, throw.

The passive in subordinate clauses

You can make the passive in a subordinate clause that has a subject and a normal
conjugated verb. This is really the same as a normal passive.

Active: I thought that Mary had kissed John.

Passive: I thought that John had been kissed by Mary.

Active: He knew that people had built the church in 1915.

Passive: He knew that the church had been built in 1915.

You can also make the passive using a passive gerund or a passive infinitive in the
same place as a normal gerund or infinitive.

The child loves being hugged.

She would like to be invited.

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Exercises

Rewrite the sentences in the passive voice.

1) The lawyer is preparing some important documents for the trial.

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2) They are building a new amusement park in this neighbourhood.

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3) The politicians will have reached a decision by tomorrow.

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4) Millions of people all over the world watch this programme.

________________________________________________________________

5) They ought to pay the workers more.

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6) Somebody stole my car from the car park.

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7) She hasn't watered these plants for over a week.

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8) Joe introduced me to his girlfriend last week.

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9) The audience is not listening to the speaker.

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10) They might invite us to the party, but I'm not sure.

________________________________________________________________

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11) Candidates must return their applications by the end of next week.

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12) We will finish all the school projects by the end of the next term.

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13) Somebody took this picture a while ago.

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14) The authorities should raise more money for the new church.

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15) They gave us a guided tour of the museum.

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16) The workers were repairing the roof when the fire started.

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Common questions

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Active voice follows a subject-verb-object structure, focusing on the doer of the action, such as 'My sister drank a glass of wine.' In contrast, passive voice rearranges this to object-verb-subject form, emphasizing the object, as in 'A glass of wine was drunk by my sister.' This shift redistributes attention from the subject to the action's recipient or result, often either to highlight the object or deemphasize the actor when unimportant or unknown .

The passive voice can be used to change the focus of a sentence by emphasizing the object over the subject, such as highlighting 'The Mona Lisa' over Leonardo Da Vinci. It's useful when the agent causing the action is unknown, unimportant, or obvious, exemplified by, 'He was arrested' where the police are the assumed agents. Additionally, it serves a stylistic purpose in formal writing to replace pronouns like 'someone' or 'they,' and is effective in scientific writing for objectivity. Lastly, it can improve sentence flow when concluding with new information or when dealing with complex subjects .

The passive voice is pivotal when the agent of action is unknown or considered unimportant, as it allows the speaker or writer to focus on the action or its recipient instead. For example, 'My bike has been stolen' places focus on the theft act over the thief's identity, while 'The road is being repaired' highlights the ongoing process rather than who performs it. This approach is significant as it prioritizes elements of interest or relevance to the audience and streamlines information presentation when the agent adds little value .

In scientific writing, the passive voice contributes to an objective and impersonal tone, placing emphasis on actions and results rather than the researcher. For example, 'The data was analyzed' prioritizes the process over the person conducting it. Conversely, in formal writing, passive constructions can enhance politeness and decorum by abstracting the action from the actor, as demonstrated in sentences like 'The brochure will be finished next month.' However, excessive use in general narratives might reduce clarity, making texts less engaging and harder to read due to lack of direct subject-action-object structure .

Passive voice facilitates breaking down lengthy subject verb-object sequences by foregrounding relevant information and reallocating complex subjects towards sentence conclusion. For example, 'I was surprised by how well the students did in the test' simplifies and clarifies the interaction by starting with the personal reaction, enhancing comprehension over 'How well the students did in the test surprised me', which buries the main sentiment under an unwieldy subject. This redistribution can improve readability by clarifying and prioritizing essential details .

In verbs with two objects, such as 'give', converting sentences into passive allows for shifting focus between the direct and the indirect object. For example, the active sentence 'He gave me the book' can be passively rendered as 'I was given the book' or 'The book was given to me.' This flexibility in focusing either on the receiver ('I') or the object ('the book') helps tailor the sentence to emphasize the desired component .

Using passive voice in subordinate clauses, such as 'I thought that John had been kissed by Mary', maintains the focus on the primary subject within complex sentences. This structure enhances coherence and emphasizes the subject performing the action indirectly in narratives or reports. It allows the main clause to function independently of the agent in the subordinate clause, which can be advantageous when details about the agent are irrelevant to the clause's primary action or effect .

The passive infinitive and gerund are used to emphasize the action being received rather than performed. For example, in 'She would like to be invited,' the passive infinitive 'to be invited' highlights the preferred action rather than focusing on the inviter. Similarly, 'The child loves being hugged' uses a passive gerund to stress the act of hugging being enjoyed by the child, thus redirecting attention from the hugger to the act itself .

Language learners often struggle with passive voice due to its inverted syntax compared to the direct active voice, complicating comprehension and correct usage. The requirement to manipulate verbs, such as adding 'to be' with past participles, adds complexity, especially since exceptions and irregular verbs deviate from standard conjugation rules. Additionally, recognizing when passive is stylistically preferable, such as emphasizing results or obscure agents, requires nuanced understanding of context and intent beyond mere grammatical competency .

In scientific or factual writing, passive voice provides objectivity by focusing on processes and outcomes rather than the researcher, as in 'The chemical is placed in a test tube.' This depersonalizes the narrative, aligning with the formal requirements for impartiality and consistency. In formal writing, passives replace vague agents like 'people' in 'The brochure will be finished next month,' which offers a neutral, professional tone. This functional preference underpins the passive voice's distinct relevance for clarity, style, and reader focus across specialized writing forms .

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