Grade 3 - Unit 7 - TCR
Grade 3 - Unit 7 - TCR
10 Topic Strands
Government and Citizenship Character
Communities
Then and Now
Life Science Point of View
Grade 3 • Unit 7
?
Mark a question you have about information in
the text. Write your question in the margin. grateful
(p. 9)
scattered
(p. 23)
Credits
Editor: Jeffrey B. Fuerst Your annotations might look like this.
Contributing Editors: Brett Kelly, Joanne Tangorra
Creative Director: Laurie Berger
Designers: Melody DeJesus, Kathryn DelVecchio-Kempa,
Doug McGredy, Chris Moroch
1 sprawling
Production: Kosta Triantafillis
Director of Photography: Doug Schneider
Photo Assistant: Jackie Friedman (p. 18)
Photo credits: Cover, Back Cover: Jim West / Alamy; Table !
of Contents B, Page 19A: Associated Press; Page 2: Songquan I like the way
Deng / [Link]; Page 3B: Library of Congress; Page
12A: Patrick Poendl / [Link]; Page 12BB: Rolf_52 Cinderella traditions
/ [Link]; Page 17: © John Fedele/Blend Images/ expresses 2
Corbis
herself. (p. 13)
Illustrations: Ayesha Lopez: Pages 7–8; Frank Mayo: Pages
23–29
3
Permissions
Excerpt from How Tia Lola Came To Visit Stay. Copyright
© 2001 by Julia Alvarez. Published by Dell Yearling and in
tucked
hardcover by Alfred A. Knopf Children’s Books, a division of
Random House, New York. By permission of Susan Bergholz ? (p. 22)
Literary Services, New York, NY and Lamy, NM. All rights
reserved. I wonder why
Excerpt from Sarah Plain and Tall copyright © 1985 by Cinderella puts
Patricia Maclachlan. Used by permission of HarperCollins
Publishers
up with her mean
stepsisters?
unpredictable
© Benchmark Education Company, LLC. All rights reserved.
No part of this publication may be reproduced or transmitted (p. 6)
in any form or by any means, electronic or mechanical,
including photocopy, recording, or any information storage
or retrieval system, without permission in writing from the
publisher.
ISBN: 978-1-4900-9195-2
Essential Question . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
Short Read 1
Exploring My Community . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
Short Read 2
A New Life in Vermont.
an excerpt from How Tía Lola Came to Visit Stay . . . . . . . . . . . . . . . . . . . 6
Extended Read 1
All Kinds of Communities . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
Extended Read 2
Sarah and the Chickens.
an excerpt from Sarah, Plain and Tall . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
Q uestio
l
n
e ntia
What is a community?
Ess
Gu
Atlantic Ocean
fishermen catch shrimp. All
lf o
FLORIDA
fM
around St. Augustine, Florida,
exic
restaurant and hotel workers
o
welcome tourists and other
100 miles
visitors.
St. Augustine is a small city
in the northeastern part
1 That’s what a day is
of Florida.
like in my community.
A community is any place that people call
home. Mine is on the coast of the Atlantic
Ocean. We have beaches and wetland areas.
Today is cool for December: 18 degrees Celsius
(65 degrees Fahrenheit). (I know, lucky me!)
The sun is out, so I am going to take pictures
of my city’s sights.
St. Augustine is not just a home for people. Alligators live in the
area, too! Notes
3 History is
important in my
community. The
local government
does a really great
job of taking
care of the older
buildings because Some buildings were constructed when
tourists come Spanish settlers lived in the city.
Notes
5 That’s fine, Miguel thinks, I won’t have
much to say to her except “¡Adios!” Goodbye!
But he keeps his mouth shut. He knows why
his mother is staring at the blue bowl, and he
doesn’t want to upset her in the middle of a
memory.
Notes
10 Why not ask Papi to come up and stay
with them instead? Miguel wants to suggest. He
doesn’t really understand why his parents can’t
stay married even if they don’t get along. After
all, he doesn’t get along great with his little
sister, but his mother always says, “Juanita’s
your familia, Miguel!” Why can’t she say the
same thing to herself about Papi? But Miguel
doesn’t dare suggest this to her. These days,
Mami bursts out crying at anything. When they
first drove up to the old house with its peeling
white paint, Mami’s eyes filled with tears.
11
Millions of people live in this community. Only a few thousand people live in
this community.
12
Notes
4 Sometimes, it is the population, or the
people, that can make a community different.
In some towns, many residents were born and
raised in the area. They have their traditions,
or special ways of doing things. In some cities,
many residents are new. They have come from
all over the world to live there. They bring
their own culture, or way of doing things.
Keisha Paul
Gabriel Garcia St. Louis, MO
Los Angeles, CA
Mason Streeter
Farmersville, TX
13
e
fM
five miles away. We
lf o
Gu
100 miles
can drive there in half
Farmersville is a rural town in
an hour. northern Texas. In 2012, the
population was 3,414 people.
8 As the name of
my town says, we have a lot of farms here.
Farmers have called this place home since
1849. My great-great-great (and maybe one
more great) granddaddy came here then. The
area’s fertile, black soil was perfect for growing
crops. Those first settlers planted cotton,
which became a big part of the area’s economy.
An economy includes all the businesses and
workers in an area.
There are many fields in Farmersville.
14
15
16
Notes
13 The Mississippi has affected the community
in other ways, too. It brought many people
into the area, beginning in the 1700s. The river
was also the starting point for people moving
west in the 1800s. That’s how St. Louis got the
nickname “Gateway to the West.” Today, people
call St. Louis the “Gateway City.” Natives like
me prefer the shorter “St. Louie.”
17
Pa
CALIFORNIA
Los Angeles is one
cif
17
ic
Oc
of the biggest cities in Los
ean
Angeles
the country. More than
100 miles
four million people live
Los Angeles is a large
in the city. About six city in the southern part
million more reside in of California.
the surrounding areas. Many of them work in
creative industries, such as film and television.
Los Angeles
is a sprawling
city that covers
a large area.
18
Notes
19
20
Area of Country
Type of Community/
Size
Businesses
People/Culture
Based on this week’s texts, write down Imagine that Miguel from “How
Tía Lola Came to Visit Stay,”
new ideas and questions you have about
Lisa Benjamin from “Exploring
the essential question. My Community,” and one of
the students from “All Kinds of
Communities” met up to talk about
their communities. How would
each person describe his or her
community? Write a dramatic scene
in which these characters talk about
their communities. Use details from
each text to help you write your
play.
21
Remember
Sarah and the Chickens
to annotate an excerpt from Sarah, Plain and Tall
as you read. by Patricia MacLachlan
It is the late 1800s in the newly developed farmland of the
west. Sarah, a young woman from Maine, answers an ad to
become a wife for Jacob, a widower. Caleb and Anna, Jacob’s
Notes
children, fall in love with Sarah. Life on the prairie is
different and demanding, and Sarah misses the sea. Will she
stay longer than the one month to which she has agreed?
22
Notes
5 “Papa needs five horses for the big gang
plow,” Caleb told Sarah. “Prairie grass is hard.”
23
24
Notes
11 “You are lonely, yes?” asked Maggie in her
soft voice.
25
26
Notes
31 Maggie wiped her face, leaving a streak of
dirt.
37 I nodded.
39 “Yes.”
27
28
29
30
3. H
ow are the communities similar? How are 4. What are Sarah’s opinions about each?
they different?
31
Encourager:
Express agreement with a peer’s idea . . . Your role is to motivate
I agree with [Name] because _____. and support your group
I agree that _____. members.
I think that is important because _____.
32
?
Mark a question you have about information in
the text. Write your question in the margin. grateful
(p. 9)
scattered
(p. 23)
Credits
Editor: Jeffrey B. Fuerst Your annotations might look like this.
Contributing Editors: Brett Kelly, Joanne Tangorra
Creative Director: Laurie Berger
Designers: Melody DeJesus, Kathryn DelVecchio-Kempa,
Doug McGredy, Chris Moroch
1 sprawling
Production: Kosta Triantafillis
Director of Photography: Doug Schneider
Photo Assistant: Jackie Friedman (p. 18)
Photo credits: Cover, Back Cover: Jim West / Alamy; Table !
of Contents B, Page 19A: Associated Press; Page 2: Songquan I like the way
Deng / [Link]; Page 3B: Library of Congress; Page
12A: Patrick Poendl / [Link]; Page 12BB: Rolf_52 Cinderella traditions
/ [Link]; Page 17: © John Fedele/Blend Images/ expresses 2
Corbis
herself. (p. 13)
Illustrations: Ayesha Lopez: Pages 7–8; Frank Mayo: Pages
23–29
3
Permissions
Excerpt from How Tia Lola Came To Visit Stay. Copyright
© 2001 by Julia Alvarez. Published by Dell Yearling and in
tucked
hardcover by Alfred A. Knopf Children’s Books, a division of
Random House, New York. By permission of Susan Bergholz ? (p. 22)
Literary Services, New York, NY and Lamy, NM. All rights
reserved. I wonder why
Excerpt from Sarah Plain and Tall copyright © 1985 by Cinderella puts
Patricia Maclachlan. Used by permission of HarperCollins
Publishers
up with her mean
stepsisters?
unpredictable
© Benchmark Education Company, LLC. All rights reserved.
No part of this publication may be reproduced or transmitted (p. 6)
in any form or by any means, electronic or mechanical,
including photocopy, recording, or any information storage
or retrieval system, without permission in writing from the
publisher.
ISBN: 978-1-4900-9195-2
10 Topic Strands
Government and Citizenship Character
Communities
Then and Now
Life Science Point of View
Grade 3 • Unit 7