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Pinoy Ako Chords and Tabs Guide

The document is sheet music for the rondalla version of the song "Pinoy Ako" composed by Clem Castro and arranged by Alvin T. Villarino. It contains musical notation for several Filipino instruments including bandurria, octavina, classical guitar, acoustic bass, and others. The sheet music is divided into sections for the introduction, verses, drums, and conclusion of the song.

Uploaded by

Jad Emmanuel
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
0% found this document useful (0 votes)
1K views7 pages

Pinoy Ako Chords and Tabs Guide

The document is sheet music for the rondalla version of the song "Pinoy Ako" composed by Clem Castro and arranged by Alvin T. Villarino. It contains musical notation for several Filipino instruments including bandurria, octavina, classical guitar, acoustic bass, and others. The sheet music is divided into sections for the introduction, verses, drums, and conclusion of the song.

Uploaded by

Jad Emmanuel
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd

Pinoy Ako

(Rondalla Version) Composed by: Clem Castro

              
Arranged by: Alvin T. Villarino

                   


Panimula

      
  
Bandurria 1

       
Bandurria 2

 

Octavina

     
     
      
Classical Guitar

Acoustic Bass   

7 
              
      
 
B1

          
 
B2

 
 
     3
O

 
          
3

            
Guit.

   

Bass

13 
3 3

           
                       
Pasok drums


     
B1

 
      
B2

 
               
        
O

               
                                     
     
      
Guit.


Bass
 
19           
                         
Unang berso

  
               
 
B1

    
     
              
     
B2

   
O
 
                
3 3 

       
     
A A F# B C# A F# F# E E F# B B B B

                   
      
           
Guit.

       
Bass
         
3 3
24       
2

                      


        
B1

                   
B2                   
             
         
O
 

                 
 
  
   
G G G G F# E #F F# E D C# A A B F# B B B G G G G F# E E

Guit.                  

                    


Bass
          

29  Intermisyon
                     
  
B1
 
      
                          
F# D G F# E D G D F# D E D C# A B F# D G G G A# A G

B2
    
       
O
 
            
Guit.    





            

                             
Bass
           

33  Unang
   
                     
berso (2)

     
B1

       
              
           
F#

   
 
B2

                    
   
O
  
 

                
    
A A F# F# E C# A F# E F# B B B B G G G A A# A G

Guit.              

                             
Bass
         
        
3

                       
37 Koro 1

     
B1

             
                     
      
     
B2

      
   
F# E

O
 

     
3 3

            
               
F# F# G A A A A A G G D D D D D E F#

Guit.             

                        


3 3

Bass
         3 3  

42             
                
B1
 
                
         
B2
 
      
 
D C# C# E D AA G G F# E F# F# F# E D C# A D

O

                    
 

Guit.                








        

                 


Bass
         

48           
          

B1

      
            
G

B2   

           
    
A A A A A G F# F# A F# E D B Bb E F# DE

O
  3 3

                 
     
      
D G G A A# A G F#

Guit.                

                       
Bass
       
54              
4

      
Ikalawang Berso

 
       
                  
B1

         


B2

      

D E F# D


            
O

                
                    

              
Guit.

      
Bass
              

60             


   

               
                   
B1

      
    
     
B2

 
            
O

         
                     
           
Guit.

     
Bass
              

65     
  
  
   
Intermisyon 2 Ikalawang Berso (2)

              
                  
B1

           

                      

B2

  
O
  
                
                  

       
                        
Guit.


           
Bass

 
70                   
        
              
               
B1

      
           
     
B2

 
            
O

         
                    
             
Guit.

        
Bass
            
                
     
5

      

75 Koro 2

                      
B1

        
   
3 3

     
 
B2

  

   
                  
O

    
        



 
              

   3   3      
Guit.

         
Bass
          
3 3

81             
 
           

         
       
B1

  
       
 
        
B2

 
O
 
                           
    

     

                  
                      
Guit.

   
Bass
           

88  
               
  
 
          
B1

  
  
  
           
B2

   

             
O

    



 
                



 
 




 
 
3 3 


                 
Guit.

             
Bass
         
95  Tulay   
                          
    
B1

   
           
A A A A A A B A A A A A A A B C# A A A A A B A A B A A

 
   
      
B2

      
Parang guitar chord

                        
O

                        
 
Guit.

Bass      
101    
6

                           
   
B1

  
                           
D C# A B A A A A A A B A B A A A A A A A B C# C#

   
                                  
B2

            
Guitar stacatto

                 







    
    
O

                 
 
Guit.

Bass      

107                        
         
Koro 3

B1

                      
      
D C# A D C# D A F# E E EDE

  
                                      
B2

                
               
                            
O

                            


          
Guit.

       
Bass
     

114                 
    

       

             
     
B1

    
     
  
     
B2

  

        
           
O

      




 
     
        



 
     

                  
Guit.

        
Bass
             

121        
         
Koda

 
    
     
B1

    
 
  
             
B2

    
O
 
              
    
 

  
  
  
3 3 

   

             
                  
Guit.

        
Bass
           
  
7

                            
128

B1

           
B2   

3 3

     
          
O
  3 3 

             
                 
 
 
Guit.

                  
 
Bass
3 3

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