Pinoy Ako

(Rondalla Version) Composed by: Clem Castro

              
Arranged by: Alvin T. Villarino

                   

Panimula

      
  
Bandurria 1

       
Bandurria 2

 

Octavina

     
     
      
Classical Guitar

Acoustic Bass   

7 
              
      
 
B1

          
 
B2

 
 
     3
O

 
          
3

            
Guit.

   

Bass

13 
3 3

           
                       
Pasok drums


     
B1

 
      
B2

 
               
        
O

               
                                     
     
      
Guit.


Bass
 
19           
                         
Unang berso

  
               
 
B1

    
     
              
     
B2

   
O
 
                
3 3 

       
     
A A F# B C# A F# F# E E F# B B B B

                   
      
           
Guit.

       
Bass
         
3 3
 24       
2

                      

        
B1

                   
B2                   
             
         
O
 


                 
 
  
   
G G G G F# E #F F# E D C# A A B F# B B B G G G G F# E E

Guit.                  

                    

Bass
          

29  Intermisyon
                     
  
B1
 
      
                          
F# D G F# E D G D F# D E D C# A B F# D G G G A# A G

B2
    
       
O
 
            
Guit.    





            

                             
Bass
           

33  Unang
   
                     
berso (2)

     
B1

       
              
           
F#

   
 
B2

                    
   
O
  
 

                
    
A A F# F# E C# A F# E F# B B B B G G G A A# A G

Guit.              

                             
Bass
         
         
3

                       
37 Koro 1

     
B1

             
                     
      
     
B2

      
   
F# E

O
 

     
3 3

            
               
F# F# G A A A A A G G D D D D D E F#

Guit.             

                        

3 3

Bass
         3 3  

42             
                
B1
 
                
         
B2
 
      
 
D C# C# E D AA G G F# E F# F# F# E D C# A D

O

                    
 

Guit.                







        

                 

Bass
         

48           
          

B1

      
            
G

B2   

           
    
A A A A A G F# F# A F# E D B Bb E F# DE

O
  3 3


                 
     
      
D G G A A# A G F#

Guit.                

                       
Bass
       
 54              
4

      
Ikalawang Berso

 
       
                  
B1

         



B2

      

D E F# D


            
O

                
                    


              
Guit.

      
Bass
              

60             

   

               
                   
B1

      
    
     
B2

 
            
O

         
                     
           
Guit.

     
Bass
              

65     
  
  
   
Intermisyon 2 Ikalawang Berso (2)

              
                  
B1

           


                      

B2

  
O
  
                
                  


       
                        
Guit.


           
Bass

 
70                   
        
              
               
B1

      
           
     
B2

 
            
O

         
                    
             
Guit.

        
Bass
            
                 
     
5

      

75 Koro 2

                      
B1

        
   
3 3

     
 
B2

  

   
                  
O

    
        



 
              


   3   3      
Guit.

         
Bass
          
3 3

81             
 
           

         
       
B1

  
       
 
        
B2

 
O
 
                           
    


     


                  
                      
Guit.

   
Bass
           

88  
               
  
 
          
B1

  
  
  
           
B2

   

             
O

    



 
                



 
 




 
 
3 3 


                 
Guit.

             
Bass
         
95  Tulay   
                          
    
B1

   
           
A A A A A A B A A A A A A A B C# A A A A A B A A B A A

 
   
      
B2

      
Parang guitar chord

                        
O

                        
 
Guit.

Bass      
 101    
6

                           
   
B1

  
                           
D C# A B A A A A A A B A B A A A A A A A B C# C#

   
                                  
B2

            
Guitar stacatto

                 






    
    
O

                 
 
Guit.

Bass      

107                        
         
Koro 3

B1

                      
      
D C# A D C# D A F# E E EDE

  
                                      
B2

                
               
                            
O

                            



          
Guit.

       
Bass
     

114                 
    

       

             
     
B1

    
     
  
     
B2

  

        
           
O

      




 
     
        



 
     


                  
Guit.

        
Bass
             

121        
         
Koda

 
    
     
B1

    
 
  
             
B2

    
O
 
              
    
 

  
  
  
3 3 

   


             
                  
Guit.

        
Bass
           
   
7

                            
128

B1

           
B2   

3 3

     
          
O
  3 3 

             
                 
 
 
Guit.

                  
 
Bass
3 3