06.1 Playing Style
06.1 Playing Style
A team’s playing style is the manner in which it plays on the field. In some ways, it can be viewed as that
team’s “trademark”. We can even speak of a certain state of mind being imposed by the coach on the basis
of his own experience or his particular footballing culture (e.g. Scolari, Hiddink, Wenger, Sacchi, Cruyff, ...),
and also by virtue of the players that he has available to him.
But this playing style may result as well from a policy of continuity that a club is seeking to pursue (e.g. in
the case of AFC Ajax Amsterdam, AJ Auxerre, FC Nantes Atlantique or AC Milan), or it might result from the
footbaling culture of a given country (e.g. Brazil, Germany, England, Sweden or Cameroon).
This playing style derives from a playing system and from specific team organisation; in other words, the
movements of the players depend on the playing style adopted. In top-level football, the style of play and the
tactical movement may vary from one game to another, or even during the same match.
PLAYING STYLE
TEAM
PLAYING SYSTEM GAME PLAN
ORGANISATION
GAME STRATEGIES
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6 Playing style
The players
The choice and implementation of a playing style largely depend on the quality of the players, their level of
footballing intelligence, their technical mastery and their ability to adapt. The conviction of the coach, the
diligence shown by the players in training sessions as well as their motivation to want to learn and make
progress are also key factors in the tactical development of players.
Definitions
Playing system
• This is the positioning of the players on the pitch as chosen by the coach; this may vary according to the
players that he has available. In other words, it is the number of players in the different lines (defensive,
midfield and attack) and their position on the pitch, e.g. 4-4-2 / 4-3-3 / 4-3-1-2, 4-1-3-2, etc.
Team organisation
• This refers to the allocation of defensive and attacking duties by individual position and by line, and the
relationships between these positions and lines.
Game plan
• This is the strategy adopted for a specific match (with collective and individual instructions issued).
Example: Going after the opposition deep in their own half and pressing them in that part of the field;
tight-marking their midfield and especially the playmaker.
Game strategies
• These refer to tactical elements that are specific to the game. They determine the playing system and the
organisation of the team in attacking and defensive phases of the game. The instructions issued are im-
plemented both individually and collectively, depending on the position of the team unit on the pitch and,
of course, the game situation.
Attacking strategies: − Playing long balls up to two attackers, who are being supported by the midfield-
ers
– Playing up the flanks and getting in behind the defence
– Etc.
Movement
• This refers to the movement of the team as a whole and the co-ordinated switching of positions of the
players on the pitch, based on the attacking and defensive playing strategies. This movement allows vari-
ations in the development of play and in team organisation in the match, e.g. a switch from 4-4-2 to 3-4-3
when the team is in an attacking phase.
The time and space available, as well as the player in possession of the ball, dictate the movement in the
game.
And it is thanks to this collective movement of the teams that football becomes a dynamic game.
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Playing style 6
1. The playing systems
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6 Playing style
Pressing Offside
The application of these attacking and defensive game strategies depends on:
• the zone of action − in which zone of the pitch is the ball carrier?
– how many players are in that zone?
• what the rest of the team are − what is their position on the pitch?
doing − which zones are they occupying?
− how many of them are there?
− what is the team’s physical state?
− is the team in position, grouped together for defensive du-
ties and covering the pitch well for an attacking phase? If so,
only collective tactical strategies can be applied.
– if the team is in difficulty, however, (after losing the ball in
the middle of the field or in the defensive zone), it will need
to rely on the intelligence of the players and on their experi-
ence.
• what the opponents are doing − what is their position on the pitch?
− how many of them are there?
− what specific qualities do they have?
– what is their physical and mental state?
• the goals – what are the distances, positions and angles that need to be
taken into account as far as the goals are concerned?
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6 Playing style
Defensive play starts as soon as the Attacking play starts as soon as the ball
ball is lost by a rapid switch from is won by a rapid switch from defence to
attack to defence by the whole team. attack by the whole team.
• Opponents’ half > middle of the field > • Defensive zone > middle of the field >
defensive zone opponents’ half
6 − Pressing
Playing style 6
Attacking
Losing the marker The action of getting away from an opposing player by making a run,
finding space or making a dummy run to receive the ball.
“All-out attack” A dynamic, attacking phase involving several of the team to spread play
out and create space (both out wide and in the last third of the field).
Off-the ball Creating space for team-mates by running into space, making decoy runs,
movement etc.
Triangular play Play involving 3 players, where 2 players automatically provide support for
the ball carrier behind and/or in front of him.
Playing “keep-ball” Retaining possession by playing it from the right flank to the left flank, and
then back again.
Changing tempo Accelerating or slowing down play (the movement of the ball) by using
specific technical or tactical actions.
Switching play Changing the location of play by a long pass to another part of the pitch in
the opposite direction to that in which play had previously been going.
Drawing in the The player with the ball at his feet goes towards the opponent to tempt him into
opponent the tackle; he then eliminates the opponent by dribbling past him or passing.
Support play The action of backing up the ball carrier to provide an option for him.
Dummy or decoy run Running into a space to distract the defence, but with no intention of
receiving the ball (thereby deliberately creating space for a team-mate).
Overlapping run Creating numerical advantage on the flank by running round the team-
mate in possession (to create a 2 v 1 situation).
“Pivot player” / A player who usually has his back to goal when receiving the ball and who
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Link man then lays it off for the supporting striker(s).
6 Playing style
Defensive
Repositioning After a phase of dynamic or static attacking, the whole team or individual
players resume their defensive position.
Reducing the spaces Leaving as little space as possible between the defensive lines by closing
(grouping together) down using the whole team.
Lateral movement Movement of the whole team or the line across the width of the field, but
still remaining compact.
Closing down the Tightly packing players into the centre of the field to close down this area.
area in front of goal
• Attacking pressing
The action zones where players apply pressing.
• Defensive pressing
Mutual cover The positioning of the players around the pitch to support their team-
mates. Each player is “covered” or protected by another.
Pyramid defensive Triangular defensive formation facing up to the ball carrier in the opposing
formation team.
Echelon formation Echeloned or diagonal covering position in relation to where the ball is,
used by the defensive unit or the midfield.
Thwarting the opponent Going towards the ball carrier with the aim of halting his progress, making
him play the ball or shepherding him to an area of the pitch that will allow
the defence to organise itself.
Tackling A duel with the aim of dispossessing the opponent of the ball.
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Playing style 6
The tactical action of a team is dependent on the quality and efficiency of the players’ technical skills once
the ball has been won and controlled. Receiving/controlling the ball skilfully and the quality of the first pass
are both important for launching an attacking move and changing the tempo of the game.
Nevertheless, the tactical behaviour of the players ultimately relies on their cognitive skills (perception and
anticipation), on concentration, on their belief in themselves and on communication during the match. The
quality of the tactical action is also dictated by the experience that the players have acquired in training, in
competitive situations and in their ability to read the game, which has been developed through observation
and analysis (watching videos and top-level matches). To ensure that the young players of today develop
an ability to read the game tactically, which might currently be lacking, they should watch the top teams
(e.g. Brazil, France, Netherlands, or Real Madrid CF, Arsenal FC and AC Milan, etc.) playing more frequently,
thereby enabling them to understand tactical play better, and to learn from it.
A good understanding of the game leads to inspiration, improvisation and risk-taking, all of which can make
the difference in the game and help to swing a match. The great players all possess such qualities.
The application of playing strategies is not dependent on the playing system in use or on how that system
is being implemented. A team playing with a 3-5-2 or a 3-4-3 formation can just as easily attack by gradual
build-up, by set play or with a quick break. The choice of the type of attack depends on the game situation,
on the zone where the ball is won, on the number of players available for the attacking move, or on the pos-
sible defensive instability of the opposing team – and not on the playing system.
What will make the difference in opting for the appropriate tactic, however, is the individual quality of the
players, their footballing intelligence, the communication between them and their experience.
• Communication within the team (verbal communication, body language and gestural communication)
• Occupation and zonal covering of the pitch (zonal play)
• Tightly packed, compact formation, with the lines close together
• Spread formation, with movement around the pitch and movement off the ball
• Numerical supremacy of the team
• A calm, confident mood in the team, but also with enough aggression to allow it to win duels
• The presence in the team of talented players and players with a strong personality
• The presence of players able to show the way
• Quality of life in the team
• Quality of coaching
“In the long run, I don’t think it’s possible for a team to win and to last the course if there
is no quality in their play. To deliver good performances, a team simply must play.”
Elie Baup, ex-coach of FC Girondins de Bordeaux,
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6 Playing style
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Open up the defence, create spaces between the lines and the players; vary the tempo of play.
• Attack all across the pitch, on the flanks.
• Take play out to one of the flanks and then try to switch to the opposite flank.
• Take play into the middle of the field.
• Move the ball around quickly (1-2 touches), introduce tempo change into the game.
• Seek to gain numerical supremacy in attack, with the midfielders also having an impact going
forward, especially on the flanks.
• Attackers should be moving constantly in the penalty area.
• Get in behind the opposition (behind the defence).
• Use individual skills: − decoy runs, cross-field runs
− dribbling, feinting at speed
− one-twos
− runs into space
The attacking team should avoid playing in a funnel-shaped formation and attacking exclusively
down the middle of the pitch; it should put the defence under pressure with the speed of its play
and aggressiveness.
• Attackers should peel off and create spaces for the midfielders.
• Change and exchange positions.
• Use the flanks with good-quality far-post crosses or play the ball low from the by-line back across the
area.
• Get the defence to come out; make them move.
• Go for the direct approach (1 touch) with players in support; shoot at goal, even from outside of the
area.
• Remain calm, play the ball back into the other half, move the ball from flank to flank and speed up
play when the moment is right to do so.
• Shoot from distance.
• Force the opponent into making a mistake.
• Draw the libero out.
To play against a reinforced defence, a team needs well-developed technical skills to allow it to
operate in confined spaces, and it needs to be constantly moving.
Be careful not to lose possession!
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6 Playing style
Know the team that is doing the pressing (the pressing zone and the type and style of pressing),
their style of play once they have won the ball and the qualities of the players (their strengths and
weaknesses).
• Avoid the pressing zones.
• Outnumber the defence around the ball at the moment when possession is lost.
• Play long balls past the opposing defence and go for the second ball (goalkeeper’s clearance).
• Take time to build (with short passes while moving and creating space to increase the distance be-
tween the lines).
• Play long balls (diagonal passes behind the opposition).
• Do not provoke the opponent; remain calm.
• Use counter-pressing (react to the pressing of the opposition by pressing them).
“The key factor for winning the tactical battle is to gain numerical
supremacy and to have very strong players in 1 v 1 duel situations.”
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Playing style 6
4. Training of the whole team
The strategies of individual tactical play and then collective play have already been applied in the combined
technical/tactical phase of training with 1 v 1, 2 v 1, 3 v 2 drills, and then in practice games.
When we speak of the whole team, we need to look at the relationship between all of the players and the
individual units that make up the team (defence, midfield, attack).
Start from the real match situation using the system and tactical organisation which the coach is aiming for.
Use all possible practice games where one team has numerical supremacy, or other games.
Coaching in the practice game can focus on just one team or on both teams.
This methodological approach can be the same for the combined technical/tactical aspect
(3 v 3 / 4 v 3 / 4 v 4 / 6 v 4 / 5 v 7, etc.). 13
6 Playing style
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Playing style 6
The coach is responsible for his team’s style of play and for ensuring that it is implemented on the pitch.
One of the key moments for the coach to become really involved is when he has to let the players know ex-
actly what he expects from each one of them and from the team as a whole.
The behaviour of the coach and how he directs the activity are more important than a drill or practice game.
The quality of the coaching, the coach’s explanations, demonstrations and especially his corrections will be
key factors in the players’ tactical understanding and, as a result, in their support for the coaches’ ideas.
If the objective of the training session is the defensive game of the team, the coaching can be concentrated
on the idea of defence. However, depending on the situation of the game, the coach may also choose to deal
with the attacking aspect as well.
Consequently, in a training session with attack versus defence (e.g. 7 v 6), the training objectives can be ap-
plied to both teams. The coaching can concentrate on the attackers and defenders alternately, or even both
simultaneously.
At the highest level of the game, the focus of training sessions, the choice of the content covered and of the
actions and situations dealt with depend on the approach and style of the team.
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6 Playing style
The aim of collective training sessions with young footballers is to integrate the players into the team set-
up by getting them to master simple individual and collective tactical actions and to ensure that they can
operate by working together with the different lines (defence, midfield, attack). They have to learn to operate
individually as part of the game played by the whole team, both in terms of attack and defence.
• Training based on two lines: (3-3 v 3-3), gradually progressing to three lines, 3-2-2 / 4-3-2 / 4-3-3
• In the game, vary the position of the players: make them play in defence and attack as well as on the right
and left flanks. The player has to be confronted with different situations and tactical approaches in the
game to enrich his general footballing awareness (cognitive games).
• In order to encourage the learning and perfecting of the strategies of play, analytical routines and drills
need to be introduced into the training. The coach can then return to the match situation to assess how
much has been learned.
• The technical skills used in every tactical action must be executed with quality and precision.
• Visual pedagogical tools, such as a blackboard/whiteboard and magnetic board, or even video for analy-
sis, may be used as complementary methods to optimise tactical learning with young players. Another
important instructive process to help players understand what the coach is explaining on the board is for
them to observe the great players and great teams. This will help to improve their understanding of the
game and the tactical approaches.
− On the pitch, the learning process starts from the pre-training/development stage (from the age of 13
onwards). The concept of tactical versatility is introduced (with players varying their positions). The
players then gradually start to specialise, with concentration on the team unit (e.g. attack, defence)
and the individual position.
− At the training/development stage (from the age of 16 onwards), tactical development concentrates
more specifically on the team unit and on the individual position, with versatility integrated.
− With young footballers, playing the game is the main form of tactical learning:
It can take years to learn how to master certain technical moves and skills,
! but learning how to operate tactically within a system can take just a few weeks.
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Playing style 6
6. Player profiles by position
Left and right- • Endurance (aerobic • Running with the • Moving back to • Courage and
side midfielders and anaerobic) ball defend generosity of spirit
• Speed • Dribbling • Involvement in • Willpower
• Crossing attacks • Concentration
7+8 • Shooting • Pressing • Willingness to
• Playing and take risks
winning duels
Attackers • Power (in the duel) • Finishing (shooting) • Constant movement • “Selfishness”
• Speed • Control • Changing of • Opportunism
• Liveliness • Heading positions • Trickery
9 + 11 • Agility (depend- • Dribbling, feinting • Runs into space and • Perseverance
ing on the type of decoy runs
player) • Feinting
• Timing
Observation: Observer:
Teams (A/B): :
Team A
Team B
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Playing style 6
Referees
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6 Playing style
Team A
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Playing style 6
Team B
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6 Playing style
Goals: Score, minute, scorer, where, how (F = Foot, H = Head, OG = Own goal)
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Playing style 6
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6 Playing style
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Playing style 6
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6 Playing style
Dead-ball situations are unanimously recognised as being decisive moments in the modern game.
During the most recent international FIFA competitions in 2002 and 2003 (the FIFA World Cup, the FIFA World
Youth Championship and the FIFA U-17 World Championship), 30% of the goals were scored from dead-ball
situations as against 25% of goals in the same competitions in the years 1998-1999. This ever-increasing
percentage is unquestionably due to the regular and repeated work that is being carried out on these game
situations.
Instruction of this specialist area of the game should already start with young players. A specific training
session or even an individual session should be included in the training cycle to help develop specialists for
these phases of play. These sessions are often scheduled outside of the collective training sessions with the
whole team and held once a week on the day before matches.
• Start off by training the technical skills and routines required and then repeat these (make striking the ball
and varying the strike of the ball become automatic for the player).
• Gradually bring more and more attacking players into the action (either for striking the ball or to attack
crosses).
• Gradually increase the number of defenders involved (both in passive and active situations).
• And, finally, simulate match conditions and reproduce game situations (using defensive walls with play-
ers standing at the correct distance).
The confidence and concentration of the player striking the ball are key elements in the success of
these strategies.
A. Corners
B. Free kicks
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Playing style 6
A. Corners
1. Outswinging corner driven directly into the 2. Inswinging corner driven directly into the box
box (taken from the right side with the right (taken from the right side with the left foot,
foot, and vice versa from the other side). and vice versa from the other side).
3. Direct strike aimed at the near post. 4. Direct strike aimed at the far post.
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6 Playing style
A. Corners
5. Ball played to the near post for a player to 6. Ball played to the near post for a player to
deflect it behind him with his head. lay it off into the “D” in front of goal.
7. Ball played directly along the ground to a 8. 2-man routine: the ball receiver lays the ball
player who allows the ball to run between his back to the deliverer, who then crosses.
legs and on to his team-mate behind him.
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Playing style 6
A. Corners
9. 2-man routine: the receiver feigns a pass, 10. 3-man routine: the receiver lays the ball
then cuts back inside and crosses. back to the full-back/wing-back, who then
crosses it.
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6 Playing style
Variations
a) The attackers run on to attack the ball played b) The attackers run across each other as the
ahead of them. ball is played in.
c) The crosses are played in straight, with spin, d) A block of players stands in the box to shield
or along the ground. a player running on to the ball from outside
the box.
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Playing style 6
B. Free kicks
1. Curling free kick struck with the right foot from 2. Curling free kick struck with the outside of the
the left side and with the left foot from the right foot and with the inside of the left foot,
right side (aiming for the near or far post). aiming for the top corner on the opposite side
of the goal.
3. Direct shot on goal, struck with the instep or 4. 2-man routine: the free kick-taker lays the
with the outside of the foot. ball off for another player to run on to and
shoot.
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6 Playing style
B. Free kicks
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2 1 1
5. 2-man routine: Player 1 runs up to the ball 6. 3-man routine: Player 1 runs up to the ball
as if to shoot, runs beyond it and player 2 as if to shoot in front of the passer (player 2),
shoots. who then back-heels it for player 3 to shoot.
1 2
3
2 3 1
7. 3-man routine: Players 1 and 2 run past the 8. 3-man routine: Player 1 lays the ball off to
ball (1 from the right, 2 from the left), and player 2, who traps it with his foot for player
player 3 shoots. 3 to shoot.
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Playing style 6
B. Free kicks
1 2
3
1
3 2
9. 3-man routine: Player 1 passes to player 2, 10. 3-man routine: Player 1 pretends to shoot
who lets the ball run through his legs, and and runs to the end of the wall. Player 2
player 3 shoots. then passes to player 3 who passes back
to player 1, who turns and shoots.
When corners or attacking free kicks are being taken, the attacking team must employ diversionary
tactics to force the defending team to move its wall and to distract the defenders and the goalkeeper.
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