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Key Elements of a Play Script

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0% found this document useful (0 votes)
127 views8 pages

Key Elements of a Play Script

Uploaded by

jannellsanmateos
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Download as DOCX, PDF, TXT or read online on Scribd

Elements of a Play Script

It contains:

 The name of the play and the playwright.


 Acts and scenes. Each scene describes the setting at the start.
 Characters.
 Dialogues.
 Stage directions for the actors/actresses

Elements of a play script

10/17/20207 Comments

Category: Topics in the syllabus

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What is a play script?

It's a manuscript of a play, especially as prepared for use by actors in rehearsals.

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It contains:

 The name of the play and the playwright.


 Acts and scenes. Each scene describes the setting at the start.
 Characters.
 Dialogues.
 Stage directions for the actors/actresses.

Genres

There are many genres for plays such as:

 melodrama
 comedy
 romance
 thriller
 musical

Example of a Script
Main elements of play script
1. Title
It’s the name of the play.

2. Playwright
It’s the author of the play.

3. List of characters
People that take part in the story. It's at the beginning of the play script.

4. Cast
The actors and actresses in a play.

5. Act, scene and setting


The acts are long sections of a play, made up of multiple scenes, usually designed to separate the play
into its main parts. The scenes are shorter sections of a play, usually each scene occurs in one location at
a specific time. Multiple scenes make up an act. Most scripts use either a three-act or five-act structure.
Act and scene headings are centered.

6. Stage directions
They tell actors/actresses what to do and where to go on stage, how to move and how to say their
dialogues. Stage directions are indented one tab and italicized. Character's names in stage directions are
capitalized.

7. Name of the character


Character's names are centered and capitalized.

8. Dialogues
They are the lines the characters speak in the play.
How do you start writing a play script?

Outline your story.

Write your story in three acts.

Add sequences.

Start writing scenes.

Write dialogues and actions.

Note technical elements such as costume changes, props, lighting, and settings.

Revise your work as many times as necessary.

Get feedback.
INSIDE OUT

original story by
Pete Docter
Ronnie Del Carmen

Screenplay by
Pete Docter
Meg LeFauve
Josh Cooley
BLACK.
JOY (V.O.)
Do you ever look at someone and
wonder, “What is going on inside
their head?” Well, I know. I know
Riley’s head.

WHITE. FADE IN...

INT. HOSPITAL – DAY

A newborn baby swaddled in a blanket, held by her parents.


Push in... and ZOOM IN TO HER HEAD.

INT. HEADQUARTERS
Out of the blackness steps a glowing figure. This is JOY. The room is
black except for a bright CONSCIOUSNESS SCREEN.
JOY
Hmm?
In front of Joy is a single large BUTTON. She pushes it.

INT. HOSPITAL - CONTINUOUS


The baby gurgles and wiggles happily.
JOY (V.O.)
And there she was...

INT. HEADQUARTERS - CONTINUOUS


ON THE CONSCIOUSNESS SCREEN:
MOM
Hello, Riley.
DAD
Oh look at you. Aren’t you a little bundle of joy?

A GOLDEN GLOWING SPHERE rolls from behind the screen. It’s a MEMORY
of what we just saw: Mom and Dad cooing at Riley.

JOY
Whoa
Joy rolls the memory on its track, illuminating the room. She turns
back to the button and pushes it again.

INT. HOSPITAL - CONTINUOUS


Baby Riley gurgles happily.

JOY (V.O.)
It was amazing. Just Riley and me, forever...

INT. HEADQUARTERS - CONTINUOUS


Baby Riley CRIES.

JOY (V.O.)
...for 33 seconds.
Joy looks to her side. There’s a new, droopy, blue character touching
the button.

SADNESS
I’m Sadness.
JOY
Oh, hello. I’m Joy.
Joy tries to muscle past Sadness to press the button.
JOY (CONT’D)
Can I just... if you could... I just want to fix that.
Thanks.

The two struggle.


JOY (V.O.)
And that was just the beginning. Headquarters only got more
crowded from there.

INT. MINNESOTA HOUSE - DAY

Riley, now age 3, barrels through the house pulling a wagon.

INT. HEADQUARTERS
ON THE SCREEN: Riley’s POV as she runs through the house.
Fear “supervises” Joy, who drives

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