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Ralph Lemon: Choreographer and Artist

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0% found this document useful (0 votes)
58 views6 pages

Ralph Lemon: Choreographer and Artist

Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd

Ralph Lemon

Ralph Lemon (born August 1, 1952 in Cincinnati,


Ohio) is an American choreographer, company Ralph Lemon
director, writer, visual artist and a conceptualist. Raised Born August 1, 1952
in a religious environment, he developed his artistic Cincinnati, Ohio
creativity as a child.[1] Early in his career, Lemon used Alma mater University of Minnesota
painting as a source of expression, and as he Awards 2000 Creative Capital Performing
discovered dance, utilized movement as a physical Arts Award
means of expression.[1]
2012 Foundation for
Contemporary Arts Grants to
Artists Award
Career and awards
2015 National Medal of Arts
Lemon began his educational career in literature and 2018 Heinz Award in the Arts and
theater arts at the University of Minnesota. Upon Humanities
graduation in 1975, Lemon trained with Nancy Hauser,
who eventually asked Lemon to join her company. Before Lemon participated, he cofounded Mixed
Blood Theater Company in 1976, in Minneapolis.[2] He eventually moved to New York where he met and
danced with Meredith Monk and her company. Soon after leaving Monk's company in 1985, he founded
the Ralph Lemon Dance company. Over the length of his career he has worked with renowned companies
such as the Limón Dance Company, Alvin Ailey's Repertory Ensemble, the Geneva Opera Ballet, Jacob's
Pillow Dance Ensemble, and Lyons Opera Ballet.[1] Lemon also performed in a video documentary with
choreographer Bebe Miller.

Lemon is known for his collaborations in different media and with musicians. Ralph Lemon's work has
been acknowledged with awards such as the National Endowment for the Arts choreographic fellowship;
American Choreographers Award, 1987; Gold Medal, New York Dance and Performance ("Bessie")
Award, 1987. With a decade of success behind the Ralph Lemon Company, Lemon made a crucial
decision to disband the company for varying reasons from financial to the pursuit of broadening his
artistic interest.[3]

Lemon received a 2000 Creative Capital Performing Arts Award [4] and 2012 Foundation for
Contemporary Arts Grants to Artists Award.[5]

Ralph Lemon was one of the twelve recipients of the 2015 National Medal of Arts. In 2018, he received
the 23rd Annual Heinz Award in the Arts and Humanities.[6][7] In 2019, he received the Francis J.
Greenburger Award for artists whom the art world knows to be of extraordinary merit but who have not
been fully recognized by the public.[8]
Lemon has lived and worked in New York City's East Village since 1991.[9]

Geography Trilogy
Over a ten-year span, Lemon created a trilogy that uses choreography to present social and political
issues in numerous collaborative projects. Lemon recently finished the ten year art project, Geography
Trilogy, which investigated an apparent collision of cultures and searched for personal and artistic
identity within a broader spectrum.[10] During Ralph Lemon's ten year trilogy creation, he wrote two
books entitled Geography: Art, Race, Exile to correlate to the dance Geography and Tree: Belief, Culture,
Balance which relates to the dance Tree. The third part of the trilogy, Come Home Charley Patton, is now
a book. He ended up creating these two books as a result of physicality, emotional conflicts, spiritual
connections and specifically cultural contradictions that lead to the numerous collaborations and
experiences he gained.[11]

The overall synopsis of the Geography Trilogy is to create a link and understanding to other cultures
histories while evolving and experimenting with his artistic works in three different continents.[10] For
example, Geography formulated in Africa, Tree originated in Asia, and Come Home Charley Patton
brought Lemon back to the United States. Ralph Lemon's creative journey began with Geography in Côte
d'Ivoire, Guinea. The journals he wrote gave insight into the life of an "American, African, brown, black,
blue black, male, and artist."[12] Embodying these characteristics, Lemon sought not only to create art
about his culture but to connect with his heritage during the duration of his visit.[11] Lemon then ventured
to Asia for his next piece in the trilogy Tree. Tree is ritually structured through Buddhism, and reveals a
conflict of cultural values pertaining to performance, race, identity, modernity and tradition.[11] Lemon
finished the trilogy in the US with Come Home Charley Patton, a piece that revisits a segregated time in
history. The performance of Come Home Charley Patton shows how "different generations remember the
same critical events and places; what kind of narratives do justice to traumatic memories; and what form
memories can ultimately take through the aesthetic works of this project."[11]

Artistic style
Much of Lemon's success is attributed to his unique ability to express dramatic and emotional content
through movement using new art forms.[3] Ralph Lemon is currently the artistic director of Cross
Performance Inc. in New York.[10] Lemon strives to invent and be innovative with each performance he
creates by conveying different concepts and using different media.[13] The core of Ralph Lemon's style in
his earlier works was atmospherically showcased with strong costumes and props to visually help the
audience understand the narrative.[3] By the early 1990s he strayed away from a theatrical style to a more
movement oriented style by focusing on the body.[3] Ralph Lemon uses both his art and anthropology
backgrounds to influence his choreography, but he refrains from distorting the cultural importance of
dance within traditions.[10]

Performances

Works
1984-

Ant's Burden (mus. Bob Roman), solo


Romance (mus. Tom Waites)
Folktales and Romance 4, evening-length performance produced by Dance Theatre
Workshop, New York
Boundary Water (mus. Beethoven), New Dance Ensemble of Minnesota
Folktales with Men and Oranges, for Dance on the Lower East Side Festival, New York
The Last Nights of Paris and Georgette, Dance Theatre Workshop
1985-

Plan de Liebe, CoDanceCo


Forest, (mus. Linda Bouchard), duet, American Dance Festival
And the Jungle Will Obliterate the Shrine/Seasons, RLC
Scarecrow, (mus. Hart)
1986-

Flock, (mus. Sibelius), Jacob's Pillow Dance Ensemble


En Su Llama Mortal, Ballet Hispancio of New York
Two w/Bebe Miller (mus. Hyams Hart)
1987-

Nightingales and Fisherman (mus. Bach)


Les Noces (mus. Ravel, Debussy), RLC
Waiting for Carnival, New Dance Ensemble
1988-

Happy Trails (mus. country and western collage), RLC


Cherubino and the Nightingale (mus. Mozart), RLC
Folkdance Duet (mus. traditional Norwegian folk), RLC
Folkdance, Alvin Ailey Repertory Ensemble
Punchinello, Boston Ballet
1989-

Joy (mus. Cale), RLC


Sleep (mus. Fauré), RLC
1990-
Joy (Solo), (mus. Satie), RLC
Bogus Pomp, Lyons Opera Ballet
Civilian, solo
1991-

Persephone (mus. Davis), RLC


Folkdance Sextet (mus. Beethoven), RLC
Folkdance Solo (mus. taped conversation), RLC
Don Juan, Graz Opera Ballet
1992-

Their Eyes Rolled Back in Ecstasy (mus. Hyams Hart, Barret, chants), RLC
Their Eyes Rolled Back in Ecstasy (Solo) (mus. Hyams Hart), RLC
Phrases Almost Biblical, RLC
My Tears Have Been My Meat Night and Day, Lyons Opera Ballet
Folkdance (with Songs), Batsheva Dance Company
1993-

Folkdance Sextet, The Metropolitan Ballet of Michigan


1996-

Konbit, a video documentary collage


Persephone, collaboration between Philip Trager, Rita Dove, Eavan Boland, and Andrew
Szegedy-Maszak
1997-

Geography, Part 1 in Geography Trilogy


1999-

Three, a film created by Bebe Miller, and Isaac Julien


2000-

Tree, Part 2 in Geography Trilogy


Temples, a mixed media installation of works related to Tree
2001-

Mirrors and Smoke, new media collaboration with Philip Mallory


The Geography Trilogy, visual art installation
2004-

Come Home Charley Patton, Part 3 in Geography Trilogy


2007-

The Geography Trilogy DVD Archive Collection


(The efflorescence of) Walter, Mixed media installation at The Kitchen, NYC May–June
(The efflorescence of) Walter as part of Open-Ended (the art of engagement) exhibition at
the Walker Art Center, Minneapolis, Minnesota March–June
2009-

Rescuing the Princess, Lyons Opera Ballet


2010-

How Can you Stay in the House all Day and Not Go Anywhere

Publications
Persephone With Eavan Boland, Rita Dove, and Phillip Trager, Middletown, Connecticut,
1996.
Geography: Art, Race, Exile. By Ralph Lemon. Hanover, NH: Wesleyan University Press,
2000
Tree: Belief, Culture, Balance. By Ralph Lemon.

References
1. Diana Stockon, ‘’Lemon, Ralph,’’ in ‘’International Dictionary of Modern Dance’’, ed. Taryn
Benbow-Pfalzgraf (Detroit, Michigan: St. James Press, 1988), 464-467.
2. Craine, Debra. ‘’The Oxford dictionary of dance / Debra Craine and Judith Mackrell’’
(Oxford: Oxford University Press, 2000), 295.
3. Wilson, Schick, et al., ‘’Current Biography Yearbook’’ (New York: The H.W. Wilson Company,
1997), 314-317.
4. "Creative Capital - Investing in Artists who Shape the Future" ([Link]
g/[Link]?url=projects/view/246). [Link]. Retrieved 2017-04-21.
5. "Ralph Lemon" ([Link]
[Link]/grant_recipients/[Link]). Foundation for Contemporary Performance
Arts. Archived from the original ([Link]
nts/[Link]) on 2015-03-04.
6. "At White House, A Golden Moment For America's Great Artists And Patrons" ([Link]
[Link]/sections/thetwo-way/2016/09/22/495011305/at-white-house-a-golden-moment-for-am
ericas-great-artists-and-patrons). [Link]. Retrieved 2017-04-21.
7. "Heinz Awards - Ralph Lemon" ([Link]
8. "Francis J. Greenburger Award" ([Link]
19). [Link]. Retrieved March 29, 2019.
9. "Ralph Lemon on Coming Apart, and Piecing Himself Back Together | Frieze" ([Link]
com/article/ralph-lemon-coming-apart-and-piecing-himself-back-together). 23 October 2019.
10. ‘’Artist-in-Residence Ralph Lemon,’’ Biography, Walker Art Center, "Walker Art Center -
Artists-in-Residence" ([Link]
[Link]?cat_id=-2840). Archived from the original ([Link]
t_id=-2840) on 2007-08-17. Retrieved 2008-04-23. (accessed March 25, 2008).
11. ‘’Cross Performance/Ralph Lemon,’’ Biography, Multiarts Projects and Productions,
[Link] (accessed March
25, 2008).
12. Ralph Lemon, ‘’ Geography: Art, Race, Exile ([Link]
XiBgC)’’, (Hanover, NH: Wesleyan University Press ; University Press of New England,
2000), page # .
13. ‘’USA FELLOWS 2006,’’ Biography, United States Artist, "Ralph Lemon - United States
Artists" ([Link]
blic/USAFellows2006/USAFellows2006/RalphLemon/[Link]). Archived from the original
([Link]
[Link]) on 2008-03-28. Retrieved 2008-04-23. (accessed March 25, 2008).

External links
Ralph Lemon: (the efflorescence of) Walter, 2008 YOUtube LLC ([Link]
eoplay?docid=1335109202051617522&q=Ralph+Lemon+%28the+efflorescence+of%29+W
alter&total=2&start=0&num=10&so=0&type=search&plindex=0/),
The Record: Contemporary Art and Vinyl ([Link]
[Link])
Archival footage of Ralph Lemon performing Solo in 1991 at Jacob’s Pillow Dance Festival.
([Link]

Retrieved from "[Link]

Common questions

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Ralph Lemon's blending of visual arts, literature, and dance serves to redefine traditional boundaries in contemporary performance by creating a holistic artistic language. This interdisciplinary approach amplifies the thematic depth and emotional resonance of his works. In the Geography Trilogy, Lemon incorporates visual installations, narrative elements from his books, and the dynamics of dance to explore complex social and cultural themes. This synthesis of mediums not only challenges conventional demarcations between artistic disciplines but also enhances the interpretive scope, allowing audiences to engage with the work on multiple sensory and intellectual levels . By integrating these forms, Lemon offers a richer, more immersive experience that reflects the interconnectedness of human experiences, ultimately broadening the possibilities of expression in performance art .

Ralph Lemon uses the concept of identity in his performances, particularly in the Geography Trilogy, to explore personal and cultural self-awareness within a global context. The trilogy, comprising 'Geography,' 'Tree,' and 'Come Home Charley Patton,' delves into identities shaped by race, culture, and historical narratives. In 'Geography,' the exploration of Lemon’s identity as 'American, African, brown, black, blue black, male, and artist' underscores a complex intersectionality, engaging with his cultural heritage and personal experiences . 'Tree,' structured through Buddhism, investigates identity in the clash between modernity and tradition in Asia, while 'Come Home Charley Patton' revisits American racial histories, focusing on identity in the context of generational memory and trauma . These works use movement to embody and critique cultural narratives, showcasing the fluidity and multiplicity of identity in various cultural landscapes .

Ralph Lemon's early experiences and environment significantly influenced his development as an artist. Raised in a religious environment, he developed his artistic creativity during childhood, which laid the foundation for his later pursuits in various art forms . His initial engagement with painting as a form of expression before transitioning to dance demonstrates a continuing exploration of different means of artistic communication. His educational background in literature and theater arts at the University of Minnesota further shaped his artistic perspective, providing him with a narrative foundation that he later integrated into his choreographic works . These early influences fostered an interdisciplinary approach that became a hallmark of his career, allowing Lemon to explore complex themes through the union of visual, narrative, and performative arts .

Awards have played a crucial role in Ralph Lemon's career by recognizing his artistic achievements and enhancing his reputation within the contemporary art and dance worlds. Receiving prestigious awards such as the Creative Capital Performing Arts Award in 2000, the National Medal of Arts in 2015, and the 2018 Heinz Award in Arts and Humanities highlighted Lemon's innovative contributions to the performing arts . These recognitions not only validated his work but also increased his visibility, attracting new audiences and collaborators. They indirectly fostered further opportunities for artistic exploration and supported his endeavors to push the boundaries of performance art through projects like the Geography Trilogy . Each award underscored his ability to challenge and expand contemporary dance paradigms through a fusion of choreography, cultural narrative, and interdisciplinary collaboration .

Ralph Lemon's transition from a theatrical style to movement-oriented choreography represented a significant shift in his artistic focus. Initially, his work was characterized by strong costumes and props that visually aided the narrative. However, by the early 1990s, Lemon shifted towards a style that emphasized the physicality and expressiveness of the body, moving away from theatricality and towards a more authentic engagement with the body itself . This transition allowed Lemon to delve deeper into themes of identity and cultural collision, as seen in the Geography Trilogy, where the focus on bodily movement enabled a more nuanced expression of complex social and political narratives without relying heavily on theatrical elements . This evolution in style expanded the possibilities of contemporary choreography and encouraged a more visceral connection with the audience.

Ralph Lemon's educational background in literature and theater arts at the University of Minnesota significantly influenced the evolution of his distinctive artistic style. By beginning his career in literature and theater, Lemon developed a strong narrative sense and an appreciation for drama, which later informed his choreographic works. His transition to dance allowed him to use movement as a physical means of expression, merging storytelling with the visual aesthetics of dance . This fusion is evident in his Geography Trilogy, where he uses choreography to address social and political issues, creating a blend of narrative and physical performance .

The process of creating the Geography Trilogy revealed Ralph Lemon's thorough exploration of cultural narratives and contradictions through a series of multidisciplinary experiments and collaborations. Each part of the trilogy—'Geography,' 'Tree,' and 'Come Home Charley Patton'—was developed by immersing himself in different cultural environments and utilizing them as backdrops to investigate broader social themes . This method allowed Lemon to delve into cultural conflicts, such as modernity versus tradition, and the influence of race and identity within performance contexts. The trilogy's creation involved writing, movement, and visual art to embody these cultural dialogues, ultimately producing works that reflect on how personal and collective identities are shaped by cultural stories and historical trauma . Lemon's work in the trilogy illustrates his commitment to addressing the complexities of culture, memory, and identity intricately .

Ralph Lemon's work with various dance companies and collaborators significantly contributed to his development as an artist by exposing him to a breadth of styles, techniques, and cultural influences. Collaborating with renowned companies such as the Limón Dance Company, Alvin Ailey's Repertory Ensemble, and the Geneva Opera Ballet, Lemon gained valuable experience and insight that informed his artistic vision . Additionally, collaborating with artists from different mediums, including musicians and visual artists, allowed Lemon to explore interdisciplinary approaches in his work, enriching his choreographic language and narrative depth. These experiences brought diverse perspectives into his creative process, enabling him to produce innovative and culturally resonant works like the Geography Trilogy .

Ralph Lemon's Geography Trilogy reflects on social and political issues by using choreography as a medium to explore and critique cultural contradictions and identity. Each part of the trilogy focuses on a different geographic and cultural context, using dance to express relationships and tensions between modernity and tradition, performance, race, and identity. In 'Geography,' Lemon examined the cultural exchanges between American and African identities. 'Tree' addressed values related to racial and cultural performance, and in 'Come Home Charley Patton,' he revisited historical narratives of segregation in the United States, investigating how different generations remember critical events and places . By linking these elements across cultures, Lemon's work provokes discourse on how art can respond to and reflect social and political realities .

Ralph Lemon's artistic journey integrated different cultural influences and mediums through a project known as the Geography Trilogy. This ambitious work spanned three continents—Africa, Asia, and North America—and involved the creation of performances and writings that explored cultural collisions and personal identity . For instance, 'Geography' was formulated in Africa, 'Tree' in Asia, and 'Come Home Charley Patton' in the United States . Lemon's integration of various cultural and artistic disciplines, including dance, writing, and visual art, allowed him to convey complex narratives about race, identity, and memory. His work is characterized by collaborations with artists from diverse backgrounds, which enriched his artistic expression and broadened the impact of his work in connecting with different cultural histories .

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