CE-304 Course Week 2
CE-304 Course Week 2
January block.
Lecturer: Bishop Dr. Antoine NZAYISENGA. (Dip. Ed; BEDA, MED, MDiv & D.C. Ed.)
=WEEK TWO=
Related Media
Introduction
If the ability to study, understand, and respond to God’s truth is one of the greatest joys in
life, then the ability and opportunity to communicate that hard-won truth to others is a very
close second. Having experienced the transforming power of the Holy Spirit through the
understanding and application of God’s word, there is always a contagious desire to share
that with others. In Colossians 3:16, the apostle Paul says that this should characterize the
tenor of our time with other Christians. He said,
Let the word of Christ dwell in you richly, teaching and exhorting one another with all wisdom,
singing psalms, hymns, and spiritual songs, all with grace in your hearts to God.
The point of this lesson is to help you share God’s truth from Scripture with greater skill and
enjoyment. This lesson builds on the previous lesson which concentrated on how to study the
Bible. Thus we are moving from understanding a text of Scripture to communicating a text of
Scripture.
But understanding the theory and process of communication takes time and it is difficult
work. Therefore, we have kept this lesson to the basics. It is designed with the beginner in
mind. We will not be delving into the deep (and quite murky these days) waters regarding the
theory of communication, but will present a simple model that can, with some skill and
understanding, be applied to any portion of Scripture. So, while there is much more to learn,
this study will bring you to the place where you can creatively and accurately share God’s
word with others in a home Bible study class, an evangelistic setting, a Sunday School class,
or even in a church setting from the pulpit. May God richly bless you as you study his word
and then package your findings for others. Take your audience where you’ve been—that’s
real teaching!
I. A Very Brief Overview of the Process of STUDYING and TEACHING a Bible Lesson
A. Study Section (All the Steps We Discussed in “How To Study the Bible”)
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WORLD BIBLE SCHOOL UNIVERSITY-WBSU
January block.
Lecturer: Bishop Dr. Antoine NZAYISENGA. (Dip. Ed; BEDA, MED, MDiv & D.C. Ed.)
=WEEK TWO=
B. Teaching Section
1. Select A Passage and Study It (See “How to Study the Bible: For Beginners”)
B. Second, Develop the Homiletical1 Idea according to the Outline and Purpose for
the Lesson
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WORLD BIBLE SCHOOL UNIVERSITY-WBSU
January block.
Lecturer: Bishop Dr. Antoine NZAYISENGA. (Dip. Ed; BEDA, MED, MDiv & D.C. Ed.)
=WEEK TWO=
b. Three Developmental Questions: What Do I Need to Explain, Defend, and/or Apply from the
Idea so that the Purpose for the Sermon Will Be Realized?
1. A Conclusion Should…
2. An Introduction Should…
III. Principles For Working With Expository, Narrative, And Poetic Material
The examples we are using in this lesson are taken from three of the predominant genres 2 in
the Bible:
(1) expository writing, (2) narrative literature, and (3) poetry. We need to comment on these
briefly in order to help you work with and teach these various genres.
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January block.
Lecturer: Bishop Dr. Antoine NZAYISENGA. (Dip. Ed; BEDA, MED, MDiv & D.C. Ed.)
=WEEK TWO=
A. Expository Materials
The epistles are expository letters sent to various churches to further them in their
understanding of God, Christ and his work, the Spirit, and living honorably for God. They are
decidedly not stories, though they make frequent reference to stories from the Old Testament
(e.g., Romans 4; 2 Cor 3). They are didactic, expositional writings whose meaning is direct
and, compared to most narrative, on the surface. They lend themselves to outlines much
more easily and are concerned with communicating raw ideas. Note: there are times when
expositional material appears in the context of narrative, such as John 1:1-18 and the many
didactic discourses of Christ in the gospels. They must be related to the entire narrative, but
treated as expositional material. Also, it is to be noted that there is a fair amount of poetry in
the various expository letters of the New Testament.
Let me illustrate: In the lesson, How to Study the Bible: For Beginners, we looked at Ephesians
2:1-10 in some detail. We made observations on the words, etc. and asked/answered
questions on the passage. In the end we summarized the message of the passage by
developing a subject/complement. Did you notice how different that was than working
through the example from John 9:1-41. In Ephesians 2:1-10 the meaning is on the surface and
not indirectly communicated. This does not mean that some parts were not hard to
understand, but that the intent and meaning of the passage is generally clearer than most
narrative texts where you are never explicitly told what the passage means. This also means
that it will be easier in some ways to teach expositional texts, since the truths expressed
therein do not really have to undergo much translation for our contemporary audience. The
meaning of the phrase “d+-o not lie to one another” is fairly straightforward. Narrative, on
the other hand, has to be translated for us because we do not share the same world as the
people of Scripture and because the meaning of a story is seldom explicitly given for us. Let’s
take a brief look at narrative material.
B. Narrative Material
Narrative material (e.g., stories) is indirect in the way it communicates its message, appealing
primarily to the senses, not so much to the intellect directly as expositional writing does. It
invites you to enter the world of the characters and experience what they experience. It is
built on settings, characters, and plot (usually involving some conflict, test, journey, desire,
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WORLD BIBLE SCHOOL UNIVERSITY-WBSU
January block.
Lecturer: Bishop Dr. Antoine NZAYISENGA. (Dip. Ed; BEDA, MED, MDiv & D.C. Ed.)
=WEEK TWO=
etc.) and does not usually come right out and tell you what its meaning is (cf. the Good
Samaritan). When we teach narrative we must open up our listeners to the world of the
stories by taking the time to paint the setting in such a way that the listeners feel transported
into another world, i.e., the world of the story. There is the need for the creative and fertile
use of the imagination, to smell the sea breeze, hear the sounds of children crying, see the
lame man jump for joy, as it were. This will help your people enter into the lives and
struggles/victories of the characters.
The structure of narrative material proceeds more by scenes and episodes than strictly by
paragraphs, as in the case of the epistles, for example. Thus, in John chapter 9, we studied
several paragraphs because that was the length of the entire story about the healing of the
blind man. And this story itself fits into a larger story concerning the ministry of Jesus which
John is writing for his audience. The healing of the man demonstrates the power of Christ to
overcome enormous problems; he is worthy of belief. The reaction of the religious leaders is
consistent with the fact that there are those who will always resist the truth in favor of
protecting their own position and status in life.
The bottom line is: when teaching a story from the Bible, help the people in the audience
identify with the characters in the story, especially the ones who are good examples to follow.
Help them to live it, as if they were there when it happened. Thus, recreation is of the
essence in teaching narrative material.
C. Poetic Material
There is a great deal of poetic material in the Bible, including the Psalms, Proverbs,
Ecclesiastes, huge portions of the prophets, and as already noted, at various places in the
New Testament epistles as well. Now we know from reading the psalms that Biblical poetry is
filled with images such as: (1) shepherds; (2) fortresses; (3) solid rocks, (4) birds; (5) floods;
(6) swords; (7) darkness; (8) light; (9) open graves; (10) stars, (11) honey; (12) gall; etc. With
the use of metaphors and images the interpreter realizes that the writer is appealing
primarily to the senses. Therefore, in reading and teaching the psalms there will be the need
to unpack the significance of the images through a generous use of the senses, feelings, and
imagination. In fact, the structure of many poems are built on the movement from one image
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January block.
Lecturer: Bishop Dr. Antoine NZAYISENGA. (Dip. Ed; BEDA, MED, MDiv & D.C. Ed.)
=WEEK TWO=
to another. You will want to outline many poems according to the progression of ideas or
images which move throughout the poem.
In our lesson on studying the Bible we listed two questions that should be asked of key terms.
They were: (1) Referent? To what does the term actually refer? and (2) Sense? What is the
sense? Positive/Negative, feeling, etc. This latter question is extremely important when
studying and teaching poetic material. For example, when David refers to himself as a
“worm” and not a man, you will want to uncover the connotations (other meanings beyond
the literal) involved in the use of the this term (cf. Psalm 22:6). What is the sense of Rock
when used to refer to God in Psalm 78:35? In Isaiah 40:31—a familiar passage to many of us
—what images and feelings is the picture of “soaring on wings like eagles” designed to invoke
in the reader.? Commentaries will help you with some of the cultural background for these
images. You should dwell on these images “long and hard” because they have such great
explanatory power and motivational “gusto.”
We completed this in the previous lesson. Go there now and review the material if you need
to. Think through the words, structure (grammar and literary), mood, as well as the type of
literature you’re working with. We gave you a little help above with teaching three different
kinds of literature, e.g., expository, narrative, and poetic.
We said that the subject/complement for John 1:1-18 was something like: The reason that
the eternal Word of God became flesh was so that he might reveal God to all men and that
they might believe in him and become God’s children.
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WORLD BIBLE SCHOOL UNIVERSITY-WBSU
January block.
Lecturer: Bishop Dr. Antoine NZAYISENGA. (Dip. Ed; BEDA, MED, MDiv & D.C. Ed.)
=WEEK TWO=
II. The Preparation for the Earthly Ministry of the Word (1:6-9)
B. John Testified to the Light So That All Men Might Believe (1:7)
C. John Himself Was not the True Light, Only A Witness (1:8)
D. God’s Children Are Born not by Any Human Origin, But by God (1:13)
IV. The Humanity and Revelation of the Word Brings A New Era of Grace (1:14-18)
A. The Word Who Came from the Father Became Human (1:14)
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WORLD BIBLE SCHOOL UNIVERSITY-WBSU
January block.
Lecturer: Bishop Dr. Antoine NZAYISENGA. (Dip. Ed; BEDA, MED, MDiv & D.C. Ed.)
=WEEK TWO=
E. Jesus, the One and Only God, Has Made Him Known (1:18)
In order to develop the subject/complement we ask three questions in light of one primary
question. The primary question is: What is the purpose for this lesson? What do I want to
accomplish with this lesson? Well, the purpose I choose should be consistent with the purpose
for the passage as originally given—as far as we can tell. Now it is clear that John wrote the
prologue to his gospel (1:1-18) in order to foster genuine and full belief in Jesus. So, his
purpose was directly related to the salvation of people as well as their subsequent growth in
the Christian life.
Let’s say that our audience is an adult Sunday School class in which the students are fairly
well acquainted with the teachings of the Bible. There are fifty people in the class and the
needs vary accordingly. But, the one thing you notice in many of the people (and indeed in
the culture at large) is a certain shallowness when it comes to thinking seriously about the
relationship of their faith to sound Christian doctrine and living life in a morally decadent and
challenging culture. In short, it is high time for a worldview inspection.
We said the subject/complement for John 1:1-18 went something like: The reason the eternal
Word of God became flesh was so that he might reveal God and his grace to all men and that
they might become God’s children by believing in him [i.e., the Word]. Thus the subject of
the passage is connected to revelation and the fact that God has made himself known
definitively in Christ. But profound understanding of God doesn’t seem to have penetrated
very deeply into the hearts and minds of many in the church, let alone those in the world.
Therefore, in this sermon we will want to explore the powerful theological statements John
makes and juxtapose those with descriptions of our belief system and the axioms we hold
dear in our culture. We will want to explore John’s truth in light of the need of our audience to
think more seriously about God’s revelation in Christ. The goal is to entice people to live on
another plane, though the sermon is directed more at the life of the mind as the first step in a
changed life.
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WORLD BIBLE SCHOOL UNIVERSITY-WBSU
January block.
Lecturer: Bishop Dr. Antoine NZAYISENGA. (Dip. Ed; BEDA, MED, MDiv & D.C. Ed.)
=WEEK TWO=
We know the purpose for the lesson now: “To encourage people to evaluate their own
worldview by reflecting seriously on their Christian experience in light of the disturbing nature
of their (our) sinfulness and the God’s definitive and profound revelation in Christ.”
Now we must develop this idea through the outline asking ourselves the three basic
questions: (1) What do I need to explain? (2) What do I need to defend? (3) How can
I apply the various texts as I make my way through the outline?
So then, we need to develop our original outline. We will develop it into a teaching outline by
tying in each section (there will be three sections to the body of the lesson) so that it
contributes to the big idea. We will add textual details as appropriate and illustrations as we
go.
As we said, apart from the introduction and conclusion, there will be three main parts to the
lesson. Each of these parts—and this is important—will develop our “big idea.” Remember,
you are teaching people the Bible; you are not just teaching the Bible. In your original study
of John 1:1-18 you were interested in what John meant by what he said. Now you are
interested in bringing that meaning to bear on the lives of people (i.e., exposing them to
the significance of John’s meaning for them). It is time to bring the first century text into the
twentieth century. So let’s take our outline and rework it. We will do a partial outline, you will
need to fill the rest in.
I. Introduction
1. Personable and Catchy/Not Corny: Raise the need to hear what you have to say.
You do not need to share the whole idea right up front, but you need to at least orient your
audience to the subject. You can develop the complement as you go.
January block.
Lecturer: Bishop Dr. Antoine NZAYISENGA. (Dip. Ed; BEDA, MED, MDiv & D.C. Ed.)
=WEEK TWO=
A. Textual Details
b. Our Search for God is Over (and men and women are searching)
b. We live in a world shot through with impersonal, natural evolution. Here’s how it’s affected
you…
3. The Word (Christ) Was the Life and Light of Men (1:4-5)
4. Application: A worldview seeks to answer at least four basic questions: (1) Who is God?
(2) Who is Man? (3) What is the Problem? (4) What is the Solution? What is God’s worldview?
What is mine?
B. Illustration(s): Develop various aspects of the twentieth century worldview: (1) raw
paganism; (2) the collapse of modernism and the rugged cowboy image; (3) loneliness and
fear; (4) etc.
C. Transition Sentence: So what you do you really believe about the world, and your life in
it? Why do we have the problems we do and where should our hope be? That Probably
depends in large measure on the way you perceive and understand people and why they do
what they do
III. The Disturbing Problem of Human Sinfulness and the Unconquerable Grace of
God (1:6-13)
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WORLD BIBLE SCHOOL UNIVERSITY-WBSU
January block.
Lecturer: Bishop Dr. Antoine NZAYISENGA. (Dip. Ed; BEDA, MED, MDiv & D.C. Ed.)
=WEEK TWO=
A. We Are A Disobedient Lot (this part of the text is basically narrative so tell it like a
story)
2. Illustration:
3. Transition Sentence: The human heart is a dark place, a dilapidated and dangerous old
house, but God knows his way around in the dark…
1. Textual Details
b. God’s Children Are Born not by Any Human Origin, But by God (1:13)
2. Illustration:
3. Transition:
A. Textual Details (Choose which ones you will develop for your purposes)
1. The Word Who Came from the Father Became Human (1:14)
January block.
Lecturer: Bishop Dr. Antoine NZAYISENGA. (Dip. Ed; BEDA, MED, MDiv & D.C. Ed.)
=WEEK TWO=
5. Jesus, the One and Only God, Has Made Him Known (1:18)
B. Illustration
C. Transition to Conclusion
V. Conclusion
Preparing a lesson from narrative material has its own set of challenges somewhat different
from working with expository materials. We want to develop a subject/complement from the
text, but do not want to simply preach it as an abstract idea. Story is not abstract, but
concrete. Stories “show” their meaning, they don’t generally explain it. They are full of
sensory experience, not just cognitively expressed ideas. They are right brain, not left. We
want to draw our audience into the story so that they can relive the experience of the
characters, experience the plot tension, and cast their vote for the hero!
Therefore, we need to develop the subject/complement into a teaching idea with the
concerns, questions, and problems of our people. Then, we need to develop that idea through
the details of the story.
We said that the subject/complement for John 9:1-41 is: Jesus’ healing of the blind man,
followed by the various responses, shows that the one who admits his blindness will find the
light (Christ), but anyone who claims to see, when he in fact does not, will remain blind.
Our exegetical or textual outline according to the language of John4 was as follows:
A. The Occasion
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January block.
Lecturer: Bishop Dr. Antoine NZAYISENGA. (Dip. Ed; BEDA, MED, MDiv & D.C. Ed.)
=WEEK TWO=
3. The Answer: “No one…but that the work of God might be revealed” (9:3-5)
III. Jesus’ Reaction: The Case of the Blind Man and the Pharisees (9:25-41)
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WORLD BIBLE SCHOOL UNIVERSITY-WBSU
January block.
Lecturer: Bishop Dr. Antoine NZAYISENGA. (Dip. Ed; BEDA, MED, MDiv & D.C. Ed.)
=WEEK TWO=
This outline, however, develops the subject/complement according to the development of the
passage scene by scene, i.e., according to the strict development of the text. Since we
basically followed this method with John 1:1-18 (although it was different due its expository
nature) we decided, for purposes of illustration, to do John 9:1-41 a bit differently. However
you decide to handle the material, treat narrative as narrative; transport the people into the
world of the story.
What we are going to do is develop the big idea according to the two crucial themes in the
story—i.e., wrong and right responses to Jesus (the Light) and the result of each. We will deal
with each separately and then conclude with an appeal to “sign up” with the character(s) in
the story who represents the right response. Our key comes from 9:39 which is a comment on
the meaning of the entire passage. The outline will be a thematic development (not
a textual development, strictly speaking) of the big idea as follows:
A. Textual Details
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WORLD BIBLE SCHOOL UNIVERSITY-WBSU
January block.
Lecturer: Bishop Dr. Antoine NZAYISENGA. (Dip. Ed; BEDA, MED, MDiv & D.C. Ed.)
=WEEK TWO=
B. Illustration
C. Transition: Not everyone responded to this miracle as you might have expected. Let’s look
at various responses which all have one thing in common…
1. Indifference (9:9a):
a. Textual Details: “Some people said, “This is the man”…and apparently did nothing!
c. Application: Don’t let indifference cloud your judgment: Embrace the Light!
d. Transition to “Fear”
2. Fear (9:18-23)
c. Application: Don’t Let fear stop you from embracing Christ fully!
c. Application: Don’t let what you know get in the way of what you have to learn! As believers
for some time, and “being set in our ways,” we must be very careful that this does not
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WORLD BIBLE SCHOOL UNIVERSITY-WBSU
January block.
Lecturer: Bishop Dr. Antoine NZAYISENGA. (Dip. Ed; BEDA, MED, MDiv & D.C. Ed.)
=WEEK TWO=
become true of us. We may not be in total darkness as the religious leaders were, but we may
be more comfortable in the shade than in the full light of day.
c. Application: Don’t let what you know get in the way of what you have to learn!
B. The Blind Man and the Right Response (see verses under textual details)
1. Growing Belief
a. Textual Details: Note the blind man’s progression to faith (9:12,15 17, 25, 30-33, 38)
c. Application
a. Textual Details: Explain what is meant by light today (i.e., knowing God and a morally
virtuous life of love; the fruit of the Spirit—John 15 and Galatians 5:22-23).
b. Illustration
c. Application
January block.
Lecturer: Bishop Dr. Antoine NZAYISENGA. (Dip. Ed; BEDA, MED, MDiv & D.C. Ed.)
=WEEK TWO=
A. Who Do You Identify with in the Story? Where Are You with Jesus (talk about his
conspicuous absence from the narrative and why. Yet he is nonetheless the main character!)?
Summarize the various responses to “the Light” in John 9:1-41.
B. Perhaps you know someone who doesn’t reject Jesus outright, and they’re not fearful of
trusting, nor are they indifferent. Well, there was another response in the story that we didn’t
really touch on that may be of some help. I call it the response of “Inquiring Minds.” You see it
in the lay people (9:8) and a very few of the religious leaders (9:16b). Explain these texts
briefly, and then ask them if they are an “inquiring mind.” If so, probe their questions, gently
warn them of the dangers of pseudo-belief, and urge them to accept Christ as the Light.
We chose Psalm 23 because it is short and you probably know it fairly well. We will not go into
great detail in this section on poetry, but we will show you how we outlined the poem and
then how we developed that exegetical outline into a homiletical outline according to the big
idea. We followed the same method as with John 1 and 9, but we were sensitive to looking for
images, emotions, and ideas, and outlined our material according to that. Suffice it to say that
poems can generally be broken up into manageable units not according to scenes or episodes
as we have in stories, but according to the ideas and images present.
After making numerous observations, and asking and answering many questions on the
passage, we developed the subject/complement and outlined the passage as follows:
Subject/Complement: YHWH is a faithful shepherd and a gracious host to the psalmist, and
for that reason, the psalmist gives thanks and expresses his confidence that he will always
dwell in YHWH's Temple, in close relationship with Him.
I. YHWH is the reliable, trustworthy shepherd who provides for, leads, and protects
the psalmist (1-4).
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WORLD BIBLE SCHOOL UNIVERSITY-WBSU
January block.
Lecturer: Bishop Dr. Antoine NZAYISENGA. (Dip. Ed; BEDA, MED, MDiv & D.C. Ed.)
=WEEK TWO=
II. YHWH prepares a delightful banquet for the psalmist in the presence of his
enemies and anoints his head with oil (5).
A. YHWH prepares a tremendous meal for the psalmist before his enemies (5a, b)
III. The psalmist is confident that goodness and mercy will pursue him in life and he
will dwell in the Temple throughout his days (6).
B. The psalmist will dwell in the YHWH's Temple throughout his life (6b)
Every passage attempts to answer some underlying question(s). For example John 9 might
be: What are the implications of responding to Christ with belief or unbelief? In John 1:1-18 we
may say that the underlying question answered by the prologue is: “Why did Jesus become
man? Well, there is an underlying question answered by Psalm 23. We might state it as: “Why
should I trust God throughout life when everything in life seems so uncertain? Answer:
Because he is a good and faithful shepherd and a gracious host. Now let’s develop that
homiletical idea in the lesson as follows:
I. Introduction
1. Textual Details
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January block.
Lecturer: Bishop Dr. Antoine NZAYISENGA. (Dip. Ed; BEDA, MED, MDiv & D.C. Ed.)
=WEEK TWO=
d. Summary
2. Illustration
1. Textual Details
2. Illustration
1. Textual Details
2. Illustration
A. Textual Details
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WORLD BIBLE SCHOOL UNIVERSITY-WBSU
January block.
Lecturer: Bishop Dr. Antoine NZAYISENGA. (Dip. Ed; BEDA, MED, MDiv & D.C. Ed.)
=WEEK TWO=
a. Goodness and love will follow me all the days of my life (6a)
B. Illustration
C. Transition to Conclusion
IV. Conclusion
Remember that as you begin to work this outline into its final written form you will need to
ask the developmental questions: (1) What do I need to explain; (2) defend, or (3) apply.
Remember to draw them into the warmth and assurance afforded through the images of a
shepherd and gracious host. Talk about shepherds and their role in Palestinian life, but be
sure to relate it to the feelings, emotions, and needs of your people. Refer to commentaries
and Bible dictionaries for more information on these ideas. Commentaries will also help you
interpret parallelisms in poetry, such as verse 6. Constantly draw them back to the main idea
of why they ought to trust God. Never let them lose sight of the ONE “big idea.” Whenever
you see a blank stare on their faces, it’s time to review your big idea, whether it’s in your
outline at that point or not!
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WORLD BIBLE SCHOOL UNIVERSITY-WBSU
January block.
Lecturer: Bishop Dr. Antoine NZAYISENGA. (Dip. Ed; BEDA, MED, MDiv & D.C. Ed.)
=WEEK TWO=
1 The term “homiletical idea” means “preaching idea” and reflects the attempt to move from
the bare bones of the text in its original context to a sermon or lesson that people in the
twentieth (21st) century can relate to. It is often referred to as “bridging the gap.”
2 The term “genre” in writing refers to the type of literature in question. For example, is the
genre expositional (e.g., the epistles), narrative (e.g., Genesis, Exodus, Acts, etc.), poetic
(Psalms, Prophets), apocalyptic (e.g., Revelation), etc. Knowing what the genre is helps us
understand what kinds of questions to ask and what to look for in order to properly interpret a
text. This is important to understanding the Bible. If an alien were to show up here from
another planet and take seriously the comments on Saturday Night Live, that alien would be
seriously misinformed about politics, religion, etc. Why? Because it misunderstood the genre.
Saturday Night Live is of the genre of comedy, not serious reporting, like we find, for
example, on CNN every night at 6 P.M.
3 An “exegetical outline” is an outline that is prepared strictly according to the textual details
of the passage as understood in its original context with its original readers in mind. Thus it
reveals the truth as discussed in a certain historical setting. The proficient student should be
able to move from the exegetical outline to a theological outline (the outline stated in terms
of universal truths) to a homiletical outline (the outline stated for a contemporary audience).
4 Our exegetical or textual outline is just a recasting of the details of the story in skeletal
fashion. It shows the broad movements in the story, but makes no attempt to relate the
details and meaning of the story to today’s world. This is why we must now develop a
teaching/preaching outline. This is sometimes referred to as a homiletical (i.e., preaching)
outline. We have said before that the reason for this is because you are teaching people the
Bible. You are not just teaching the contents of the Bible. There is a big difference.
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