the magic

MATTHEW FIELD
More than a
Renaissance Man
 THE MAGAZINE OF THE MAGIC CIRCLE Issue 1150 Volume 106 April 2012

Features
103 Another Ten Days in The Archive – David Hibberd
There is a Way
104 A Few Highlights from Blackpool’s 60th As I write this I have
Convention – Will Houstoun and Geoffrey Newton just returned from
108 Matthew Field: More Than a Renaissance Man – seeing Member
Richard Kaufman Hans Klok’s West End
Page 99
show ‘The Houdini
Regulars Experience’. It was
98 President’s View absolutely fantastic to
98 Circular News see a full evening show dedicated to
100 Letters to the Editor magic in a big theatre and great fun to
101 Cheeky Dog Chicanery – David Tomkins observe a lay audience see the kind of
Page 105 106 Adopt, Adapt and Improve – Walford Taylor magic that I normally only see at magic
112 A Rich Cabinet of Magical Curiosities – conventions. There is no sound more
Edwin A. Dawes exhilarating than an entire audience
116 The Cecil Lyle Award – Tony Davies simultaneously gasping before
118 Circular Mentalism – Ian Rowland bursting into applause. By the
120 Club Night Events – Mandy Davis, Convenor of Reports time you read this, the show will
122 Magic in the Regions – Elizabeth Warlock unfortunately have reached the
Page 108 123 In Review end of its run but I hope that some
124 My Favourite Magic Books – Will Houstoun of you got to see it.
125 Magic Circle Cares – David Hatch Every Member of The Magic Circle
125 Obituaries owes Matt Field a debt of gratitude for
126 Council Minutes all of his work on The Circular – but
128 Forthcoming Club Events – some Members might not be aware
Noel Britten, James Freedman and Mandy Davis that there is a lot more to Matt than
Page 122
The Magic Circular or indeed his other
EDITORIAL 07507 275 285 PHOTOGRAPHER
John Ward work editing magic books. That is why
EDITOR Will Houstoun
[email protected] ADVERTISING 07767 336882 I was thrilled that Matt agreed to be
40 Derby Road, London, SW14 7DP BUSINESS AND ADVERTISING MANAGER featured in this issue, especially as his
ASSISTANT EDITOR Tim Reed Scott Penrose
[email protected] longtime friend and Genii editor
ASSOCIATE EDITORS
Anthony Brahams, Dr Edwin Dawes, 17 Berkeley Drive, Richard Kaufman agreed to do the
Scott Penrose, Ian Rowland, Billericay
Essex CM12 0YP
interview. I personally owe Matt a
David Tomkins
CONVENOR OF REPORTS MISSING AND BACK ISSUES great deal for his general advice on
Mandy Davis 01923 267 057 magic writing and especially on taking
Cover [email protected] Michael Candy
Matt Field Sound of Music, Harthall Lane, over The Circular – Thank you Matt.
DESIGN 020 8521 2631
Photo by Darren Tossell Hemel Hempstead,
ART DIRECTOR
Herts HP3 8SE
John Hawkins
[email protected] PRINTED BY
104d Grove Road Perfect Imaging Ltd 020 8806 6630
Walthamstow E17 9BY
PROOFREADERS
Paul Bromley, Julie Carpenter,
Barry Cooper, Tim Reed,
Lionel Russell, Rob James
Mary Stupple
Copyright © 2012 by The Magic Circle. All rights reserved. No part of this publication may be reproduced,
Published by The Magic Circle stored in any retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying,
12 Stephenson Way recording, or otherwise without the prior permission of the Editor of The Magic Circular.
Views expressed in The Magic Circular are those of the contributors and do not necessarily represent the views
London NW1 2HD of The Magic Circle unless specifically stated. Whilst every effort is made to ensure the accuracy of all
information published in The Magic Circular, the Editor, Art Director, Staff and The Magic Circle cannot accept
VAT Reg No 233 8369 51 responsibility for any errors or omissions.
All enquiries Contributions must reach the Editor six weeks in advance of publication if it is essential that they should
appear in the second month following’s issue and should be sent via email, on computer disk or on CD
T 020 7387 2222 whenever possible.
President’s view Circular news
Brian Sibley Wins Award

T
here was a time when we had no lady Fay Presto, now there’s a name to conjure
At the inaugural BBC Audio
Members. Now I don’t know what we with. We all know of Fay’s success as the most
Drama Awards in January,
would do without them. outstanding close-up entertainer in the UK, if
Chairman of TMC Council,
Barbara Astra has provided her services in not the world. She has played an important
Brian Sibley, received the award
so many roles it’s hard to remember them all. part in the development of The Magic Circle
for Best Adaptation for The
She has been a meeter and greeter, a front for many years as a Council Member and as a
History of Titus Groan, his
of house manager, a barmaid, curtain maker, performer in all our entertainment offerings. It
six-hour serialised dramatisation
membership card maker and Christmas was Fay, of course, who played the biggest
decorator. role in getting The Magic Circle to change its
Angeline has helped front of house and rules and accept ladies as members in the first
Sarah Campbell is one of our best volunteers; place.
nothing is too much trouble. She covered all Now we come to Diane O’Brien. Diane has
the Summer Season shows and is currently been the Manager of the Meet the Magic
working on Winter Wizardry. Sarah has just Circle for as long as I can remember. What an
joined the Friends of The Magic Circle enormous job that has been! What a huge
Committee. success it has been, and continues to be, both
To describe all Mandy Davis’s exploits for entertainment-wise and financially! Well, at
The Circle would take up a whole magazine. long last Diane has decided to take a
Come to think of it she has got a whole well-deserved rest. In July she will make her
magazine, Secrets, which she produces and last booking, and put her feet up with the
edits for the Young Magicians Club. She was, heartfelt thanks of all the members of The
until quite recently, Chair of the YMC, ran Magic Circle.
the workshops and still runs Ali Bongo Shows. In addition to all the lady Members, there is
Brian Sibley
She is a walking encyclopaedia of magicians also Tracey Mullis who is one of the office
of the novels of Mervyn Peake.
worldwide and somehow finds time to be a managers employed by the CMA. Tracey does
The judges described his work
Member of Council and a very hardworking simply everything the premises demands, and
as: “A brilliant piece of radio
and successful Secretary of the Monday always with a brilliant smile.
drama.” Congratulations Brian.
Night Committee. I have always had a soft spot for the ladies –
New to the Council, but someone who has God bless them all, that’s what I say.
made an instant impact, is Katherine Rhodes.
Happy Birthday Genii
This year Genii magazine,
Kate is on several committees and was an
edited by Member Richard
extra special help to me in running the Awards
Kaufman, will celebrate its 75th
Dinner and Dealers’ Day. She also helped
birthday! To mark the occasion
terrifically in making the Christmas Show such
Richard is organising a
a huge financial success. It gave me great
convention and has already
pleasure to make Kate a Member of The Inner Jack Delvin MIMC
announced names such as
Magic Circle at the last Council Meeting. [email protected]
Dr. Sawa, Tom Stone,
David Ben, John
Carney and
Max Maven
as part of the
line-up. The
convention will take
place in Orlando, Florida on
4 – 6 October, and if you can
get to it, is bound to be a
fantastic weekend.

Lucky to Be Alive
The first Magic
Circle DVD
release, a
recording of
a Club Night
interview
of Fergus
Anckorn by
Andrew Eborn, is
now available. Those who

98 THE MAGIC CIRCULAR APRIL 2012 www.TheMagicCircle.co.uk

attended the event would the Director of the College,
all agree that it was both and taken to their wonderful
interesting and enjoyable and building, a large detached
now you can see what it was house in the Claremont suburb.
all about. A review can be After coffee we were given
found later in this issue along a private show by three
with ordering information. graduates of their programme
and shown round their theatre,
A Magical Trip library, close-up room, teaching
Member Michael Colley areas and magic shop.
recently visited The College of The College is a unique
Magic in South Africa and sent project which enables young
in the following report: people, through a shared love
My wife and I have just of magic, to mix with other
returned from a trip to South like-minded individuals across
Africa on Queen Mary 2. The In the Theatre of the College of Magic. Back Row: David Gore, the whole social spectrum. It
first magical highlight of the Mawonga Gayiya, Sinethemba Bawuti. Front Row: Michael & has a revolutionary social
Mary Colley, Olwethu Dyantyi
journey was that Marc Paul up-liftment programme which
joined the ship for the last passengers, who is a renowned reading in his blindfold act. in some cases involves teaching
couple of days and did a most psychic healer and medium, The other magical high point not only magic but also helping
entertaining and enjoyable told us that she could sense his was a visit to The College of the youngsters with their
demonstration of mind-reading aura and that he had obviously Magic in Cape Town. We were reading, maths and other

s
in the ship’s theatre. One of the been carrying out genuine mind- met off the ship by David Gore, education. One of the teachers,

Magic Circle Mysteries the bill, and promptly threw her shadowgraphy routines. diabolos, tennis rackets and
reviewed by out of the auditorium! Steve’s As the snow deepened in a tea-service was a truly
President Jack Delvin radio persona may, at times, Euston, Mandy Muden warmed memorable and appreciated
be harsh, but it wasn’t long things up nicely with a fiery performance.
An icy wind blasting down before he warmly welcomed card stab along with a tongue Record breaking sums
Stephenson Way, followed by Fay onto the stage to perform in cheek triple prediction and were raised for The Centre
an inch of snow blanketing a selection of highlights from humour aplenty. Pete Wardell for the Magic Arts and
NW1, provided the perfect her repertoire including a followed, going back to his thanks should go to Darren
backdrop for the champagne bottle production, roots with his well polished Tossell and Angelo Carbone
aptly-named Season of which pleased the audience cups and balls routine, the for producing the show,
Winter Wizardry which recipient tremendously. finale of which produced Steve Allen for hosting it,
launched on 4 February. Alan Hudson was next and audible gasps of astonishment. and the cast, crew and army
Steve Allen’s Magic Circle it’s fair to say his take on the Ali Rounding things off was of volunteers that made
Mysteries kicked the Bongo balloon routine stole the Michael Pearse whose quick everything run so smoothly
programme off with an show. An unfortunately placed fire one-liners while juggling on the day.
eager LBC 97.3FM audience burst balloon caused great
packing two shows. hilarity amongst the audience
Providing the pre-theatre with both Alan and the
entertainment were Chris volunteer unaware what was
Wood, Ari Phillips and Bob causing so much amusement.
Percy performing Close-Up Closing the first half with Dippy
in the Club and Devant Duck and a song was the
Rooms while Tim Reed and legendary John Styles sending
Lionel Russell told the stories every audience member to the
behind The Magic Circle bar with a very big smile on
collection of artefacts. their face.
As the visitors were After the interval, a surprise
Photo: Chris Christodoulou

ushered to their Theatre seats guest was announced.

by the ever resourceful Fay Magician and quick-change
Presto, who borrowed artist Arturo Brachetti had
banknotes and made them extended his London holiday by
float, Steve made his a day to make his Magic Circle
entrance on stage reminding Theatre debut performing his
her that it was his name on chapeaugraphy and Steve Allen and Alan Hudson

www.TheMagicCircle.co.uk APRIL 2012 THE MAGIC CIRCULAR 99

 news Letters to the Editor
almost all of whom are Photography in Matt Field: A Personal Tribute by Michael Bailey MIMC
volunteers, even teaches The Magic Circle
astronomy to some of the Headquarters In 2004, during a Society of American Magicians convention in
students! The Magic Circle Council the United States, I was chatting to Genii editor Richard Kaufman
wishes to remind Members about our search for a new editor for The Magic Circular.
Magic Circle that audio and video recording Following Alan Snowden’s lengthy period in the post, there were
Children’s Shows is not permitted within The four different editors over the next few years, and after the tragic
On 16 February David Tomkins Magic Circle headquarters early death of Peter McCahon we were urgently seeking another
presented the first fundraising without prior permission from to take the editorial chair. Richard told me he knew of an
event in the Seasons of Sorcery the event organiser or The American Member recently relocated to the UK who would, in his
aimed at children. David Magic Circle Council. opinion, ably fill this important position. His suggested candidate
performed his Cheeky Dog had reviewed for Genii magazine and was a prolific editor of
Puppet and Magic Show and Errata magic books. His name was Matthew Field.
the building was filled with Unfortunately technical Matt (as he soon became known) had been a successful senior
almost continual laughter from gremlins crept into the March executive with an American commercial radio station. His work in
a hugely appreciative audience. 2012 issue of The Magic media meant he had strong business experience, but his real
The quality of the event was Circular. The heading at the top passion was magic. Taking over the reins of a journal that had
first rate and hopefully it will of the third column on page 66 been appearing for 99 years was a new challenge, but when we
mark the beginning of The should have read "Circular interviewed Matt we knew instantly that he was the right man
Magic Circle becoming known News". Apologies for any for the job. His knowledge of magic and magicians worldwide
as a high-quality venue for confusion this may have was deep, his writing skills were finely tuned and his natural
children's shows in the future. caused. Ed. aptitude for editing a monthly magazine was soon to be
appreciated. The Magic Circular was immediately endowed with
new life. It appeared on time, the front covers were striking, print
quality was improved, and with John Hawkins as the new art
director, the magazine attained a visual appeal that invited you to
read every page.
Matt took over the editor’s chair at just the right time to
produce the June 2005 special Centenary issue and the
subsequent enlarged magazine following the Centenary
Celebrations, both outstanding reads editorially and visually. He
retained regular features like Eddie Dawes’ long-running series A
Photo: Darren Tossell

Rich Cabinet of Magical Curiosities, and introduced new columns

on children’s magic, regional news, articles for collectors and
mentalists, more good tricks, as well as in-depth interviews with
well-known magicians. The review section of tricks, books and
DVDs was expanded and in a recent issue I counted 17 critiques
by Matt himself. Quite how he managed to watch, read and
Illusionology Competition absorb all this material and write about it each month so
Last month I mentioned that incisively and knowledgeably remains an unsolved mystery.
co.uk or by post to Will
Members Peter Lane and Sav The editor must always be planning ahead, constantly seeking
Houstoun, Editor of The
were involved in a new contributions, and be diplomatic when it comes to what to
Magic Circular, The Magic
magic book accept and what to reject. Then there is the actual job of putting
Circle, 12 Stephenson Way,
called Illusionology. This the material together, editing copy to fit pages, arranging for
London NW1 2HD. Entries
month I review the book but photography, reporting on outside events, and constant liaising
must be received by 30 April
also have five copies to give with the art director and the printer to meet deadlines. This is
2012. Five correct answers
away. For the chance to win multi-tasking at its highest level and it needs many different
will be chosen at random by
one, answer the following skills plus tremendous energy and enthusiasm. Matt had all
the President. T&Cs: One
question: these qualities in spades, plus one important extra. He had
entry per Member. Winners
What organisation is the style, and that style was reflected in all 80 issues of the
names will be published in
fictional “Illusionists’ Guild” magazine he produced.
the July edition of The Magic
in Illusionology based on? Matt deserves the gratitude of all Members for elevating
Circular. The prize is
Send your answer and our magazine to new heights. The Magic Circular can now
non-transferable and there is
address by e-mail to claim not only to be the longest-running journal in the history
no cash alternative. Good
editor@themagiccircle. of magic, but among the best of its kind in the world.
luck!
That is Matt Field’s legacy.

100 THE MAGIC CIRCULAR APRIL 2012 www.TheMagicCircle.co.uk

 David Tomkins MIMC

ARE PARENTS THE PROBLEM? (IN SOME CASES...)

T
his month’s article is a bit of a been cancelled!” Taking a problem. The party was being held in a
mixture! Highlighting various booking-fee/deposit in advance really is a village hall. On arriving at the venue, the
aggravations that can beset the must these days. car park was quite full but I managed to
children’s entertainer and demonstrating A few months back I was booked to run find a space. On entering the hall there
that our business can involve a lot more a regular two-hour party in Harpenden. I were a lot of adults too. Whilst setting
than just magic, smiles and wand turned up at the hall and brought in my up the show I just happened to look up
waving. We sometimes need far more equipment. There were about 35 guests and spotted a guy going round with a
patience with the grown-ups than we expected so after I’d set my show I placed large, very professional looking film
do with the children! about 15 chairs in a semi-circle a short camera. Although I’d arrived early, the
As children’s entertainers, we can still way back so that some of the children DJ looked over, assumed I was nearly
get our fair share of hassle and could sit on the chairs, whilst the other ready and made a big announcement
problems with the adults! Just when guests could sit on the floor just in front. that the children’s show was going to
you thought it was safe to pick up the This an ideal way of keeping the children start shortly. Most of the adults turned
phone, it rings... you answer it and the “contained and better controlled” in a their chairs round to face me. All the
client says: “Hello this is Mr X here, specific area, especially if you’re working children, 50 of them, came charging
remember me? I enquired a while back in a large hall. Leaving Dad in the kitchen, over and sat down near the front and,
when we spoke about little Bertie’s 5th suddenly Mum came strolling over and you’ve guessed it, the guy with the video
Birthday Party on 25th of next month. said: “My friend had her children’s party camera had acquired a small but powerful
You told me you were free! Now I’d like fitted spotlight. The camera now
to go ahead and book it please!” As mounted on a professional tripod had
you reach for your diary, rapidly flicking been positioned directly in front of me,
through the pages, you discover that literally about two metres away, full on.
you’ve since taken another booking for I walked over to the cameraman and
that date instead. As you break the asked him politely to move the camera
news to the client, he is mortified! An over to one side, pointing out that in my
irate voice snarls down the phone: contract I didn’t allow my entire act to
“When we spoke about five weeks ago be filmed. His response was that his
you told me you were available! What client was paying him to record
do you mean, now you can’t do it?” Do everything at the party and that’s what
potential clients really expect you to here last week and the children were all he intended to do. I explained that I’d
keep a prime date open for them, just in fine sitting on the floor, the entertainer only been hired to do a show, not make
case they decide to ring back? didn’t use chairs!” Just as she was about a film. The guy was still dogmatic and
Like most other entertainers these to take some of the chairs away, I very then insisted that I speak to the client.
days I always take a booking-fee/deposit politely asked her to please leave them To cut a long story short, after I had
to confirm a show. (When that payment there. She wasn’t impressed, but then, spoken briefly to the client and he’d
arrives, you know they are serious about neither was I. On the one hand, parents spoken to the cameraman, he came
booking you.) During the early years of pay good money to hire a professional over to me, smiled, shook my hand and
being a full-time professional, I didn’t entertainer for their child’s birthday, but asked me where I’d like him to position
always ask for a booking fee, just full some still think they know better than you his camera. The guests had been
payment on the day. Whilst this worked when it comes to actually organising the oblivious to everything as it was all
most of the time, I can recall one time children at the party. Once you have a sorted quite quickly and of course the
when a client rang up four days before show seating format that works for you, disco had been pumping out music.
their party to cancel the show. stick to it. Of course, there are some Mostly he took footage of the audience
Apparently the birthday child had parents with good intentions that may responses and the children. For the last
changed his mind, he didn’t want a come over to you with suggestions about, ten minutes, I played to the camera
party any more, so Mum and Dad were for example, where they think you should quite a bit, having some children up to
going to take him to the cinema set up. Listen to them and if you disagree, tell jokes and sing songs, so the
instead. Have you ever turned up to do politely explain to them why. cameraman was very happy! As I was
a show, knocked on the front door only Finally, three weeks ago, I was hired to leaving, the client told me he was
to be greeted with a very surprised look entertain at a first birthday party. They delighted with the show, asked me for
from Dad who says: “Oh, sorry! Did we wanted a forty-five minute show for some business cards and promised to
forget to let you know? The party’s around 30 children of mixed ages. No invite me back for next year!

www.TheMagicCircle.co.uk APRIL 2012 THE MAGIC CIRCULAR 101

Open to non-Members of The Magic Circle
Saturday 26 May 2012
The Centre for the Magic Arts

Chairman EDDIE DAWES

Official Opening by the President JACK DELVIN at 10.45am

Speakers include:

MARGARET MICHAEL MATT IAN

STEELE SYMES FIELD BARRADELL
Adelaide Zuleika Dobson The Marvels of
Herrmann – Max Mysterious Tenyo Magic
– Queen of Beerbohm’s Karl Fulves
Magic Creation

Coffee will be served from 10.00am

Tickets including lunch and afternoon tea £40.00
Available from The Magic Circle, The Centre for the Magic Arts,
12 Stephenson Way, London NW1 2HD
T 020 7387 2222
E [email protected]
Payment may be made by cheque payable to ‘The Magic Circle’
or by Visa / Mastercard.

102 THE MAGIC CIRCULAR APRIL 2012 www.TheMagicCircle.co.uk

Another ten days in the Archive
By David Hibberd MIMC

DAY ONE – Monday 21 November 2011 case again with another stack for the DAY 3 – Wednesday 23 November
My 35th Monday at The Magic Circle this forthcoming week. I have just updated the Scanned 23 images today, it does not
year. Arrived by train at St.Pancras and Digital Archive. On my laptop at home there sound much but it is surprising how long
walked to the usual restaurant where I are thousands of images which have also it takes. Emailed some of the images to
met Peter Lane, Terry Wright and Doctor been backed up onto my external hard Paul Freeman, Eddie Dawes and Stephen
Ronnie Pollock who has drive. Nearly all were on Minch. Have also started typing this
nothing to do with magic. the Archive laptop which article which also takes time. My wife,
A very pleasant meal as is kept in the Inner Margaret, has gone to Gravesend to take
usual and a good way to Sanctum. I had brought part in a BBC Songs of Praise recording.
start the week. Arrived at memory sticks to This means that I can safely watch
Stephenson Way at complete everything. Chelsea playing Leverkusen in a European
2.03pm. Looked to see During the afternoon football competition. Shall I ...? Let’s
if there was any post for I met up with Will see the second half
me but was disappointed Houstoun, the new anyway!
again. I gave a talk on editor of The Magic DAYS 4, 5 and 6 –
David Devant at the Circular. I gave him Thursday to
Eurocol Convention in a printed list of the Saturday 24 to 26
September and also at 77 Digital Archive files November
the British Ring in together with memory I chose the right
Southport. I chatted with Larry Barnes sticks of all the images. half to see the
14 magicians and gave So now everything goals. 2-1 to
them my business card. All promised is covered. Leverkusen. Have
to send me photos. How many do you As usual there were a number of done some routine
think actually did? ONE! Thank you internet enquiries to deal with. A lady work making up
John Southgate. had given us the name of her father who portfolios of
Descended to The Inner Sanctum in the she thought had been a Member of our photographs plus
Dungeons. Found that it was full of books Society. Unfortunately we do not have a more scanning and
from the estate of the late Larry Barnes. database listing everyone who Alan Astra and Barbara
There were also supposed to be two has ever been a Member, so I
photograph albums so I looked through have to check the Membership also read a copy of
all the boxes to see if I could find lists. I checked eight lists and Mystery Magazine
them ... Not there. did not find him so I fear that covering Walt
My usual procedure is to take home a he was not a Member. I will Lees’s comments
stack of photographs to sort, mount onto now have to send a on the Southport
A4 cards and scan for the Digital Archive. I sympathetic email explaining Convention. The
have a large briefcase and it is always full. this. I had six other enquiries Stars of the Future
I filed what I had returned and filled the to deal with including one show clashed with
from Eddie Dawes seeking Eddie Dawes’s
photos and information about History of Mystery.
former Secretary and Vice Walt chose the
President Douglas Craggs. junior magicians
Found the information and as he assumed
added it to my briefcase pile. that Eddie’s event “was mainly concerned
Later in the afternoon Museum Curator with the dead”. This is a problem that also
Lionel Russell arrived and handed me the affects the Archive. I do not want the
Larry Barnes Albums. Great … there are Archive just to be a record of deceased
some lovely items which I will look at magicians, but often we only receive the
again next Monday. It will probably take albums and photographs after someone
me 2 or 3 weeks to sort everything. Apart has died. Anyhow, I have just been dealing
from ten minutes for a cup of tea I had with photographs of Alan Alan, Fergus
been working hard since just after 2:00 so Anckorn, John Archer and Alan and
at 7:30 it was time for me to go home. Barbara Astra ... so there!
DAY 2 – Tuesday 22 November DAY 7 – Sunday 27 November
Did not do much magically today. Life Church in the morning and this evening
goes on and I had to take the cat to the we are going to see grandchildren dance
vet ... expensive ... and do our weekly in their annual show. Ohhhhhh! But I have
Maurice Garland
food shopping. managed to complete scanning and
s

www.TheMagicCircle.co.uk APRIL 2012 THE MAGIC CIRCULAR 103

 mounting another section which fills my briefcase.
A FEW HIGHLIGHTS FROM
BLACKPOOL’S
I have also made a list of what I need to do tomorrow.
I wonder if I will actually do it ...
Today I sent an email to the grandson of Maurice

60TH CONVENTION
Garland who was the first Secretary of The Magic Circle
in 1905. I was able to send a copy of a photo from a
David Devant album and also an advertising brochure
by Will Houstoun AIMC
with another photo. I wonder what the reaction will be?

E
DAY 8 – Monday 28 November very February thousands of magicians descend on
Off to The Magic Circle again. On the train I thought Blackpool for the annual magic convention
about the Dancing Show last night, when I looked at organised by Derek Lever and The Blackpool
the programme I saw that there were 32 items plus Magician’s Club. I was one of those thousands and
the annual prize giving! When will organisers learn thought I should report back both on various Members’
that this is too much? Have we seen this in magic? participation as well as on some of the other highlights
Of course we have! from the weekend.
Another pleasant lunch and arrived at Stephenson One of the first events was the show ‘Magic From the
Way just after 2pm. A letter for me. Elizabeth Speight Orient’ on Friday night. This featured seven young South
has kindly donated some audio tapes which I have Korean magicians as well as their patriarch, Yuji Yasuda.
passed on to the Library. At my request she also sent The show featured a wide range of innovative and varied
five photos of Derrick in his younger days which I silent magic but one act, in particular, stood out. Yu
have agreed to scan and print for the Archive before Ho-Jin performed a classically-styled card manipulation
returning the originals. Tim Reed is working in the act that was truly breathtaking to watch. The pacing was
Museum today and is sorting through boxes of tricks superb, the choreography flawless, the music perfectly
from the Larry Barnes Estate. He also found some more chosen and the technique impeccable. Yu Ho-Jin received
photos of Larry which I will add to the Archive. a well-deserved standing ovation and he was also invited
A routine day really. I filed everything that I brought to reprise his performance at the close of the Saturday
from home and transferred revised files to the archive night show where the audience’s response was, if
laptop. Alan Astra came in to help me at the end of the anything, even more enthusiastic! If you get the chance
afternoon. Alan does do not miss the opportunity to watch one of the greatest
a lot for me for which magic acts you will ever see.
I am very grateful and A show with a completely different style was ‘Wayne
it appears that Alan Dobson and Friends’ held on the Saturday afternoon in
copied a lot of the the slightly less formal Pavilion Theatre. This was a sort of
items from the Larry tribute to Wayne and included performances from
Barnes albums a few Members Michael Fitch, Duncan Trillo, Russ Stevens and
years ago. He is going John Archer as well as Joe Pasquale and Brian Sefton. All
to let me have a the performers were on good form and it was a pleasure
memory stick next to see Wayne on one side of the stage ready with the
week which will save perfect gag to fit any situation that occurred!
me a lot of time A number of Circle Members also took part in the
DAYS 9 and 10 Children’s and Close-up Magic competitions that were
Tuesday and part of the weekend. In the Children’s competition
Wednesday 29 and Members Andy Clockwise and Craig Petty took first and
30 November second place respectively and in the Close-up Members
Fergus Anckorn
My first article Chris Stevenson and Will Gray won first and second
entitled Ten Days in the Archive appeared in The Magic places. In addition to the competition prizes Member
Circular in September 2010. I am trying to show you Wayne Dobson was awarded the Ken Dodd Comedy
that the work is ongoing and that real progress has Award and Russ Stevens was presented, along with
been made. Gerritt Brengman, with the Murray Award. Russ also
Have just heard back from Peter Garland about the proposed to Bernice, his girlfriend of 23 years, during his
photos of his grandfather that I sent the other day. acceptance speech. Thankfully she said yes!
Apparently there was a family rift all those years ago Of course loads more happened during the weekend.
and Peter had never before seen a photo of Maurice There were the close-up shows, some fifteen lectures and
Garland. He is very happy indeed. over one hundred dealers pitching their new products,
The last time I wrote an article of this nature I had a not to mention the bustling social side of the convention.
number of emails and letters from Members enclosing Perhaps the most amazing thing is that Derek Lever and
photos and information. I would love to hear from YOU. The Blackpool Magician’s club manage to organise such a
My email address is [email protected] high quality convention, incredibly they seem to succeed
year after year. Get your diary out and mark the 22 – 24
PS. Just in case you are wondering. There are now February 2013 ready for the next Blackpool Magic
over 10,000 images in the Digital Archive and Convention. I can tell you now that it will be a fantastic
surely I must be over half way. weekend!

104 THE MAGIC CIRCULAR APRIL 2012 www.TheMagicCircle.co.uk

 SHOWZAM
by Geoffrey Newton MIMC

Showzam is Blackpool’s February

magic and variety Festival, now in
its 5th year, that features top
entertainment at various venues
throughout the town. I caught up
with it on Wednesday 15 February.
Photos: Daniel Eden

The first person to catch my eye

was Member Jon Marshall and his
recreations of Jon Gresham’s 1950s
seafront and fairground sideshows.
It was a real experience to see
Back Row: Russ Stevens, Brian Sefton, Michael Fitch, Derek Lever and Andy Clockwise
John Archer, Duncan Trillo. Front Row: Wayne these in action and watch the effect
Dobson, Joe Pasquale they had on the public. Jon’s latest
recreation was Dr. Phantasma’s Ten
in One Show. In the show, to the
accompaniment of a lady
accordionist, various stages round
the tent were illuminated as
individual performers presented
their specialities. There was fire
eating, sword swallowing (two at a
time!) and the rubber man ... not
forgetting a live tarantula walking
over a scantily clad young lady!
My next visit was to Magique
Fantastique presented by Member
Romany. Many of you will know
Romany for her burlesque act or
recent appearance on the Penn and
Teller show but this was completely
different. Each performance had an
audience of only 21 as a mystery
unfolded about how the performer
lost her legs and now sits for ever
as a torso on a mahogany table.
Following his success last year,
Member Andrew Van Buren, with
assistants Allyson and Stephanie,
returned with a new production,
Temple of Illusions. He is a very
talented performer both with
magical and circus skills and is
clearly at the top of his profession.
It really was fast-moving and
faultless.
Showzam was well worth a visit
and it was a pleasure to see such a
variety of live entertainment.
Photos: Daniel Eden

Yu Ho-Jin

www.TheMagicCircle.co.uk APRIL 2012 THE MAGIC CIRCULAR 105

 Walford Taylor AIMC

COUNTERFEIT!

O
ne of the first packet tricks I newspaper on the spot. In his side pocket that it is solid and you can’t bend it?
acquired from Woolworths when the magician has a handful of loose Thank you. To subject it to the test we will
I was a small boy, and with which change, including two 50p pieces but no first wrap it up in this piece of
everyone will be familiar, was the ‘Buddha pound coins. newspaper.” The performer proceeds with
Papers’. A great routine for it appeared the Coin Fold. Although appearing to trap
in Jimmy and the Street Conjurer, an Presentation the coin within the folds it does, of
endearing little stencilled pamphlet “I wonder if I might borrow a pound coin course, leave an opening at the top
issued in 1982 by J.B. Haviland. from somebody, please? Thank you! Did through which it can escape when the
Amazingly, as I found later, the basis of you know that an estimated one in time is right. He presses the paper firmly
this effect was first described way back thirty-six of all £1 coins in circulation are against the wrapped coin creating an
in 1584 in Chapter XXVI of Booke XIII of counterfeit and that the year before last impression of it through the paper and, as
The Discoverie of Witchcraft by Reginald nearly two million counterfeit £1 coins he does so, turns the packet round
Scot! The trick with which I am going to were returned to the Royal Mint? There clockwise so that the secret opening is
deal in this article is another one that are several ways you can identify them. In now towards the bottom. With both
involves wrapping up a coin in paper, the first place the milling around the edge elbows firmly anchored widely apart on
but is more recent in origin. It is ‘The may be poorly defined. Then look at the the table (Photo 3) he holds the packet
Coin Fold’, which is a neat piece of wording round the edge. If it’s counterfeit between fingers and thumbs of both
numismatic skulduggery. As you know, it may not be centred or may be uneven in hands. “...and would you, Sir, [performer
you wrap up a coin in a square of paper turns to spectator on his right] feel the
and it vanishes. But why not wrap it up
1 2 coin through the paper and confirm that it
in something else – for a different won’t bend”. He transfers the packet to
presentation? My adaptation involves the finger and thumb of the right hand
the theme of forgery, which I think gives and, with the right elbow still fixed on one
the basic effect an air of excitement and spot on the table, swivels his hand to the
added interest. You may also like to 3 right and allows the spectator to feel the
adopt my handling, which is slightly coin. The action is rather similar to that of
different from the standard one in that a crane swivelling on a dockside jetty.
it is performed seated with a spectator “And you, madam, again?” Keeping the
on either side. elbow firmly fixed on the table the
If you have forgotten how to do ‘The performer swivels his right hand holding
Coin Fold’, details can be found in J. B. the packet and transfers it to the fingers
Bobo’s Modern Coin Magic, or Jean and thumb of the left hand, which,
Hugard’s Close Up Magic. An alternative swivelling on the elbow, offers it to be felt
fold, judged by Karl Fulves as “the finest depth and spacing. Genuine coins lose again, this time through the paper, by the
available” is Dave Ossip’s ‘Miracle Coin their lustre after they have been in spectator on his left. He does not ask her
Fold’ in The Pall Bearers Review, January, circulation for some time, but some fakes to confirm that it is still there because
1971, page 391, but I think that using appear more gold and shiny despite the there is nothing to suggest at this stage
pre-folded paper lacks spontaneity and age of the coin. Also, if you hold the coin that it might vanish!
can give rise to suspicion. A version by on edge between finger and thumb and At the same time as the spectator is
Mel Stover similar in concept, but swivel it round, the Queen’s head may not doing this the performer says to the other
without pre-folding, is given on page be oriented the same way as the design spectator on his right: “Please light a
416 of the same volume of The Pall on the other side.” (Photos 1 & 2). match and hold it out so that we can
Bearer’s Review, but I still prefer the “But magicians have developed yet apply some heat.” Immediately, the
original coin fold. another way of recognising a dud. Because performer, keeping the right elbow on the
the forgers use a debased or cheaper metal table, swivels his right hand over to the
Preparation to mould their coinage it can sometimes left to take the wrapped coin from the left
A saucer is on the table, forward and to become malleable when subjected to heat. hand with the finger and thumb of the
the right of the seated performer, on Let’s just check your pound, shall we?” right. The idea of fixing the elbows on the
which lies a book of matches and a neatly The performer turns to the spectator on table is to reduce the amount of
torn-out piece of newspaper about 5” his left. “Is the milling regular? And is the movement of the arms so that when the
square. If the effect is performed lettering centred or does it start to drop spectator thinks back later everything
impromptu the paper is torn from a towards the edge? Now would you check appears to have happened completely

106 THE MAGIC CIRCULAR APRIL 2012 www.TheMagicCircle.co.uk

openly at the finger tips with both hands book matches, so that the hands appear ask where it has gone.
in front of him. to have been out in the open for the The performer looks at the volunteer:
As soon as his right-hand fingers grasp whole time. The left hand then continues “Obviously the metal was so debased
the packet the performer releases the forward in an unbroken movement to join that it has dematerialised completely!
pressure of his left fingers and the coin the right hand, holding the packet Now the BAD news is: you’ve just lost a
slips into the left palm. The right hand between the forefinger and thumb of quid! The GOOD news is: the evidence
swivels to the right holding the packet, both hands, so that it is quite clear that has disappeared, so you can’t be
now empty but with the impression of the nothing else is concealed in the hands. prosecuted for passing a dud coin! In
coin clearly still visible, at a safe distance “Watch closely as we warm it up a little.” fact, I’m going to reward you for helping
over the lighted match. The performer’s The performer turns his head to the left me by reimbursing you your pound.”
head and eyes follow the hand as he does to address the left-hand spectator when Making it clear that his hand is empty,
this. The spectator has both hands he says this and as he does so the packet the performer reaches into his right-hand
occupied in lighting the match so he is not is ‘accidentally’ lowered into the flame and pocket to extract the loose change and
going to be grasping the packet again to catches fire. Too late, he places it flaming gives the spectator two fifty-pence
check whether the coin is still solid. At the on to the saucer and with his fingers pieces. At the same time, whilst
same time as the right hand and packet pokes in the ashes. He raises his eyebrows: attention is drawn to his right hand, the
swivel to the right, the left hand swivels to “Ahh…it was a dud!” At this stage he performer discreetly recovers the lapped
the back edge of the table where it drops slowly and deliberately turns both hands coin with his left hand and quietly slips
the coin on to the performer’s lap (legs palms upward, fingers spread out, and it into his left trouser pocket.
firmly closed and, if necessary, raised on pulls his sleeves up a little so that it is clear “And the moral is: Next time, don’t try
toes to make the lap level). that the coin is not concealed anywhere. it on with a Member of The Magic
I prefer to use lapping, instead of the The usual reaction, after a moment’s Circle! Now if anyone would like to lend
usual ruse of going to the pocket for the surprised silence, is for the spectators to me a Twenty Pound Note…”

www.TheMagicCircle.co.uk APRIL 2012 THE MAGIC CIRCULAR 107

 MATTHEW
And I know you’re a true aficionado of
magic because it’s been in your blood

FIELD
since you were a kid. Tell me …
M I got a Mysto magic set around the
age of 6 or 7 – it was about 1950. I still
remember “The Multiplying Corks”
trick. I loved it; the whole idea of
magic intrigued me.

MORE THAN A R That dates your interest in magic to

RENAISSANCE about 60 years.

[Field coughs like an old git]
MAN M A few years later my father and I
trekked in from the Bronx, where I
Interview by Richard Kaufman MIMC grew up, to Russ Delmar’s shop on
Eighth Avenue in Manhattan, The
Magic Center. Russ demonstrated
I used to put self-addressed postcards into
“Colour Vision” and I was astonished,
the books I published, asking for
just couldn’t believe that by shaking
customer comments. In 1985 one of the
the box he could “hear” what the
postcards from a copy of David Roth’s
colour was. My father bought it for me
Expert Coin Magic came back from a guy
and I did it for kids at school. About
named Matthew Field. This was long
two years later we were watching a
before the internet, and the only
Matthew Field I’d heard of was the guy
running WNCN, the radio station devoted
to classical music in Manhattan. He was
pretty well known in New York, so I
doubted it could be the same person.
Aside from some compliments about the
book, he put his phone number on the
postcard, which I took as an invitation to
call, and I did. And much to my shock it
was indeed the same Matthew Field, at
the top of his game, mingling with the
stars of the classical music world … and
reading magic books when he had a few
spare minutes. This was the start of a
close friendship that has lasted 27 years. I
had suggested Matt as a potential
candidate for Editor of The Magic Circular
in 2004 when he and his wife Cheryl Bell
were moving from New York to London. It
seems appropriate, then, that with his
recent retirement from that position, new
editor Will Houstoun prevailed upon me
to chat with Matt.

Richard Kaufman: So you’ve just

retired as editor of The Magic Circular
– the first Yank ever to hold the
position – after almost seven years, but
something tells me that you’re not
letting the grass grow under your feet.
Matthew Field: I’ve just started writing
a new book with Tom Gagnon and
recently finished editing a book for my
Photo: Darren Tossell

friend Michael Vincent.

R Only a true lover of magic would

stop editing a monthly magazine one
day and start writing a book the next.

108 THE MAGIC CIRCULAR APRIL 2012 www.TheMagicCircle.co.uk

kids’ show on TV and there was an ad R It sounds like your father was very York and went out to California for a
for the book 400 Tricks You Can Do by supportive of your interest. summer with a friend, continuing to
Howard Thurston. My father, who was M Both my parents were very play guitar. It was there that I realised
a pharmacist, yelled out, “Howard supportive. I was into theatre and that I was not good enough, and
Thurston! That’s the greatest magician acting – an aunt had given me an would never be good enough, to be a
in the world, we’ve got to get you that “Actor’s Make-up Kit” which was like a professional musician. But the magic
book.” This was when I was 10 years magic set filled with greasepaint and thing was still in the back of my mind
old, 1954, and that book opened up fake facial hair. I used to put all the and I returned to it when I turned 30.
the world of magic to me. There were make-up on and suddenly appear in So I went back to Tannen’s and asked
so many tricks! It was a great thing for the kitchen and scare the hell out of Tony Spina what would be a good
a kid – I loved it. A little later I found my mother. book to learn from and he
Henry Hay’s Amateur Magician’s recommended Royal Road to Card
Handbook in the library. R So, it sounds like you were destined Magic. I bought it, and really started
to be a performer of some sort. to learn sleight of hand with cards.
R When you say that you “loved” the M At a relatively young age, 12 or 13, While Royal Road is a little bit stiff in
Thurston book, was this an academic a friend took me to Tannen’s Magic the writing, I could suddenly see what
thing or were you doing tricks for Shop when it was still on 42nd Street.
people? That was an amazing experience: I met
M Oh, absolutely doing tricks: “Matt Lou Tannen, Ed Mishell, these guys I’d
the Magician.” I never did shows per only read about. I was doing small
se in my neighborhood, but in school close-up tricks at the time, coins, cards,
for Show and Tell, for friends, and just small apparatus.
in class, I was doing magic.
R Was your progression constant and
steady throughout your teens?
M No. At age 13, I discovered the
guitar and girls almost simultaneously,
and magic went out the window. And
With Roy Walton and Richard Kaufman,
2008
was going on, how these sleights
could lead you into terrific card magic.
So, for several years I hung out at
Tannen’s and studied Royal Road and
Expert Card Technique.

R How were you earning a living

during all this time?
M While at City College I discovered
the college radio station and I loved it.
With Patrick Page, 2008 I loved talking on the radio, loved
I focused on that 1000 percent, playing music. I was on the air one
spending all of my time in my room afternoon in 1963 and somebody
playing guitar. rushed in and said, “The President has
just been shot. You have to tell
R That will let us jump ahead until … everyone.” I said “What do you mean?
M … I was 18 or so, and there was a Is he okay? What do I say?” And the
show on TV called Playboy’s guy replies, “We have a radio in the
Penthouse, which ran from late 1959 other room, and as the news comes in,
until 1961 and starred Hugh Hefner. we’ll pass it along to you.” So I
They’d have guests – singers, stopped the music and said, “I have
musicians, and sometimes magicians. distressing news: President Kennedy
And the magician was Don Alan. I has been shot, please remain calm,”
couldn’t believe it because he was so and so on. It was an exciting time to
great. I wanted to be Don Alan. But be involved in that type of media. I
since I was so busy playing guitar and also got a Master’s degree in television
performing with various musical from New York University’s School of
groups, there was no time for magic. the Arts.
But I thought to myself, “Someday I
am going to learn card magic.” That R I know you did well in radio.
stuck in my head. Eventually I M I got a job as a radio technician – an
s

graduated from City University in New engineer – in 1966 at WRVR, the radio

www.TheMagicCircle.co.uk APRIL 2012 THE MAGIC CIRCULAR 109

 had in the video business. And you wrote
the original music for the soundtrack, too.
M I also edited a Jon Racherbaumer book
for L&L Publishing, and a few books for
Stephen Minch’s Hermetic Press. I loved
editing magic books, and among the 75
magic books I’ve edited some of my
favourites are Secrets of Bro. John
Hamman, The Flicking Fingers’ The Book,
Jennings ’67, Eugene Burger’s books
which you published, The Feints and
Temps of Harry Riser and Card Craft. In the
meantime, I had been divorced from my
first wife, married again – to an English
woman, Cheryl, and in 2004 we decided
to retire and move to the UK. I’ve
continued to edit magic books since
Jamy Ian Swiss, Paul Wilson, Jon Racherbaumer and Matt at the SAM Convention, 2002
moving over here, although it was difficult
station in the Riverside Church in reading all of Paul Harris’s books, and because of my editing duties at The
Manhattan. I wound up hosting a nightly reading Vernon and Marlo. I went to FAO Circular; but I worked on The Berglas
cultural magazine-type programme called Schwarz to get my kid a gift, and there Effects for you and David, Jack Parker’s 52
Listen and because it was the Riverside was David Roth behind a counter Memories by Andi Gladwin, Luke Jermay’s
Church, I spent quite a bit of time with demonstrating magic tricks. I had already Building Blocks Extended for Alakazam,
Martin Luther King, and eventually ended seen his Stars of Magic videotapes and and Tom Gagnon’s Avant-Cards by Wesley
up covering his funeral in Atlanta. was very impressed. He said he had a new James among others. I spent the last four
book, Expert Coin Magic, written by you, years working with Patrick Page on his
R What an exciting period – you must and I bought it from him. To say I was final book, Magic Page by Page. I spent
have been in heaven. impressed is an understatement. One two years visiting Pat in his London flat as
M It was the 1960s, with all of the thing I learned while working in radio is we worked on the book together. He
associated craziness, lots of great music, that you rarely get any feedback – I knew passed away two years ago and I vowed
the sexual revolution … I was in absolute that hundreds of thousands of people to see the book through to completion,
heaven. And I’m doing card tricks for my were listening, but few ever gave me any and it has been published by his children
friends all the while. Anyway, in the early feedback. So if I would see something on and has been very successful, I am very
1970s I was working at a radio station TV or hear something on radio, I would pleased to say.
that was quite near Tannen’s at 1540 write to them. And I realised that I wasn’t
Broadway, so I used to go there on my doing this in magic and should, and I R You were an enormous help in my
lunch hour and hang out with Frank decided to write to people in magic when publishing for several decades, have been
Garcia, Ken Krenzel, Amazing Randi, and I liked something. I wrote to you and said a great friend, and when you told me that
so on. I got lucky and eventually was how much I loved the book, how much it you were moving to England, it was time
made the programme director (controller) elevated the art, and so on. And then you to return the favour. I wrote to Michael
and eventually general Manager called me! I suggested that I’d be happy Bailey, President of The Magic Circle at the
(managing director) at WNCN, which was to edit your books because there were time, in the summer of 2004 and
one of two commercial classical radio some typos and other small issues. suggested that you would make a great
stations in the New York City area. I was editor for The Magic Circular. Following
still doing a weekly interview show and R And of course I took you up on the the tragic death of then-Editor Pete
had interviewed every famous person in offer because everyone needs an editor! I McCahon in December 2004, you were
classical music you could name: Yehudi was desperately in need of a proofreader offered the job...
Menuhin, Yo Yo Ma, Beverly Sills, Phillip and editor. M I had already joined The Magic Circle a
Glass, and at night I was going to punk M The Uncanny Scott: Ron Wilson, was few months earlier, just after moving to
rock clubs because I loved all kinds of the first book I edited for you. London. So, I guess because of your
music. My experience interviewing served recommendation and my background in
me in good stead when I started R The first of … what … 20, 30? Who broadcasting and journalism, they
interviewing magicians for The Circular. can remember. accepted me as Editor. I knew very little
M And by this time I had read more of about The Circle itself, and not very much
R Not only was WNCN a popular station, your work and decided I’d like to take about editing a magic magazine, so I
but you were also publishing a magazine lessons and learn the Pass. asked you …
in conjunction with it.
M It was a monthly magazine, Keynote, R … which you did, for a long time, but R … and I wrote you a very long letter,
with the programme schedule and articles the most important thing to come out of giving you the benefit of my, at that time,
about classical music, not unlike what that was the fact that you produced my five years of experience editing Genii. I
Classic FM later did over here in Britain. videotape On the Pass, which was only recognised right away that certain parts of
My love of magic had grown, and I was made possible because of connections you The Magic Circular had to stay exactly as

110 THE MAGIC CIRCULAR APRIL 2012 www.TheMagicCircle.co.uk

they were, but pointed out areas in which but a trick with whatever is on the table in
you might be able to make a difference. front of you or that can be borrowed from
M I told them that the magazine needed a spectator.
focus and a point of view. l The fifth thing is that you really should
know something about the history of
R Things which you were telling me magic. If someone asks you about it, you
about Genii several years earlier! You told should be able to speak intelligently about
me that a magic magazine has to have Maskelyne and Devant, or about Houdini,
some intellectual content or it’s no or about Robert-Houdin. You don’t have
different than an airline magazine. to go deeply into it, but if someone is

Photo: R. Paul Wilson

M I had written video reviews for Genii interested in magic, you should be able to
for five years and had the interviewing say something about the art.
background, so I continued to do both of Those are my five basic rules about what
those things at The Circular. And I’ve magic should be and what it means to be
interviewed Richard Turner, David Ben and a magician, and I wanted The Magic
René Lavand on stage at the International With Juan Tamariz, 2008
Magic Convention, and some of magic’s be a commercial art as well, in my opinion,
legends at The Magic Circle Centenary, as and art is the most important focus in my
well as working on camera with Michael life. But instead it goes for very low
Vincent. And while The Magic Circular is humour; guys doing fake gay and fake
only being read by the 1,500 members of Oriental things; making fun of spectators
The Magic Circle, they included everybody who are assisting them; so that now the
from Copperfield and Johnny Thompson image of magic is on par with other low
to Bob Read and Jack Avis. art. Juggling can be high art, but by and
large it’s just “how many balls or pins can
R The elite in our field. you keep in the air?” I’m not trying to put
M And I wanted them to be able to read juggling down, but in most cases it’s not
some stimulating and interesting material. considered high art because it’s allowed
And so here’s my point of view. itself to be dragged down, and the same
l The first thing is, I think that magic thing has happened to magic.
cheapens itself on a regular basis by not l The second thing is that by and large I
allowing itself to flourish as an art; it can think magic has no content. The content is With Tommy Wonder, 2005
“look how clever I am,” rather than Circular to reflect some of that. I wanted
having any emotional or other kind of to be able to put people on the cover who
importance so that it’s about something. weren’t just the guy who got elected
And so it just sort of falls out there. I think president of some club somewhere, but
that’s wrong. people who are actually out there doing
l The third thing is that you need to something in our field – it could be
attain a certain level of skill if you’re going research, writing, performing, producing.
to effectively pursue the creation of an My heroes in magic include Tommy
illusion. If you don’t, then you wind up Wonder, Slydini, Pat Page, Vernon, and
exposing what you’re doing, or doing Don Alan among many others. I wanted
really simple tricks that have little effect. to put those kinds of people on the cover,
l The fourth thing is that most of the people who have done things for magic. I
magic community is passive. They buy a wanted to encourage and stimulate
book or a trick, read it or look at the people to get off their rear ends and do
With Rene Lavand, 2009 instructions, and put it on the shelf or something because magic, as I have
stick it in a drawer. They never do written many times in The Circular, has a
anything with the information, never very small number of practitioners. And
practise or perform the tricks. People are those people who are in it, but not
not putting in the effort to try and actually contributing and merely absorbing, are
learn the things they’re reading about or not giving back to the art. That’s one of
buying. Magic is a performing art, and if the reasons I started editing books. I didn’t
you’re going to call yourself a magician at feel I was a good creator of tricks, but I
some point you have to perform. Everyone felt that I could edit and give something of
should be able to do one decent card trick my talent back to the field in the area of
(and not the “21 Card Trick”), a decent magic books, which as you know I hold in
coin trick – even a simple vanish, transfer, the highest regard. Those are the things I
and reproduction. Also a trick that’s felt were important and after six and half
appropriate for a kid. And you must be years, I felt I had accomplished some of
With wife Cheryl Bell in southern France, able to do something entirely impromptu what I had set out to do and it was time
2010 when you have no cards, no half dollars, to let someone else take over.

www.TheMagicCircle.co.uk APRIL 2012 THE MAGIC CIRCULAR 111

 Edwin A. Dawes

401. DOUGLAS CRAGGS: MAGICIAN, VENTRILOQUIST AND MAGIC CIRCLE STALWART. PART 3

T
revor Hall, recommendation of Craggs that he was invited to write the
now an Army second title in the ARCAS series. Thus in 1945 Hall’s first book
Captain, had appeared, The Testament of Ralph W. Hull, to be followed by
become a Member its sequel Nothing is Impossible (1946), a treatise on the rough
of The Magic and smooth principle, to which Craggs contributed a eulogistic
Circle on 13 foreword. Hall was forever grateful for this opportunity to write
January 1942 his ‘first-born’ (quoting John Northern Hilliard that “however
along with Louis flawed and footless, [it] is always the fondling”), but he was even
Histed, and a year more grateful to Craggs for the strings he was able to pull to
later contributed a hasten Hall’s demobilisation from the
biographical article Army at the end of the war.
on the recently To set this in context, in 1945 Hall had
deceased Ralph W. been offered a partnership by his friend
Hull to the ‘Great Richard Walker in his firm, V. Stanley
Magicians I Have Walker & Son, Chartered Surveyors of
Known’ series in Leeds, which he had accepted and it was
The Magic agreed he would join the firm when he
Circular. For some was released from the Army in
five years Hall had September 1945, the due date for
corresponded demobilisation for a serving officer aged William H. Lane (Willane)
Trevor H. Hall (c.1945)
assiduously with 35 who had been
Hull, the American inventive genius (perhaps best remembered throughout the entire
today as the creator of the ubiquitous Nudist Deck), and war (we may note that
became his great disciple in Britain. Although Hall had likely in Hall’s case all that
met Douglas Craggs in the late 1930s when, as a member of service had been within
the Yorkshire Magical Club, he occasionally attended meetings the UK). But to his
of the Affiliated Societies, it seems the Ralph Hull article dismay, shortly before
sparked Craggs’s interest and a friendship developed, leading September he was
to an invitation to Hall to write a book on this creative served with a notice by
magician for the new publisher ARCAS. the War Office requiring
Here we must digress to explain Craggs’s involvement with him to remain in
ARCAS (Academy of Recorded Crafts, Arts and Sciences Ltd), uniform and to serve for
the concept of William H. Lane, a wealthy amateur conjurer a period not exceeding
who had moved from the Channel Islands at the outbreak of 18 months on the
war to London and joined The Magic Circle. Later he became a grounds that as a
very familiar performer at Circle events and a Grand Prix technical officer his
winner at FISM as Willane, initially with an act titled ‘Melody services were urgently
and Magic’ combining the playing of large and miniature needed. He saw his
violins and concertinas with card and cigarette manipulations opportunity for the
Ralph W. Hull
while in a seemingly inebriated state. He took sleight-of-hand partnership being lost
lessons from Edward Victor, music instruction from orchestra and, as Douglas Craggs was occupying a position of high
conductor Victor Sylvester and xylophone from Teddy Brown. authority in the Ministry of Labour, he wrote to him at his private
Under the title of ‘The Immaculate Inebriate’, he later appeared address in Orpington explaining his dilemma and seeking his
on the music halls. advice.
The object of ARCAS was to publish books and gramophone “He told me that I had his entire sympathy, and that I would
records teaching the skills of conjuring and ventriloquism and shortly receive a telephone call from a person whom he named.
Lane persuaded Craggs and another friend to join him in the This gentleman was the Regional Controller of the Northern
venture. Douglas declined to become a director but acted as Region of the Ministry of Labour and National Service, who
secretary of the company. Although I have no knowledge of invited me to see him at his office,” which Hall duly did. He was
any gramophone record being issued, the book publishing advised that he could appeal against the notice he had received,
commenced with Craggs’s ABC of Ventriloquism (1944) and how to complete the necessary form, and the most effective
Trevor Hall wrote that it was entirely due to the influence and points to make at the ensuing Tribunal. “Thanks to the influence

112 THE MAGIC CIRCULAR APRIL 2012 www.TheMagicCircle.co.uk

MIMC

of the name of Douglas Craggs, I received the best advice organisation and members Wilfrid Jonson and Edward G.
possible” acknowledged Hall, and as a result he won his appeal Brown who became respectively the Secretary and Treasurer.
when he appeared before the Tribunal held in York. For this Additionally The Circle was entitled to nine representatives on
reason he was forever grateful to Craggs, which helps to explain the Committee of management of N.A.M.S, of whom Craggs
his enduring friendship with him until Douglas’s death in 1989. was one.
Hall was also indebted to Craggs for his first invitation to In December 1944 Craggs was part of the team of six
deliver a lecture, which he gave to The Magic Circle at St Ermin’s members who travelled to Wheatley near Oxford to entertain
Hotel in November 1946 on the subject of ‘Some Aspects of wounded Americans from the European theatre of war at the
Presentation’. 97th American General Hospital. His greatly enjoyed
For ARCAS, Douglas Craggs edited what was intended to be contribution was the ventriloquial figure who gives a
No.1 of a series under the general title of Masterpieces of Magic, ventriloquial interlude with a smaller doll in ‘The ABC of
the first, published in 1946, being Advanced Conjuring for Ventriloquism’. The entertainment was repeated in the evening
Practical Performers. The book was dedicated to The Magic Circle for the benefit of the medical staff.
and all the contributors were Members of the club, Craggs In March 1945 it was reported that H.R.H. Princess Elizabeth,
having persuaded many of his best friends to provide their the future Queen Elizabeth II, having expressed a wish to
Magic Circle Archive

favourite items. The book contains much excellent material as receive a copy of Craggs’s book on ventriloquism, was
one would expect from the likes of Edward G. Brown, Wilfrid presented with a specially bound and
Jonson, H. Park Shackleton, Louis Histed, Peter Warlock, gold-lettered copy of the ABC of
Claude Chandler, Graham Adams and Cecil Lyle among Ventriloquism prepared by a
others. Consequently it seems unfortunate that this book one-armed ex-Service man
remained the sole one of the projected series. undergoing training at the London
At a meeting of the Council in March 1944 Craggs put School of Printing and Bookbinding,
forward the proposal that a Criticism Panel should be under the supervision of Circle member
appointed which would operate in camera at each Social James A. Esler.
and issue a confidential report on each performer; this In the same month Douglas was the
report would be placed before the principal architect in the mounting of a
Council for its confidential special Magical Matinee at the Comedy
information and the relevant portion Theatre to raise funds to replace sports
would be transmitted to the and recreational gear for HMS Wizard, the
performer concerned for his private Circle’s adopted warship, and as a result of
information. After some discussion the this show, the admirable sum of £265 was raised. A
proposal was adopted unanimously and crowded audience, which included officers and men of
a Panel was formed. It would seem the ship, witnessed what was subsequently acclaimed
likely that the reason for this as “one of the most brilliant galaxies of magicians
development is contained in that part of ever assembled on one bill”. The show, compered by
Craggs’s Annual Secretarial Report Peter Waring, included William H. Lane, Horace
relating to the Entertainments Committee. Renay, Douglas Craggs with his ABC of
Therein we read: “The policy of the Ventriloquism, Peter Warlock with the Bullet Catch,
Council has been to encourage all available Cecil Lyle with items from his ‘Cavalcade of Mystery’,
members to perform on the Circle Billy O’Connor, Col Ling Soo and special guest artiste actor
platform. Occasionally there is a quite unjustified tendency to Basil Radford. Additionally the second half was opened with a
blame the Committee when individual turns fall below the dramatic sketch, ‘Generous Friendship’, written by Craggs and
standard expected for public performance”. It would be acted by him and four others. It offered an episode in the life
interesting to know precisely how long this system of vetting of a shady medium and introduced a version of the Davenport
continued. Brothers’ cabinet séance and (I quote) “a new and mystifying”
Douglas Craggs devoted considerable space in this same report levitation, details of which were not forthcoming (although it
to the winding up of the Affiliation of Societies to The Magic later transpired that Edward G. Brown was its creator).
Circle, which had been in operation since 1921, in order to make Subsequently, in his Secretary’s Annual Report, Craggs
way for the new National Association of Magical Societies vouchsafed some of the background to this sketch. A year
(N.A.M.S.) in which The Circle would be an equal partner with all previously E.G. Brown had discussed with him his idea of a
the other Societies. However, it was The Circle’s President, the pseudo-spiritualistic playlet which he hoped to present at some
Duke of Somerset, who was elected President of the new future meeting of the Occult Committee. It was to include a
s

www.TheMagicCircle.co.uk APRIL 2012 THE MAGIC CIRCULAR 113

 IT PAYS TO
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114 THE MAGIC CIRCULAR APRIL 2012 www.TheMagicCircle.co.uk

 two young people, Rosemary White (Francis White’s daughter)
and Grant Thomson.
At the glittering Victory Banquet, Cabaret and Dance held at
pet materialisation illusion of his. With the advent of the Comedy the Dorchester Hotel in November 1946, on behalf of the Society,
Theatre show they decided to make an effort to mount the Vice-President Craggs received from the President, the Duke of
sketch, complete with fresh illusions as there was not time to Somerset, a portrait of the Duke for the clubroom and paid
manufacture the materialisation apparatus in the five weeks glowing tribute to the Duke’s untiring work for The Circle.
available. Consequently the whole script had to be written, the The following month Douglas led a party of members to a
illusions devised and constructed, and the sketch rehearsed and Press reception at the Garrick Theatre to welcome Dante on his
produced in a few short weekends. William Lane did the post-war return to Britain and on the eve of his London season.
construction work and Victor Peacock produced the sketch. It Their attendance had been kept as a surprise for Dante and,
was a splendid example of co-operative effort and Craggs during the reception, Craggs, architect of the Circle’s surprise
expressed the hope that post-war other members would welcome, invested him with a Gold Star MIMC and Honorary
collaborate in this way to enliven the Circle’s entertainments. Membership (Professional) of the Circle, to which Dante
As the Annual General Meeting of 1945 approached, Douglas responded suitably. And two nights later, from the stage of
Craggs was again nominated for the post of Honorary Secretary the Garrick, Dante interrupted his performance to tell the
but he reluctantly withdrew on account of his Government work audience of the honour just bestowed upon him by The Magic
bringing yet further onerous duties to his already crowded Circle, and noted that the Society’s Vice-President, Mr Douglas
schedules. He explained that the past few years had been Craggs, was present in the centre of the front row together
especially arduous and, in addition to the Society’s demands, with other members.
he had found his responsibilities increasing elsewhere to such On 13 February 1947 Douglas Craggs and Francis White
an extent that the unwelcome decision had become inevitable. participated in
And so, after five years in office, he was succeeded by Francis a BBC Broadcast
White, who subsequently became The Circle’s longest-serving to America
President. When Craggs took over in 1940 the membership programme talking
had fallen to around 300 and the club was under financial about The Magic
constraints. Now, despite the exigencies of war during which Circle, its history,
the Circle’s headquarters had survived all the enemy’s aerial library and
attacks, there were over 700 members in good standing and museum, its

Magic Circle Archive

finances were secure. degrees and
In recognition of Douglas Craggs’s impressive work as Honorary pledges of secrecy
Secretary he was appointed Vice-President, a post vacant since regarding magical
the death of Sidney W. Clarke in 1940, and at ‘Open Sesame’, principles, and the
the opening show of the investigations of its
Craggs onstage at Comedy Theatre, 1945
1945-46 season, he was Occult Committee.
presented with an engraved John McArdle, President of the Society of American Magicians,
silver coffee set by Arthur Ivey, and John Mulholland, Editor of The Sphinx, had been asked to
Chairman of Council, in the listen and they received personal greetings form The Circle.
unavoidable absence of the Added to the programme was a visit to Davenports Shop,
President, the Duke of described by two BBC reporters.
Somerset. At the 1947 Festival of Magic in April Craggs returned to the
Although he had retired as Tea Service presented to Craggs on bill with his ‘ABC of Ventriloquism’ of which Colin Donister
his retirement as Hon. Secretary
Secretary, as Vice-President, wrote: “His almost human figures wept, coughed and sang with
Craggs remained a member of Council and continued to play an equal ease. His technique was perfect; his figures ‘came to life’
important part in the Circle’s affairs. In November he was one of and we were caught up in an atmosphere of complete illusion.”
the party of eight performers who entertained at the Royal After that Douglas and his wife went off for a fortnight holiday
Hospital and Home for Incurables at Putney in commemoration at Lynton, although they stopped off at Bath en route for more
of David Devant, and as Vice-President he was called upon to magic as he was also a Vice-President of the Bath Magical
deputise for the Duke of Somerset in that worthy’s not infrequent Society, and gave a show in the Pump Room for that Society
absence due to ill health at this time. He was also a prominent with Wilfred Tyler and Horace King as fellow performers.
member of the Policy and Finance Committee, and he found time But the year 1947 was to become a very anxious one for
to write the preface to Edward Victor’s new book Further Magic Douglas Craggs as his wife Dorothy became very ill and, in
of the Hands. October, underwent a serious operation necessitating a long
Douglas suffered a set-back in March/April 1946 when he was recuperation period. Despite some hopeful breaks at their
hospitalised with a recurrence of a serious problem associated favourite resort of Lynton, her former health was never regained
with one of his First World War wounds. The treatment proved and her condition continued to deteriorate, sadly culminating in
successful, he recuperated at Lynton in North Devon, his favourite her death on 2 September 1948. She had always taken a great
resort, and Council was able to welcome him back to their ranks interest in The Circle’s affairs and would accompany Douglas
in early May. And at the June Social he presented a bouquet to to many of the Socials. The funeral was attended by several
Paula Baird, back from her wartime ENSA activities, as well as Circle members, the Council being represented by Neil Weaver,
paying tribute to Lucille who had just given her last show in Herbert Collings and Arthur Ivey. There were no children
Britain, and presiding over the presentation to her of bouquets by of their 24-year marriage.

www.TheMagicCircle.co.uk APRIL 2012 THE MAGIC CIRCULAR 115

 Tricks submitted to the Editor for consideration for
The Cecil Lyle Award, a trophy given at The Magic Circle
Awards Banquet, are presented here for your enjoyment

SLIPPED DISC BY TONY DAVIES MMC

T
his is a very colourful mentalism effect which doesn’t use Working:
cards. The spectator decides on the order of a stack of Get both stacks out of the box, don’t even mention the pile tied
eight coloured CDs and when they are finished the with ribbon, and fan the free ones face down.
performer reveals a second stack which has been in full view You are now going to appear to mix them but, although it
from the very beginning ... they are even tied together. One by appears that the spectator is given lots of choices, actually they
one, each CD is taken from the stack and amazingly, each time aren’t. Get several people to cut the stack whilst you complain
the colour is matched with the next one on the prediction about people mixing up your carefully arranged discs. I give them
stack. a sarcastic “Thanks! Cheers! Oh that’s just brilliant!”
The good news is that the effect is so easy to perform, The good news is that, although the stack cannot be shuffled,
simple to make and completely examinable. Nothing is added they can be cut as much you like. It doesn’t even matter which
or taken away. It is suitable for platform and small groups and I disc ends up on top; so there is no need to track where each
have also included an alternative for table hopping and micro disc is or to double undercut. It’s all just very simple.
magic fans. Now follows a real plus point ... you fan the CDs and say you
are going to stack the discs into a pile of their choosing. You ask
Set Up: a spectator to choose any of the discs to start the stack.
You need 8 pairs of matching CDs (or DVDs); you may find that This really is a free choice and can be a real fooler. Whichever
you need several types to find enough colours. Alternatively if one they choose simply cut the CDs above it and place them
you can print labels you can produce all sorts of patterns etc. underneath the rest. Nothing could be fairer ... it really seems
Arrange in a pleasing order (labels face down) and then, for that the spectator is calling the shots. You now put the chosen
the prediction stack, thread a ribbon about a metre long CD down to start reassembling the stack. Fig.2 I use the CD cake
through the hole and sew the ends together to make a box base and put the disc on the spindle. Ensure you put a spacer
continuous loop. on the spindle first as it raises the discs making them easier to
The second set is stacked in reverse order (also with the label remove – these normally come with the discs and look like a
side face down). I also use a CD cake box which has a central foam polo mint or lifesaver.
spindle which will store both sets and can be used in the effect The next part of the routine involves taking a few discs at a
when you rearrange them. – This is optional! Fig.1 time and asking the spectator how they would like them placed

1 2 5

3 4

116 THE MAGIC CIRCULAR APRIL 2012 www.TheMagicCircle.co.uk

down. This involves a simple, but deceptive, old sleight. Don’t hang on the end (hence the name of the trick).
dismiss this move because it sounds so obvious... try it! The conclusion is very colourful and you can build up the
You tell the spectator you will put a couple of CDs down at a ending with a bit of banter: “Well would you believe it?” etc
time. Pick up the next two discs and ask if you should put them The reset is easy. Just put the discs back on the spindle one
down “as they are” or “do they want them reversed?” If they say by one, thus reversing the order, and you are all set for a repeat
“as is” you put them on the stack one after the other. If they say performance.
“reversed” you openly reverse them and then put them down on
the stack together. Fobbed Off
Now think about it ... you are doing exactly the same thing For a close-up version what
both times but because of the language and the way you alter about using two sets of
your actions it appears to be the spectator’s choice. You can eight key fobs? If you buy
select two CDs at a time or even three, give the spectator the fobs with a larger hole at
choice. the other end, to hang
This is a very old move. I remember seeing an effect about them up, they will
25 years ago called, ‘The Tarot Speaks’ which used this accommodate a small chain
deception. They also described it as an old move possibly from a cheap pendant. You
attributed to Oscar Paulson. (Thanks to magic historian should also remove the split
Roy Field AIMC for this information). rings and the fobs can be
Peek the colour of the last CD as you put it on the pile. You labelled Garage, House, Car etc.
can do this quite openly stating, “This is the last one!” The other set can be removed from the chain and placed
in a line then revealed one by one. The prediction can even be
The Reveal spread on the table so you just pick up the chain between the
This is where the very thing that appears to lock the discs fobs at the appropriate point and the rest slip down seamlessly.
together actually enables you to arrange them just as you want This is an easy effect to make and perform. I hope
them to be. Pick up the discs and fan them backs outward so you enjoy it,
you can see the colours. Fig.3 I tell the audience that “I have Marketing Rights Reserved.
found a sure fire way of preventing people mixing up my discs ...
tie them together! There is only one problem, now they are
6
impossible to play!”
As you are saying this you do the following simple move to
arrange the discs. Locate the disc you peeked on top of the other
stack and put your fingers between this disc and the next (on the
recording surface side) then pinch the ribbon between two
fingers. Fig.4 Now immediately let the discs drop and they will
automatically arrange themselves in order. Fig.5 As this happens,
you continue to tell the audience the reason that you cannot play
them “... because they are stuck on this ribbon.”
This move just works brilliantly. The discs drop from both sides
of the fingers and this correctly orders the stack ready for the
reveal. This needs just a little practice. If the discs stick, a slight
shake will prove very effective.
There is of course nothing new in magic; Roy Baker did a
similar move with cards. (Thanks to John Palfreyman MIMC for
this credit.)
I now tell the audience that I came up with another idea: “Get
the people who decide to mess up your well-ordered life to think
like you do.” If you are a feller, and are brave enough, you might
claim you have learnt this from your wife/girlfriend/partner!
Now hold the stack horizontally and reveal each disc one by
one. Fig.6 It is very effective if the spectator reveals their order
from the stack on the table and each time they turn a CD over
you turn one over as well then let it slip down the ribbon and

www.TheMagicCircle.co.uk APRIL 2012 THE MAGIC CIRCULAR 117

 Ian Rowland MIMC

MAGIC ADDICT

T
he annual feast of magic, hangovers and howling winds, Friends’. This was a relatively informal, fun and friendly show
otherwise known as the Blackpool Magic Convention, has during which several of Wayne’s best friends in the business
come and gone. The phrase ‘bigger than ever’ is widely performed a couple of routines each, with Joe Pasquale (on
abused in the advertising industry but this, the 60th Convention, superb form) acting as MC. It was never intended to be the
really was the most extensive the Blackpool team have ever slickest show in the world, but it was lots of fun and hugely
staged. When I first attended the Blackpool shindig it was just entertaining. At the end of the show there was a spontaneous
a weekend event. Then they began scheduling a couple of standing ovation for Wayne, just to remind him how much we all
‘curtain raiser’ lectures on the Friday evening, just for insatiable loved and admired him. Another perfect moment.
magic nuts like myself who wanted a little bit extra. The Friday
evening programme grew and grew, until about three or four Mental Treats
years ago it featured a complete show and six more or less The Blackpool Convention has always been kind to mentalism,
consecutive lectures, the last one getting under way around and this year offered a couple of very special treats indeed.
midnight. I remember enjoying every single one of those lectures, Michael Weber presented a remarkable new lecture in which he
which I guess makes me a hopelessly incurable magic addict. taught a complete one-hour mentalism act. He pointed out that
Maybe there’s a ‘Magic Addicts Anonymous’ group many mentalism acts lack a clear structure, so he wanted to
somewhere that helps people like me. Perhaps they even have demonstrate how to create an act that had a clear beginning,
a ‘12 Steps’ detox programme, which would be ironic since ‘13 middle and end. The material was well up to Weber’s usual
Steps’ is what got me into this mess in the first place. (Not a immaculate standard. I believe the lecture notes detailing this
funny joke, but a clever one. You can’t always have both.) complete act will soon be available to buy and I will provide
This year’s Convention filled three full days. The official details as soon as I have them. Well worth looking out for.
programme commenced at 11am on the Friday, when what The Saturday evening show provided another rare treat in the
seemed like a few million people poured into the Aladdin’s form of Jeff and Tessa Evason from the United States presenting
Cave of Dealer Stuff, and didn’t stop until the early hours of their remarkable Second Sight act. In my opinion, which quite
Monday morning. Of course the unofficial programme lasted rightly counts for nothing, it’s the finest act of its kind in the
even longer, with some people extending their alcohol-fuelled world, and quite possibly the best there has ever been. If you’ve
revelries until breakfast and beyond. I didn’t take things quite been reading this column for a long time, you’ll know that I’ve
that far, although I can’t have averaged more than about four been hoping the Evasons would be booked for Blackpool for
hours sleep per night. several years. I was pleased that my dream finally came true, and
I realise that the three-day format may not suit everyone, but they certainly didn’t disappoint.
personally I thoroughly enjoyed it. I’m a big fan of the If there are acts that you would like to see booked for the
Blackpool Convention and as far as I’m concerned they could Blackpool Convention you might well get your wish. Next year’s
make it ten times as long and I’d still be asking for more. event is being dubbed ‘the people’s choice’, and when you book
Organising and running an event of this size every year is an your tickets you’ll see space on the order form to nominate the
incredible achievement, and one that I feel doesn’t always get performers you’d most like to see. The organisers have promised
the respect and love it deserves. The Convention provides a to do their best to book the acts requested by most people. I
great deal of enjoyment for a great many people, and Derek guess David Williamson may as well book his flights now.
Lever and the Blackpool Magician’s Club are to be warmly
congratulated for their hard work, dedication and success. Magic Ian
Ian Keable is currently touring his one-man show ‘Funny Tricks’.
Perfect Moments You should go and see it for at least three reasons. First of all, Ian
The Convention contained at least two moments of rare knows as much about good mentalism as anyone. He has an
perfection. Yu Ho Jin from South Korea has taken card impressive knack of taking relatively standard effects (such as
manipulations to new heights of technical mastery and artistic Confabulation and the Koran Newspaper Prediction) and adding
finesse. He performed his audaciously beautiful act during the some unique twists that only he would ever think of. Secondly,
Friday evening show and received a standing ovation from he’s very funny. Thirdly, you’ll get to see his ‘Bill in Lemon’
3000 people. The organisers asked him to repeat his act during routine. I’ve seen Ian perform this gem of a routine countless
the Saturday show, just because we all wanted to see it again, times and it is quite simply magical perfection. It is brilliantly
and he got a second standing ovation – a reaction that visibly structured from a magical point of view, with all of the mechanics
moved the young performer to tears. It was a wonderful rendered completely invisible as they should be. At the same
moment that brought the whole theatre together. time, it is richly entertaining, with every gag perfectly timed and
The other perfect moment took place towards the end of the every moment of spectator interaction perfectly judged. Anyone
Saturday afternoon show billed as ‘Wayne Dobson and who wants to learn the business of magical entertainment needs

118 THE MAGIC CIRCULAR APRIL 2012 www.TheMagicCircle.co.uk

to see this routine at least once, and preferably several times over. business card, and patter a little about yourself and what you
For information and tour dates, just go to Ian’s snazzy website do. The point is to give your spec a good, long look at the face
(www.iankeable.co.uk), click on ‘Touring Shows’ and take it from of your business card. Say you’ve written something interesting
there. You will not be disappointed. on the back of the card but you don’t want her to see what it
is just yet.
Fourth Dimension Take the
While we’re on the subject of perfection, I may as well mention spectator
one more example. Bob Cassidy is a legend in contemporary through the
mentalism. He is one of the founders of the Psychic Entertainers standard 37
Association and has written numerous ‘must have’ books psychological
including his mightily impressive ‘Art of Mentalism’ trilogy. force. If it hits,
One of Bob’s great passions has been the Three Envelope Test, turn the top
a classic mentalism routine concerning the successful divination two cards
of three questions or messages sealed in envelopes. Bob has over as one
written a truly remarkable document about this routine called ‘A and show
Journey Through the Fourth Dimension’ which came to my that you
attention recently. It includes some introductory insights into predicted the
Bob’s career, a comprehensive history of the routine (which dates number she
back to 1932) and a detailed account of Bob’s quest to find the would think
perfect method. The document is written in a charming, witty of. If it doesn’t
style as well as being highly informative. Truth be told, it’s one of hit, execute the
the finest pieces of writing I’ve ever encountered in mentalism. same move
You can download it from Chris Wasshuber’s site: anyway and say
www.lybrary.com/bob-cassidy-m-41.html. The price is 35 US that 37 is what
dollars, or a little over £20, and it’s worth ten times as much. Buy most people
it, read it, love it and you’ll have a superb mentalism routine that think of. Tell her
Top: Regular business card
will comprehensively baffle anyone who sees you perform it. Above: Distorted version of business card the fact she didn’t
say 37 shows she
Quick Trick has a more independent mind than most people. This is
Here’s a good way to prove that thoughts can manipulate reality. claptrap, but a compliment is always a brilliant way to cover up
You need to create a distorted version of your business card. In a miss.
the example show here, I’ve smudged half the design as if it were The situation now is that the spectator is looking at the back
wet paint being smeared to one side of the card. Note that this of the distorted version of your business card, but she doesn’t
distortion is confined to one half of the card’s face. know this. As far as she is aware, it’s the back of the perfectly
How to create this distorted version? The best way is to wait normal business card she was staring at a minute or two earlier.
until the next time you get some business cards printed and ask Say that the 37 part was just a warm-up, and that you’d like
your designer or printer to produce the distorted version as well. to show her something else. Pick the distorted card up off the
Alternatively, scan your business card and use any photo stack (the double facer below means that the rest of the stack
manipulation software to create the distorted version. Print this looks perfectly normal). Hold the distorted card with its face
out on to blank card stock and you’re done. Any 14 year old can towards the spectator, but conceal the distorted half with your
show you how to do this, or will do it for you if suitably bribed hand. The half that the spectator can see still looks perfectly
with a mindless video game. regular. Patter a little about thoughts being able to manipulate
On the back of this distorted card write 37. reality. Make some mystical rubbing movements with your
You also need a ‘double face’ version of your normal business fingers and gradually reveal the distorted half of the card.
card, which you can make just by gluing two of them back to back.
To prepare, take a small stack of your business cards. Place the Invitation
distorted version second from top, face up, and the double-facer If you have items, stories, jokes or vicious rumours of
on top of all. interest to mentalists, please drop me a line
To perform, take out your stack of business cards and hold it so ([email protected]). If you can’t afford Derren and
that your spectator can clearly see the face of the front card of want to hire a fairly good also-ran mentalist, or you just
the stack. This is actually the double-facer, but the spectator have time to kill, please visit www.ianrowland.com.
doesn’t know this. Point out any interesting features on your

www.TheMagicCircle.co.uk APRIL 2012 THE MAGIC CIRCULAR 119

 Mandy Davis MIMC Convenor of Reports
Photographed by John Ward MMC

whistle-stop tour through a number of well established texts ...

as well as telling of his personal friendships with many of their
authors. He kicked off with Harry Lorayne’s The Magic Book, his
own introduction to the world of sleight of hand, and
demonstrated ‘Foursome’ from Deck-Sterity with a kicker ending
from Andrew Wimhurst.
Michael related his admiration for the work of Derek Dingle,
even before seeing him perform his material in a Greenwich
Village bar. He noted how he found the techniques described in
print intimidating and a real challenge to raise his own level of
performance, citing Darwin Ortiz’ CardShark as another similarly
demanding ‘postgraduate level’ tome. This discourse provided a
segue into a four Ace routine which fused ideas from Cy Endfield
and Henry Christ.
Mid-way through the evening Michael introduced Chris Wood,
who articulated his appreciation for The Royal Road to Card
Magic by Jean Hugard and Frederick Braue. Given his
Michael Vincent
background in education, Chris was particularly taken with the
Monday 30 January 2012 pedagogical structure of the book and how it engaged the
Classic Books, Classic Magic – Michael Vincent MIMC reader in practical learning by contextualising sleights within
tricks. He said how this brought home a point raised with him by
Reported by Chris McGeever Ali Bongo ... that the only real way to learn about magic is to
Inspired by the recent series of ‘My Favourite Magic Books’ actually perform it. Chris performed three routines, including two
talks for Members in the Library, Michael gave us a from the book, which he explained he liked for their gentle,

Monday 6 February 2012 Rule One was to theme the first half of the show – taking the
Stand Up Classics – Ian Keable MIMC audience on a journey as opposed to stepping them from one
trick to another.
Reported by Tim Barnes Rule Two was to make the second half stronger than the first –
Ian Keable drew the theme of his lecture from the middle
section of Funny Tricks, his currently touring one-man show. In
this he presented five pieces of magic, each based on a
classical principle of magic.
Principle number one was “sleeving”, illustrated with Cards
up the Sleeve. Here it became clear that the classic principles
were just those anticipated by the public, not necessarily those
actually used in executing the tricks! So, we watched the
presentation of the sleeving ‘classic’, albeit with no sleeving
involved, and were then walked through Ian’s routine. Next
came “concealing”, illustrated by the Stodare Egg. This piece,
however, did involve concealment, both of the silk and the
fresh egg! Then followed “the hand is quicker than the eye”,
as demonstrated with the Sidewalk Shuffle. Misdirection was
next with Ian’s presentation of Sympathetic Silks, based around
the routine by Paul Potassy. And finally more misdirection, with
Ian’s wonderful vanish of money, a watch, and a ring; with the
money returning to his wallet, his watch reappearing on his
wrist and the borrowed ring appearing, unusually, in a nest of
boxes.
Next followed Ian’s “Six Rules for One Man Shows”, all
supported by examples and giving the opportunity for multiple
plugs of his excellent book Magic Shows. Ian Keable

120 THE MAGIC CIRCULAR APRIL 2012 www.TheMagicCircle.co.uk

 delightful quality – a flavour of Monday 13 February 2012
performing in the naturalistic Making Magical Memories – Colin Dymond AIMC
tradition of Dai Vernon whose
ideas he respects greatly. Reported by Tim Barnes
Michael returned to share his As the red stage curtain drew back we were presented with a
love of Ed Marlo’s body of work, most lavish display – a sparkling Jeff Jones backdrop with large,
including a routine he featured purple, velvet covered boxes to the front and, in the midst,
during his first appearance on Colin dressed to match in black and purple ... and with plenty
‘Fool Us’ with Penn and Teller. of stars! This was a lecture on kids’ magic and the stage setting
Chris Wood Drawing inspiration from Stars was certainly a sight that would capture the imagination of his
of Magic (particularly Vernon’s items in the book), he gave us a audience.
cleaned-up rendition of ‘Travelers’ as well as an interpretation Colin’s lecture, as with his show, was centred on his many
of ‘Symphony of the Rings’. He reminded us of the debt of puppets – some talking, some silent and some that sat
gratitude owed to Lewis Ganson for preserving Vernon’s (and somewhere between the two! First up we were introduced to
others’) material in print form as well as to Harry Stanley for Sir Nigel, a large green and purple dragon. With a target
further raising his profile amongst British magicians. audience in the four to five year old bracket, Sir Nigel would
To conclude, Michael pointed out that the aim of his clearly be a big hit – especially given the dragon’s ability to fire
presentation was not to encourage those present to pick out a green snot streamer from his nose straight into the
certain tricks from the books mentioned but, instead, to performer’s face!
consider the process of rediscovering magic published less Colin demmed his
recently. dragon routine as
He left us with the rhetorical question: ‘What does the study well as explaining
of classic books make of you as a magician?’ how he could use
Food for thought, indeed. Sir Nigel to quieten
the adults; also to
sending the audience away on a high. Interestingly Ian advised give a birthday card
the reversal of this for cruise ships, where a stronger first half is to the host, to
needed to both impress the Cruise Director and ensure the teach the audience
audience returned! magic words, and
Rule Three was vary your material, with combinations of long to give out publicity
and short pieces plus audience participation and solo spots. – with a clever
Whilst the first three rules were generally predictable, this was “Lost Dragon”
not the case with the second three. poster. Colin Dymond
Rule Four was to avoid references to the past – on the basis An Axtell puppet bird followed, or at least that’s what I think
that any presentation that offered to recreate some feat, from it was! It was produced from a Squared Circle puppet-making
times gone by, would most likely only disappoint. After all machine and then went on to perform the Indian Rope Trick.
whilst a magician may well perform a piece better than Colin explained that all his puppets perform some kind of
Houdini, they are not Houdini and the performance can only magic, none being used for just conversational vent routines.
be lessened by the comparison. Next we met Robbie, the Old English Sheep Dog sold by
Rule Five was to exceed expectations. Whilst this may seem Practical Magic. Robbie performed a silk routine, with the
obvious, the challenge was to avoid over-hyping a show. clever addition of actually eating the silks. There were some
Tough when there’s a theatre to be filled! great comedy lines and strong magic too. Lolly, an Axtell bird,
Finally, Rule Six was that there are no rules and all five of the followed and entertained us with a ball and change bag
preceding rules can, with care, be broken. Again this was an routine which included a nice bit of business with the bird’s
opportunity for Ian to refer back to some highly acclaimed head falling off into the bag.
shows reviewed in his book. For instance David Copperfield Colin clearly has a passion for his puppets – and each of
doesn’t theme his show; PC Sorcar performs illusion followed them had a very individual and engaging personality. This was
by illusion followed by illusion; and Ricky Jay’s show is one long undoubtedly why the normally reticent Monday Night audience
historical reference – yet all excel at what they do! joined in so readily – shouting out the magic words and
This evening of Stand Up Classics transpired to be a creative drawing attention to the varied naughtiness and mayhem
mix of real world performance and presentational theory – caused by Colin’s animal menagerie. As he explained to us, he
food for thought for us all! uses them simply because kids love them ... and we did too!

www.TheMagicCircle.co.uk APRIL 2012 THE MAGIC CIRCULAR 121

 Elizabeth Warlock MIMC

O
ne of the most exciting events to version of the Houdini Needle Trick. she certainly showed she had talent.
take place in the Regions in Kainoa Harbottle showed the Ninja Rings Lee Smith is a professional from
January was The Session in and effects with cards and coins, and Eric Hitchin in Hertfordshire who specialises
Cheltenham organised by Andi Gladwin Jones also did wonders with cards and in walkabout and close-up magic and
and Joshua Jay. This annual weekend coins. Joshua Jay was stunning with a card who is a popular choice for weddings
convention was started seven years ago effect and Andi Gladwin advised on and corporate events around the
to cater to the needs of those whose marketing one’s talent. The comedy of Piff country and even beyond. So when he
principal interest in magic is close-up, the Magic Dragon broke the seriousness presented his lecture in January to the
and from just 50 or so registrants at its of the event with his Ball and Cone British Magical Society here in
inception it has gradually grown to over routine and the borrowed note in walnut; Birmingham it made for an interesting
150. While it does not attempt to Mark Elsdon advised on how to read a evening. While there were some card
emulate Fechter’s Finger Flicking Frolic, magic book, and Justin Flom was artistic effects, he also showed a number of
started over forty years ago at the Forks with a novel card trick involving a picture items using rubber bands, a paddle
Hotel just outside of Buffalo, New York, of the Mona Lisa. Other miracles came routine with lighters and a version of
it nevertheless brings together names from Liam Montier, Eric Richardson and the business card. Although some of the
from both sides of the Atlantic who are Alex Pandrea. effects were not his own, he did ensure
at the top of their profession thus But the overall star of the event had to that due credit was given to the
fulfilling a need for this type of be 31 year-old Dani DaOrtiz from originators. While he may not be a
convention in this country. Estepona in Spain. In the style of the natural lecturer in that he did not always
As many of you are aware Andi encompass the whole audience, he
Gladwin and Joshua Jay are partners in certainly showed that he has the skills
Vanishing Inc, a company which not and personality to entertain lay
only markets effects, but also produces audiences at close range.
DVDs and some fine publications many Birmingham children’s magician and
of which have been written by Andi. long time member of the British Magical
The Guest of Honour was Chris Kenner Society, Quintin Greatrex recently
Photo: Janelle Flom

who has been associated with the David received national publicity including The
Copperfield show over the years and Daily Telegraph, over the fact he has
who, in a special presentation, not only finally had to bow to pressure and
gave us an insight into his work with remove a violent scene from his Punch
Chris Kenner
David but also performed some of his and Judy show as well as cutting down
own magic. Spanish School established by Juan on the use of the slapping stick. This 75
But there were so many other high Tamariz and to an extent that of Lennart year-old has seen bookings slump in
spots like our own Michael Vincent who Green, he showed the miracles that can recent years due to a change in the
is immaculate in every way from his be achieved with just a deck of cards. social climate where parents will often
magic to his dress. Appearing twice, he Deservedly he received standing ovations opt for a disco or have McDonald’s host
talked of his memories of Slydini, both for his show and lecture. the party, with magic and Punch and
illustrated with video clips of him Bob Hamilton, assisted by Sue, was on Judy being way down on the list. It is
performing, including his famous Paper hand with his wonderful camera to record sad for the older performers who will
Balls Over the Head on the Dick Cavett the different events and also provide the remember the time such shows formed
show. This was particularly interesting to video clips when needed. an integral part of children’s
me for I well remember Slydini when he Apart from the performers it was good entertainment. But the world moves on,
appeared at the British Ring convention meeting up with some of our members and we are now into the electronic age
in 1958 where he lectured and performed including the effervescent Kerry Scorah who where entertainment in various forms
his famous Mexican act. It was during made a considerable contribution to the can be on tap 24/7. But maybe on the
his visit here that he appeared on the weekend assisting Andi and Joshua and sands of some seaside resort this
Max Jaffa programme on BBC TV. ensuring things ran smoothly, and Laura summer, a five year old will watch in
There was the charismatic Wayne London who greatly impressed when she wonder a magician pulling a rabbit out
Houchin with twists on effects like the appeared on Penn and Teller: Fool Us of a hat or Mr Punch being attacked by
Gypsy thread, the torn and restored performing the Note in Lemon/Egg/Walnut. a crocodile.
business card, the revelation of a chosen While she didn’t fool them and gain I’ll be with again soon with more
card, the signed coin in soda can, and a herself a place in their Las Vegas show, News from the Regions.

122 THE MAGIC CIRCULAR APRIL 2012 www.TheMagicCircle.co.uk

 Illusionology: public domain material available it is a half of interview Fergus talks about
The Secret Science of Magic shame that, even if they are legally able to, these experiences, and more, candidly
30 pgs, 12 x 10 ins., hard backed, the publishers chose to use a commercially and openly. Lucky to be Alive is a
illustrated. £17.99 from your favourite available trick from a current magician’s powerful reminder of the strength of
book shop. repertoire without first seeking permission. the human spirit, and Fergus’s story is
That is not to say that Illusionology is both inspiring and life-affirming.
Reviewed by Will Houstoun terrible: it is a beautifully produced book Monday nighters have long known
Illusionology is part of the Ology series of with some excellent material inside. It is that Fergus is a remarkable person with
books for children, published by Templar just that if it had stuck to magic that is in a remarkable story to tell. Hopefully
books. It is a book available to the general the public domain, and avoided exposure Lucky to be Alive will give everyone a
public and, in terms of its production, it outside what is necessary for instructional chance to hear what Fergus has to say.
is probably the most appealing children’s purposes, it could have been the best
magic book I have seen. book available to introduce a child to the 24 Seven – Volumes 1 and 2
The book is based on the lost diaries world of magic. As it is, it is another good by John Carey
of a fictional magician, Albert Schafer introduction to magic, with its own share 2 DVD set, approximately 4hrs. $29.99
and, through reproductions from its of successes and disappointments. (£20) per volume from your favourite
pages, a selection of different magic dealer. Dealers contact Murphy’s Magic
tricks are taught. It also features an Lucky to be Alive – supplies, www.MurphysMagic.com.
introduction to the history of magic and Andrew Eborn Interviews
some of the most Fergus Anckorn Reviewed by Brendan Hughes
important historical DVD, 85mins. £12 plus p&p from Bob John Carey is a clever card guy relying
magicians. Magic Circle Hamilton on misdirection and subtlety rather than
Members Sav and Peter [email protected] or a bag full of moves. 24 Seven is a nice
Lane assisted the from The Magic Circle Showcase. collection of 24 effects spread over two
publishers of the book to DVDs (available separately). All the tricks
ensure that the material is Reviewed by Will Houstoun are with unprepared cards except Simplex
up to a high standard and You would be forgiven for thinking that a Transpo which is a transposition of two
all the information is correct. All this has DVD about someone who has been signed bank notes. Moderate technical
then been wrapped in an attractive bombed, buried alive and returned from ability is sometimes required but Carey
package that has some elements of a the dead would be the latest thriller or spy relies more on subtlety than bags of
pop-up book. As you read you will find movie. In fact those are just a few of the sleights, which makes a refreshing
a variety of flaps, fold-outs, props and experience that Fergus Anckorn discusses change.
pop-ups that make the book something in his interview with Andrew Eborn on the Take ‘Imaginary Reality’
of an adventure to read. DVD Lucky to be Alive. on Disc 1, for example: a
The problem I have with Illusionology, Fergus has had an interest in magic ‘Do As I Do’ with a real
bearing in mind that it is written for the since his childhood and, after meeting a deck and an imaginary
public, is some of the material they have local Member of The Magic Circle, deck. Using a Dai Vernon
chosen to explain. Describing the secret pursued a serious interest in sleight of location as a starting
behind illusions such as ‘The Proteus hand with everyday objects. During World point, Carey has come up
Cabinet’, ‘The Mascot Moth’ or ‘The War Two he joined the Royal Artillery but with a think-a-card presentation with a
Levitation of Princess Karnac’ seems to wound up spending his time entertaining normal, shuffled deck that feels like
be exposure for the sake of exposure his fellow troops as part of a concert party. direct mind reading. ‘Shh, It’s A Mystery’
rather than an attempt to teach the Eventually Fergus’s unit was mobilised to and ‘It’s All A Mystery’ on Discs 1 and 2
magicians of tomorrow. After all, how travel to Singapore and, just seven days respectively are different takes in the
many children have access to an illusion after arriving, Singapore was taken by the classic Mystery Card plot in which a card
builder or a fully equipped theatre!? Japanese. In the ensuing years Fergus was put aside before anything begins turns
There is then another problem with bombed, held as a prisoner of war, used out to be the signed selection. Both are
some of the material they have decided magic to escape starvation practical, fairly easy to do and very
to teach. ‘Telling The Time’ for example and, whilst still a prisoner strong. ‘Impulsive Revelation’ on Disc 2
is an exact copy of ‘The One O’Clock of war, sent secret coded is a great little trick for two people
Mystery’ from Jim Steinmeyer’s excellent messages back to England. where one finds the other’s card in a
book Impuzzibilities. With so much
s

In nearly an hour and a very clever way. There are also a few

www.TheMagicCircle.co.uk APRIL 2012 THE MAGIC CIRCULAR 123

 magician René Lavand, Mysteries of My him saying, “Second, third, top, top,
Life, and to interview him on stage at the second ...”, and the like. His technique is
2009 MacMillan International Convention. impeccable, and watching him deal those
sandwich effects and a nice colour There is a video of that latter interview seconds and thirds is inspirational to the
changing deck on Disc 2, and some and performance put out by International intermediate card enthusiast. Also shown
interesting and more practical approaches Magic and there are a few other videos of are techniques for false shuffles and cuts,
to the Do As I Do effect on Disc 1. this great magician, but Luis De Matos has palming, the turnover change and more.
On the negative side, the DVDs are done a great service to magic by The effects are for the most part Sr.
poorly shot and badly lit by RSVP Magic. producing this massive 4-DVD set, Lavand’s handlings of the classics of
Neither of these faults prevents you from appropriately titled Maestro. magic: Triumph, Elevator Cards, Call to the
learning the effects, but at £20 a pop, I’d There are a few quotes on the cover of Colours, Oil and Water, Follow the Leader,
like to see producers of DVDs spend as the DVD set which I’ll mention: “Performs and One in the Pocket Two in the Hand.
much time in their production as the real magic” – Paul Daniels; “A living These are accompanied by his signature
featured artist has on their material. In this legend” – Richard Kaufman; “The best presentations –
case the artist, John Carey, has spent a magician in the world” – Norm Neilsen. beautiful, lyrical stories
considerable amount of time on the Why do I quote these? Because after the which almost never
material ... and it shows. publication of the first book of René simply describe the
Carey is a great guide, his teaching style Lavand’s magic in English, Magic from the action. The magic is
is very easy to follow and his crediting is Soul published by Mike Caveney, some supplemented by a
impeccable. If you like strong card magic magicians focused on perhaps the most lengthy interview by
that feels hands off, and which can be done noticeable aspect of Sr. Lavand: he has Sr. De Matos. All of
at a moment’s notice with a borrowed only one hand. Why would magic from a the material is in
shuffled deck, have a look at 24 Seven. one-handed magician be of interest to Spanish with subtitles in English or four
those with two hands? Answer: because other languages.
Maestro René Lavand’s magic is extraordinary and As René Lavand says, “All that I do with
by René Lavand he has much to teach. one hand can also be done with two”.
4-DVD set, 8 hrs. In Spanish, subtitled in One problem is that he is not a great The techniques are worthy of study by the
English and 4 other languages. $150 (£95) teacher. He performs (in the beautiful intermediate- to advanced- level card
from your favourite dealer. Dealers contact Ajida National Palace in Lisbon, Portugal, magician. The presentational techniques,
Murphy’s Magic supplies, and in Luis De Matos’s beautiful TV studio) such as how to get multiple standing
www.MurphysMagic.com. 19 effects, all but one utilising cards, and ovations, are worth every performer’s
allows the cameras to get in and under his careful attention. His presentation of
Reviewed by Matthew Field hand so we can see what’s going on, but magic as art is worthy of study by every
I was honoured to edit Richard Kaufman’s learning these effects will take some work, magician.
book on the magic of Argentinian since his explanations usually consist of Bravo!

MY FAVOURITE MAGIC BOOKS

always felt about magic but never
known how to convey. In addition
by Will Houstoun AIMC there is certainly value in seeing what
a professional story teller thinks
1 Gibecière This magazine, published in slightly broken English, have a certain
makes an interesting plot for a trick.
bi-annually by The Conjuring Arts charm. They are also the only technical
On top of that, the book is cheaply
Research Centre, contains an amazing magic books I have read that deeply
available from Amazon and makes for
amount of historical information. It affected me at an emotional level.
great light reading.
features in-depth articles, translations 4 By Forces Unseen The Innovative
of foreign language material and Card Magic of Ernest Earick When
fantastic production values. If you are this book was first published some
broadly interested in magic history magicians wondered whether Ernest
these are a great read. was even a real person as the material
2 Ask Alexander This search engine, described in it is so challenging. Having
run by The Conjuring Arts Research had dinner with Ernest, I can confirm
Centre, is revolutionising the way that he does exist and the tricks from
people find information about magic, the book look fantastic in his hands!
both historically and technically. With There are even a few easy items inside
over 2.4 million fully searchable pages but I won’t tell you what they are as
of magic books and magazines it is an that would spoil the fun.
invaluable resource. 5 The Manual of Darkness A fictional
3 Slow Motion Magic, Volumes 1 and 2 novel by non-magician Enrique de Hériz,
Photo: John Ward

The two volumes in this set are the this book still contains much of value to
first books that described René Lavand’s the magician. For one thing Enrique has
magic in English. They brilliantly taken the time to understand magic and
convey René’s style and, being written manages to articulate things I have

124 THE MAGIC CIRCULAR APRIL 2012 www.TheMagicCircle.co.uk

 David Hatch MMC

I am sorry to have to report the death of recovering at home, Paul Daniels MIMC is If you hear of Members or their families
John Lee MMC in Lusaka. regaining the use of his injured fingers and who are sick or facing hard times please
Tony Hanscombe MMC is once more contact:
John Penrose MIMC is recovering from a organising the Monday night “Hands On” David Hatch MMC (Welfare Officer)
heart attack and triple heart bypass at sessions. 6 Darnley Road, Woodford Green,
St. Bartholomew’s Hospital. We send Essex 1G8 9HU
him, Scott and all the family our best Just a thought: Never explain – your friends T. 020 8504 4134
wishes. don’t need it and your enemies won’t E. [email protected]
believe you anyway. (Dame Edna Everage) Chaplaincy:
Harry Reeve MIMC fell and injured his Revd Peter Liddelow AIMC
shoulder in the New Year and has not Some contact addresses (see also the 23 Kings Road, Barnet,
yet been able to return to the Monday website): Herts, EN5 4EF
night club meetings. Get well soon, John Penrose MIMC 37 Spalt Close, T. 020 8441 2968
Harry! Hutton, Brentwood, Essex, CM13 2UN E. [email protected]
Harry Reeve MIMC Timbers, 2 East Moor Rabbi Geoffrey Shisler MMC
Barry Miller MIMC and Diane O’Brien Farm Cottages, Moor Street, Rainham, 10 St Petersburgh Place, Bayswater,
MMC are both patiently awaiting Kent, ME8 8QE London W2 4LB
treatment. Barry Miller MIMC 25 Lonsdale Crescent, T. 020 7229 6215
Dartford, Kent, DA2 6LQ E. [email protected]
Several members are on the mend. Diane O’Brien MMC 8 Windsor Drive,
David Drummond MMC is now Dartford, Kent, DA1 3HN

Obituaries
John Lee MMC 1927 – 2011 particularly involved with the various British High Commissioners
John Lee, born 1927, was looked after by two maiden aunts and and instrumental in helping organise the annual memorial service
later adopted by them, together with three other orphans. He for Armistice Day/Remembrance Sunday Parade which was a
attended Eastbourne College and made good friends and has moving ceremony with the Zambian army marching and playing
remained in touch with many as well as with the college itself bands and laying of wreaths.
which he supported. A memorial service was held at the Cathedral of the Holy Cross
He saw active service with the Marines and the Royal Sussex for John on 9 December 2011 conducted by Right Rev. Charley
Regiment. He saw service in Malta and Trieste during heavy Thomas, dean of the cathedral, where he was a regular
bombardments, and won his war medal. He joined the British worshipper. This was followed by a Sunset Parade at the MOTH
South Africa Police in Southern Rhodesia (now Zimbabwe) and Club in his honour.
after three years decided to join the Northern Rhodesia Police Colin Dunn
(now Zambia). He then opened his own investigation business in
Lusaka in 1957; was a court bailiff for many years and held
various jobs as a debt collector and latterly as a distributor for
processed meat companies until his death at aged 84.
From a young age he was an avid stamp collector – and his
collection is vast. He was also a keen member of the Magic Circle
and he delighted many of our children at birthday party shows.
John had a kind and loving heart, especially towards young
Zambian orphans, and supported them with education fees,
helping them find jobs and generally enhancing their career
opportunities, even when he had little finance of his own.
He was thoughtful, considerate and faithful to his friends,
colleagues and their families. He will be greatly missed by those
who knew him.
He was adjutant of the Memorable Order of Tin Hats (MOTHS )
for eight years and took his work very seriously. He was

www.TheMagicCircle.co.uk APRIL 2012 THE MAGIC CIRCULAR 125

Council minutes identify sources of funding
(£320 max).
d) Meet The Magic Circle –
David Ball has indicated that he
intends to retire from MTMC in
July at the same time as Diane
O’Brien. CMA provides
administration, but volunteers
and production of event require
TMC help. The programme is
set to the end of March, but
with bookings far beyond that
date so production plans for
future events need to be in
place by March. KR proposed
this should be in the hands of
the Public Events manager,
Richard Pinner. Terry Wright
MINUTES OF THE MAGIC have arisen.” He also drew commented that we are heavily
CIRCLE COUNCIL MEETING members’ attention to the reliant on volunteers and JD told
HELD AT THE HEADQUARTERS Council minutes of August Council that he is writing a
ON THURSDAY 2 February 2010, in which former Chair, report analysing the whole
2012 6.30pm Rupert Connell, expressed the event.
opinion that “While apologies e) The seat row lettering in the
Present should always be sent to the balcony needs to be changed to
Jack DELVIN Secretary rather than messages avoid confusion. The front row,
(President) passed on by a third party, these currently “P”, will become
Alexander CRAWFORD were not sufficient under Rule “AA”. Council approved.
(Treasurer) 5.9.1.” f) Terry Wright felt that at the
Mandy DAVIS end of a “show around” for
Kevin DOIG 2. DEATHS prospective corporate clients,
Andrew EBORN (6.37pm) John Lee from Zambia (84). something magical needs to
James FORTUNE (J Fort) Members stood in silence as a happen! SP to be asked to
Roberto FORZONI mark of respect. pursue this.
James FREEDMAN (J Free) g) Insurance premium is £16000
Matthew GARRETT 3. CMA REPORT per annum and needs to be
Will HOUSTOUN (7.05pm) a) Terry Wright, reporting on examined with a view to this
Alan MASKELL behalf of the CMA Board, being reduced. The asset
Fay PRESTO (6.39pm) sought permission to appoint register is in serious need of
Steve PRICE (St P) David Cheeseman as a director, updating. JD suggested teams
Katherine RHODES (6.36pm) as he has HR skills and of volunteers to take
Brian SIBLEY (Chairman) experience of employment responsibility for one cabinet
David Weeks contracts and changes in each. MD suggested the
(Minutes Secretary) contracts. “adopters” of cabinets might
In attendance: Terry Wright, Proposed AE. Seconded JD. be asked take on the care of it.
(Secretary CMA) For JD, AC, KD, MD, JFort, MG, Terry Wright mentioned that we
FP, AE, AM, StP have never had a Curatorial
1. APOLOGIES Abstentions KR, JFree, RF Advisor.
Noel BRITTEN, Richard PINNER b) CMA is in need of a treasurer ACTION: AE to liaise with Terry
and Scott PENROSE (having and Terry Wright sought Wright regarding reducing
sought permission for a third permission to appoint Kevin premium.
absence from the Chair) Laxton. AC had asked to meet h) General wear and tear of the
The Chair reminded Council the expected treasurer prior to building. FP mentioned moving
about the Rule 5.9.1 “The seat an appointment being made pylons with rope barriers is
of any elected member of the but this had not proved possible. causing damage and suggested
Council who shall fail to attend Subject to AC’s approval on that permanent hooks would
three successive meetings of the meeting Kevin Laxton – reduce that risk.
Council without the previous Proposed AE. Seconded JFree.RF
permission of the Chairman or Passed unanimously. 4. MINUTES
the Council as a whole shall c) Fundraising – SP to talk to On a proposal by AM, seconded
automatically be vacated and a fund-raiser, Victoria Carlin. by MD, the minutes of the
vacancy shall be deemed to CMA will pay her a fixed sum to meeting held on 11 January

126 THE MAGIC CIRCULAR APRIL 2012 www.TheMagicCircle.co.uk

2012 were, after amendment, would be followed and a policy AC is authorised to sign Council congratulated BS on
approved. Those who did not of no photos or filming be cheques for up to £250, his recent BBC Audio Drama
attend the last meeting enforced. counter signatories are required Award.
abstained. Discussion took place of a for sums bigger than this.
photograph taken in TMC Proposed AE. Seconded MD. Meeting ended: 9.42pm
MATTERS ARISING Theatre and subsequently Passed unanimously. Date of Next Meeting:
BS congratulated WH on his posted on Facebook FP suggested selling pots of Thursday 8 March 2012
first issue of The Magic Circular. accompanied by a negative sweets with TMC logo on at at 6.30pm
The Friends of The Magic comment. public events. FP to liaise with (no access before 6.00pm)
Circle committee is now in place AM proposed Secretary to Darren Tossell.
with JD (Chair), Aidan Heritage write to the person responsible MD congratulated MG on his New members elected on
(Secretary), MG and Sarah and request removal of the engagement, endorsed by 2 February 2012
Campbell. photo forthwith. Seconded KR Council. Stephen Evans MMC
KD reminded that a film and and unanimously agreed. JF mentioned how excellent Philip Brown MMC
photography policy is needed Bob Hamilton’s Christmas Show Danny Grew MMC
(NB working on this). PRO REPORT DVD was. Hans Klok MMC
Thanks to PRO Darren Tossell for JD suggested that a Magic (18 January 2012)
SECRETARY’S REPORT his ongoing work. Copies of the Circle Cocktail be created and it
i) There were four new book Illusionology are now in was further suggested that this Reinstatements on
members (see attached the library. might be run as a competition 2 February 2012
schedule). for the membership. Fay Presto Arturo Brachetti AIMC
ii) There was one reinstatement. AOB offered to put up a prize of £100. (with Silver Star)
(see attached schedule). NB had asked if a non-member
During an examination, a (Tom Sanderson) could help
prospective member had with the technical crew at TMC.
received assistance to achieve Roy Marsh had interviewed him,
an effect. Council did not feel he is engaged in drama studies
that the examinee had
sufficiently demonstrated their
and has an interest in magic.
MD proposed he be accepted as
Our Headquarters
own abilities and the examinee part if the crew. Seconded AE. Conventions
would, therefore, be invited to FP abstained. KR against.
retake the exam (at no A letter had been received
additional cost). from a prospective member
Dress Code
requesting access to the library Smart attire is required at all
CORRESPONDENCE prior to taking his exam. He was events in the Headquarters.
Omar Pasha had written to be advised that the library
Mobile Phones
sending TMC best wishes for was available for legitimate Please ensure that you switch
the New Year. Bob Yelland had research “by prior off your mobile phone before
written thanking Officers and appointment”. entering the Headquarters. If
you must make a phone call,
Council for his AIMC award. AC David Hatch had written please do so outside
had written thanking President suggesting that it would be the building.
and Council for his MIMC appropriate if a plaque could be
award. erected on St George’s Hotel, Photography and
Sound Recording
the site of the home of
The use of any form of
DVDs OF TMC EVENTS Maskelyne and Devant. AE
recording equipment, audio
Council is awaiting guidelines pointed out we need to follow or visual, including cameras
from NB. Fergus Anckorn is up the proposed plaque at and mobile phones, is not
keen to release a DVD of his Pinolis restaurant as suggested permitted in any part of the
interview with AE. He is seeking by David Smedley. Headquarters except by
Council’s approval to do this as ACTION: StP to contact Chris special arrangement.
a one-off. AE proposed that Woodward re. Plaques.
Gum
TMC commercially release It was noted that there is no Please refrain from chewing
Fergus’ DVD. Seconded by AM. mention of the extended gum of any sort in the
Passed unanimously. visitor’s pass on TMC website. Headquarters.
The guidelines need to be ACTION: JFree to get this to Smoking
consistent with regard to Club the web team. Smoking is not allowed anywhere
Night and all other events at Chris Wood had suggested in the Headquarters.
We all benefit from these
TMC HQ cover. Following a that photos and videos be conventions, so please respect and
question relating to the Ali passed to the web team as a abide by them to avoid being turned
Bongo Saturday Shows, it was matter of course. Also policies away. Thank you for your
understanding.
agreed that until the guidelines from various committees are
have been drawn up, precedent missing on the website.

www.TheMagicCircle.co.uk APRIL 2012 THE MAGIC CIRCULAR 127

Forthcoming club events magic goes back to 1950 as a Junior Member of The Ilford
Magical Society. Since then, together with Audrey, he has
appeared at countless theatres and variety shows around the
country with his colourful dove act. He will be delighted to
The Headquarters are open on Club Nights from 3:00pm until display his many posters, who knows what questions he will be
10:30pm. Unless otherwise stated, events start promptly at asked ... and more importantly will he know the answers?
7:30pm and are scheduled to finish between 8:45pm and 9pm.
Club Nights are principally for Members, so entry is by Membership Monday 16
Card. A bona fide magician guest may attend any evening that is MAGIC’S ROOM 101 – Roy Marsh MIMC
not marked ‘Members Only’ on condition that he or she is able to Find out what magical people, props, patter and paraphernalia Roy
show membership of a magical society. A non-magician guest Marsh’s guests Alan Shaxon, Richard Pinner and Paul Zenon would
may only attend evenings that are marked as ‘Show’. Guests may consign to the darkest recess of Room 101!
only attend two evenings a year. No guest may attend unless the
CMA is told in advance, so if you wish to bring a guest please do Monday 23
not contact me but phone (020) 7387 2222. There is a limit of THE ALI BONGO MEMORIAL LECTURE – Paul Daniels.
ten guests per night. All guests must pay a £15 entry fee at the This year, for the Ali Bongo Memorial Lecture, we invited a British
door and respect our Conventions. Indeed, it is your duty as their magician, who was close to Ali, to share his memories – and who
sponsor to ensure that they do. The Magic Circle reserve the right better than Paul Daniels himself. Ali was a magical advisor and
to refuse entry. See our website for all the latest event details and inspiration for a lot of the magic on the Paul Daniels shows
to subscribe to a weekly email reminder of upcoming events. through the years. Tonight Paul will pay tribute to this amazing
man – performer, lecturer, inventor and, above all, mentor to so
April many famous and not so famous names. This is a rare chance to
Monday 2 see Paul on our stage so don’t miss it!
TEACHING TIMING: THE MAGICIAN’S SECRET WEAPON –
Geoffrey Durham MIMC Monday 30
Magic is more entertaining, more engaging – and infinitely more NOT ONLY CLOSE-UP – Rafael Benatar
baffling – when it is properly timed. It is often said that timing Rafael’s lecture includes card magic for the table as well as for the
can’t be taught, but in his unique new lecture Geoffrey explains stage, a novel presentation for his legendary cups and balls routine,
how to discover for yourself the crucial moment to perform the and a variety of original effects and sleights from his current
move, the gag or the revelation. Using classics of magic as his performing repertoire. His explanations will be full of practical
source material, he demonstrates practical ways in which you can advice that can help raise the level of all the magic you do.
find that elusive split second that transforms a simple trick into a
masterpiece. Looking ahead to May:
Tuesday 8
Tuesday 10 STEVE DIMMER AIMC
NOEL BRITTEN INTERVIEWS BRIAN MILLER MIMC
Brian is the current President of the British Ring of The International Monday 14
Brotherhood of Magicians, the first person ever to be elected twice ALAN SHAXON MIMC
to that office. He was our Treasurer for sixteen years during the
Change of address? Contact Secretary Steve Price,
most exciting years in the history of The Magic Circle, spanning
[email protected]
the launching of the appeal for funding, the purchase of our site
Member in need? Contact Welfare Officer David Hatch,
in Stephenson Way, the construction of our unique headquarters
[email protected]
and its rapid achievement of its debt-free status. Brian’s career in

THE MAGIC CIRCLE SHOWCASE SALES

l Magic Circle Umbrella. Navy blue with silver coloured MEMBERS ONLY *please state your Degree when ordering
handle and printed silver logo. Automatic opening. £14.95 l Button Badge* £3.95 l Jewel with or without Star* £13.50
l Magic Circle Playing Cards. Poker Size with black backs and l Cufflinks* £12z.95 l Tie £14.95
gold coloured logo. £3.95 each or £6.95 for two
l Membership Certificate frames £19.95
l Magic Circle Key Ring. £1.95
These items can be purchased from the Showcase at The Magic Circle
l Souvenir Pocket Mirror. £2.95
Headquarters on a Club Night or can be sent by post to your
l Postcards. Four styles depicting posters from The Circle Collection, address (P&P extra). Credit cards (Visa and Mastercard)
namely Soo, Devant, Le Roy and Hertz. £0.50 each and cheques drawn on a UK bank accepted
l The Magic Circle: Performing Magic Through the Ages. (cheques payable to “CMA Ltd”).
Book by Michael Bailey. Hardback. 288 pages. £18.95
For more information
l Bob Read's Magical London Map. £2.95
Email [email protected]
l Inside The Magic Circle. Souvenir booklet. £1.95 or telephone 0207 387 2222
l Fridge Magnets. Four styles depicting posters from The Circle
Collection, namely Soo, Devant, Le Roy and Carter.
£2.95 each or £9.95 for four

128 THE MAGIC CIRCULAR APRIL 2012 www.TheMagicCircle.co.uk