PST) Pept chee conn Tg aN eV ye including Gilmour’s fabulous solos! » corr Roetun sagen) eke ero Pera CSTs eePink Floyd ‘Shine On You sd by Jari ition and i teveon: SP ont coi Allan Holdsworth Road Games, 34 PeteCallardi stilrecovering from the rauma of tabbing th row it's your turn to sve 2 Cap one co Villa-Lobos Etude No 1. Holdewerth coe 6 GhitarTechniqus orig 2007x . ag Ea Nile Rodgers. 16 : Lessons introduction 5a Tsang pesos uct Mingo Snr tough hs Blues 52 Classic Rock 56 Wile] 5 | Nene ten tS een Arn 7 Rhythm 60 Talkback. {8 Triple guitar assault from Iran Maiden | Session Secrets 6 Intro 10 | Nosnten ete peo ngs Guitar news, One Minute Lek nd move, Metal 68 Subset 94 oung Lod, Devin Townsend ‘Save monay an hassle gett deer 72 Albums, 90 (Tsp ofthe CD and OVO releases ‘Theory Godmother 92 : RGTGrade 5 82 pista etac eraser pass your RGT grace § exam Next Month 98 : Acoustic 86 Find out what'sin soreinthenestisuel Joyous ican fel with added sore tikes BCT ASE Sei ro) eins ree Spring 2007 GultarTechigues 7Thismonthis con't missgig.. 3 wir eho Ma ed Bemgton, 8 aya: Norcal ato ade line ot Soro be Sec aij fine 27 Laos Wry ta ‘il rh ono Wee Jane 23% Cub May Prk eee anchage MY? Tose ow of te words Sea Sage ad gla sme of te best pa: International Guitar Festival crores re visits from Holdsworth, Jorgenson and other greats. yi secten are RO HON THE 2007 GUITAR Tetriques day atthe Other wrkshopsincude a Joh Greene erate Intemnatonal Guar Festal Lenco, South Wheto rokiaz specal expr Bank Cente on Sunday Maywil feature the stylesof Brel Lagien, Lary Cao ‘lan Holdsworth in concert 3s vl a a Joe Bonamassa, Django felnhart John ‘masteress fam the oat mr, Sef, Steve Va, Pet Metheny aod Yoawe fT alan Holworthis medal gered as alse. There ao bea classic rock E cnet the 20th century's seminoimuscans workshop on Saturday 5 May ith Jon leo contnues‘o pusnthecuterimtsof_Scarmanga for sarly tage an intermedi instrumental technigueard the elecsc guitar's players. Not tobe missed tert psstabtes spanning from rock to azz_—_-Othe highlights icude The eh music joned bythe exeptonsl Jorgenson Quintet "Gy Jazz Clebration Alan Paequa Group featuring ze andr Jexgenson wall known nthe word of pep trummer Chad Wackernan and im Hasip. county and rock, having payed with ast ‘lan Pasqua ane the The New Tony Willams ranging from Bonrie Rat to Bon tbr He Lifetime long vith Allan Holdsworth and isa regarded asone ofthe roncers of the hae ance toured with atte a vere ae Amica gypsy jizz movers arn Bob Dyan, Santana, Joe Henderson, Stanley giant Gera Nuie wile at the festvel on late, Peter Erskine, John Paiuce and many Monday 7 May. Gerard is widely conscered ST Laure MR aaae ‘hers Holdsworth wl be dng apre-concer’ tbe the ot important lamenca quia cf tadeup reas baht, rmasercas host by Guar Techniques along sine Paco de La sigh th es DNA si with Chad Wackerman and Alan Psu -a Allconcers and masterassas ake pace Santee a good tne Unique opportunity ofan af tusion Thiswll atthe South dank Centre, The concerts an “THE SONGS. Wt cn ou sa/about bbeHoldsworh's any UX dateso be sure to. be baked th rfhuxauk 0108703 2 bara at canoe upen stage and Catch [Link] to [Link] ths ksue for) 800-400, Formoce deals us KG wrawigh psy: Anyi Ary Anarene ul ansoroion of Hedworth'sRoad Games. or k—seeyeu thee! Cort Olan, The Rds A ‘ely, squezebon, Wert Ge Fook saan Tom Seca Fe e515 andoade exe Hot much nap, Foes Again, Dcerber 2003; Pb 10 GuitarTecniques Spring 2007More Blues From Guy! John Moyer and Caras Santana Despite star ne-up, the na wat arg cenideve 10 somewhat confusaffeting Something seems Guy would eo ect ts this nec reco He oc Bilboar want ta go inthestudo reyv abe more creme tha have been. masking myrecord company nos, just ge a ache Who Henican Ere (Clapton) trying toteach me nthe sudo You dent we sbenelara how eget nthe rng, xing nevis fr fans am bear hat hice buen. Hs ost fing ‘Em in, eat ‘quests including Ket Richa, feof my 0 san a Gaon thing 1 me Just. rmesnd my gut New Album From Innes Sibun Ifyou ke your blues onthe fe and exctng Sie hen yu! be nterestedin anew abun kom vrae-making Bish gute nines els us that al Dragger willbe coming out in the sgn but you can’ wai tat on you cas Ceacines xe good to Keke up the back, Saysinne, “Tm Backrore has el rc 2 ry Gal, ey Bucharan ane Rete there-or not depending on lazy There wil bos tunes and sore mandain sf oo jst eo set venting up in he srl, record everthing Ive ae se what happen. Tal Oreageiscut sponcn les Maller ecards Iv [Link]) il ccc, pi ty Oav mayen upon cole of ecu NAME: Kent sos sept meena techno SPECIALITIES: Froese LEVELS TAUGHT: oginners 10 SIGHTREADING Lp Susie LESSON CHARGE £25 6° fear 19 pe 572 hou EXTRA SERVICES nc 00 First Lady Of Rock’n’Roll Dies kaye Halon guar: Mi her rathes Noman Kaye ard testi eel. eo rank Ros, re care February 1 tom pulmorary fone ofthe erin exponents Srete She wae fhe Las Vegaslounge sound Mary Kaye become known The to would lay ats into be the 1850r whan, aangide right a the cys Front casino hotel eating aera kee the ‘gamblers up alright: Kaye ak became dost asocated wih the Sratocaie seca ne st naman te havea gir named aftr he — the Eonder Mary ye Siatcarter She wa aio the 008 own of ho monet, “the fist of kt Born Mary Kau, sho wes inthe diet eof descendants of Queen luckalani-Hawaks lax ging monarch, Dung her time vt he Mary Kay ti she fecoeded 13 albus and 23 shes ‘Fill The Gaps’ Chromatic Blues Lick ‘Ths nite takes sino he vr of Cheat, Ha oe not nota! Annet peatenc have sme en ised ou by the aon ofthe ising rete tht al beween the Teor one. Ore yalthing tobe Shute of Fetes bow thre aba sele tone linger eter he ‘ane othe ‘ae leach beat Posionina te ees nts fang on astena best. Gutasts suc Spring 2007 GuitarTecniques 13,> le Rodgeshas been ansstoutarstand podkcersnce the 1970s fromhisband Chie fer 1976 wih bast Bera Edvard 0 jae rahi forth is Situ Sledge (We Are Fm, 1273, ‘ara Ros (Dena, 1980) Dav 198, Macon 388) The Vaughan Bote (Famly iy, 1985) nd Je Beck Pah 985)hes been responsible for shang hestysie Dalpcfor made gov gut, ‘He cn Sat ons hve feted recurs hts $0 wae ih ie GT caught up wth the ‘nat ink gitar No ory we ‘tte shoot tn een nr ME sesek@aacousenouah rec ‘unique ies backin hes. See fis 1th note ym gerius ‘apa you tot Gt: Youre ners tha tage ‘angeofqutanss—aeyouabg fan ofather ayers? Moneren, Fac de Luias mich {288 kg, The cowie tthe atstsiing my osm ateic orale eee naas Thay reste Berard Tic basil isret as theyre ess. Board ‘woul ots Inasenoxgh rte for 1recoes when ne werevedingen astonesong! 9: en van dyer have fount ese toes? 16 GuitarTecniques Spring 2007 NRIs wok there of minor chore eon Chics Good Times ands Fao Bate a's Dance its bazedin amar ky! eto add seme wits. on cies Rel Peel ure he chords Fem Gers Got yt, That as ‘at Rel People asthe yr Changes withan Fa roo. The en sher hit a use neo ches is Ser Slee We are Fam, That son hada turaround pt jt fer the Secton seas cremdascenang his cana toma roma tan cae Clden Of Goa rat sat Wooo They gia Sora Caled Do What You Wlnna De ae thay ha fine tha ag thetic of min ergo. Then ther we vote We Ae Fai | ‘Sift Bemad tat wanted 0 sickitn Teer havea preteen or ‘ny iy, aneughbsng agutar Tike forthe open stings AES ityou sera tbe namones ae atleast alistemoresympathtcl But do ie arety Le reakis in 2 minor, Eresbody Dace in Dance Dance Dance in Fano Hes Ths Greest Dane en G beet had te open ti sting hee. Hoedown ean The Mahar Orchestra wend peda ‘mene sting ow payng nts ‘there youcan indids openstrngt ‘ith rated noe, Gt Ciewnre soe asain ‘ction Hew ad yo ges goed? INR: freer tburs| wuld ulbackabit es tery Thompson (chics drumman hada tendency tosh ee something more emrmon wth gars! Thats at of what made th Chic bums So unig though hat constant pulpuehqrooe But bce Che fy secton wa rand aces to Tony, and Tenylocked to me | asta senate groove template for che ine nen peje tha ear and ma would fase ny: 5, would It playa then ernaxd woul folbw Tay, who was ering to re Use my foci en the hha srdmacing safe hat tard my ‘uta are syne, Whee slo fenstage,yulé race that Omar ky’ chi’ ve ure i hat iceerearing at me though he rrentors and my qatar Bscearing thvoush hs. Samestuaten wth ty ure ployed oth he Tory Thomson, Cra Hak, Sse Frans and Sonny Er We can ealy lve wha'soring enna gioo stusion asbath the hott ond guitar aren atsimleny hgh recumnces, Bang he oooh oe atom pocket Istana a ebout ey fet eon undeand ht cones of bina. When hic pay we ely ‘roo Hal ofthe fans ono erlopra he composition bt to ‘oon ssmplst capone ‘rion that fora whl, Gr, eles stor wing Lo Peak INRé twas Hew Vers ve and Crate ones had aed uo Sudo Samos NY eh, long ese sre adnmver been bee, ‘hes ance Dance Dance waza ruber ane Amica but tha hoc telecon fo he meron the doo So eventhough we were ‘ng specially. ste hare sti (2 umes away! Dajctd ne 90 cougie of bates chargaane Swan tau the comer omy house Werecresed up nour sus ookngHke Che ad stare xing out deren by pig ntchampagne ani manana, We ee srging Tuck of” because nae hat came to midafer ur Freak Out! With Chic’s Nile Rodgers From Chic to David Bowie, Madonna to Michael Jackson, Nile Rodgers is one of the world’s most revered rhythm, guitarists. Nile talks exclusively to Jason Sidwell and shows GT why he is the baddest on the block! trstmant rm Sto 58 Bara looked at me wie we were Jarra and sa, “You know, his shitisappering® Thatrade us foci and dlp tro Le rea ‘When fm nthe tuo tne tory use ae tack fo gitar ewevec did someting te ferent with Le Fak. The bac ties nat ery neces rutesetrings nse Ioose summing, then recorded anathar rack where rede t totam bse arn, ack ot thesrigle notes Theta tacks vere les gether anno Split in ster 50 you ca ht Jistsound fe ne ft and res them guitar pat teak he iggas:satng Singleve ver writen, produced ‘chad anything todo th. We inlly played tr auc compa tut soon asthe record ‘wae tnetea we looted up a the ene conference rom nod ‘enpie sae te Berard ane present of econpony waked initha yr slem eck enhis face and ake ft ad any elen the abu Hosalasho promotion ous i thik they fous make tired werk on fad “They nt feng he esa told him eta 2 ot steenge onthe bum tat were beter than Le Peak cxmpotioaly a nlc, but hing as Succ a that cul be. Hea theyre hen net re BE pape hale ener i the sae ness rene arses aly have eying to do with sce! ‘Alo eco peopled understand how power agoore secian arangenents When che Tired a take woul tke itt a nghtc fil of rangers end play they danced was 900d Hthey dt it suced. he used twat nl he dance oars ced and then put the reed on. "hs a a by ite that tl beer lnmindunteneve! make recor, {By etme! getsomettngtothe 66 When Chic finished a track we'd take it to a nightclub. If they danced, it was good. If they didn’t, it sucked 991m SELECTED NILE RODGERS PRODUCTIONS: 1879 Sitar ledge: We re arya) 1984 dona’ tke vig ium) 1904 Dison Curate Reflex cing rem) Wid 1904 Oses: Ad Educaten sng) 984-eter cab Watch The Fre and 1884 --hroau-Reonlahtna sng V ston) cen canpsny mez rforewth Queers ot Deacn thee. John bod th Feng dy we we zee 1905- nye ses Te 1985. corr ee Leena bum 1886 Duran duran Notre album) $989 Dan Resa Network Som os: War Overtime un) Thing) 41953 Dai ee Aon Your Eth Ute Mout (urd 1983 Ec Choton stone Fee ere) 1886-Eeb Dyan ing Oe ora) — jedi linet eon sree cord eresng te ans He Soy ema de to est (oe ays woh ate Bees ‘ou ban edo ov fo rom hyper are a st obo, twas atoupai | Sting 2007 GutarTectniques 17etd ern Set ie owed 2oay Star, Young hws eg mesn andl ome, puting me toa est, thought arte oat ee rote jetinthemsctasres and oo, Sure Dad, thnk these songs ae past Arbon hey ware olay it ch nat conte is Teale at ast theo nc that nee Oa acd ake it he saying tek on re They aera Dave pins wth wader plete other words hecan witean atc song ad oe an anes at wi ‘When Davis Bate wrote rite ond he gedit me ona T2tong quarts 3 fokescng, thought, "You can play led #onp Les Dance | we dae ate anyone ce wore its op, peed. Ther be layed Iggy Po. Aga, eid’ thrkin | 18 Gitar Toehigues Spring 2007 eat Hoy gus ets do this!” snd thebars plye hesong,Hevealy loved tr 0 ke tha “Thatsthe most enous haben lomyli bu tamed out bea rill ste. dear n mevievaythng ebe ‘nth bum had been recoded ‘eo eser by Sou oF by srmebody eke, Someta ad done Madem Love; ned done Ch i vt ogy are Cat People sth Gigi Moroder. The pont im Imotngi tht tof ptopleonh, rowtmy versions. Asa produces, you hee tes famenar ge 8 {293i ie and hopeful ag ‘axhence, Ad thats what David ‘bum ofits” Thewuth is cou Spc thot Davi eh Cae rovechsaten woud hav layed Absit Dai the msi was ‘ger, Thats what ore bout eing 3 pede can ccs ve tea boundas es natin ace aad reputation thatsbelog sl. ‘an werk banshee and tryst but t's peope he Bowie ‘whoare peentha!t ore wer Souwhen Davdghoned reo nought he vs tring ike me & Jetscrch Lets Dane knee oud Sut Bait wont 12 hsincamatonitcou be abt: He compete woh hse andsad so thevalt yas oeatand ves Ike‘ thought ne shed ethrvseumy ‘Ohman Sowhen goto werk had necaled ie ? Ba conthssonguiththe band we got 3 producer my ree. to hel an Tingssered Taubes as rte te von and nhs totaly aid beene house regard ithink vat bd, ‘youd hate Sol ult Hm ase White tose and teat suggested Tehoughthesong stouldsior, GT: Didyouayoy vexking wh Iplaed the rtgutart the te Vaughan ees See Ray ‘len gata arin fourths andhe waren Let's Dance an hen oF lockedatme and sad "Woo that's course, ou rocked the 7900 ‘yest”Solsad, “Nouthnkcthats abun, Aan Ste GET THE NILE TONE {Ny palin tom my Heater utr Ws 59 har white Sra ‘hat ato ee ether te nse ace ut he nek plu fn. gofor asim buteutng fone ca hat ey nate of er All hs che sue vere mort Ol quran es Soretnes ben in same an one ema ela C120 or ere in ‘hese yon gs Rae Foc Win with a Pai Clank 52. Sts suis a8 adel tps dont know ayone ‘atric ay ha tha the nessa My ecniqe Sc ha [en 9o wvough 2itinashow, sual aor sur ats theonel uh wth anata leg at-neurahoa aor ke 0 py Pate. Soubuya Feige penne srea te inner tan that. oun hey sed ‘be ad of erakechal pasic thereon red ow of acargoste ‘Watgiesalttemore Thshasmoreplabiey at doe absorb as mich most, oes chan of baking tet ther om Dalla aor vt ystinge INR sine ely hed Cre srt Str Sedge Mle ve Fly an vase thee ange cutde Inycarn ta could her what auafler Ths was way bere had baer proved with Madonna Fabulous Thunder production reve ocr, heared Inter ta do aracrseth Ms bathe and tan Thi car Fara Sy, senate te nrloce cf what the twootteed, That was atic cd for vba ithe Plyedtogethr a ht 0 ‘old espealy whan they ard ied it rely led ne. Hews 3 tome. When gt the busi esa back, ook ito my car sd crodwhlelstning to. We Fadallcen a good fre ahead elt that ri and Stee wos en here nas et Beck are sabi Fash, INR¢ Fm not sre who conacad ‘aor fest bt ove Je Back ands hing to wore wth he, Hower hs inialides or ash {though he was joking at he ves ead eeu, ae ese Pair Spinal Top manent. though we {decor 3 igen ol Caos (fie tien enundes arse) | menage to chergehis mind aout fesengit Tora gone nt ‘deh eff eck would Hae teen personaly very evaring but tule have done wel Atlee rth Flesh ge i ck ‘ogetne wth Roatan for People et Ready acualy had ‘mot un playing eter the Honeys with abt Pat, ‘wea esponbities Sober ‘aid uo as rot, Neues inetoceng hin avertopay GT Cooyy a at Nile was generous enough not only to play and record the examples that go with this piece, but also to supply their accompanying nates. Take it away, Nile. “Ts tea groove tha’ based matlyon ane ste single-note | ed he Roland VG set oa Twn amp emulation ane Tokai qua ented and asl that we usd tocal'dancing round the groove. Theseurcicaricnsaatype"areas coped my pl by Sat one “hs if vocatve of arth Weed And Free actly hing of Sun typeof und I oskedawhileago with Donna Summ ar started || Goddess by Romsey Lewis but sete the minor Sthehardeaut. rm jamring the and she sang along witht. used one of Joe as’ ed || taking ann ero and then movingitgown in tholesteps—E11 19 _Tbarezquiars sane by him. Grose feb ike Chic'sEveybady O71 OC, Wequte ambiguous asi ostsbeteen a majorandminer Dance vth abali-othewallhythm gutar apprcach Spring 2007 GutarTeetnigues 19“hss atypical Chictype ea, let using octaves What od wastale — keepinathe ier sing muted fr macimum clit. The guitar used the roots for le eae vnerewe ga ngs bregesecicnrf]and) was The Mims. Appa. With octaves use quick pekstums cos several tines, 2 ee Se a Here moning zie sik to my rocve wring. Tisthe tlt gjoove-oietated andy cou get aay with eal jazzy sound thetmalermehaogy Thsknd of Ramone statue very deepiyin chords Maiko’ Sng It Back rom a ew years ago sreinscent ofthis ry su. The ret thing about dance musc nthe Toswasitwasealy ut doesnt goa fa as co hte, Agi Tse the Joe Pas uta. 20 GularTeeniques Spring 200746 With Chic, no radio station would have played it, but with David [Bowi the music was pure genius 99 Invarte ot sorting based upon a macrroavesa| wedamsjor right sale the ceror change ta someting motel tat node pe scale but atere.I’sbased ne ror Tih chord tonality is pentatoncbesad He blues ~be bap ora ner approach in ther but the pearson senguar When yousclo over changesike tas you words, | [Link] a O2zy ilespie piece clea Con Alva 0 even hve he option lay someting verte ver ach chord eting the thoughits nant mode you can ay Poveotaly cei comeir oa Fait dau i ae fe mar Aina? Feit ‘hromtchom bit hat ccs throughout the tne. So tsa Ltn dance ‘foo hace upon aoe Pas song = eve mang Up ilurces Yet oan, luse the Joe Pas ita. {is Latin type of groove bes on from aoe Pass album got 452 id. The song was calla Vere Cruz orc has a nie moving os {indo thing nt Woceleadng) soto hehe lanes Bnd hore’ Q amar Ewe Anat Spring 2007 GuitaTeciques 21a ene ONTHECD @ Tacks 1011 Jewel In Their Crown Pink Floyd: Shine On You Crazy Diamond Willimprove your: sw Tone-ands-nat ante. tone bends a Multhayered gute pare iventve seat fects PINK FLOYD ARE one af he ‘mostimpartant and influenil rock bans ofthe at 40 year “he quartet torted out a5 psjchedsticpop bard in the late 19605ith Piper AtThe Gates OF Daw (1967) and A Saucerful OF Secrets (1968) David Gimour was brought int the band during the coring of A Saucerful OF Secrets when Singegutarist yd Barrett became increasingly unstable Floyd went on ta become one othe mest adventurous groups ofthe 70s with alours such 2s Unmaganie 8 Clouds and legen A 13-minute epic from the classic album Wish You Were Here, Jamie Humphries reckons this quintessential Floyd track includes possibly the four greatest notes in recorded history... FCT STRING BENDING avid Grou is renowned fot his arin srg benting, And if any of ou ced out my Ale Xing festa yor you wil be able ee the influence that King had on Gimour's sie. though ths uock vey sow te keys inthe praaog, Including touch, dynam and beng ~ Gc mato a toe some ofthese Bends reque Toc ofstenath and accuracy trom the fretting han vere notes are sounded by wy of» pre-ben thou hearing cmb 4 ha chosen pitch This eee ete it ela cieet te te eae Pe eaeaa tem rcae a are ta Sap crece yal mea eRe techniques presented inthis rack as you wil need masterpieces The Dark Sie: Of The Moor, Wish You Were Neve, Animate an The Well. Stil zeling fom the sucess cof Dark Sie. Gilmout Roget ‘Waters, ck Writ nd Nick Meson heads et the studio to mark onan album ented Household jects the idea being to produce music thou any conveationaliesturnents for wnat woulo "You Were Here The project was eventual scope and the band benan ‘work en Shine On You Crazy Diamond, the main componens recordings rom project made it onto the naw including sound effects ‘on Welcome Ta The Machine and the chiming waterffed win asses onthe into to Shine On The rack was meant be ‘one wale side of vn Bee ‘Atom Heart Mother and Echoes (on Medd). Bu the bard soon found that al the yrcus parts mace toa leng for ase Side soit was spt in half and used 19 bookend the aur. rer member Syl arett cone Wish GET THE TONE 18 ord Gio is recede is arene tone as wellas is abulous playing. He ees old pada ane ack euipment aa Pte Comic som Funning 3 wet, dy, we -up based around Hiatt ‘amps anda modi Ale bass had. His tone By varaus stompsboes, each on pec tunes nth phic 1s. Heo wes od MR ya Comp ‘Comprsie pads, Fra detaleiok at Me seins [tvour ses enous tone on the ak, with he ita tone sounng amas Ded ith ‘ongiesion an ree and ie ane backed ft ght Then ryt tone for "he eho Sight onthe tun, 2s ast breaking Up Batis anced wi 2 oar effect aes or an KR. Prat 90 Toe stored tones nou tse Dae) rodce by either a fuze Face, a Celousound or Stange Fuze The guitar used for theses was 9 Feder Sat Ise my Muse Man Shouse Spec luegns inmy Comlordcombo. wed amine of dita lug effects am a 1 Ponercorecar and 3 'UaD effects ea lus a genuine Un-be ns byra om pe ae vad my ne S startin pedal forthe fuzzec:up lead tones. 66 David Gilmour was a huge influence on me, man. | love Pink Floyd and absolutely adore that guy’s playing 99 Steve Lukather 22 GaitarTecimiques Sing 2007 -Per AeHOW I GOT THE TONE notion tothe month's transernon young erst to lenin on repre the Pik Fs tones ve was asked 1 ly fot the use Pk Hay Shon inte USA and Canada hia Fenovined Ove Gimeur mpesonstor and Aue Fo found ember Sten McEhoy cones to coer the Uk and Frope tha only two Weeks to fen 38 soe vata trop of ning fos Tae 2 day. At the endo och doy | wou tun everything nant. spent most the second week practising the oni et which woul Be rotated over The course 42 sows The nent challenge was vt tae the tone, she ss inaartan ith «projec ol his nture ater much ecuson wrth Rik Lew st Sure Great n Manchester eventually dace to fake fy ad frm he grat man hse and do what David mur does and miu peal wth ack ‘ear | used a Voodoa Lab GOK Sytem, a rack unt fonfaing a sere of opsand a Ground Conv | Boor chose manture af Goes pedals many 2 ashe inspiration forthe track ond Syl alegedly wandered inta Abbey Road studio when itwasberng recorded. Barrett hae gana act of weigh ‘nd had shaved off his har and eyebrons. Waters was 0 tisressod by his that he was Feduced to tars, I's said that ‘cho the emation within the fecording of ths beautiful piece 19 = 33 isdue thaw theyal fet ater such aestate 24 GutarTeeniques Spring 2007 seeing thet echandmatein Diamond es truly cassie piece of rock musi t Features ome of David Gilmour's best and most emote gutar playing. That famous fournote fcpeggi is ured brillantly inthe secton betiieen bars Notice hows, when changing from the Gm up to 19-5 for my bai delay and an Octave pel ps a large colecton of MXR peas including aDyra Comp chorus anger, Pate 90 and Sart Gate fishing of wit the plendis Reolon Tema. ‘ass nested en ogra. Alf my pss (here maurtdon siding ays maak an could be ‘accesses indial fs patches er the Gown Contol baat loning an combiwton of pedals 2 ttetauchofone sth Tale used an od Marsal JX for revert and med dels si 2 ple ae ean unt Some of he ffects wantin te X00, ‘while thers were Fon-end peas used two Comfod KS0 heads and two ‘aston but x12 Comfor abs he dls ec chorus effects etrned to tesecand head fd coud be enced with an re Bo vl: eda while the other cab at tone a a tines have lead begun planing more ations trnpovements fo Ue sein forever 1600 ‘he bad ater inthe ye My choke of guts? Mise Mano courte! ud a coupe of ot silnouste Speciale ane» Cntom Ax Supersport ‘don tuned ane lor Boas. the C, the final E note targets a tltferent chord tone each tine ‘over the Gmn7add6 i's the 6th This makes the change resolve ina oyous anduplfting way = somathing ta aim fin your own wing If youmanaged to catch st year’ Roger Waters concerts you would have seen GT's ‘nin Dave Klminsterhaning reed Berti ui dhties Dav took me to thei Hyde Park 99 andit as amazing. Thanks to Dave, | 01 asked to tour the USA and Canada with the sie Pink Floyd Show. The feeling you get ‘shen you play “tha chor at the begining of thi track in front ef 10,000 peoples fsmezing, Davee on tout with Roger as we speak and the ‘Aussi Floyd head out on thei Uk tour shorty, shal be jing the band again ater this year on fapother tour af he usa. GT urs ted from ind 4s Medal Dark Side OF The Moon, Woh You Wie Hee, Due my aletime farce, fnimal eating Doge ering tack, Ae ts forget ther 1879 masterpiece Tre Wal some of ienever Shue athaush stout Lap of Reason arc The Divslon Ge ae alt reat Blecesof work Rito picks ‘ayLenn nats Rapes! by persien ibe Musca atone AZY [Bars 1-6] Yer the ong lesboard section the fist qutarslo enters based around G riper pentatonic. The guitar very Geen sounding, with ompresien. Ths secon in fee ine, so use the tabistave a2 guide ‘dremember to fel your wey rounh, making sure that you hold back ‘on some othe vats. Aso pay aetion to thebench, 25 his section Includes tone-snd-a-bl bands and pre-bends Gee Technique Focus), yea 025) —— 180) 5} 345) cet 2s HSy Ea) — 10 0-20 “sez 20) 1 rete eee ai “ONTHECD % [acs 1011 [Bare 710] Heres the remaining eecton ofthe ita solo which again induces more blesyfee-ime phasing with Gilmour nature bends As before, ay cose attention to the phrasing an feel your vy Through the sole. XN 126) —— shane 1206-— snare sana 108) Spring 2007 Gultarteehnigues 25 NEAM ie | a {Bars 19.5) Tot eoxny rd Ga pert th $1 26:3] te ar cor gps some pov cas Werle Hcetec'akmatoctemgetetoned — Nrsaten hs ben araqgea ote guar aie cD ihtetontn te oum balsg tb 2 Feifoner none aneect Tel end feu sco Soper ee abr 35, : pen ft en Spahr 0 = fe os conte) lee psa Fs os ones thas i ei ses = i 26 GularTocnigues Spring 2007{tars 34-39] This next solos once again based around the G [Bars 40-47] More uesy pring a lage bends here, Pay itor pentatonic seae I fal of bencing fqures 0. particular _atenton tothe lst wo bash ths sation as he include some ‘rtemion tothe benes atthe end f bar 38, where we Bend up a pretty icky bencing eas fone lease ad then Berd up two whole anes. uch oe Seino) 15) — Fond Sag) aon Spring 2007 GultarTeehsigues 27 xyaE eT GOREN ON [Bars 48.60) Ths isthe rhythm quite par thot accomparies the [Bars 61-73] And hee kis! Once again the soo i fullofcilmour Spalselo. thae orangedtissecton for hwo guitars mixing igh bends and bivey phrasi-g. This sof sigh more aggressive, Sabbing duble-stops vith th intervals, Tes section concludes ‘witha ore ovordrven tone ard tat rotary eect, ‘vith the opera ofthe nex auitar ol, By S . om om sm one 28 Guitar Techniques Spring 2007rte ONTHECD & [racks20-11 [Bar 74-83] The fst verse and chorus. The verses very sparse {Bars 82-85) And we tte tothe bridge! Ths outlines the ‘rit ole ues) eke around G rinarpentatomevath theceaus chords of G minor, D aul, Bo and C7b9, th 2 medi, singe Incr ‘descensingchordsfaure rote phrase, The rest ofthe progression uses cord pags 9 butine tne enone a tie a Se 17Ws 8 stiri * th [ea] a a os ole es obo cs ols FS fon oat SS == x Spring 2007 GuiarTeehigues 28ar AeA [Bars 90-101] Another our of vrss nd choruses To save on Space have repeated tz action but nched the ational ls ‘nator noe ot bendag pment outne Ne ord Je tsie boodsed antec gheondidudesemec sl isatthe nga he Vrain hed he bar ruber Bae cenentie Te set. “ ce socr er + pepe deep | ex, as Eee ft ; Sarai tt ee ee ge ee eS Stns) 9S es3 | aes OM ae iW 6 ee OSI aH Ow (10 cop [i] om emacs fee — —= 7 — SSeS 30 GuitarTecniques Spring 2007[ars 102-1191 This she str ofthe cos secton and kicks aff wih the famous enor again befor beading niga cool chord dipecalo secon aCe ONTHECD © Tracks 10-1 | {ars 112-128] see the fel and tne signature chenge ting He ‘echiigue of etre modulation. Ths toute repeats fade athe end of ths epic wack Spring 2007 GxitarTeehigass 31eg PINK FLOYD g Additional ticks 1-3} These ad tinal ks are used inthe feat of the second grupo verses and chores, Speciicbar ones ave been qhen so thal you can replace the ikon the Inainanscrotion with these alionl icks on the repeat 32 GultarTeemiques Spring 2007 Pe feats SSeS Sas F Leena’ . ee et a = SS : oh Ess + 7 . 3 a i —— = ir Sitti aPea eA Yorkshire Terrifier! ; We've been promising a Holdsworth transcription and here it finally is! Stretchy chords, ‘cut’ legato lines and even epee ieee in jald on tight! this early ‘Bos classic. Pete Callard is your guide - 68856 5 EI 192PNc Pioneer Advenced | mioever thou be ting feature on Alon things longi st get he ih The Ee Seer ature) hae unpre ben: subleson pate Buegittachniaun ieee eae ‘ ‘ y | Anvouahierewmed ors fownalegso sve, between both hand, cng i st ane Wi ge Cron acu, | flusworthempermance wit appiag nthe ead on each erie of the Joe Satan pees sBretieg hand seth | SSpvsoccunlyontneRend Games abu and” Wagon Doy Te Beach, Ws wor rena acing THeiie mck esureSerl opp sectors The tha Road Gave peasiedbot by serves. f Wintueksteppeeminior2éanerehetolers Holdseert topped wing tapong aivostentey | i (etcetacom testnas topbavin heswcond aferRoed Gores, other than forecazeraly | ROAD SANS Eine ie tate 1 Winger neste ree ctora os | fomAlntotves bea wMtegamin et noe ora? Revi asotarntsionbecranttd | ‘meu’ marked teonyy {tse Tapping ao festuesin te soins tot hemor started odo tht heey my sleoe fiom anunhaony erate | izttgywttldmcsth seg Metating nd It hand became and don twat het eppen” | ane Brothers ought bout by aracommendation irevtibeVonralen Depte —awoundasinple fin Amit, Holdsworth, nothing ays Infect. it bear 3 ubgukous ree oneadGncanin Wepidbesenas aster tehh simpler lng, andheauitces that Hose oon exceed sereaeeeNie Sepped” —shulestarund opm bul todsorsonat bar 2) andthe _itfom his leyng, brandi nari MedGees, Wwetaracibediesanattine tvechanges to GM abr te, sper The second ha of Fee tmreaieal”” —cgunnamanutieatoroundcangng 174 tbat 28for re soo features sme taeark seater Peng st Natipmsttstiyémarly alot sane hts Clrane wide stetches and pee) t cretiateebecmaedie Thetscesarsuihan Chord desfaiasending na 117-118) Ate the solo thre’s Selinandlogtmetckierth stenting fr Sino thenevbocete the another ese andthe rack en Sieeaateredieuruar = arse aene oes Tener thechonssecion st ythabasscs fom dalf dein ce monte hemantace olowedtya bara2isbasedaroinds very or F9oxertploed by Nk weenensipecuan es negc¥adas) chore ADnIA —stelcy TDareage hens Peston or the eon feroleravices fom peycmdteakstheBegnng back there Bars 7110 You whe fot teint OT Tousominelovandenpest brtveveck rope ellowedty. 7 fetue esting ard very Cota Pau Villans leer themamvere if barD The, speed chal tappre econ Saapeniee ack orinerest orl vo eatueshoroty — thtareyrepied te est Sree otaku Guapoieatterttiiay” ou Sattaandh Bs Parcs Fei Wosb Ges harmonica» Tye etenes for he ade) For [Link] 38 oe theese Seer qcoddeimoestagntorsst!, thetrsciptonT ve aranged andehoussectn staat iat Seer Comuhoreddiartis, — Rloronegutarbmed onRow bar Beth what curse a ears ter Tanclmctigaytaes ——Alnplysitive Tas teing——selesofanguohed reg bends ‘EVAN era sane al ‘but which I'm sure are actualy ati Oe ea ae GET THE TONE Teernlocrbcoba cave (Tien BEEdcreiisatecbaycecedimnstaitertionnan | Witexivesninoociane tiMe ERIE rps and Chel out ath castor nod Seer Buran or Heksworste ats Seren ces See nem eR Ontetnalicens coe tohenearere eae Tees cael eae cere een fechrique wih guitarists ke (UK I abo esata ening and Sa aaeorkeed Kengo, Nike, tars PAYG ARE 46 Ihave to keep hearing a musical growth in my playing. |just want to play more intriguing or interesting harmonic ideas 99 Allan Holdsworth 34 GuitarTeeiques Spring 2007 ai 2 axace ee ALLAN HOLDSWORTH ROAD G: intro Teja ttures an acendng Deda afpegaio which Holdsworth {ear 31 The une cates ta an ert noe ae ‘hows down a semitone and comes back den ee arpeepo then rnkes taster topo of 1pm Tne Dias 3 payehond ‘Sun anther semitone ad goes back w, raw between quntoets and asaya Dm rad ples on op of an A ted For {inpotes The crabs) chord tht folous a Cea treswat 29 added wich Weldswosth usesa characte sethy yee ely Bare across the Ist et nue outsecond ge forthe vlc inarpratng open fifth nd rst gs, foot andthe est seu fl unceforta nt lace. meee 36 GultarTetmiqnes Spina 2007Lie Era eg ONTHECD © Tracks 12-13 {ar 24] Holdsworth uses he second finger) fr he topping {are 25-27] Lie the ain vers ihr cows veqvencn pays a tbthathecan angen os pck He takes a quntniet pattem Single noes by hatmony guts onthe og! race but ve tab bes (esentily a ino trad) acon the stig, mown kona inmjer the volangs Holésnerth pays ive. The sequence ual ues a aeat Sree When cangeg stings, nemmer onthe fest nee wth te ontrary mation dea ~ mer tiads moving in the opposte Section to irsting hands fur ingee the bass notes andvoced so that the top note of each chad moves pin semitones payor Spring 2007 Guar ecnlques 37 SS)EN Em Td ALLAN HOLDSWORTH {bars 39-411 higher mony note is edad forthe at tree bas, {eave 4.6 Although ne sick the same aricuation pater fr hough neues te sre sie, pulht patter sthe vst ofthe thsentra hgh hamony tne, Ne escatea an ateratve approach fo ‘re f'snot prsbie on ashalegutarsohere'sen aerate paten. one uta {Bars 42-49] Forth chorus Hodavertn pny svete F6/9oicn9, [Bar 63] FortheD ov bea iveHodsvorth awl ses tle tring athe 3th ret The bot four notes are ala 3th apart finger up fon the pesous noe t the fourth sting 12th re, playing (ut harmony snk Eey Sreath You Taka then aepstetching! __ the folowngncteC) with hs second age and the with Ms 38 GuitarTeeniques Spring 2007eB rete | “ONTHECD % [racs1213 | [tor 741 Te ero dow fora need topping section and matesinto aight fee Holdsworth (Bars 7578, 83-871!" rot sure Mow ‘hover beeen apd notes eth hs king an stand ve fingers ond arimetons wth ltenteral ts but He seurd ofthe open Pe tetng hand fst an thr ges ro pula areiwole, he us rms ane se of Seconda fourth sngs comes tough as Angers and anmete-ontn theater. nelne version, Holdsworth uses sage PaulWilams part ofthe pater in hese at, {dare tessa thee ret to prevent unre sting nee an ety veto of Fa {Giber' arn capo" See GT135 DVD}, although aha bar or smtar an abo werk. “pp ate Shag em cake or one ial N Spring 2007 GtarTeenlgues 38eye eG ST lune rae) [Bars 88-93] The slo starts ih what sound ke Sour bend but hich pretty Serv ore actualy rate bar scoops Fat the ote a the nda et ep PBS) and press dow onthe Bart ously te ate of ta note in bracts, then ly and Fring sou upto ph, Te wba bat atcuation prety key othe festa of ths so check au tm orginal carefully. The tuchharmeric nba 91 poss Uitertonal = maybe evsed ty Sing the sting wt he peck or thu? 2 i) = 0 GuitarToeniques Spring 2007{Bare $04106] Trove sightyseonantdoubletop eae wtvibate ba seops are anethe Feture of Hokseth's Boe laying, ari he teeta ena pn bar 105. Tyre used for expressions much as anthing, fro can als be hearin ahs ho De ake Tha das. (itera Fate) 2 stan (ee) PaCS Yo Te ONTHE CD % [racks1241 [Bars 140.116] Ts second haf ofthe sal gets ey fst ad utse and he lings havea mre front foe than sate laying. ars 11 ana 112 feature 3 seichy hs pattern which start long, toting ne that has ey ite to do ‘th Am’ Holdsworth basco playing ‘out tut, based around superimposing Xarcus arpeggios (Om, and in ar 13, Br(nei7l and GEM in 14, | {ial coming back ie awn ugh ba 15. Yikes! | ‘Spring 2007 Guitareehniqus 44ar AB atte ALLAN HOLDSWORTH ROAD GA {ars 1174191 rare ample Holdsworth sing tapping nasal, (Mara 198-124] vokiowth svithos to conventionalangersavorie athoughifsanyiing bur patter based. Inbars Midna T12heseems Ast heer of bar 118, moving no some stk speggio Wess, tote sng two ing hand ogee proba hs stand the) to {edths ide then Di and Fn? In br 120, and Bin 12) and play the high A and Cnt an approach was avare that he eer then #heaiy chromatic sequence esoving back ta Amin Bar23. ‘sed but thats cain at sound ke and can ee haw ee For the nal note side uptoitandatthesametimescoop wih the | coud nave played wat bt then a8 brat again usr the bat Smo eh | Se aaa 42 GutarTeemiques Spring 2007aarea Tet Ee ead adie ONTHECD © Tracks1213 | peers 44 GultarTecniques Spring 2007A Segovian Study Heitor Villa-Lobos, Etude No 1 \illimprove your: ‘aacpenaio playing Clase fogechng Cre deelonment HeIroR VLLA-10805 1887 1959) the most celebrate o 1) braniian aeseal composers Fe boasts a prolife output of ie auitar musi ecupies an important postion nthe dasseal guitarist’ repertoire ait has ‘en tuted an recorded more than any uit ices Vil Lebos wat a conductor and instumentalst as wel as 3 ompaser who played the colo, uta, inet an pina is fis important set of guitar pieces ‘the Site Populate Bresienne In 1923 he moved ta Paris where he was accepied andrecognised in the innermot French music Cicle He became a praessor of ‘omnpoeton athe Iterations Conservatory of isc and aso Inet the mous anf Spanish guitarist Andes Segova, vio encoxraged him ta verte more for the guar. The Dotncentsr GET THE TONE sir vt to Rave good picking hand al shape 20d quality in oder fein the nates prection andciniion Ara gcd genes ace, Jour picking hard ingemats haul e jst wsble when you ook at Sour hana straight on th hepa fina yeu ct nal Dos be Dolled ta smooth nah th sna le. Go Te your cal chemis td jour st macs vie ak oF seo astra he or tute they hive THe consieracon wll rakes huge afeence to eee ee cise ae atte Continuing her occasional look at great classical pieces, Bridget Mermikides guides you through one of the finest studies of them all, from Brazilian master Heitor Villa-Lobos... at aS CLEAN AND EVEN PICKING smir'sa good idea to eam te plein hard fate ison open stings earn bar 1 without ny fetng). Sarl and tee and adil Mes ome, Next, accent us the fg th peed repeating the merece continually) Ywoughout, then jst he sand) aro tobuld stamina Tavecaratoieeptnesemi-quners of Therap no chaque by vengiening ie | evenin tytn and dears tne ‘elpendence ofeach Hager tur, the tate |S jcentng each dit nur sa useu practice gol being to ply al the soles equal in Boh | approche pita hand deelopment Tene and vole For ample sar by enphusising just the ums ip hohe be playing he frets t 2 ne 2 sere of works that ae hn ickmati ard techveally instructive, os well scaly satfying works in thar 04” fight. Alteough ted tude (or Study’ werk thal fcuseson 2 patel technique ater than ‘verll musical depth) these are ‘weighty performance pices, no just traning too Mast ofthe Eades fous ‘ear on one partic Technique For example {arpeggios in Nox 1 ané 2, fretting ane slirsin Nos 3 ‘27a 10, epeated chords in No eetinat in Na, esle techie in a 7 and percussive ‘echriquesin No 12. Desote thelr tecnica practicality shey encompass 9 huge ange o styl uence ranging from Portugese fae, Brain folk apd dance for (nelucing the Tandon emboled}, pss ‘guitar composes suchas Mateo Carcass and Dion Aguado en the musi of Chopin and Boch. Ae seh, they represent 9 fusion of Brain foktore, utr pedogogy and highsart muse ftuce Ho voles, 2 repeated picking hand expeagiated pattern snost throughout, wre the fretong hand provides the harmanic changes. Therelentesy ‘epeating thymic pattern ard ‘evcving hamany ae remecert ‘of Bach and Chapin, But ths & composer care up with the 12 Studies (Douze Eues) Segovia compared them to thestuses ff Chopin and Scat fr that suceest in ecmieing porte content ith didactic purpose Other workewntten fr Segoul ate she Fie Preludes (1940) andthe Guitar concerto (1951) Other guitar pieces include Marka nD, Panqueca, Vea Bihan, srarian Sona, Proreee, Quadra, Choro No 4, Madina, aria From Baciana bras oS and Distnbution Of Hers “The Etudes of Vila-Lobos are ahugelyimpertant eto Faget Vill-Labo% nn paving experience combined ‘nth compositional artsy and syle authemcty helps to unquestonabya gutarwork, ‘uhh eslots the pec sis of he fretboard to rete ts engaging textures and chord ‘eings although almost excels comptes asin Batten, the ue of open sings doubled notes voiceeading and ‘tamatic harmony create a spel: Dining arosheve. See yousoon with another ‘rent stien pect GT The 12 Eudes re ese and interesting pieces, They nave Been fecoxdedoy mary lnporant ches guitars ‘trougnout he agesincucing dren Sogo, lan Bream otter Katt The Complete ‘Solo Gut Mus, Heitor la- ickes by tebvilan rellan Sula Fablo Zann isan Stour wslworh nrg a ‘tants te compet oi0 ‘rorksot Vilas and ae ‘een honoured by avi as “he deftve recording" 66 Etude No 1 is a guitar work that exploits the peculiarities of the fretboard to create its engaging textures and chord voicings 99 46 GultarTeenlques Spring 2007om bee Abo: Rew Stel -To)- Teele ode [Bar 4 onwards] The picking pattern in bar 1s alinost [Bars 24-25) Ths isthe frst chord using diminished 7h shape constant throughout, ejg mastiyenp and with manda andthe wo outer sings lt open, En} as ve 20 Bats being used on the upper stings. Aim forconsstent volume hromatially descending ‘thoughout the pattem. J 19 sono 48 GuitarTecniques Spring 2007Spring 2007 GaitarTecnigaes 49Slide Like ChrisRea “" &) Join John Wheatcroft as he takes to the road with Chris Rea - | ‘iddlesbrough’s most famous gaspel-blues guitarist who has also managed to sella few million pop records in his spare time... ha &&6 eseeato GET THE TONE sranecathicie cine (ated age ede SL sree toner Wilimprove your iar ve | Fare oe ie toslirtope a ght usble rredan gauge ick ote body (es plete and hen py BEST KNOWN FOR his dstncve ‘gasiye a cts baitone vaca syle ard he knack for composing milion sling pop sale sae. Back Tour av cities playing me On tis outing, sequta wa fas ako one dam itarstsuith side 4 ir nthe kre, ith ie such as tended morovsed ola 3 alowing Christo realy Ti sna the end for the blues guitarist Chrs ste crete proces 36a ci play gta hisfrst Fool Ye fe Greats the 2 ehreatening cneton fequiing extensive sure Chis as hospalsed fox some'ime, sng from ts Area ots okt on toate yea. Lt tome Aer the il Iya going 0a ith ong tuts becoming npicatec io going he deco Recent though that wast ging ims back nto 9 | the company Ine any more e- tee motrs very sight sopping turn The Bit then sith actuating both turntables metas dnd auto st he sae tive. The woud engine then experimented by tffect as om, Agar ft is tea he woul hve set the Staring pot of hero perfec recorders to ig san don naire dS tntable he ape spe payed _ routing | oscar speed and depth sein} svithboth hoe | fomputtngafngeron the flange invecord mode. The two | of eneafthe takeup tape ree, outboard roe be acrrmlehes that erg thesanl back and forth ave the rere ors point The the Manger case the signal in the fate. The es s geting ‘ery lose tothe cts pont but hotopngunder ana back crt sour T0FOUEY This month, Dario Cortese meets the challenge of writing an entire article about phasers and flangers, without saying, ‘Set to stun... Doh! Jeph of moulin. Lett or sclume ot the effects o the maingbetmeen effect and ‘ry sign Inthe elects cin, ‘by and ‘Thanks amiion to Dore ‘Marks for paying he bas on he TCD and toy Grays, Fi LUperachand Steve Tonto for ‘hei heb. OT. Hole (ston fre Gale (09 s OF as ttl ttre eke Get Ie Funk wy oz} Witon Sensis (Ludebach, Ta) ‘aches Hare Sere “oeeg) tanger Stan Gap), Er is 8 Mose angen Pi 0350 ery commonorkeytoar payers. (6 The effect is two identical sound sources with a very short delay, with one of the sources ‘swimming’ forward and backward over timeE eS BS ia aby yi aoa CXS Romer Thscouldt be mach of the phaven the the moduloton stor the entire a. You Ma Ate a é =e = = | | Exes Cuno | Fak waa he 80:1 Gb Sal st he fargo vey saw te hap handset fest thnoesaliewey ough f ot tosbou Ope con endtfe day a wood 10. Ricerca tye re CN Ramee) otf olume Use a dean Fender type arp tone ond serine i {ig0ms, 40 percent feedback, 25 pereert value). ThsisckepD ing and an rou bs played th hybrid en ecg ip an POD‘xr SERIES AU ROU tu A STUDIO ae oe etONTHECD & Tacks 26 Cis oe 5 pareulr example Record a dry ular ack copy #1 and st the flanger mix contol wet! and adjust speed and forthe route tne wont use the rack nthe mb), Cpy the tace and dep oaste Use te sare volume Tor both racks, THis Tth- ‘move 1Oms carer time a'callit coy AI), Coph the cy tack shu. gin keep al te ghost rote in theres aan aid nove k Om ten te copy #2), Use a Manger pin on GREAT SAVINGS ON THE STORE PRICE! © FREE Danelectro FAB Distortion pedal © Save upto 35% off the shop price y livered direct to your door every month © Get your copy before it hits the newsstand © Don't miss out on the free CD every issue @ Postage and packing is included in the price © No tisk! Youcan cancel within 60 days and g refund on any unmailed issues Gee Order online [Link]/GTQ-A001 eeare nena Call our hotline TOLL FREE on (erlang arth Amare) Cl 443868 438704 7-800 428 3003 jeting code ano (rarer onine at wwnmfavauerogamnesco (ter en:4 une 2007-es and concer: Tsar fore Noth Aretansibsrers nly sar snip o maby Pac ali fordcvery ot yar nthe cally event of secs baconirgesasta, we asanotha ght toutes ith tre Sat ‘oli You wllecce zis-e9p> yor Yeu odacipbon wit str wit eet valde sce nm subset ten earth at Inv tient ays you edad ary Way plese oy in wig eee wana your aud ese 66 GultarTeeaiques Spring 2007SS Bs Da ee | _At The Speed Of Sound Having cut his teeth shredding on stage with Steve Vai, metal monster Devin Townsend is now ripping it up with Strapping Young Lad. Martin Goulding puts his foot down... 6856 Moderate/Advanced Willimprove your: i abtsing seriue lel ors ahha 999 Stokes tight sl. onthe digs angled ick te Frcs in ron fe miro and becomevallknawnferpushrg (fer acorn ss nd ed GET THE TONE Deu sks SFO outer wa MG BT pears. Theopen ‘unngisa bg sen! hasourd wth th sngs ures CSCC Dev Sinus sane sng nahihesame ting bith heloges sing Tuned 0G Thscolarm oz an writen for ie ssn anna, GS Ecce gape siz re Dens cro fo th patna ath 2 Mes Dun ster eas ead CR aca wath an EMG Bt Bede Plu hough Mes bua Retin naa tes Tu scraps Devy Recor n 1996, cae atmosphere compost. [I like] The Beatles for their melodies, Zeppelin for the open C tuning... and Pink Floyd for their textures ») Devin Townsend 68 GuitarTecigues Spring 2007Spring 2007 Gutaroeaigues 69ONTHECD © Tracks 30-43 eels ipsum as ees youre ca on soul gn etalon ct carat Ihespadrondes Wop etvesnsed gas arawortee Repriee Merretum the wa uth pce athe | Tis mica peda ibn ue a cot feel turtng les Senate cling taupionutresne srt air meing fear ek angi oneach in ans 70 GuitarTecniques Spring 2007SN ‘Giepiing ae retina hard ruting i comet ay th aes yp of jot arcda mage & atonal) Hequery hear n Oevi's ‘ond pos ergy ah anoastoe arn ings sey teens ert | | Racratdestopesand patie itashoun,chpueinaclnes nay Pekin eroughon CMe Ps ko ‘Gent palm me tho peas ae ete up yout reg hana is Cera Ina 13] enon ribose Wah eu a oe ‘apne ‘hele apeher a baling up he oie othe ee pce SS a7 Gres Spring 2007 GuiarTeenigues 74ONTHECD & Tracks 44-47 The Augmented Scale After several months of odd time signatures, Shaun Baxter now shows you how to expand your tonality with this interesting hexatonic scale. $8886 ei. Willimprove your: ledusng avery af eyed up oe down in interval vwhienapegaie are being used ach example aange oft esl, ton of nes be usc stad af whale tore eran avamented cherd so, rising ay one of the pte featured nthe (OU HAVE expeved the usu scales ior pentatonic ino: ues scale, Aecian, Doran and Mion tis ata tostart hankering for some ne toate. None ofthe aforementioned scales ke dimes severth es two sounds, slong wth The augmented vale s stone cf many posse scales that can act Augmented Scale Ts scale canbe sen a = L OE <2 = ” a a a «Most rock players use scales that are static. The augmented scale sounds restless and, therefore, has to be handled with care... 7) 72 GuitarTectniques Sorina 2007dra study over an auarmented V chord ina blues track auch as Cag ‘when its sed as 2 turaround chor ina ues iF) Inthe demo, mestof he paters ae payed 35a continuous sresm ‘of Yat noes Honever, yl each just oun ke an exercie see kati abes conta sa, yu will need to experiment by *hythicalyirierpreting each ickineifeent ays n cre to make it ound moe oganc ar expressive. Note bat hs meas having ‘work on some treet ess you ate plying ovr a bues shuffle Foryou azz players, becasse © augmerted scale ssa close 10 Lysan (model ofA melodic nan he augmented scales 2 potenti substitute scale forthe meldicmincr scale ad ven ‘layed fom different starting pons ary of ts modes you ae infereste tothe right a fu ital the chowder which ou can ie tsscale Notice that its effectively esame et vitlen out tres times each o being aralo thed above te next Thisronth’s demo pee, 6, Wa constructed using justsome ofthe ‘horas on he TENSION Finals mporantto appreciate | That the auomented scale sa tense Sou, Mes ck players se sales thatarestatc(or ‘sete, whereas som scale, ks the augrenteg, Sound estes and, therefore, have iD i rian, DetasauemagsS Fn tones Cma#S. a. FAH tag alas {0 be handled with eve. Incertsinstys, ach ase, en improviser wll lugal between a varety of static and rece sounding ses in ore 1 rade a performance thst asa good balance between tenon and release As a roves, ths balance up 0 you, andi wil danend on a range cf ferent factors affecting the musical context such 2 speed, Ste ec alongwith persona tase usally, youn something o sound sete, dnt use the augmented scale, Lei, f you vant tension try ting something tke the augmemied scale rather than astatceounding sale ke the pentatonic scale, OF (ars-12) 7s tet compris acres ama sregposdscrdng in ‘hue este ent pled hy pinned eouahout tars on ste ie aa ago Te Tare 5.6) tars of apni apenas ta each one 35) mastery, thre 824 posle perme ft Toute graupand eee Spring 2007 GuitarTeeigues 73ONTHECD @ Tracks 44-47 iM na [tars 78) or smereé emis layed sna veep kaa, (Bats 1-21 et pat aren on he sts. Tee ee og Duta tee hawee ou hee is res regen thet Tape aru ight antl elm ring ju nk [as S401 Thitacioniderto the Wife Dos ooh here wete sina, tthe ns ac mia Fe ex her eos lhe pl fers tet of pean {ars 15-1 Thace wo bare carta gues erat ny a Inare tei Theseqace ecm as 7-8 batts chided _sagperd epi. Mi sence tants tapa hb ens ‘es ostaoirin semr-nete aps, pour foot trougrows sete stot wearing tenses qroured septs fh ee al ‘threat mayan youre aa em the nde {repent naterrncck, ery a sou lis plac 174 GutarTeelngues Spring 2007{mara-17.48 section nso ta darszsthat he bared ears 25.26 fos ng sang sequeresed ound eae penyo spe arsed exe oy [ars 2728) oo ht stort secon eee the estewo nse tis ecton, _asiple enna cal unas iso ges oman conpitngaynsarsone” — (Sars23°33] 7s a secon sao wid asoauece tra aes ba eed haa at coment 2 apo Spiing 2007 GultarTeehngnes 75SST) " TONTHECD @ C Return Of The Mac Currently performing in power trio Devil’s Slingshot, the prolific Tony MacAlpine takes a break to chew the fat with GT's Charlie Griffiths. Tey went on formal pSriallse ce GET THE TONE is Srap label. Tony debut as in th is lum €ge O nsarty year brought ur imum Security sah fre (aton ented Calletion 6885 Moderate to advanced prove your: wo-hand topping lesboaris and guitar inthe stove Vaiband That album [Edge Of Insanity] should have an award for the worst guitar tone of all time! 9 Tony MacAlpine 76 Gaareciques Spring 2007Ths wala ent tee on he od pide atom alternates beeen Nfs fourth thea and escon og: in sequence ea fo dereopindeperienee beeen your four Tings and ener warmup th han. Ty ctetna your oma exeeses ttaring ons ieee ter andvearanana te pater of ur ronaring ings At manostire ining adimnisied 7 arpegi. Surteurnote rpeogiecmpriss £8 ars Db (3 BS BBP Dye othe ‘anal smitty of he arpapgo enh oe sa ey fan ee any of hese four cies can be sen a the root. The patie canbe szen on ‘he top to'sings, These pattern gets pected an oar love on In ths since desenting major regia, Tony bing the oes to he Serotec rettg hn apn Thee to et you fit eo oto thesia you sr erermng a hanneco8 Te cal after {typo are hammering ons esting each ime Male su you 38 muting the asocent sings ta the one to which you a aphing these {aps oarvve extanecus stag nose bec s preiem Use the {Peer you eting Mad noes tome the Web stings abd your pking hand palm tothe cae of he basse Sexing 2007 GutarTeenigues 77”ONTHECD & CD-ROMFile This tales te feinghand tapping @eeone sto ster an indus bel he one yu ae tapping onto Te courte the, the nae your Derg Har taping. Te eco sour areca ugh Tap reting and onthe rst sng rh jour rt ng hie Pareon tough you gata setthe athe svingsoll Thecanvsaly along the pel the frger a gent fut the second sng Rout be cured by ng the ting Kane to pan mite helower singe, themes, he second sting might 9g oct sympa wot yoe baie diel arses sehen rng fo mite thee nme Tvme-on Orca ples you es aly ade the peng hand tapping, Tony kes ths sweep tap daa whichica geal Bt of sor andyinagutar so keep hed of the peat al es Tony lds the pc between is 2310 Tony sung a maortrad (GBD orl 25)here tyartefariay thunbandsscand ge, ong the st oer re op. Ts dso withthe CAGED system Joule the ating hanoutines aC shaped works re ther nay rund, hokng the cea aul Bete the then ‘herd, than ade 30) onthe sath tang, To epee apeggo and is gar anduang he secu ing’ to tap. Epermnet to see “Pariddown swoop pean the way ep andseting hand apt descend whine mete conforae eee 78 GultarTetmiaues Spring 2007ete 3 ONTHECD © CD-ROMFie Tsk Typing warm vp which sok ranges tne nlsin. AS Tony pots ot the gal sto achieve an ve fundtonetnthe ton tno notes om tna ecb mand ver conn the nck reratialh bl chalenge forgour ck ost ing atm he 6 minor sale ne nalerts pea coe oa balan ckstoe aati and with an oven di "perougn pretest es ing onsen EXAMPLE 8B AMINOR SCALE 2 Heres how Toy approaches A minor scale ther thon swingin The sever notes othe seal are arranged an ust to accent sng Slonderdboxshapes (amples heapersupiheTrebcard ital, _‘feurneesenhelone ng and Neremanng iveenots ontario Here’s what Guitarist said about the MusicMan SUB 1 “ The SUB I played perfectly straight from the box, the hot pickups excel at driven tones with warmth and detail. If Musicman can achieve this for under £700, other manufacturers should take note!” The MusicMan SUB 1 guitar... at a dealer near you now! [Link]ONTHECD @ Tiacks 28-52 Sitting In The Groove In our on-going guide to passing Grade 5, RGT Examinations Director Tony Skinner looks at how to make your mark using rhythm techniques... Pansore ted al ace the Ucar eres eae of Gt Gin bansfreleeicguter fury ifomsten ck dete ‘herequrements fra aa bycomtacing he Rar once 222222 Era oiceareaty ieutarters com eden [at-waan stom tou Ice tence ep youth ‘rough the rads 9 et ofregsteed teers as. Srbleonthe RT mts INLAST MONTHS column ne looked at typical rade Fae hod chertarecxered what wae requredta achieve abuse passat that lve Ths month wok at sere ecniaues ou can et Fae yur yt ying more ventne, hough none of thee tedhrigues are camino the ‘eam, ing them il Plp make your payne mere eateand ‘hance he mae perormance thar bapa you gain top| rats. Ofcourse, een # you Neer tendo take nec, Seoping ythmpayea sls add be 8 petty or any gute layer aes ‘he msjortyoFtands and yout find that even me: ae players spend the majority of tart hing song playing chords nary, DAMPING TECHNIQUES Danping the stinstostop chords ringing sone ofthe best ways of eng ait fo yourhythm Doing. Rest the eof he Srurming hare bgt against the Stings cee tothe edges known 2 palm mung: Tas tectnsque Stops the sts rom ibang and | I reqlaty wena acest Theteerevque can abo be wed to cmphosie rhythmic acenswhin a songby playing palr-ruted herds then essing the ple te o cea cessing oder Svumson somebeats Another ‘aration to epa a pam mute and then as you stim gral tecaseit ver tbe couse of abot cr mereto cate an interesting crescendo effect Gee Exar ‘Sting aaa canal be ‘tertened wih feting hand by ight rlaing the nae resuevinen toting achord “he wks toksep touting the Stings whist avaing pesing ‘ham down onto the Fatoard ovis. The peruse stu can beacded belo ater erbetneen otal elle chord snares they rosde a gest method of esting areal sense of exterent and Imovenent thin arytim pat ieee Barge 3) PICKING An stare ay of ening variety thr a ychm part eto ony ‘fom stureing t ting, | Assuring ete sng apc ‘ostrum, th pking cana be played sing the let The’ no need a follw ary soaoie picking pair because as ong <8you' holding the chord nen ry sting you pk tor the ‘herd wile ne, you an employ a ‘andom pak’ tedque rather than the more ng pik pattems that are often ized in | tational noerpeng. ut sping a reasons corsa rhythm tring neu picking tail help one i asenseestrucure and drecton see borpl ) (On page, Ive notated 310 | mas Grade Fe yt plying erample that neoperatesalthe techniques dev shove, GT | grade 5 IFyou do ws atersrumming 2 chard youget realy seul ‘choker ea ken 4s 'tecato), whereby the chord Suds just or aspitsoond beforebeng stepped This Technique bused in many musa styles rom the as sau of Stove Crop to the pope cof Fae Frond Ge Earle 2) ther than st wenbng 3 sleee wie te feting hands ‘muting testing, ou can a0 strum the muted sings Ts i Cale pes srmnmng ard fins inthistechoiqe sone cof the fatore that dringuses 1 accomplished rythm layers om ££ Damping the strings to stop chords ringing is one of the best ways to add variety to your rhythm playing )) £82 GuitarTetniques Spring 2007PALM MUTING. ‘Bar 1 features normal suring, Hear te ifence when the pal mu ‘mute sappled but then grdualy relsased troughout the 63 Cis ess ts apple nba 2 and then relessecin bar 3. ner the pl EIOEDION of normal chord laing, Note the sor Bats and 3 cons Cn me pea . EE eas ‘fer the epering normal sum in each bat the retina pressure Brelaned Eins fo athe remaining syurcreating an intresting peruse sound L EL The plecrumis wed to pick stings inaidealy rom the chord shapes ather than sam al the sings. Alaw the notes to ng on a Spring 2007 GaitarTeeigues 83ONTHECD & Tracks 48-52 Been eles ta hs ee Cs The twoverticaldotsin the notation are tab at th start of bar and end of bar Binaicat a repeat ofthis Seton The Cal Cod’ mark atthe +6 bar 24 means you shoud ply again rom he top (DC) unl he sign atthe end of ber that te you Togo staan othe cos he end ion. The damicmarks shown ate: pay ston, mp— lay meckraely softy The aescendo si fl meats gradually get luce Tecoon ()(Out Of Africa TW) Smooth, cl wee required this @ joyous-sounding, Afric ha 588 Moderate in-inspired solo. Willimprove your: PROTIP Astrip of plastic is threaded over and under the strings by the bridge so they are muted and don’t ring out as usual £86 GularTeeniques Spring 2007nay {Gar 1] Theminic nea Aran nsrunerith hepubottsequnce sa pk tesihsting andthe eur [Link] use esi ttnebegmingsoundeg et unyexsyousbearpkyed ona Kors or has ub esas a hen el nam Paes terse ‘hum paola Hye td ees) withapenstnge ty ng capo Sau. orpon esi sting hen fs he fou a pe fnthesarerenona fea hang heaton seo {ara The main thre hark ack oy neem cl rer ee ae] Tiineodscry tema dstoricasne rere nopen- ocr aly ph see ot how ta eague can be eloyed to ete ‘Sting ely Watch forthe yrs here nd aber the appre eguves_Snnterering, tl mod ound Spring 2007 GultarTetniques 87LESSON: ACOUSTIC ES ONTHECD © Tack53-5, onspesen@ ——onarauomee) em asus Smsinadrva Gm (ni ge TR ge: ee sae From the award-winning Loudbox family comes Se Eee Ug reno ay Mo ot Bw «Een Cohn koe (Bar 27) cen tha rela ping so LOOK WHAT YOU'VE MISSED... RUBE —ABENALE? Hai asa ‘TO ORDER: Call 0870 837 4722 or email guitartechniques @[Link] TT ew UPI ao Lace LOC) Sr \TRe ere DM OL Ee) } A BIG SURPRISE.NewAlbums. GT's pick of the latest guitar releases EET air i a) to the oreat Hine. Thestandout tack on e's Ge Lost hast be ‘ne Fine Day whic boasts are of aband sound and heavier guter work However itis the Sheer contrast betwen each track on this album that keeps you coming back for move, ae ‘TDLIND VARIOUS ARTISTS Let's Get Lost. Viva Carlos! ‘commer strom the ‘An appreciation of Catlos ‘uitar summing TD Lind who | Sertanain whch quetng artists Started is roessonal Ife tating have taken the essence of the 2 Gretsch [Link] playing | Mexican qutanst and md their ‘inal cubsin Landen. chance | chasen song thes cn. eating with reducer Rupert “The core rythm saction it | Hine anc a move tothe suthern | praentrcughout this album states of Amence opened doors and, vith theles of Abe ard gave hi the expetiences ta write the songs featured en this alu, ‘The production is super. From thesinplemiestoneand | ‘Bed lew ynich could be TD Lind sting in your fron room) ‘othe peed pieces fhe tile ‘tack and Last Kis, this bum ceesitister Mechcecit then | ai ‘on chums and ef Rican 0 ram guter, the band is hot! ach tack sconstenty ‘good and features aquest ‘ular on what largely an insrumental compilation. The ‘quest sts prety stunning and incusies Vierie Moore, Albert Le, Frank Gamsle and Pat Martino ~ each performing to the bet oftheir envi abi ex Most players have choosen the thicker, crear tones associated with Cale Santana ane rightly $0-=butstil heres sill len of | saaton fo keep yourinterest Probably of more appeal to the eidual uest artists! ans father ton the Pere Santana fall, ou hiss area album evertnles. $% URIAH HEP ~The Singles ‘A double-€D compan aimed tStecty athe fas. The sheer umber of snl eases il Sure many but, rs ac | Ui Heep hae fad avery ong recording cace. The tile wack and The wizard are probably the best known of all the songshere but tis arefuly chosen and wel procuced set brings in varous numbers that af bound! tohold huge interest to Heep. enthuse, There are several edited Leon® of album race, nan album acs, akerratve versions ‘ne ais such 5 Bi OF Pee, ty Been Hurt and Tn Scier (smal Faces cove, Guitarst Mik Box was usually happy to playa supporting role bu when required his paying would smpy soon sy iris fine collecton ‘of songs hat wal please fans and Supt those sil rw ta this rent Brits rok band. Sok WAKING THE WITCH Boys From The Abattoir Wich Records ‘he Witch ae four acoustic uitartoing ois who ae Constamys399in9 un anc down ‘the UK wth thei on band ff rock, eaviy aden vith dose harmony vocal. And what ‘adam fine they make of ittoot ‘hiss te thd album and ahuge eapforwardin both periarmance ana material ‘ual, Producer Dave Creffld lst kc orn work ith Embrace has certaniy copured the eezence ofthe Witch The ovr quay good that hard to select hight. However, Me Lesuing Ma testing ce ‘Watson from Big Country on occ quitan ceria aves lasting impression do the telanchoe harmonieson My Conscience Keep, Camnchyon the outsde but suet and tasty ‘on heise, hitch sl worth waking. aes SYLVAIN LUC Joko Sain Lic ison of France's most actlamed quiarsts who has often worked inthe post wth his compattot, seating ‘henomencn Bie Lagrene Athounh yan own ste is resientin the jazz cute for estat the ime, those wha have caught one his toaly impeenised ive performance wl attest to the fat that his svc | [HG Buy ce Beene Good 8 Aicoge Ah 90 GuitarTechniques Soring 2007a canopy 5 ntact ory vast indeed. Add to tata technique on theinetrument rarely matched by aryone but the guitar's absolte alte, Lc becomes Sameane that every payer should cece aut Equpped vvith oy is Godin mfon sting ecro-acousti, thee are few ruscal genes where Monsieur Luc dates rot venture! ‘Ase contastto hsexcelent Ambre so CD, Joka find Shainin the company ofa sete covering a verse range ‘of mucic Songs fom Paul Mecartne, foe ackson and Jim Maron aswel sis own ‘ompositons are dspayed here inal het maiesty Such syle ‘cossig eioitse very bold, butthe chemistry heres exactly right, wth each rack gen 3 ihc treatment by 2 ‘uly unique perfor se VARIOUS ARTISTS John Pisano's Guitar Night ‘ay (Doubie cD) Way backin 197, session player and an guitars ohn Pisano costed a regular evening out for guitar emthusasts in he Los ‘Angeles ara. He persuaded ight ub eae the Papasan toast a series of concerts ‘eating a eferent jaz guitar layer each week Word soon Spread andthe dub quick hhecame the poe o be you ‘wanted to witness jze uiors fest stat ther st. This double-CD cllection represents the cream ram those rights the Papas = and ‘the roles impressive, ty the least. Disc one ick off sth a ac rom the master of chord melody Sevenstring flan George Van Ep and moves through performances fom Herb Elis, Je Bio Anthony Wilson Scott Henderson and many ‘more, nding a soo tack fom the late Ted Greene reputealy Stave Vis favourte player, Duet the ve and intimate ature of the cub mn which ‘vas recorded the sound quality ar farea lite patchy places. However everythingisas they played i Tare are no over foeshere,uststagh-ahead, as- ishappened, qualty paying. Well wort checking cut Da ta ‘THE BEATLES ‘The Unseen Beatles Proved as part of the excellent BSC TV series, Tne Watch, this DVD looks back at The Beats" lve performance cater and boasts resusly unseen footage a the band taken by ros, ‘ends and fans with eyentness accounts The then 15 jaro fan Barry Hood filmed the bet night ofan extensive tour ofthe USA that had taken ston the band. t subsequently proved tobe the lt ive performance The Beatles woud ge. Consequenty, ths fotage i pres The backaound is wel covered and even mentions the intial lsastrous coring test at El were George Martin wes paul \uimpresed. Mart io the boys whet EMI would expect from 2 sie band, Sienceflaved. When Martin aed if they hac anything to ay, Georoe Harrison pipes up with,“ do ike your te", Sarda relationship was formed The amaieurnature ofthe footage actually gies ita special ‘qual and, combined wth erate raratin, tal halds together rather wel oe Timmonims)| LONDON LICKS SLINDONLICKS || ‘.jtion Video Tis tutonal vila curious combination of a guigeto Londons eck nel sights and 20 of the most famous opening roc ifs fal tive Back In Blacks performed the back ofa back London tax, 037 Teper splayed whit walking ‘cnc the famous Abbey Road pedestrian cossng and the Royal Fee Hostal the sane orl Rh Hon, Whistthe use of intentionally creadfulpuns uch asthe Marja ‘Maste-it Tou wll have you cntrually rearing, the muse content sn fact exterel formative. The braid ol each ‘pening fs 39 Wel narrated ard shown so cls that ths ideal fexcer forte rock guitar raice or een the seasoned emi pro who's long been dogged by a particular opening nt Yeas of Tuswaton ‘cold be squashed vith this DVD, A book of he music and tb is so included m the package, toa JOHN MARTYN, live At The BBC ‘ond Thiscallection of Jot Marty's appearances ‘90 The Od Grey Whistle Test and Rack Goes ToColleg spans the patod between 1973 and 1982 ae cludes Martyn perforing tery ive ‘avourtes such 25 May You Never and Big Mutt ee (asin the pedal of cour) ‘Albaugh acoustic utr became more poplar torerdsthe end ofthe 60, tas yet to become the ubiultous beast that tis ody Exponents ofthe instrument were often erbeddedinfok and tended ‘tobe rathersenousin thar approach John Maryn was semetting ct =n exception with his Fendi and oval atte at ve concerts and his use af electronics nding echo — and occasional vera sold ‘uitar Witnesing the ather rude attempts to amply his Mar ‘oust andthe sounds ofan ince basic drum machine willbe ‘something ofa revelation to younger fans watching tis ‘he picture andsoune alts vty ood ard se must forfans snd cunosty seekers ake. soe Spring 2007 Gaitartecigaes 91