ZEPPELIN xan BEATLES 7 1985 HENDRIX == = [melo Coats Nae th a ee ee MGCARTNEY WITH FULL LYRICS AND TABLATURE FOR: LITTLE WING AQUALUNG DAY TRIPPER SWEETLITTLE = | bil 000 Ti io YAU ACR GOOD TIMES STEVE MORSE \BADTIMES* gal ee - , at ee TaAaD SMULTI-EFFECTS UNIT_ MARCH DEPARTMENTS Photo Gallery Letters to the Editors Letter from the Editors Chet Atkins On Songwriting In the Listening Room Open Ears om jan Anderson Bass in the 805 Guitar Questions Guitar Secrets 76 4 85 86 88 92 95, 48 The Call Board 4 onthe case 6 Plugging In i Performance Notes 6 New Products ® The vinyl Score 21 Bass Wars POSTER Pete Townshend 2 —, GS 72 88. KING 74 JIMMY PAGE 75 PAUL McCARTNEY Cover Photo of Jimmy Page by Jelirey Mayer CUES aT Explanation of Tablature 24 Uitie Wing BU Aqualong 2B Jathco T Day Tepper i 56 Good Times, Bad Times 6 ‘Swit Lite Argo! 78 BASS LINE Good Times, Bad Times 69 tren hi BRUCE POLLOCK: HN STIX Ae Dict: FRANK MORANO, Mase Er: ‘ANDY ALEDORT Erte Etre [Link] FRANC GUERETTE Assit Ear MARIE A. CRUZ ‘Asset Mosc Eto: "MARK GORDON Masi ranger IKE GELFER WOLF MARSHALL Contrbating Estar: BARRY LIPMAN Buzz MORISON ELLIOTT RANDALL. DONALD “BUCK DHARMA ROESER, 808 ROSE LAUREN KEISER Presiden PAT RAVEN ‘vert Stes race: BARBARA SEERMAN Wi rain Stes & Martin: LORAIN LEVY ‘realatin Dc: MARK RANDOLPH Sales Manager: LARRY KORNELUM Onlr Sal RICH GARRABRANTVa YM ea Era oOo aCe or vy fet eee ae renee rarer in nrg it Cet ue ene Ie acne aTABLATURE EXPLANATION SEE PAGE 24 LITTLE WING As recorded by Jimi Hendrix (From the album AXIS: BOLD AS LOVE/Reprise 6281) . Words and Music by imi ix ee ea Gam am? monty i eri ie fee" fe & Gee em fee ae Tapper. rs ap fan ee i Slow rock (d= 70) Tune guitar 2 step down @-B «) (Padd9) © Si s te Copyright © 1968, 1976, 1985 by Six Continents Music Publishing Inc. and Yameta Co., Ltd All rights controlled by Unichappell Music, Inc. International Copyright Secured ALL RIGHTS RESERVED Used by Permission) pty = ze - bras and mooi fee P ES tesestts : + — : = 10 GUITAR, MARCH 1965and, uh, fair-y tales, (Spoken) That's all she ey erthinks a~ bout, wind o) Deum fil mes to me sad, — SS =e with a thow sand smiles she gives t0 7 me Pst St_S_Sl_SL MARCH 1985, GUITAR 11or It's al = right, she says it's al ~ right— 3 fe £ eS Am c G ra— Fadds ——— aN = thing you want from me,—— spoken) An - y- thing, take an Sa > = u 4 HSE ar Si fal Depress tremolo arm Harm St 12 GUITAR, MARCH 1985,| Ful 5 Fa Full Full Rhy. Guitar See MARCH 1985, GUITAR 1314 GUITAR, MARCH 1985«Dy 4 Dram fi Yea, yea, yea, yea. lit tle Fol Full Full Full Full Fal Putt ifn 2 JeJe ) O12 Slowly depress vem, arm Fu Fut ull Full Full Full Am(7) ra Em) Begin Ful / le fate Z—» Pee fade out Soar SS eee WP MARCH 1965, CUITAR 15TABLATURE EXPLANATION SEE PAGE 24 AQUALUNG As recorded by Jethro Tull (From the album AQUALUNG/Chrysalis CH4-1044) Words and Music by lan Anderson & Jennie Anderson D> Eb F Gb AD E B D Gm Gm7 (B)* Cd «vy >) Fy (Db) (Ab) (B) (Em) (Em7) a i. RETR Ste. PERN ET 98. Aer. EAT te. BEERS. PETE, FEE Bae” Te RR aa” RF” BEF” FF tooo, -13931«19982 Isaak aga tg31 NRT a3a1 28 4 F Foust CO Cm Cad Gm Eh Eb! sss) (G9) tam) (Andad) Em) CH eo ae waite weno yea Dae ee a eo, Tse. BES, se, Fert. ste. FREE st. Ae ER Bee He bess uaa HH 2 Allegto (J= 120) Gee a ear re ° — = Sit-ting on @ park bench, 3 I Rhythm Figure | D> rb (89) © 4 JH 2 : J Fis 4 “Chord in parenthesis represents name of chord if capoed 3rd fret is thought of as 0 fret Open 6th stg. = G (E), open Sth stg. = C(A), ete Copyright © 1971, 1976, 1985 lan Anderson Music Ltd., 108 Park St, London Wl, England Controlled in the U.S.A. & Canada by Chrysalis Music Corp,, 360 E. 85th St, New York, N.Y. 10021 lll Rights Reserved 28° GUITAR, MARCHE 1985FE F pit By Eb F Eb er : ¢ wo ©@ (Dp) Ey (Bb) 2. a4 242 J) IHS — bad in 5 tent, De Bet Det Gb E B D ao) ch By) >) (A) @ TTT] F131 FIs 1S Rhythm Figure L @ b> B = ) © Snot's run - ning down his nose, greas = y fin - gers smear F Eb F £b F Gb pe Bb! po! Gb oy © OY © oy ED ww Cc Bh) @) ing shab- by lothes, ——___ hey Aq = wa ~ lung —— MARCH 1985, GUITAR 29G EB B D (>) (05) (ay ® ~ Dry = ing in the cold sun, Rhythm Figure 1 ‘D> ‘Eb FE BF oo © 9 oo eS watch = ing as the fril - ly pant + ies St Eb OF Gb pot BI DEE Gb EB oD ©) OY &) GH ce (89!) (EB) OB hey Aq = va- lung. Rhythm Figure | + bb Bb bal Bb) © Feel-inglike a dead_ duck, spitting out pieces of his 30 GUITAR, MARCH 1985F B FE F Gb De oy o Oy © Oy} I) bo ken tuck, oh (2nd time bey co EB D Gm (E>) (DP) (Ab) (B) (gm) To Coda EH Dot Ge = ran BS rol os eS Ag va Tung. Ga Gm Gm? F Gm? (Eg Rhythm Figure 2 Gn) @) (Em?) () en) Jo) 3 rs 1. oT ‘(Vocals filtered) Sun —___ streaking cold an F Foust F 0 Gm? C © oc co cy (Dest) (D)__ Em) (43) ao) 1 SU FTT] 3 2 old man wand - ring lone = Cn Caddd Gm Gm7! Gm F Gm? F an (asaas) em cent!) Em) ” En)0) 23 JT70) OI) 3 7) F3 Tak-ing time the on = ly way he knows. F Gm? F Foust F Gm? Rhythm Figure 2 DEMO) —_DuyOVER 6 pe Got kom - - &m) Ean © Em) 0) m7) eet 2 ¥ — — Lee hurt-ing bad, she FE Fast F Gm? C © Cc C8 Cm cago ns) Eat) us) G9) ny (auaasy bends to. pick a dog-end,* he goes down, to the bog Gm Gm?! Gm F Gm? F Gm? F Foust Fo Gm? em (mT! )Em) o Ext) (0) Em) @) (Dsusé) (D) (Em7) — and— warms his feet, *Cigarette buttGm? F Gmy Got F, Foust F Gm? FE (eng) Ent) — EMD) ——_Dausd) (D1 (Em Raythen Figure 2 i) ean ] Feeling 2 ~ lone- F Gm? Gm] F Fast F Gm? oc ie o Ent) (D) 7) D) (Dass) Em) Ga) Gas) the ar = my's up. the road. sal cm Caddo Gm Gm! Gin FE Gm? F amy (asae9) &m) cent!) Em) o Ex) ©) vartion a modo and acup of tea Rhythm Fig.2 F Gm? F Foust F Gm? Gm Gm? F Gm? Fo Gm? () Ent (D) Dsust)(D) Em) Em) mt) 0) Gm) 0) m7) Agues slung my friend don’t you F Foust F Gn? C oc © tm cadd9 o (Dsus) (D) (EmT) (A) 09) (AN) An) (oases) start a+ way. un + ease y You poor old sod. you Rhythm Figure 3 Gm Gm? Gm F Gm? F Gm? F FsustFGm7 F Gm7 FE em) (En7} (Em (D) KEm7)(0) Em) (D) Daust(D}{Em7)D) En?) @) wits on. mms, 9= 176 Pro Gn F Gm & ©) tm) aut j 66 tiga, Tia Wii fo Do youstill re - mem- ber De + Gm Gnj? Gm Gm) Gary) Ga) mult mom. 3:3) cao com - ber’s fog -ay freeze, when the ice that clings_ on 32 GUITAR, MARCH 1985Gm7 oF Gm Gin! ©) Em) ©) gute em En) Wi. 4 FIT ms 1 to your beard was seream-ing ag. == + ny? (ans filters) Hey! Then you Gm Gm? FE Em) Ex) o Pobsdd. ds 1 PT a, = catch your rat seh -ing st — baths with deepsea div ersounds. & li AF, n,m = and the — flow-ers bloom like— mad = ness in the— Gm? F Foust F Gm? F Gm? F © en ® ono ee @ te - d2 yd yAL FITISL D1 Yd “a Rhythm Fig. 4 Foust F Gm? Gm Gm? o (suséy(D) Fm? Em) nt) iad Paap om: 43 Sun. streak-ing cold, an Cada9 Cm Gm & (adi) my m) amos) 24 SDS TD YD old man wand” = ringtone - ly, takeing time the Gm Gm7 F Gm? oF Bust F Gm? Em), (En?) (D) (em?) D) (sasiy (D)(Em7) J1, D509, 41. DAL ah, ons oy way. he knows. Rhythm Figure 4 Gm FE Gm? F em) o Gn) Leg hurt) = ing bad, as he bends to pick a MARCH 1985, GUITAR 33c Cadd9 Cm Gin Gm? w Gaaao (Am) em Em) 5 ww, @ & wide 22 Al sD 6" Jos OPP e ee Gm) Co mt) ho ho. Feel - ing a - lone,. the F c Gadd Gn Gm. w Tang, Am Em) ar my'sup—— the road, sl - va - tion a la mode. Gm7 F Gm7 Gm?F Foust F Gm? (Em?) (D) En? Em7D) (ust) () Em?) and a cup of tea Rhythm Figure 4 Gm Fr Gm7 FE em) ) En) Aq + ua-lung =o my friend, don’t_ you start = a way un eas- c Cada Om Gn Gm7 “wy (Aad) Am) (Em) m7) ¥. You poor old— sod, — you. see it’s on = ly p Gat & eh, F uF rom com NJ OD Jy DS m7) o (Dsus4) (D) (Em7) oh woh, me, 34 GUITAR, MARCH 185,Interlude F Gm o Em) so STI) lec. guitar c © OQ Slaw ~~ (Doubled by 2nd guitar) = MARCH 19s, GUITAR 35;F o OS), 9), FT OO, Solo (continue 2 measure strum) Gm Eb F 3) @ o Eb Gm ama 2 Em) Fev St 36 GUITAR, MARCH 1965Gm Eb F (MARCH 1985, GUITAR 373B GUITAR, MARCH 1885,o St AW, H _ XIIL pos. W Allegro (d= 120) Rhythm Figure 2 Vocat Gm? F Gm? F Gm? F Foust F Gm? Gm) Ent) Ent) D) Em) @) (swst)D) Em) Dee. dee dee dee, dee dec dee dee dee dee c cc C8 Cm Caddo Gm Gm7 Gm w (a9) (A) (9) (Am) (asdas) Gm) Em!) Em) doe dee dee dee deo dee dee dee dee dee... Rhythm Figure 2 F Gm? F Gm? F Fsust F Gm? Gm Gm7 co) (m7) (0) Em) (D) Dsus4) (D) Em7) Em) m7) — Aqu-a-lung my Fr Gm7 EF Gm? F Foust F Gm? C oc oO oy Em7)(D) (Emmy) (Dsuss)(D) m7) AL as) 9) un- eas =. You friend don’t you s-start a= way. (MARCH 1985, GUITAR 39.ry Ritt [B) below) b 1 = 2 4237 — = ———— =< === # 7 oe = poor old sod you see i's on = mes yeah. F Gm? F Faust FoGm7 0 F m7 F Gm? Fo Gm? F OEny © —_Oas ) En) Gad) a) © Ea O SPP PTT TT pn FI — SS— D.S. al Coda (Drum £0) Acoustic and Electric Guitar Db 4 8618) 40 GUITAR, MARCH 1985TABLATURE EXPLANATION SEE PAGE 24 DAY TRIPPER As recorded by The Beatles (From the album YESTERDAY AND TODAY/Capitol ST-2553) Words and Music by John Lennon and Paul McCartney He FAR GE Bg fe fe fie Tar tis “eo "SH astag: 1sie4i asteat atest GN ake Pare RE Utes pp si. GRR. RRA. ARs, apn. “Son. Bee He” Ga” a GR 19331 1stat asi24ad 13931 igi2in 33 aan Up empo Rock (= 144) Desin Guitar att (a) Guitar st wy : ° fix Guitar att [A : + [a ] Sad [Link] a good rea - son for tak - ing the eas - y way out. 2She's a big teas - er, she took me half the way there. AT (ype 2) ATsus4 aren ey S23. kT) She's a big teas ‘Copyright © 1965, 1985 Northern Songs Limited All rights for the United States, Mexico and the Philippines controlled by MACLEN MUSIC, INC. fo ATV MUSIC CORP, 6255 Sunset Bivd, Los Angeles, CA 90028 ‘All Rights ReservedRepeat + E Se SSS = tok - ing the cas, = ys way out, now. she took me sift the way there, now. el (strum attern) ay____ trip - per, one way tick = et, yeah, 2 AT¥ ( (Ce]strum pattern) ————— i a It took me 9 _____ a SS SS P Sedrdeg?s $333 Ts Partial mute2nd x t0 Bridge ce By B7 (x0 pinky) r myomy nvm sie JIS STII 4 om. Bsus B7(n0 pinky) Bipinky) (open tow seings) D BT (w. pinky) Hota bend PF IT ad a2 (continue strum) J Solo Hold bend aja Hole 58 GUITAR, MARCH 1985Buy Guitar riff a+ & E (continue (A+ 3. Tried. to please her, but a7 (B}+ By) she on - ly played_ one night stands, ‘Tried to please__ her, ” Ge ( (A) 3 bit she on ly played one night. stands, now soya Fin dg Fi) i Ty = gi mv: iy ee trip - "iq Sun-day driv. - er, yeah. Fey a7 (sc) #7 (G+ (Gana hair) i Te took me so ong to Find out, cB) BT) a 4 times 3rd & 4th times add rar and 1 found out (A &) Repeat sill fade Day trip -per, day trip -per, yeah, MARCH 1985, GUITAR 59Page is back in business and going public with a new group, )) the Firm, teaming up with one Hof hard rock's classic vocalists, “Paul Rogers. Whether the Firm becomes the Asia of the hard rock world, flying high and fizaling [Link] to be seen. Certainly the outside expectations ‘are enormous. But then, 30 are the pos- sibilities. in the short history of the elec- tric guitar, few players have been as influential a8 41-year-old James Patrick Page. His electric axe wielding with the Yardbirds and Lad Zeppelin defined heavy metal. Yet his rock hard style was bal ‘anced with a love of acoustic music that would continually broaden the base of his music and that of his many listeners, Page's legacy is history for all to hear. And while he is now busy adding to it, his story has only partially been told in these pages (Nov. and Dec. '83) by Robert Plant. As befiting his status in the final four of Guitar Wars, we thought it only right for Mr. Page to put his past in perspective. Somebody sid a very old Spanish guitar on us. | probably couldn't play it ow if | tried, It was sitting around our ng room for weeks and woeks. | wasn't interested. Then | heard @ couple of records that really tumad me on, the main one being Elvis’s Baby Let's Play House, and | wanted to play it. wanted to know what it was all about. This other guy at school showed me a few chords and | just went on from there, I've read about many records which are supposed to have tumed me on to play rock ‘a’ coll, but it was Baby Let's Play House. | heard that record and | wanted to be part of it. | heard that acoustic quiter, slap bass and electric —three instruments and voice— fed so much energy | had to be a part of it. That's when | started. Probably my greatest influence on acoustic guitar was Bort Jansch. who ‘a real dream woaver. He was incre- dibly original when he first appeared, and wish now that he'd gone back to things like Jack Orion once again, His first album had a great effect on me. When Iwas at schoo! |had my guitar confiscated every day. They would hand it back to me each afternoon at four o'clock. But | always thought the good thing about guitar was that they didn't teach it in school. Teaching myself to play was the first and most important part of my education {really wanted to be a fine-art painter. | was really sincere about that. | didn't tell anyone at the college that | played guitar or else they would have had me playing in. the lunch hour. But gradually 4 conflict between music and art arose. When | first started art college the music scene was pretty depressing. Nobody was interested in Chuck Berry or 80 Diddley. All people wanted was Top 20 stuff and trad jazz. Then about a year later everything started to happen. The Stones broke through and there were the Liverpool and R & B scenes coming together. | enjoyed playing and the R & B revival restored my faith in pop music. One night somebody came along and asked if Id like to play guitar on a record. To tall you the truth, | can’t even remember who it was. It was a nothing song, | remember that, and it became @ minor hit. That led to other session offers and suddenly there were more than | could cope with—often as many as four or five a week. | played a lot of rhythm guitar, which was very dull and left me no time to practice. Most of the musicians | know think | did the right thing in joining the Yardbirds, | was offered the chance to join the Yardbirds when Eric (Clapton) left, but | tumod it down because | didn't like the way the invitation was put to me. Their manager came over and said, "Oh, Eric's having a holiday:"" ‘Holiday’ was the man- ‘agers clever little euphemism for the fact that Eric had split the: group. IF | hadn't known Eric, or hadn't liked him, | might have joined. As it was, | didn’t want any part of it. | liked Eric’ quite a bit and 1 didn’t want him to think 'd done some- thing behind his back. They the Yardbirds) were 2 good band to go and see. Then came this great night at an Oxford or Cambridge Union dance, | can't remember which. Keith Relf was incredibly pissed. Everyone was dressed up in dinner jackets and Keith was rolling around the stage, grappling with the mike, blowing his harmonica in all the wrong places and making up nonsense lyrics. He was shouting at the"ABLATURE EXPLANATION SEE PAGE 24 GOOD TIMES, BAD TIMES As recorded by Led Zeppelin (From the album LED ZEPPELIN/Atlantic 19126) Words and Music by Jimmy Page, John Paul Jones and John Bonham ES. be A G B Evi FES rhe” VEG FRR ie e A es et E Esus4 Dgus4 ‘i Sat jsaai1a4ail * Transposed E mixolydian ks Es w ff ee 28: == === Inthe days of my youth, I was told what it means_ to be a man— monst Repeat v E5 «vy “a ES BF. ts “ Bs o “ Sr a a Lo os fs ot —— 6 a == = a those things. the best 1 can No do. Copyright © 1969, 1985 SUPERHYPE PUBLISHING All Rights Reserved Used by Permission of WARNER BROS. PUBLICATIONS INC. MARCH 1986, GUITAR 61(eres mat-ter how I try I find my way in- to the same. old jem. Dsus D ye Pa a3 J ad a bad times, *Harmony doubles | octave up. a © B_ (Root only)———— | B (Root) ss JII FTF! 18 FTI FFF) Ab a t0 cota ~ 1). — 1 (SS —— "= £ wo-man lefthome for a brown-eyed man, but 1 still don’t seem to care. 62 GUITAR, MARCH 1985gill as on = ly coup - le of days_ “till she was rid of me. She a 9 swore that she would be— mine love me “sil the but a aa BS ee _ SS SS = 6 Ss when I whis-pered in her ea, ee B Esus4 E B Esus4 E aT 2 J JI 3553 J 5 FTI F721 Well, ny 63 [MARCH 1985, GUITARwo-man lefthome for a brown-eyed man— but 2 GUITAR, MARCH 1385,1 know what it means to be a - lone, —— 5 i rr) ay Bs “CU 1 phe oe ope Hi EI Eere} Fere ret hu uk Si. MARCH 1985, GUITAR. 65T don't care— what the neigh - bors— wan-na love. you each — Fol Full Sustain borlrnotes ¥ i tings guint eckup ©) «) — oad ev ety day. w21p ID all (Barre 2nd & 3rd sigs. w/3rd fin.) it pick Pe ie ay against strings aos 4 66 GUITAR, MARCH 1985«) a) Ps 4 You (can) feel the beat with- in my heart Hit pick sagan ses St @ w Re- al - ize sweet babe—_ we ain't nev - er gon = na part, Fut Begin fade @ cn) ES Jade out I feel good when I'm look- in’ to ya. tate Be MARCH 1985, GUITAR 67Bass Line For GOOD TIMES, BAD TIMES As recorded by Led Zeppelin (From the album LED ZEPPELIN/Atlantic 19126) Words and Music by Jimmy Page, John Paul Jones and John Bonham ES Moderate Rock (J= 96) ES SS St Chorus (1st ¢ Si Bass fille Sh Copyright © 1969, 1985 SUPERHYPE PUBLISHING All Rights Reserved Used by Permission of WARNER BROS. PUBLICATIONS INC,Chorus (2nd time) Esus4 E : pS eee 70 GUITAR, MARCH 19854 times Chorus (3rd time) E + os 8 Bass fill a H kK ~ = Aaa dt — re 77 — Play 9 times a and fade MARCH 198s, GUITAR 71TABLATURE EXPLANATION SEE PAGE 24 SWEET LITTLE ANGEL As recorded by B.B. King (From the album LIVE AT THE REGAL/ABC 724) Words and Music by a King and R. Taub DbT GHD GAT GTR ET a7 DT fee er ee es iad tan G_Gb/Ab AbI3® FR ag ae Slow blues (d= 66) be [Nore] A a2t < goats = ; — ft ra ¥ U ‘ently Joe Db? Copyright © 1956, 1985 Sounds of Lucille, Inc and Powerforce Music All Rights Reserved Used by Permission 78 GUITAR, MARCH 1985ab? rut Gh Gor s 3 1p Db? ro Fe by AbI3 (Guitar plays D6) a pe (Guitar out) T gota sweet it -tle an = gel, —3i— Dor eee Pe 3 Ze 2 T love the way_____she spread her wings. Yes! got G7 a sweet lit- tle an = gel 1 love the — way. MARCH 185, GUITAR 79she spread her wings. — she spread 3 2. 3 her wings a-round me, Tose cs Db7 AbT DST pe in ey -"ry- thing. Youknow I asked my ba + by for _ Dit Pe mp and she gave me a twen-ty dol = Jar_ bill Ore es 3 _ Lasked my ba - by for a. nic~ kel, el Dp? 2 ed = =———s a = te me a twen-ty dol - lar— bill — Well, you know. { asuts iat ADT 7 G7 a 3 ——_ _ >3— © 3 +e for a lit = tle drink of liq uor, Db? AbT ST Ss a me—____ a whis- key still. Oh yeah 80 GUTTAR, MARCH 1985D7 Gor b 3 3 OO est = . —_ if my ba + by should quit_me, well, 1 do be - lieve Db7 33 1 would die, Oh yeah, if 3 — my ba = BY quit me well, IT do be «lieve — Yes! if you don't love— AbT G7 G7 ps7 ma 3 ~ SS ss please tell me, me the rea son why. Ful Fatt Guitar solo De? GhT Ad Ska 3 Soe 4 yon Full alt MARCH 1985, GUITAR 81GH ull aa Notes ps7 Ving man on piss . % SS oT 5 AbT ro Ds7 G7 Ge Go/Ab AbI3® (D7) ‘Thank you, [hope you remember that one ‘segue to next tune 82 GUTAR, MARCH 1985,