0% found this document useful (0 votes)
24 views32 pages

Multimedia 2017 2018 Lec6

The document discusses multimedia representation, focusing on video as a key component, highlighting the transition from analog to digital video. It explains the process of digitizing video, including the conversion of analog signals to digital files, and the importance of video properties such as frame rate and scanning format. Additionally, it covers YUV color space, subsampling techniques, and video compression methods to optimize video quality and transmission.

Uploaded by

Mostafa Zaky
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
0% found this document useful (0 votes)
24 views32 pages

Multimedia 2017 2018 Lec6

The document discusses multimedia representation, focusing on video as a key component, highlighting the transition from analog to digital video. It explains the process of digitizing video, including the conversion of analog signals to digital files, and the importance of video properties such as frame rate and scanning format. Additionally, it covers YUV color space, subsampling techniques, and video compression methods to optimize video quality and transmission.

Uploaded by

Mostafa Zaky
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd

Multimedia

2016-2017

Dr. Sameh Zarif

Lecture #6
General Rules

Multimedia 2
Media Representation and Formats
Text
Digital Images
Digital Video
Graphics
Digital Audio
Different Types of Media
Text Video

Graphics
Images
Audio

How are these media types represented?


Video Concept
 Video is an excellent tool for delivering multimedia.
 Video places the highest performance demand on computer
and its memory and storage.
 Digital video has replaced analog video as the method of
choice for making and delivering video for multimedia.
Video Concept
 Digital video device produces excellent finished products at
a fraction of the cost of analog.
 Digital video eliminates the image-degrading analog-to-
digital conversion.
 Many digital video sources exist, but getting the rights can
be difficult, time-consuming, and expensive.
Analogue Video
 Video information is stored using television video signals,
film, videotape or other non-computer media
 Each frame is represented by a fluctuating voltage signal
known as an analogue wave form or composite video.
Digitizing Video
 Digital video is often used to capture content from movies
and television to be used in multimedia.
 A video source (video camera ,VCR, TV or videodisc) is
connected to a video capture card in a computer.
 As the video source is played, the analog signal is sent to
the video card and converted into a digital file (including
sound from the video).
VCR

Video Overlay Board / PC


Video Capture Card
Digitizing Video

Analogue signal from VCR


Converted to DIGITAL
by VIDEO CAPTURE CARD

The converted
signal is
entered inside a
computer
Video is edited
Signal is processed using video editing
software software
Digital Video

Look carefully to this video, how you can produce it?


Digital Video
 Video is represented as a sequence discrete images
(frames) shown in quick succession
The Video Image
The Video Image
Representation of Digital Video

Two important properties govern video representation


1. Frame rate: rate at which the images are shown or the number of
frames shown per second.
2. Scanning format: converting the video to a 1D signal
Video Broadcasting (in analog form)
Video Broadcasting (in analog form)
Conversion to YUV
 Decouple the intensity information (Y or luminance) from the color
information (UV or chrominance)
RGB
U,V (Chrominance)

Y (Luminance)
Conversion to YUV
The separation was intended to reduce the transmission
bandwidth and is based on experiments with the human
visual system, which suggests that humans are more
tolerant to color distortions.

In other words, reducing the color resolution does not


affect our perception.
YUV color space
 If We have R, G, B Channels, Y,U and V are calculated as:
YUV color space
 If We have Y, U, V, R,G and B are calculated as:
Analog Video Scanning
 Interlaced Scanning

 Require lower bandwidth; however it may produce flicker and artifacts


Analog Video Scanning
 Progressive Scanning

 Require more bandwidth; however it does not produce flicker or


artifacts
Types of Video Signals
YUV Subsampling Schemes
Video signals captured by digital cameras are represented
in the RGB color space.
However, for transmission and other intermediary
processing, the YUV space is commonly used.
Experiments with the human visual system have shown
that this reduction in bandwidth still maintains an
acceptable quality of video for broadcast
Depending on the way subsampling is done, a variety of
subsampling ratios can be achieved.
YUV Subsampling
 Keeping the luminance untouched and subsampling the
Chrominance
YUV Subsampling
 The conventional representation of this is in the form:

j:a:b
j: the number of horizontal samples in the reference block.
a: the number of pixels in the first row that have Chroma samples.
b: the number of pixels in the second row that have Chroma samples.

a
b
YUV Subsampling
YUV Subsampling Example
Digital Video Representation
 Sampling produces a digital representation of video signal. This
compressed and then formed into data stream for transmission. Two
common forms of digital video; DV and MPEG.
 DV: applies 4:1:1 chrominance subsampling and constant data rate of 25
Mbits/s.
 Alternative higher quality DV version likes
 DVPRO: applies 4:2:2 subsampling and higher bit rate (50 Mbits/s).
 HDDV (DVPRO HD): applies 4:2:2 subsampling and a bit rate ranging
from 40 Mbits/s~ 100 Mbits/s according to the frame rate.
Introduction of video compression
 There are two main types of video compression
 Spatial compression (intra-frame): Each frame is compresses
individually using image compression techniques.
 Temporal compression (inter-frame): a group of frames is
compressed by only storing the differences between them.

 Chrominance subsampling is nearly always applied before any


compression.
Introduction of video compression
 Spatial compression : usually based on the discrete cosine transform
(DCT) like JPEG.
 Temporal compression : in which, a certain frames are selected as a
key frame. Often, key frames are specified to occur at regular intervals.
These key frames are left without compression. Each frame between the
key frames is replaced by a difference frame.

You might also like