Fine Chinese

& Asian Art

熹山雲起-中國與亞洲藝術精選
Auction • Sunday 13 November 2022
Specialists

Chinese and Asian Arts Indigenous Australian Art

Luke Guan Shaun Dennison
Allan Rae
Arts of the Middle East
Single-Owner Auctions Dr Susan Scollay
Paul Sumner
Sandy Bruce design + decoration &
Interior Decorator Auctions
Amanda Swanson

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South Yarra Station

TOORAK RD
CLARA ST
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Artvisory 310 Toorak Road, South YarraHawksburn
VIC 3141 IIIIIII
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 Fine Chinese
& Asian Art
熹山雲起-中國與亞洲藝術精選
CURATED BY LUKE GUAN

AUCTION Sunday 13 November 2022, 11.00am

Artvisory 310 Toorak Road, South Yarra VIC 3141

VIEWING Wednesday 9 November 11am–5pm

Thursday 10 November 11am–5pm
Friday 11 November 11am–5pm
Saturday 12 November 11am–5pm

COLLECTIONS Monday 14 November 11am–5pm

Tuesday 15 November 11am–5pm
Wednesday 16 November 11am–5pm

ONLINE View catalogue and bid online at www.artvisory.com.au

ENQUIRIES Specialist Enquiries: Auction administration enquiries:

Luke Guan 0455 891 888 Amanda Swanson 0414 592 234
[email protected] [email protected]
2

How to Bid at our Auctions

Catalogues and Viewing Buyers Premium
Auction catalogues can be viewed on the Artvisory website Artvisory charges a Buyers Premium of 24% plus GST on the hammer
www.artvisory.com.au approximately three weeks prior to the price of all Auction items unless otherwise stipulated.
published date of an Auction.
If a printed catalogue has been produced for an Auction, it Bidding
will be available complimentary at Artvisory, 310 Toorak Road,
South Yarra 3141. Artvisory offers four options for bidding at our Auctions:

The Auction viewing is open to the public and generally takes place Live Bidding
during the three days prior to the Auction date, from 11am-5pm
at the advertised location/s in the Auction catalogue. If this is your first-time bidding with Artvisory you will be required to
register with us, and we suggest that you arrive at the Auction with
your pre-filled registration form (available to download and print from
Lot Descriptions our website) and you will then receive your bidding number at the
The Lot/ Catalogue descriptions provide the overall information of an Auction. To facilitate this please bring along your Government issued
item including size, date or age, medium, attribution, quantity and if photo identification, such as a driver’s licence or passport as this is
known, provenance. the only form of identification that will be accepted.
Please make sure you register in the name you want your final invoice
to be made out to as invoices once issued cannot be changed, and in
Estimates certain cases a deposit may be required before you can bid.
The estimate accompanies each lot in the printed and online
catalogue. This estimate takes into consideration the quality, Online Bidding
condition, rarity, condition and provenance of the item. Each estimate Online bidding via Invaluable.com allows you to bid via the internet in
also has a reserve, and the reserve is the undisclosed and confidential real time, whilst also allowing you to view the live feed of the Auction.
amount set at or below the low estimate. Please note the reserve will
never exceed the low estimate at Artvisory, however many lots are Please register for this service with Invaluable.com at least 24 hours
sold without a reserve. prior to the Auction to ensure you do not miss your lot.
Invaluable.com charges a 5% fee on any successful lots purchased
which will be added to your final invoice.
Condition Reports
Please note if you have not bid with Artvisory previously, then
Condition reports supplement the lot/ catalogue description and Government issued photo identification verifying your name and
focus on the condition of the item. We strongly advise obtaining a address will be also be required before you can be approved to bid
condition report if you are unable to view the lot in person. Condition with Artvisory via the Invaluable.com site, and in certain cases a
reports and additional images are available to view as part of the deposit may be required before you can bid.
auction item listing at Invaluable.com
Please note Artvisory cannot be held responsible for any errors
that occur with internet connectivity during an auction or buyer
Symbols bidding errors.
Occasionally a symbol is printed next to a lot number in the
catalogue, this indicates a special clause that is associated with the
sale of that item.
Please refer to the Terms and Conditions for specific symbol
meanings and information.
 3

Telephone Bidding Payment and Collection

Complimentary telephone bidding is available at all our live Auctions, If you are successful with your bid/s your invoice will be emailed to
and involves an Artvisory representative calling you approximately you immediately after the Auction finishes.
3–5 lots in advance of your nominated lot and you then instruct them
You will pay the hammer price, plus the Buyers Premium of 24% plus
to bid on your behalf.
GST on each lot, together with any additional charges such as GST
Telephone Bids must be requested at least 24 hours prior to the on hammer or the Artist Resale Royalty if applicable.
commencement of the Auction and are provided on a first come first
As per our terms and conditions, payments must be made in full by
served basis, as the number of phone lines available are limited.
three (3) days after the Auction as printed in the catalogue.
See our website to download and complete a telephone bidding
Personal, Company and Bank cheques are not accepted unless prior
form and please note if this is your first time bidding with Artvisory
approval has been sought.
we will require a clear, scanned copy of Government issued photo
identification such as a drivers licence or current passport verifying We accept Direct Deposit into the Company Trust Account, Eftpos
your name and address and in certain cases a deposit may be (up to your daily limit) or credit card in person with the following
required before you can bid. merchant fee applicable (1.5% inc GST for Visa, Mastercard and
American Express)
Absentee Bidding Cash payments must be deposited direct to the Company Trust
Absentee bidding offers convenience if you are unable to attend an account via any Commonwealth Bank Branch, and goods can be
Auction in person, bid over the telephone, or if you wish to stick to released upon supplying the deposit receipt.
your budget. All payment options and Company Trust Account details are included
An absentee bid should be set at the maximum amount you wish to on the invoice that is emailed to you after the Auction if you are a
bid on the lot/s you are interested in purchasing. Should the lot/s be successful bidder.
knocked down at an amount lower than the bid recorded on your All items must be paid for in full and collected within the collection
form, the lot will be sold to you for the lesser hammer price plus times advertised for each individual Auction. If items are not
buyers premium. If identical bids are received for the same lot, then collected within this time frame then Artvisory reserves the right to
the first bid received by Artvisory will take precedence. charge removal, storage and release fees.
Absentee bids must be received by Artvisory at least 24 hours prior
to the Auction commencing and the Company cannot be held
Packing and Delivery
responsible for activating any late bids that are received.
Artvisory recommends Pack and Send for all packing and interstate
See our website to download and complete an absentee bidding
and international deliveries and we are happy to help co-ordinate this
form and please note if this is your first time bidding with Artvisory
for you with Pack and Send.
we will require a clear, scanned copy of Government issued photo
identification such as a drivers licence or current passport verifying Regarding larger items such as furniture and large artworks, we have
your name and address and in certain cases a deposit may be a list of recommended specialist carriers for local, interstate and
required before you can bid. international deliveries that we can provide to buyers and this will be
sent to you with your invoice if you are successful at the auction.
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An Important Private Collection, QLD

(Lots 1–74)

1 2
A PAIR OF CHINESE CLOISONNÉ ENAMEL A CHINESE CLOISONNÉ BOX AND COVER,
GARLIC-HEAD VASES, JINGTAI MARK, QING DYNASTY (1644-1912)
LATE MING-EARLY QING DYNASTY, 17TH CENTURY 清 掐絲琺瑯圓捧盒
明末/清初 十七世紀 大明景泰年製款 掐絲琺瑯蒜頭瓶一對 20.5cm diameter
35cm high (each) PROVENANCE

A cloisonné bowl dated to the second half of 16th century Acquired from Jewell's Antiques, Melbourne, 13/12/1977.
decorated with a similar style of sea horses on the interior, is 1977年12月13日購於墨爾本Jewell's Antiques藝廊。
illustrated in Chinese Cloisonne: Helmut Brinker & Albert Lutz, $2,000–3,000
The Pierre Uldry Collection, London, 1989, no. 87.
PROVENANCE 3
Acquired from Collection of the Late Ross Gordon on 11/4/1974. A CHINESE FINE CLOISONNÉ DISH,
1974年4月11日購於Ross Gordon遺產收藏。 QING DYNASTY, 18TH CENTURY
$4,000–6,000 清 十八世紀 銅掐絲琺瑯盤
29.8cm diameter
PROVENANCE
Acquired from Leonard Joel's, Melbourne, 24/5/1986.
1986年5月24日購於墨爾本Leonard Joel拍賣行。
$6,000–8,000

1 2
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4
A CHINESE CLOISONNÉ VASE MEIPING,
QING DYNASTY (1644-1912)
清 掐絲琺瑯梅瓶
23.4cm high
PROVENANCE
Acquired from Senior Antiques, QLD., 2/4/1980.
1980年4月2日購於昆士蘭 Senior Antiques藝廊。
$2,000–3,000

5
A CHINESE CLOISONNÉ CRANE,
QING DYNASTY, 18TH-19TH CENTURY
清 十八/十九世紀 掐絲琺瑯丹頂鶴
27cm high
PROVENANCE
The George Harris Collection of Enamels.
Goodman & Co., 10/12/1979.
George Harris 粉彩瓷收藏。
1979年12月10日，Goodman & Co.拍賣行落槌。
$2,500–3,500

4 5
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6
A CHINESE CLOISONNÉ CENSER,
QING DYNASTY, EARLY 20TH CENTURY
清 二十世紀早期 掐絲琺瑯象足獅鈕爐
22cm high
PROVENANCE
The Estate of the Late Nelson Rutherford Collection,
Wellington, New Zealand.
Acquired from above on 31/1/1982.
於1982年1月31日購於新西蘭Nelson Rutherford遺產。
$2,000–4,000

7
A CANTON ENAMEL TRAY, QING DYNASTY (1644-1912)
清 銅胎畫琺瑯托盤
28 x 18.9cm
$500–700
Illustrated online at artvisory.com.au

8
A CHINESE CLOISONNÉ ENAMEL AND GILT BRONZE
FOOTED BOWL, QING DYNASTY, 19TH-20TH CENTURY
清 十九/二十世紀 掐絲琺瑯龍把手鎏金水仙盆
37cm wide; 26cm high
PROVENANCE
Acquired in 2005.
購於2005年。
$1,500–2,500

9
A CHINESE CLOISONNÉ PLATE LATER ALTERED TO A BASKET,
THE PLATE, MING DYNASTY, 14TH-15TH CENTURY
明早期 十四/十五世紀 掐絲琺瑯盤殘件改製提籃
34cm wide; 24cm high
PROVENANCE
Acquired from the Late Nelson Rutherford, New Zealand, 25/4/1983.
1983年4月25日購於新西蘭Nelson Rutherford遺產。
$2,000–3,000
Illustrated online at artvisory.com.au

8
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10
A LARGE JAPANESE BRONZE CENSER WITH GOLD
AND SILVER INLAY, MEIJI PERIOD (1868-1912)
日本 明治時期 銅錯金銀双龙耳大香爐
90cm high
PROVENANCE
Acquired from an old private collection, Melbourne, Australia,
14/12/1986, descendants have advised that it had been
purchased originally from the Melbourne International Exhibition
in the late 1800's from the Japanese Pavilion.
於1986年12月14日購於澳洲墨爾本，據前藏家後代說此為1800年從墨爾
本世博會中的日本庭院處夠得。
$15,000–25,000

11
A KOREAN SILVER INLAID IRON BOX, 19TH CENTURY
韓國 十九世紀 春水秋山紋鑲銀鐵方盒
17 x 13 x 10cm
PROVENANCE
The Estate of the Late Ross Gordon Collection.
Acquired in 13/11/2002.
2002年11月13日購於Ross Gordon遺產。
$1,500–2,500
Illustrated online at artvisory.com.au

12
A LARGE CHINESE CANTON ENAMEL OCTAGONAL
BOX AND COVER, QING DYNASTY (1644-1912)
清 铜胎画珐琅八邊形盖盒
28.5cm diameter
PROVENANCE
Acquired from Binkar Gallery QLD., in 1985.
1985年購於Binkar Gallery藝廊。
$1,000–2,000
Illustrated online at artvisory.com.au

13
A SMALL CHINESE CANTON ENAMEL HAND WARMER,
QIANLONG MARK, QING DYNASTY, 19TH-EARLY 20TH CENTURY
清 十九/二十世紀 銅胎畫琺瑯暖手爐
8cm wide; 6cm high
PROVENANCE
Acquired from South Australia, in early 2012.
2012年初購於南澳大利亞。
$1,000–2,000
Illustrated online at artvisory.com.au

10
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14 16

14 16
A CHINESE BRONZE GOLD-SPLASHED BEAST, 17TH CENTURY A RARE LARGE CHINESE BRONZE GU-FORMED VASE,
明/清 十七世紀 铜灑金麒麟銜靈芝擺件 WANLI MARK, QING DYNASTY (1644-1912)
16cm wide; 12cm high 萬曆款 清 青铜兽面纹觚
PROVENANCE 56.2cm high
Collection of an English Manor House. PROVENANCE
Acquired from James Conley Antiques, Australia & U.K., 1/9/2011. Acquired from a private Dutch collection, 4/7/2010.
英國私人大宅舊藏。 2010年7月4日購於荷蘭私人收藏。
購於澳洲與倫敦古董商James Conley藝廊。 $6,000–8,000
$9,000–20,000
17
15 A CHINESE FAMILLE ROSE LANTERN,
A PAIR OF CHINESE AUBERGINE AND AMBER GLAZED BOWLS QING DYNASTY, EARLY 19TH CENTURY
AND COVERS, QING DYNASTY (1644-1912) 清 十九世紀 粉彩燈籠
清 虎皮釉蓋盌 一對 14.5cm high
10.6cm diameter each PROVENANCE
$1,000–2,000 The Estate of the Late L. Blumenthal Collection, 1979.
Illustrated online at artvisory.com.au
L. Blumenthal 遺產舊藏，1979。
$1,000–2,000
Illustrated online at artvisory.com.au
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18
A CHINESE MINIATURE FAMILLE ROSE VASE WITH
ELEPHANT HEAD HANDLES, QIANLONG MARK,
REPUBLIC PERIOD, EARLY 20TH CENTURY
乾隆款 民国 黄地粉彩瓜瓞綿綿纹象耳小瓶
6cm high
PROVENANCE
Acquired in 2015.
購於2015年。
$1,000–2,000

19
A CHINESE FAMILLE ROSE PEACH-SHAPED BOX AND COVER,
DAOGUANG PERIOD (1820-1850)
清道光 紅地粉彩桃形蓋盒
10.4cm long; 9cm wide
PROVENANCE
Acquired from Melbourne. October 1988.
1988年10月購於墨爾本。
$1,500–2,500

20
A PAIR OF CHINESE TURQUOISE GLAZED MONKEYS,
QING DYNASTY, 19TH CENTURY
18
清 十九世紀 绿松石釉猴子摆件一对
20cm high
PROVENANCE
James Conley Antiques Australia & U.K.
購於英國/澳大利亞James Conley Antiques古董行。
$1,000–2,000
Illustrated online at artvisory.com.au

21
A RARE CHINESE EXPORT FAMILLE VERTE VASE,
QING DYNASTY, KANGXI PERIOD (1661-1722)
清 康熙 五彩加籃釉金彩塔式瓶
32cm high
PROVENANCE
Acquired from Unique France Antiques, France & Australia, 7/6/2008.
2008年6月7日購於Unique France Antiques藝廊。
$1,500–2,500
Illustrated online at artvisory.com.au

19
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24
A GROUP OF THREE CHINESE SMALL COPPER
RED GLAZED VESSELS, LATE QING DYNASTY,
LATE 19TH-EARLY 20TH CENTURY
Including a garlic head vase, a washer and a box and cover with
Xuande mark.
清晚期 紅釉文房三件
vase: 13cm high
PROVENANCE
Acquired from Leonard Joel, Melbourne in 22/9/1997 .
1997年9月22日購於墨爾本Leonard Joel拍賣行。
$1,500–2,500
Illustrated online at artvisory.com.au

25
A CHINESE CELADON GU-FORMED VASE,
YONGZHENG MARK, EARLY 20TH CENTURY
雍正款 二十世紀早期 藍釉觚式瓶
18cm high
PROVENANCE
Acquired from the Belgian Collection, in 14/9/1995.
1995年9月14日購於 the Belgian Collection私人舊藏。
$1,000–2,000
Illustrated online at artvisory.com.au

22 26
A GROUP OF CHINESE FAMILLE ROSE TEA VESSELS,
QING DYNASTY, 18TH CENTURY
22
Comprising a teapot, a cup and a saucer.
A LARGE CHINESE CANTON FAMILLE ROSE PUNCH BOWL,
QIANLONG PERIOD (1736-1795) 清 十八世紀 粉彩雄雞起舞茶具一套
Teapot: 15cm wide
清 乾隆 廣彩大盌
PROVENANCE
41cm diameter
Acquired from Leonard Joel, Melbourne, 2/6/1986.
PROVENANCE
1986年6月2日購於墨爾本Leonard Joel拍賣行。
Acquired from a private English collection, 2/3/2012
$1,000–2,000
2012年3月2日購於英國私人舊藏 Illustrated online at artvisory.com.au
$3,000–5,000
27
23 A CHINESE CARVED AND APPLIED FAMILLE ROSE BOX
A RARE CANTON ENAMEL YIXING WATER DROPPER, AND COVER, QIANLONG MARK, QING DYNASTY (1644-1912)
QING DYNASTY (1644-1912) 清 乾隆款 粉彩雕瓷蓋盒
清 宜興廣彩水盂 7.2cm diameter
9cm diameter $1,000–2,000
Illustrated online at artvisory.com.au
PROVENANCE
The Late Blumenthal Collection.
Acquired from above in 1979.
1979年購於Blumenthal Collection遺產。
$600–800
Illustrated online at artvisory.com.au
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28
A CHINESE FAMILLE- ROSE DOUBLE GOURD FORMED WATER
DROPPER, QIANLONG PERIOD (1736-1795)
清 乾隆 粉彩葫蘆靈芝水滴
8cm high
PROVENANCE
Acquired from the late Sweeny Collection Queensland. 24/10/1992.
1992年10月24日購於 Sweeny Collection遺產。
$1,000–2,000

29
A CHINESE IMARI TEAPOT, KANGXI PERIOD (1661-1722)
清 康熙 伊萬裡青花紅彩茶壺
14.5cm long
PROVENANCE
Acquired from Woollahra Antique Centre, Sydney, 22/2/1984.
1984年2月22日購於悉尼Woollahra古董行。
$1,500–2,500
Illustrated online at artvisory.com.au

28

30
A CHINESE FAMILLE NOIR 'FIVE BOYS' SQUARE-SECTION
VASE, QING DYNASTY, 19TH CENTURY
清 十九世紀 黑地五彩蓮紋“五子登科”方瓶
22cm high
PROVENANCE
A private collection, Brisbane, 20/11/2007.
布里斯班私人收藏，購於2007年11月20日。
$4,000–6,000

31
A CHINESE FAMILLE ROSE VASE WITH EIGHT BUDDHIST
SYMBOLS, QING DYNASTY, 19TH CENTURY
清 十九世紀 粉彩八寶紋瓶
34.9cm high
$1,000–2,000
Illustrated online at artvisory.com.au

30
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32

32 34
A PAIR OF CHINESE FAMILLE VERTE DISHES, A CHINESE FAMILLE ROSE SGRAFFITO VASE,
LATE MING-EARLY QING DYNASTY, 17TH CENTURY JU REN TANG MARK, EARLY 20TH CENTURY
明末/清初 五彩人物紋盤一对 二十世紀早期 居仁堂款 粉彩藍地匝道紋山水開光雙龍耳瓶
14.5cm diameter 22cm high
PROVENANCE PROVENANCE
Acquired in Melbourne in 1984. Newfarm Antique Centre, Brisbane, QLD., 2015.
1984年購於墨爾本私人收藏。 昆士蘭New Farm古董中心，2015年。
$2,000–3,000 $1,000–2,000
Illustrated online at artvisory.com.au

33
35
A CHINESE SMALL BLUE AND WHITE VASE,
TWO CHINESE BLUE AND WHITE SQUARE DISHES,
KANGXI PERIOD (1662-1722)
LATE MING-EARLY QING DYNASTY, 17TH CENTURY
清 康熙 青花人物小罐
明末/清初 青花山水紋長方形茶點盤 两只
8.5cm high
17 x 12cm;
PROVENANCE
15.3 x 9cm
Acquired in 3/12/2020.
PROVENANCE
購於2020年12月3日。
Acquired from James Conley Antiques Australia & U.K.
$1,000–2,000
購於James Conley Antiques Australia藝廊。
Illustrated online at artvisory.com.au
$1,500–2,500
Illustrated online at artvisory.com.au
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36

36
TWO CHINESE BLUE AND WHITE OBLONG QUATREFOIL
DISHES, LATE MING-EARLY QING DYNASTY, 17TH CENTURY
明末/清初 青花山水四葉草形茶點盤 两件
17 x 14.5cm and 19.4 x 15cm
PROVENANCE
Acquired from James Conley Antiques, Australia and U.K.
購於澳大利亞/英國James Conley Antiques古董行。
$2,500–3,500

37
A CHINESE BLUE AND WHITE OBLONG QUATREFOIL DISH,
LATE MING-EARLY QING DYNASTY, 17TH CENTURY
明末/清初 青花山水紋長方形茶點盤
24.3cm long; 17cm wide
PROVENANCE
Collection of the Late L. Blumenthal.
Acquired on 14/11/1979.
於1979年11月14日購於 L. Blumenthal遺產收藏。
$3,000–5,000

37
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38 40

38 40
A CHINESE ROBIN’S EGG GLAZE VASE, FANGHU, A CHINESE WHITE GLAZED STEM CUP,
QING DYNASTY (1644-1912) QING DYNASTY (1644-1912)
清 爐鈞釉小方瓶 清 白釉印八寶紋高足盃
12cm high 14.5 x 10.3cm
PROVENANCE PROVENANCE
Acquired from a private collection, Sydney, 1980's. Acquired from Goodman & Co., Sydney, 30/11/1981.
80年代購於悉尼私人收藏。 1981年11月30日購於悉尼Goodman & Co藝廊。
$1,000–2,000 $1,000–2,000

39
A PAIR OF RARE CHINESE SMALL SOFT PASTE BLUE AND WHITE
JARS AND COVERS, KANGXI MARK AND PERIOD (1661-1722)
清 康熙 槳胎青花蓋罐一對
9.8cm high each
PROVENANCE
Acquired 5/8/2002.
購於2002年8月5號。
$600–800
*This lot will be offered no reserve. 此拍品不設保留價
Illustrated online at artvisory.com.au
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41
A CHINESE CINNABAR LACQUER SQUARE
VASE, QING DYNASTY, 19TH CENTURY
with a fitted wood stand.
清 十九世紀 剔紅人物方瓶
vase: 30.9cm high
$4,000–6,000

42
A CHINESE RED CARVED CINNABAR LACQUER
BOX AND COVER, 19TH CENTURY
清 十九世紀 剔紅蓋盒
18.5cm diameter
PROVENANCE
Acquired from Late L. Blumenthal Collection in 1982.
1982年購於L. Blumenthal Collection遺產。
$1,000–2,000
Illustrated online at artvisory.com.au

43
A CHINESE GREEN MARBLE TABLE SCREEN,
20TH CENTURY
二十世紀 綠色大理石雕菩薩插屏
27 x 27.5cm
PROVENANCE
Acquired in Brisbane in 5/12/2006.
2006年12月5日購於布里斯本。
$600–800
Illustrated online at artvisory.com.au

44
A CHINESE JADE FLOWER,
SONG DYNASTY (927-1279)
Later inset into a wood box.
宋 玉雕花 後嵌入木盒
jade: 5cm diameter; box: 13.5cm long; 10cm wide
$1,000–2,000
Illustrated online at artvisory.com.au

41
16

46
A CHINESE IMARI JAR AND COVER,
KANGXI PERIOD (1661-1722)
清 康熙 青花红彩盖罐
15.4cm high
The lid was engraved "N: 94 +". According to the letter of Dr. F.
Reichel from Staatliche Kunstsammlungen Dresden, Germany,
This inventory number can be found in the oldest inventory book
of the musuem which was commenced in 1721. He translated one
relevant paragraph from this book: " In the same year and month (i.
e. July 1723) His Royal Majesty bought from Miss Bassetouche:... N:
94. 6 pieces of such kind (i. e. coffee pots with compressed spouts,
big handles and flat round covers) with round bodies; one piece is
different. 6 Zoll (15.4cm) high and 4 Zoll in diameter."
PROVENANCE
Miss Bassetouche, Germany.
Collection of Augustus II the Strong (1670 –1733), who was Elector
of Saxony from 1694 as well as King of Poland and Grand Duke of
Lithuania in the years 1697–1706 and from 1709 until his death in 1733.
德國Bassetouche女士舊藏。
波兰国王，强者奥古斯都二世（1670 年 5 月 12 日 - 1733 年 2 月 1
日）舊藏。1694 年担任萨克森选帝侯，1697 年至 1706 年和 1709 年
至 1709 年担任波兰国王和立陶宛大公。 1733 年，他属于韦廷家族的
阿尔贝蒂娜家族。
$1,000–2,000
Illustrated online at artvisory.com.au

47
A CHINESE FAMILLE- NOIRE SANDUO BOWL, JIAQING SIX
CHARACTER UNDERGLAZE MARK AND PERIOD
(1796-1820)
清 大清嘉慶年製六字款及本朝 黑地粉彩三多盌
18.5cm diameter
PROVENANCE
Acquired from Toowoomba Antique Gallery.
購於 Toowoomba Antique Gallery藝廊。
$1,000–2,000
Illustrated online at artvisory.com.au

45
48
A CHINESE BLUE AND WHITE AND UNDERGLAZE RED
ROOSTER WASHER, LATE QING DYNASTY, 19TH CENTURY
45
清 十九世紀 青花釉里紅雄雞起舞水盂
A CHINESE DEHUA STANDING FIGURE,
8cm diameter
EARLY QING DYNASTY, 17TH CENTURY
$1,000–2,000
清早期 十七世紀 德化觀音站像 Illustrated online at artvisory.com.au
23.2cm high
PROVENANCE
Acquired from an old private collection.
早年購於昆士蘭資深私人舊藏。
$2,000–3,000
 17

49
A CHINESE INK ENAMEL ON BISCUIT VASE,
QIANLONG MARK, GUANGXU PERIOD (1875-1908)
清 乾隆款 光緒時期 墨彩素燒賞瓶
23.2cm high
PROVENANCE
The Estate of the Late Bundy Collection, 26/11/1981.
私人於1981年11月26日購於 Bundy Collection遺產。
$2,500–3,500

50
A CHINESE FAMILLE ROSE PEACH BOWL, GUANGXU IRON-
RED SIX-CHARACTER MARK AND OF THE PERIOD (1875-1908)
光緒款及本朝 粉彩九壽桃盌
12.4cm diameter
A similar example, see Christie's London, 11/11/2011, lot 1263.
PROVENANCE
James Conely Antiques, Australia, 29/12/2010.
2010年12月29日購於澳洲James Conely 古董藝廊。
$6,500–8,500

51
A CHINESE ROBIN’S EGG GLAZED BOTTLE
VASE WITH APPLIED DECORATION,
LATE QING DYNASTY, LATE 19TH CENTURY
清晚期 十九世紀 爐鈞釉貼花長頸瓶 49
12cm high
PROVENANCE
Acquired from Binkar Gallery, Queensland, 1988.
購於James Conley Antiques Australia藝廊。
$1,500–2,500
Illustrated online at artvisory.com.au

52
A CHINESE FAMILLE ROSE CANDLE-STICK,
GUANGXU PERIOD (1875-1908)
清 光绪 粉彩烛台
21.5cm high
PROVENANCE
Acquired from Leonard Joel, Melbourne, 7/8/1997.
1997年8月7日購於墨爾本Leonard Joel拍賣行。
$1,000–2,000
Illustrated online at artvisory.com.au

50
18

55
A CHINESE DEHUA FIGURE OF MULAN AND HORSE,
20TH CENTURY
二十世紀 德化木蘭充軍
29cm high; 19cm wide
PROVENANCE
Acquired in Miami, OLD., 2008.
2008年購於昆士蘭Miami藝廊。
$600–800
*This lot will be offered no reserve. 此拍品不設保留價
Illustrated online at artvisory.com.au

56
A PAIR OF CHINESE FAMILLE ROSE DISHES,
QING DYNASTY, 18TH CENTURY
清 十八世紀 粉彩團花紋盤一對
23cm diameter
PROVENANCE
Acquired from Lynette Cunnington Antiques Sydney.
購於悉尼Cunnington Antiques藝廊。
$1,000–2,000
Illustrated online at artvisory.com.au

57
TWO FAMILLE ROSE DISHES, QING DYNASTY, 18TH CENTURY
53
清 十八世紀 粉彩盤 兩件
22.5cm and 22.8cm diameter
PROVENANCE
53
The Late Ross Gordon Collection.
A CHINESE FAMILLE ROSE TUREEN AND COVER, 18TH CENTURY Acquired from above in 1989.
清 十八世纪 粉彩开光人物汤盌带盖 1989年購於 Ross Gordon Collection遺產。
35.5cm wide; 23cm high $1,000–2,000
PROVENANCE Illustrated online at artvisory.com.au

Collection of the Late S. Williamson.

Acquired from above on 16/10/2015.
2015年10月16日購於S. Williamson舊藏遺產。
$1,000–2,000

54
A CHINESE FAMILLE ROSE VASE,
QIANLONG MARK, EARLY 20TH CENTURY
乾隆款 二十世紀早期 粉彩百花不漏地小瓶
21.8cm high
PROVENANCE
Acquired in 2010.
購於2010年。
$1,000–2,000
Illustrated online at artvisory.com.au
 19

58 60

58 60
A PAIR OF CHINESE FAMILLE ROSE VASES, A CHINESE FAMILLE ROSE DRAGON AND PHOENIX VASE,
JU REN TANG MARK, EARLY 20TH CENTURY QIANLONG MARK, 20TH CENTURY
With fitted wood stand. 乾隆款 二十世紀 金地粉彩龍鳳花卉紋瓶
民國 二十世紀早期 居仁堂製款 粉彩瓶一對 25.5cm high
25cm high PROVENANCE
PROVENANCE Acquired from Sotheby's Melbourne, 13/11/2002.
Fine Art & Antiques, Queensland. 2002年11月13日購於蘇富比墨爾本。
購於昆士蘭Fine Art & Antiques藝廊。 $1,500–2,500
$3,000–5,000 Illustrated online at artvisory.com.au

61
59
A CHINESE FAMILLE ROSE FLOWER AND TREE PLAQUE,
A PAIR OF CHINESE SMALL FAMILLE ROSE PORCELAIN PLAQUES,
QING DYNASTY, 18TH CENTURY
EARLY 20TH CENTURY
清 十八世紀 粉彩花卉瓷板
二十世紀早期 粉彩瓷板畫一對
32.6cm long; 22cm wide
18.5cm long; 11.5cm wide
PROVENANCE
PROVENANCE
Collection of G. Douglas, acquired 26/05/2012.
Acquired from Vanroys Antiques Sydney, in 11/2/1984.
G. Douglas舊藏，購於2012年5月26日。
1984年2月11日購於悉尼Vanroys Antiques藝廊。
$1,000–2,000
$1,000–2,000
Illustrated online at artvisory.com.au
Illustrated online at artvisory.com.au
20

62

62 64
A SET OF FOUR CHINESE CHRYSANTHEMUM PANELS, A CHINESE FAMILLE ROSE DISH, HONGXIAN FOUR CHARACTER
EARLY 20TH CENTURY IRON RED MARK, REPUBLIC PERIOD, EARLY 20TH CENTURY
Each panel is possibly made of lotus roots. 民國 洪憲年製款 粉彩仙人過海碟
二十世紀 或為蓮莖製菊花紋掛屏四條 23.5cm diameter
80 x 22cm each PROVENANCE
PROVENANCE Acquired in Melbourne. 1984.
A private collection, Norway. 1984年購於墨爾本。
挪威私人收藏。 $1,000–2,000
$1,000–2,000 Illustrated online at artvisory.com.au

65
63
A PAIR OF CHINESE FAMILLE ROSE DISHES,
TWO CHINESE FAMILLE ROSE DISHES,
QING DYNASTY, 18TH CENTURY
QING DYNASTY, 18TH CENTURY
清 十八世紀 粉彩仕女盤一對
清 十八世紀 粉彩碟兩隻
22cm diameter each
20cm diameter
PROVENANCE
PROVENANCE
Acquired from Leonard Joel, Melbourne, in 2/6/1986.
Acquired from the Late Blumenthal Collection. in 1982.
1989年購於 Ross Gordon Collection遺產。
1982年購於Blumenthal Collection遺產。
$1,000–2,000
$400–600
Illustrated online at artvisory.com.au
Illustrated online at artvisory.com.au
 21

66 67
A CHINESE OLD HUALI BURLWOOD INSET LOW TABLE, A CHINESE ROUNDED HONGMU WOOD STAND WITH A FAMILLE
KANGXI, QING DYNASTY (1644-1911) ROSE PLAQUE AND BONE INLAID, QING DYNASTY, 19TH CENTURY
清 老花梨嵌癭木炕桌 清 十九世紀 紅木嵌粉彩瓷板圓凳
95 x 39 x 28cm 41.5cm diameter; 43cm high
PROVENANCE PROVENANCE
Collection of the late Father Peter Grice, Brisbane, Australia, The Estate of the Late Ross Gordon Collection.
acquired from the Brisbane Antique Fair. Acquired from Shapiro's Sydney, 7/4/2003.
已故澳洲著名神父Peter Grice舊藏，早年購於布里斯班古董展。 Ross Gordon遺產。
$6,000–8,000 2003年4月7日購於悉尼Shapiro's藝廊。
$1,500–2,500
Illustrated online at artvisory.com.au

66
22

68 70
A PAIR OF RARE CHINESE GOLD LACQUER DECORATED SHELLS, TWO CHINESE CARVED MOTHER OF PEARL SHELLS,
LATE QING DYNASTY, LATE 19TH CENTURY LATE 19TH-EARLY 20TH CENTURY
晚清 十九世纪晚期 金漆绘白贝母一对 晚清/民國 十九/二十世紀 貝母雕兩件
21 x 18.4cm each 23 x 19.5cm each
PROVENANCE PROVENANCE
Acquired from Turn O' the Century Antiques, Brisbane, 20/11/2007. Acquired from a private collection in 2002.
於2007年11月20日購於布里斯本Turn O' the Century Antiques藝廊。 2002年購於私人舊藏。
$3,000–5,000 $1,500–2,500
Illustrated online at artvisory.com.au

69
TWO CHINESE CARVED MOTHER OF PEARL SHELLS,
LATE 19TH-EARLY 20TH CENTURY
晚清/民國 十九/二十世紀 貝母雕兩件
22cm and 21.2cm long
PROVENANCE
Acquired from a private collection in 2002.
2002年購於私人舊藏。
$1,500–2,500
Illustrated online at artvisory.com.au

68
 23

71
A CHINESE CARVED AGATE VASE, QING DYNASTY (1644-1911)
With fitted wood stand.
清 玛瑙雕福壽花瓶
9cm high
PROVENANCE
Acquired from James Conley Antiques, Australia & U.K., 2005.
2005年購於澳大利亞/英國 James Conley Antiques古董行。
$2,000–3,000

72
A CHINESE CARVED RED OVERLAY WHITE GLASS BOWL,
QING DYNASTY (1644-1912)
清 紅套白琉璃盌
16cm diameter
PROVENANCE
Acquired Sotheby's Melbourne, 24/6/1986.
1986年6月24日購於蘇富比墨爾本。
$600–800
*This lot will be offered no reserve. 此拍品不設保留價
Illustrated online at artvisory.com.au

73
A LARGE JAPANESE IMARI BOWL,
MEIJI PERIOD, LATE 19TH CENTURY
With metal mounted stand
日本 明治時期 伊萬裡燒大盌
25.3cm diameter
PROVENANCE 71
Acquired from the Belgian Collection, in 14/9/1995.
1995年9月14日購於 the Belgian Collection私人舊藏。
$1,000–2,000
Illustrated online at artvisory.com.au

74
A RARE JAPANESE SATSUMA LOZENGE SHAPED JAR,
MEIJI PERIOD, 19TH CENTURY
Signed to the base “Dai Nippon, Satsuma yaki, Momo Shuko ga”,
translated:" Japanese Satsuma ware painted by Momo Shuko".
日本 明治時期 百百周紅 薩摩燒方罐
28 x 14cm
PROVENANCE
Acquired from Vanroys Antiques Sydney, in 11/2/1984.
1984年2月11日購於悉尼Vanroys Antiques藝廊。
$1,000–2,000
Illustrated online at artvisory.com.au
24

The Estate of the Late Walter Hochstadter & Alice Chu

(Lots 75–83)

The Estate of the Late Walter Hochstadter and Alice Walter Hochstadter (候时塔) and Alice Chu遺產，這
Chu, these present pieces were all acquired by Walter 些藏品均由候时塔購藏於1997年以前，後由家族繼承。
Hochstadter prior to 1997 thence by descent. 候时塔是著名傑出中國藝術收藏家，1914年出生於德
Walter Hochstadter was a well known and 國，於三十年代移民美國並於2007年在澳大利亞墨爾
distinguished dealer of Chinese art, born in Krumbach 本去世。1953-1982年間，他曾為美國東方陶瓷協會
(Germany) in 1914. In the late 1930's he emigrated to 會員。部分Hochstadter收藏中國藝術曾與佳士得紐約
the United States and died in Melbourne, Australia 2009年3月18日-19日拍賣，其中一件518號拍品拍出
in 2007. He was a member of the Oriental Ceramic 200萬美金。
Society (USA) from 1953-1982. A large number of the
Hochstadter collection was sold at Christie's New York,
18th/19th March 2009, with a piece lot 518 reaching
2 million US dollars.

75
 25

75
A VERY RARE CHINESE ARCHAIC BRONZE RITUAL TRIPOD
VESSEL BOWL, HAN DYNASTY (202 B.C.–220 A.D.)
The bowl is cast supported on three small human figures that
face outward, flanked by a pair of beast-mask handles each
suspending a loose ring.
漢 青銅人形足弦紋雙耳洗
24cm diameter
Two almost identical examples, one is in the Capital Museum, China;
the other one was excavated in Qinan longcheng Yuanjia Han tomb,
now is in Gansu provincial museum, China.
$6,000–8,000

76
A CHINESE WHITE GLAZED VASE, SUI DYNASTY (581-618)
隋 白瓷長頸瓶
26cm high
$5,000–7,000

76

77
A CHINESE CIZHOU DENGFENG MEIPING VASE,
NORTHERN SONG DYNASTY (960-1127)
北宋 登封窯白釉刻金錢紋梅瓶
38.4cm high
$2,000–3,000

77
26

78
A CHINESE BOXWOOD CARVED RUYI IN THE FORM
OF A PINE TREE BRANCH, 19TH CENTURY
清 十九世紀 黃楊木鬆枝形如意
28cm long
$3,500–5,500

79
A FINE AND VERY RARE CHINESE ARCHAIC BRONZE RITUAL
TRIPOD VESSEL, PAN, ZHOU DYNASTY (1100-256 BC)
The exterior of this vessel is decorated with a band of interlocking dragon
scroll, flanked by a pair of handles decorated with abstract phoenix motif,
supported on three finely cast taotie heads foot.
周 青銅獸首三足盤
30.5cm diameter
Pan were shallow basins used as ritual vessels to hold water. They were
used in conjunction with a he or a yi to form a set of vessels for the
washing of hands. Such vessels would have been included in the ritual
vessel sets "required by an individual or family of a given period to
perform the customary ritual food and wine offerings to the ancestors."
See J. Rawson, Western Zhou Ritual Bronzes from the Arthur M. Sackler
Collections, vol. IIA, The Arthur M. Sackler Foundation, 1990, p. 98. Such
a set, of Middle Western Zhou date, from Shaanxi Fufeng Qijiacun M19, is
illustrated in a line drawing, ibid., p. 99, fig. 142d.
The present Pan with three taotie heads foot is extremely rare, a similar
pan without three foot, is illustrated by J. A. Pope et al. in The Freer
Chinese Bronzes, vol. I, Washington, 1967, pl. 82. Also see Christie's New
York, 21/3/2014, lot 2018 for a similar pan without three foot.
$5,000–8,000

78 79
 27

80 81

80 81
A LARGE CHINESE WHITE-GLAZED FOUR LUGGED JAR, A CHINESE CIZHOU WHITE-GLAZED EWER,
SUI DYNASTY (581-618) POSSIBLY SONG DYNASTY (960-1279)
隋 白瓷四係罐 或為宋 磁州窯白釉執壺
30.5cm high 18cm high
$6,000–8,000 $2,000–3,000
28

82 83

82 83
A CHINESE BLACK-GLAZED MEIPING VASE, A CHINESE CIZHOU BLACK-GLAZED BOWL WITH RUSSET
JIN DYNASTY (1115-1234) SPLASHES, JIN-YUAN DYNASTY, 13TH CENTURY
金 黑釉刻弦紋梅瓶 金/元 磁州窯黑釉鐵鏽斑盌
29.5cm high 18.4cm diameter
$5,000–7,000 $4,000–6,000
 29

The Estate of the Late Alan Myren (1934–2022)

(Lots 84–89)

Mr. Myren was a museum assistant in the Indian section in 84

Victoria and Albert Museum in London from 1954-64 and on his A CHINESE CARVED RHINO HORN LIBATION CUP,
return to Australia, he established a highly respected antiques EARLY QING DYNASTY, 17TH-18TH CENTURY
dealership known essentially for Oriental Antiques.
清早期 十七/十八世紀 犀牛角雕玉蘭葡萄紋來通杯
已故南澳藏家Alan Myren舊藏，Myren先生曾與1954-64時就職於 13 x 8.5cm; 227g
英國倫敦維多利亞與阿爾伯特博物館亞洲藝術部門，之後回到南澳 For a similar rhino-horn libation cup from the same period, decorated
成為久負盛名的亞洲藝術古董商。 with chilong dragons on the exterior, see Christie’s 24/03/2011, lot 1451;
another similar example, see Christie’s London, 8/11/2011, lot 2.
PROVENANCE
Acquired in Adelaide in 1966, from another antiques dealer who thought
it had come to Adelaide with returning missionaries to China around the
time of the Boxer Rebellion.
已故南澳藏家Alan Myren舊藏，1966年從另一古董商處夠得，據說是在義
和團起義時期由當時在中國的傳教士帶回阿德雷德。
$40,000–60,000

84
30

85 86

85 86
A CHINESE CARVED WHITE JADE STANDING FIGURE A CHINESE CARVED BAMBOO INCENSE HOLDER,
OF A FEMALE IMMORTAL, QING DYNASTY (1644-1912) QING DYNASTY, 17TH-18TH CENTURY
with a fitted wood stand. with a fitted wood stand.
清 和田白玉雕捧籃仙子立像 清 十七/十八世紀 竹雕侍女香筒
18.5cm high 17.8cm high
For a smaller example see Sotheby's Hong Kong, 2/6/2015, lot 747, For a similar example see: Sotheby's New York, 20/3/2007, lot 704;
also see the same house, 9/10/2012, lot 3133. Also compare to a a 18th/19th century example with much rougher and simpler carving see:
later (early 20th century) and a smaller (14.7cm high) example, Bonhams San Francisco, 18/12/2007, lot 4217.
see Christie's New York, 24/3/2011, lot 1545.
$1,000–2,000
$6,000–8,000
 31

87
A RARE AND FINE CHINESE FLAMBÉ-GLAZED LINGZHI-FORM
BRUSH WASHER, QING DYNASTY, 18TH CENTURY
with moulded scrolling rim, decorated in a streaked red,
cream and lavender glaze.
清 十八世紀 爐鈞釉靈芝筆洗
22cm wide
A similar example see Bonhams London, 13/5/2019, lot 185.
$5,000–7,000

87

88
A RARE CHINSE 'TIXI' LACQUER BOX AND COVER,
YUAN-MING DYNASTY, 14TH-15TH CENTURY
元/明 十四/十五世紀 朱面剔犀如意雲紋蓋盒
6.5cm diameter
The carved design on the current box, known as tixi or the Japanese
term, guri (curves and circles), was a pattern established towards the
end of the Song dynasty. The scrolling foliage design on the current
box, referred to as juancao (scrolling grass) or xiangcao (fragrant
grass), first appeared on Song dynasty lacquerwares and enjoyed
considerable popularity well into the Yuan dynasty.
See two tixi lacquer boxes of similar form and closely related
design, one in the Asian Art Museum of San Francisco, published in
Hai-wai Yi-chen. Chinese Art in Overseas Collections. Lacquerware,
Taipei, 1987, pl. 73; and the other included in the exhibition East
Asian Lacquer. The Florence and Herbert Irving Collection, The
Metropolitan Museum of Art, New York, 1991, cat. no. 11.
Similar examples sold at auctions, see Sotheby's Hong Kong,
26/5/2021, lot 513. Sotheby's London, 16/5/2012, lot 68; and a larger
(21.3cm) example, see Sotheby's New York, 16-17/09/ 2014, lot 546.
$5,000–7,000

88
32

89 The double-lozenge, also known as fang sheng 方勝, is one of the Eight
A RARE AND IMPORTANT CHINESE CINNABAR LACQUER CARVED Treasures, babao 八 寶, which was a much favoured design used in
THREE-TIERED DOUBLE-LOZENGE-SHAPED BOX, COVER AND decoration during the Ming and Qing dynasties. Lozenge-shaped lacquer
STAND, QING DYNASTY, QIANLONG PERIOD (1736-1795) examples first appeared in Ming dynasty; see for example a qiangjin
polychrome and gilt-lacquer lozenge-shaped box and cover, Jiajing mark
The cover meticulously carved with two five-clawed writhing dragons in
and period, Beijing, illustrated in The Complete Collection of Treasures
pursuit of a pearl in the form of a stylised Shou character, on a ground
of the Palace Museum. Lacquer Wares of the Yuan and Ming Dynasties,
of swirling waves, all within key-fret borders, the straight sides of the box
Shanghai, 2006, no.151. The inspiration from previous generations was in
and cover decorated with six cartouches enclosing various antiques and
line with the Qianlong Emperor's instructions to his Court and craftsmen
scholar's objects, divided by leafy blooming lotus, the interior and base
to look to China's past for moral guidance and artistic inspiration.
covered with black lacquer, with a cinnabar lacquer stand supported on
six ruyi-shaped feet. A similar double-lozenge shaped cinnabar lacquer tiered box and
清乾隆 剔紅雕雙龍戲珠紋博古圖方勝式多層蓋盒 cover, Qianlong, decorated with dragons pursuing a Shou pearl of
23cm long wisdom on the cover, and 'Precious Objects' around the sides, is in the
collection of the National Palace Museum, Taipei (museum no.Gu-Qi-
000261N000000000). See also a related cinnabar lacquer lozenge-
shaped box and cover, 18th century, in the National Palace Museum,
Taipei, illustrated in Carving the Subtle Radiance of Colours-Treasured
Lacquerware in the National Palace Museum, Taipei, 2008, no.152.
For an almost identical example sold at auction, see: Bonhams
London, 2/11/2021, lot 309.
$4,000–6,000

89
 33

90
A CHINESE BLUE AND WHITE BOWL,
YUAN DYNASTY (1271-1368)
元 青花小盌
8cm diameter
$1,500–2,500

91
A CHINESE BLUE AND WHITE BOWL,
MING DYNASTY, 15TH CENTURY
明 十五世紀 梵文青花盌
16.5cm diameter
$2,000–3,000

92
A CHINESE BLUE AND WHITE DRAGON BOX AND COVER,
GUANGXU PERIOD (1875-1908)
清 光绪 青花龙纹盖盒
10cm diameter
PROVENANCE
Mossgreen, Melbourne.
The Edrina Collection, U.K., Hong Kong and Sydney.
慕仕閣墨爾本。
昇雯閣收藏，香港，英國，悉尼。
90
EXHIBITED
Hong Kong, Heavenly Boxes: The Edrina Collection of Tang,
Song, Ming and Qing Boxes, no. 42, p. 104.
香港，《天作之盒：昇雯閣藏唐宋元明清珍寶盒》，
號：42，頁：104。
LITERATURE
Heavenly Boxes: The Edrina Collection of Tang,
Song, Ming and Qing Boxes, Hong Kong, no. 42, p. 104.
《天作之盒：昇雯閣藏唐宋元明清珍寶盒》，
香港，號：42，頁：104。
$800–1,200
Illustrated online at artvisory.com.au

91
34

93 96

93 96
A CHINESE BLUE AND WHITE DISH, GUANGXU SIX-CHARACTER A RARE CHINESE BLUE AND WHITE DISH,
UNDERGLAZE MARK AND OF THE PERIOD (1874-1908) KANGXI PERIOD (1662-1722)
清 光緒六字青花款及本朝 青花八卦仙鶴紋盤 清 康熙 青花仕女盤
19cm diameter 15.7cm diameter
$3,000–5,000 PROVENANCE
Sotheby's London, 29/6/1976, lot 263.
94 Acquired from Raymond & Victoria Tregaskis,
Oriental Antiques, August, 2005.
A PAIR OF CHINESE BLUE AND WHITE AND UNDER GLAZED-RED
蘇富比倫敦，1976年6月29日，拍品號：263。
DISHES, QING DYNASTY, 17TH/18TH CENTURY
2005年8月購於悉尼Raymond & Victoria Tregaskis東方藝廊。
清 十七/十八世紀 青花釉裡紅 獅子戲繡球紋盤一對 $3,500–5,500
27.5cm diameter
$1,500–2,500
97
Illustrated online at artvisory.com.au
A PAIR OF CHINESE BLUE AND WHITE MINIATURE DOUBLE
95 GOURD BOTTLES TOGETHER WITH AN UNDERGLAZED
A PAIR OF CHINESE SMALL BLUE AND WHITE VASES TOGETHER RED BOX, YONGZHENG UNDERGLAZED BLUE
WITH A QINGBAI DISH, YUAN DYNASTY (1271-1368) MARK AND OF THE PERIOD (1723-1735)
清 雍正款及本朝 青花葫芦药罐一对 及 釉里红盖盒
元 青花小罐一對 和 卵白釉花口盤
double gourd bottle: each 4.2cm high
jar: 6cm high each
Miniature bottles: Collection of Mr Hepburn Myrtle. NSW.
$2,000–3,000 Box: An old private collection, Sydney, formed in the 1970s.
Illustrated online at artvisory.com.au
$1,000–2,000
Illustrated online at artvisory.com.au
 35

98
A RARE IMPERIAL CHINESE MINIATURE TEA BOWL,
YONGZHENG SIX-CHARACTER UNDERGLAZE BLUE MARK
AND OF THE PERIOD (1723-1735)
The bowl is well painted with a pair of phoenix amongst clouds.
清 御窯 大清雍正年製 六字青花楷書款及本朝 青花鳳紋杯
6.8cm diameter
For a similar cup decorated with bats and clouds, see:
Bonhams New York, 19/09/2022, lot 317.
PROVENANCE
Acquired from Raymond & Victoria Tregaskis,
Oriental Antiques, June, 1999.
1999年6月購於悉尼Raymond & Victoria Tregaskis東方藝廊。
$4,000–6,000

99
A PAIR OF CHINESE BLUE AND WHITE CUPS, GUANGXU
YUHAITANG HALL MARK AND OF THE PERIOD (1875-1908),
DATED TO 1907
清 光緒丁未玉海堂製款及本朝 1907年製 青花蓮紋臥足盌一對
8cm diameter
PROVENANCE
Acquired from Raymond & Victoria Tregaskis,
Oriental Antiques, February, 2004.
98
2004年2月購於悉尼Raymond & Victoria Tregaskis東方藝廊。
$4,000–6,000

99
36

100
A RARE CHINESE BLUE AND WHITE AND COPPER RED
"SANDUO" BOWL, QIANLONG SIX-CHARACTER UNDERGLAZE
MARK AND OF THE PERIOD (1736-1795)
清 大清乾隆年製 六字青花篆書款及本朝 青花釉裡紅三多紋盌
20.5cm diameter
PROVENANCE
Francis Collection, QLD, Australia.
Acquired from Raymond & Victoria Tregaskis,
Oriental Antiques, June, 1999.
昆士蘭州Francis家族珍藏，1999年6月購於
Raymond & Victoria Tregaskis東方藝廊。
$6,000–8,000

101
A CHINESE BLUE AND WHITE JAR AND COVER,
QING DYNASTY, KANGXI PERIOD (1644-1912)
清 康熙青花纏枝蓮紋蓋罐
22cm high
PROVENANCE
A private collection, Sydney, acquired in the early 2000s.
悉尼私人收藏，購於2000年初。
$5,000–8,000

100 102
A SMALL CHINESE BLUE AND WHITE BOWL,
YUAN DYNASTY (1271-1368)
元 青花小盌
7.7cm diameter
PROVENANCE
East and West Art, Kew, VIC.
An Important private collection VIC.
墨爾本東西畫廊。
維多利亞重要私人收藏。
$600–800
*This lot will be offered no reserve. 此拍品不設保留價
Illustrated online at artvisory.com.au

103
A CHINESE BLUE AND WHITE PORCELAIN PLAQUE,
SIGNATURE OF WANG BU, EARLY 20TH CENTURY
二十世紀早期 王步款 青花瓷版
15.2 x 8cm
$1,000–1,500
Illustrated online at artvisory.com.au

101
 37

104 105
A RARE LARGE CHINESE CAFE-AU-LAIT-GLAZED BOWL, A VIETNAMESE BLUE AND WHITE BOX, 15TH CENTURY
KANGXI SIX-CHARACTER MARK IN UNDERGLAZE BLUE 越南 十五世紀 青花蓋盒
WITHIN A DOUBLE CIRCLE AND OF THE PERIOD (1662-1722) 7.6cm high
The bowl with deep, rounded sides, covered inside and out with a slightly PROVENANCE
metallic glaze of russet-brown colour. An Important private collection, London and Melbourne.
清 『大清康熙年製』 六子雙圈青花款及本朝 紫金釉大盌 墨爾本和倫敦重要私人收藏。
17.5cm
$600–800
Compare to a much smaller bowl (9.9cm diameter) with similar glaze and *This lot will be offered no reserve. 此拍品不設保留價
Illustrated online at artvisory.com.au
also from Kangxi period, see Christie's New York, 15/09/2011, lot 1601. Also
see another smaller example (12.3cm diameter), Sotheby's Hong Kong, 106
03/04/2018, lot 3603.
A CHINESE BLUE AND WHITE JAR, KANGXI PERIOD (1661-1722)
PROVENANCE
清 康熙 青花罐
Ex-collection of Gene Liss, St. Louis, Missouri, U.S.A.
17.5cm diameter
An old private collection, Queensland, Australia.
PROVENANCE
美國密蘇里州聖路易市Gene Liss舊藏。
A private collection, NSW, acquired in 19/01/2013.
澳大利亚昆士蘭州資深私人收藏。
新南威爾士私人舊藏，購於2013年1月19日。
$50,000–80,000
$600–800
*This lot will be offered no reserve. 此拍品不設保留價
Illustrated online at artvisory.com.au

104
38

107
A CHINESE WHITE GLAZED BOTTLE
VASE WITH ANHUA DECORATION, QING
DYNASTY (1644-1912)
清代 白釉暗花賞瓶
38cm high
PROVENANCE
Mossgreen, 1/6/2014, The Contents of Musk
Farm, (Stuart Rattle) lot 339.
慕仕閣2014年6月1日Musk Farm（Stuart Rattle)
）專場拍賣，拍品號：339。
$2,000–3,000

108
A CHINESE LARGE CHINESE LANGYAO RED
GLAZED WASHER, QING DYNASTY (1644-
1912)
清 郎窯紅釉 大筆洗
22.8cm diameter
$4,000–6,000

109
A CHINESE LANGYAO RED-GLAZED VASE,
QING DYNASTY, 17TH-18TH CENTURY
107
清 十七/十八世紀 郎窰紅釉瓶
16.5cm high
A similar langyao red glazed vase also with neck
broken off, see Sotheby's Pair, 11/12/2020, lot 232.
PROVENANCE
East and West Art, Kew, VIC.
An Important private collection VIC.
墨爾本東西畫廊。
維多利亞重要私人收藏。
$600–800
*This lot will be offered no reserve. 此拍品不設保留價
Illustrated online at artvisory.com.au

110
A CHINESE PEACH BLOOM GLAZED VASE,
QING DYNASTY, 18TH-19TH CENTURY
清 十八/十九世紀 祭紅釉長頸瓶
19cm high
PROVENANCE
East and West Art, Kew, VIC.
An Important private collection VIC.
墨爾本東西畫廊。
維多利亞重要私人收藏。
$2,000–3,000
Illustrated online at artvisory.com.au

108
 39

111
A CHINESE YELLOW GLAZED BOWL,
GUANGXU SIX-CHARACTER UNDERGLAZE
MARK AND OF THE PERIOD (1874-1908)
清 大清光緒年製 六字青花款及本朝 黃釉盌
19cm diameter
$4,000–6,000

112
A PAIR OF CHINESE FAMILLE-ROSE DISHES,
QING DYNASTY, 18TH CENTURY
清 十八世紀 雄雞牡丹紋盤一對
23cm diameter
$3,500–5,500

113
A CHINESE RED GLAZED DOUBLE GOURD
VASE, DAOGUANG MARK
道光款 紅釉葫蘆瓶
22cm high
$2,000–3,000
Illustrated online at artvisory.com.au

114
A CHINESE GE-GLAZED WASHER, 111
QING DYNASTY (1644-1912)
清 哥釉筆洗
15cm diameter
$1,500–2,500
Illustrated online at artvisory.com.au

115
A CHINESE WHITE GLAZED CENSER,
QING DYNASTY (1644-1912)
清 白釉獸足鼎式爐
18.5cm diameter
$1,000–2,000
Illustrated online at artvisory.com.au

112
40

117
A CHINESE JUN-GLAZED VASE, QING DYNASTY (1644-1912)
清 鈞釉瓶
25.6cm high
$2,000–3,000
Illustrated online at artvisory.com.au

118
A PAIR OF CHINESE FAMILLE-VERTE FOLIATE RIM DISHES,
LATE MING-EARLY QING PERIOD, 17TH CENTURY
清 明末/清初 十七世紀 五彩雙魚花卉紋花口盤一對
21cm diameter each
$2,000–3,000
Illustrated online at artvisory.com.au

119
A CHINESE FAMILLE-ROSE AND IRON RED DECORATED
BRUSH POT, KANGXI MARK
康熙款 礬紅粉彩仙女祝壽紋筆筒
19.9cm diameter
$3,000–5,000
Illustrated online at artvisory.com.au

120
A CHINESE CELADON GLAZED UNDERGLAZE BLUE AND RED
116 PEACH FORMED EWER, QING DYNASTY, 19TH CENTURY
清 十九世紀 豆青釉青花釉裡紅壽桃形倒流壺
116 18.5cm wide
$1,500–2,500
A RARE CHINESE INCISED IRON-RED-DECORATED 'GOLD FISH
Illustrated online at artvisory.com.au
AND BATS' DISH, DAOGUANG SIX CHARACTER SEAL MARK IN
IRON RED AND OF THE PERIOD (1821-1850) 121
清 大清道光年製 礬紅六字款及本朝 礬紅金彩“福壽有余”紋盤 A CHINESE DOUCAI SANDUO JAR,
15.2cm diameter QIANLONG MARK, LATE QING, 19TH CENTURY
Compare to some examples with similar decorations and also in the same 清 十九世紀 乾隆款 斗彩三多罐
period, see Christie's Hong Kong, 4/10/2018, lot 59; and Christie's London, 21.5cm high
9/11/2012, lot 1207. $1,000–2,000
Illustrated online at artvisory.com.au
PROVENANCE
Tin Po Kok & Siu's Trading Co., Hong Kong (Label to the base).
122
Tin Po Kok & Siu's Trading Co., Hong Kong。(底部標籤)
A PAIR OF CHINESE DOUCAI DISHES,
$4,000–6,000
QING DYNASTY, 18TH CENTURY
清 十八世紀 斗彩暗花紋盤一對
20.8cm diameter
$2,500–3,500
Illustrated online at artvisory.com.au
 41

123 124
A PAIR OF CHINESE 'FAMILLE-ROSE' OCTAGONAL WINE A CHINESE BLUE ENAMEL PUNCH BOWL,
CUPS JIAQING SIX-CHARACTER SEAL MARKS IN IRON RED QING DYNASTY, 19TH CENTURY
AND OF THE PERIOD (1796-1820) 清 十九世紀 釉上籃彩大盌
清 大清嘉慶年製 礬紅六字款及本朝 粉彩八仙八方盃一對 25.5cm diameter
8.5cm diameter each $1,500–2,500
For a similar pair of cups with hidden foot, Illustrated online at artvisory.com.au

see Sotheby's 12/05/2010, lot 196.

PROVENANCE
Raymond and Victoria Tregaskis Oriental Arts, Sydney, Australia.
A private collection, NSW, Australia.
Raymond and Victoria Tregaskis 亞洲藝術，悉尼，澳大利亞。
澳洲新南威爾士州私人收藏。
$15,000–25,000

123
42

125 126

125
A CHINESE FAMILLE-ROSE FAUX BOIS VASE,
QIANLONG MARK, 19TH CENTURY
乾隆款 十九世紀 木紋釉開光花鳥紋缽
24cm diameter
$3,000–5,000

126
A PAIR OF CHINESE MIRROR-BLACK-GLAZED AND GILT
DECORATED VASES, KANGXI MARK, 19TH CENTURY
清 康熙款 十九世紀 黑釉金彩雙龍戲珠紋賞瓶 一對
20cm high
$4,000–6,000

127
A CHINESE IRON RED DRAGON DISH, GUANGXU SIX-CHARACTER
UNDERGLAZE MARK AND OF THE PERIOD (1874-1908)
清 大清光緒年製 六字青花款及本朝 礬紅描金雙龍戲珠紋盤
26.7cm diameter
PROVENANCE
The Chinese porcelain company, New York, USA (label).
紐約中國陶瓷公司藝廊（標籤）。
$5,000–7,000
127
 43

128 in Constantinople went into the trading business, including the export
A CANTONESE EXPORT FAMILLE ROSE PORCELAIN BOWL MADE of Turkish carpets. His two sons George Percival Baker (1856-1951) and
FOR THE QAJAR MARKET, QING DYNASTY, CIRCA 1865 James Baker founded G. P. & J. Baker-the famous textiles store in 1884,
which is still operating today in London. G. P. Baker was an important
Of hemispherical form on a short foot, in the Rose Medallion pattern, with
collector of early Oriental fabrics and a leading export on calico panting
three cartouches with roundels bearing portraits of Nasr al-Din Shah and
and printing in the East Indies. Victoria and Albert Museum, London
his two sons Masoud Mirza (later Zill al-Sultan) and Muzaff are al-Din, one
held the exhibition: From East to West: Textiles from G. P. & J. Baker, 9
cartouche with a roundel bearing inscription. The inscription reads: ‘Nasr
May-14 October 1984. More detail of the family history and their textiles
al-Din Qajar, Al-Sultan Ibn Sultan'.
collection, see this exhibition catalogue by Bridget Heal.
清 约1865年 粉彩波斯王纳赛尔丁沙阿 肖像及阿拉伯文字出口瓷
37.5cm diameter 英國George Baker (1822-1905)遺產舊藏，家族流傳。
Naser al-Din Shah was the King of Persia from 5th September 1848 to 1 1848年，乔治·珀西瓦尔·贝克（George Percival Baker）的父亲乔治·贝克
May 1896. "Al-Sultan ibn Sultan" means "the Sultan (king) son of a Sultan （George Baker）设计并监督了英国君士坦丁堡大使馆花园的创建，完成
(king)". For a discussion of Cantonese export wares for the Qajar market, 工作后，在君士坦丁堡的一家从事贸易业务，包括土耳其地毯的出口。在方
see Daniel Nadler, "Chinese export porcelain with Arabic inscriptions in 济会修道院学校接受教育之后，G.P.Baker和他的兄弟Harry被送往英国，并
antiques", March 2000, pp. 464-73. 继续在英国的一所私立学校接受教育。 G.P. Baker于1871年回到君士坦丁
堡，开始了家族生意。1874年，G.P. Baker离开君士坦丁堡去英国工作，从
For a similar example sold at auction, see:
事家族企业。 1884年，他和他的兄弟詹姆士（James）于1884年创立了G
Bonhams, London, 25/10/2007, lot 245.
P＆J Baker公司，并于1893年收购了历史悠久的Swaisland印刷公司，该公
PROVENANCE 司位于 克雷福德, 肯特郡.G. P. Baker是东方早期织物的重要收藏家，并且
Estate of George Baker (1822-1905), UK., thence by descent. George 是东印度印花布绘画和印刷的领先专家。
Baker in 1848 designed and supervised the creation of the garden at $4,000–6,000
the British Embassy at Constantinople and, after completing the work,

128
44

129 131

129 131
A CHINESE FAMILLE-ROSE VASE, QING DYNASTY, 18TH CENTURY A RARE CHINESE FAMILLE ROSE VASE,
清 十八世紀 粉彩人物梅瓶 YONGZHENG PERIOD (1723-1735)
27cm high 清 雍正 粉彩鏤空雕花瓶
$2,000–3,000 30.5cm high
$3,500–5,500
130
A CHINESE QIANJIANG BOWL AND COVER, 132
SIGNATURE OF WANG XIAOTING (1906-1970), A PAIR OF CHINESE FAMILLE-ROSE DISHES,
DATED TO 1953 QIANLONG MARK, GUANGXU PERIOD (1875-1908)
汪小亭（1906-1970）款 1953年作 淺绛彩蓋湯盌 清 乾隆款 光绪时期 粉彩碟一对
23.9 x 20 x 15cm 16cm diameter
$2,000–3,000 $2,000–3,000
Illustrated online at artvisory.com.au Illustrated online at artvisory.com.au

133
A CHINESE YELLOW GROUND FAMILLE-ROSE DISH,
YANGYUEXUAN MARK, REPUBLIC PERIOD, EARLY 20TH CENTURY
民國 二十世紀早期 映月軒黃地粉彩開光花鳥紋盤
24cm diameter
$1,000–2,000
Illustrated online at artvisory.com.au
 45

134
A CHINESE FAMILLE-ROSE BARAGON TUMED DISH,
QING DYNASTY, DAOGUANG PERIOD (1821-1850)
It's with two Iron-red Baragon Tumed mark in Mongolian
script to the base.
清 道光 蒙文款 粉彩佛像八宝萬壽紋盤
17.5cm diameter
Baragon Tumed porcelain pieces appear to have been made at the
Imperial factories at Jingdezhen as part of a service commissioned
to celebrate the marriage of one of the daughters of the Daoguang
Emperor to a Mongolian prince in 1842. Pieces from this service bear
the two-character Mongolian name of the prince, who belonged to
the Tumed group or clan.
Compare a bowl with similar decorations and same Baragon
Tumed mark (with two hairline cracks), sold at Sotheby's New York,
22/6/2021, lot 11.
PROVENANCE
East and West Art, Kew, VIC.
An Important private collection VIC.
墨爾本東西畫廊。
維多利亞重要私人收藏。
$1,500–2,500

135
TWO CHINESE FINE FAMILLE-ROSE 134
BOWLS AND COVERS, DAOGUANG
PERIOD (1821-1850)
very well decorated, both with Gradatim
family crests.
清 道光 粉彩徽章瓷蓋湯盌兩隻
36cm wide and 24.6cm wide
$5,000–7,000

136
A PAIR OF CHINESE FAMILLE-ROSE
VASES, YONGZHENG MARK, REPUBLIC
PERIOD, EARLY 20TH CENTURY
雍正款 民國 粉彩仙人瓶一對
12cm high each
$1,500–2,500
Illustrated online at artvisory.com.au

137
A CHINESE FAMILLE-VERT VASE,
LATE MING-EARLY QING PERIOD,
17TH CENTURY
明末/清初 青花五彩人物瓶
18.5cm high
$600–800
*This lot will be offered no reserve. 此拍品不設保留價
Illustrated online at artvisory.com.au

135
46

138 139

138 A Qianlong-marked vase of larger size (45cm.) in the Beijing Palace

AN UNUSUAL LARGE CHINESE FAMILLE-ROSE VASE, Museum, is illustrated in The Complete Collection of Treasures of the
DAOGUANG MARK, REPUBLIC PERIOD, EARLY 20TH CENTURY Palace Museum - 39 - Porcelains with Cloisonné Enamel Decoration
and Famille Rose Decoration, Hong Kong, 1999, pl. 85. Other examples
道光款 民國 二十世紀早期 粉彩【百花不漏地】包袱天球瓶 include a pair in the Shanghai Museum, illustrated in Selected Ceramics
56.5cm high from the Collection of Mr. and Mrs. J. M. Hu,Shanghai, 1989, pl. 67;
PROVENANCE one in the Nanjing Museum, included in the joint exhibition with The
A private collection, NSW. Chinese University of Hong Kong, Qing Imperial Porcelain, 1995, no. 86;
新南威爾士州私人收藏。 and another from the Grandidier Collection in the Musée Guimet, Paris,
$15,000–25,000 illustrated in Oriental Ceramics, The World's Great Collections, Tokyo,
1981, vol. 7, pl. 190.
139 An almost identical example also with same Guangxu mark and of the
A CHINESE FAMILLE-ROSE 'HUNDRED DEER' VASE, period, see Christie's New York, 23/3/2018, lot 834. Another example with
HU, GUANGXU SIX CHARACTER MARK IN IRON RED dragon handles and with Qianlong mark but dated to Republic period,
AND POSSIBLY OF THE PERIOD (1874-1908) see Sotheby's Paris, 9/11/2021, lot 115.

清 大清光緒年制 礬紅款 或為本朝 粉彩百鹿尊 $8,000–12,000

46cm high
140
The 'hundred deer' subject matter was very popular, as the landscape
depicted contains important symbolic references. The depiction of A GROUP OF THREE CHINESE FAMILLE-ROSE VESSELS,
deer has a long history in Chinese art, as it refers to the rebus where 20TH CENTURY
the Chinese word for 'deer' is a homophone for 'emolument' or 'civil 二十世紀 粉彩瓷三件
service salary'. The 'hundred deer' motif therefore represents the ultimate Largest: 22.9cm high
success, a career in government service in Imperial China. $1,000–2,000
Illustrated online at artvisory.com.au
 47

141 standard designs supplied by the court to various imperial workshops.

AN IMPORTANT AND RARE CHINESE IMPERIAL BLUE AND WHITE Bowls of this type continued to be made in the following periods in the
DRAGON BOWL, XUANDE SIX-CHARACTER UNDER GLAZED BLUE Ming dynasty (1368-1644) such as a Chenghua (1465-1487) example and
MARK AND OF THE PERIOD (1339-1435) a Hongzhi (1488-1505) example in the Shanghai Museum, illustrated
by Lu Minghua in Porcelain Wares from the Official Kilns of the Ming,
The bowl is finely decorated with a continuous frieze of four five-clawed
Shanghai, 2007, fig. 3-61 and fig. 3-69 respectively. Two Xuande bowls of
dragons chasing flaming pearls and surrounded by cloud scrolls, the
related design are in the National Palace Museum, Taipei, illustrated in A
interior centre with a circular panel enclosing a scaly dragon within blue
Panorama of Ceramics in the Collection of the National Palace Museum:
circles, the base with a finely written six-character Xuande mark within
Hsuan-te Ware I, Taipei, 2000, nos. 64 and 65. Xuande ‘dragon’ bowls of
double blue circles.
this form also exist in a slightly different version, in which the dragons
明 宣德六字青花款及本朝 龍紋大盌 have three claws and the interiors are decorated with various floral scrolls
23cm diameter, 9.5cm high and sprays in underglaze blue. This group includes four examples in the
This extremely rare bowl represents the finest quality of porcelain National Palace Museum, Taipei, illustrated in ibid, nos. 69-73; one in the
produced at the Imperial kilns in the Xuande reign. The design of British Museum, illustrated by Jessica Harrison-Hall, Catalogue of Late
Imperial five-clawed dragons flying through the clouds and each chasing Yuan and Ming Ceramics in the British Museum, London, 2001, p. 134,
a flaming pearl is one of the most classic designs of all in Chinese no. 4:26; one in the Matsuoka Art Museum, Tokyo, illustrated in the Toji
porcelain, but that said this is one of the rarest patterns of the Xuande Taikei (Ceramics of East Asia), vol. 42, Tokyo, 1975, figs. 51 and 52; and
period. Originating as early as the Hongwu period (1368-1398) as seen the other one sold at Sotheby’s Hong Kong, 2 November 1994, lot 36. A
on a blue and white and moulded bowl in the Tianminlou collection, band of lappet design around the base of these bowls is more common,
illustrated in The Radiant Ming 1368-1644 through the Min Chiu Society instead of the crashing waves seen on this example, making this design
Collection, Hong Kong, 2015, p. 18, no. 1. However, it was not until the exceptionally rare.
Yongle period (1426-1435) that this design became standardised. A
PROVENANCE
Yongle blue and white stem bowl of very similar decoration with fitted
An important private collection, Sydney, Australia.
gold cover and silver stand was found in the tomb of Prince Zhuang
重要澳洲私人舊藏
of Liang in Zhongxiang city, Hubei province, illustrated in the British
Museum, Ming: 50 years that changed China, London, 2014, p. 87, fig. 70. EXHIBITED

On the Prince Zhuang of Liang example, not only the porcelain stem bowl Melbourne, Silk Road Asian Art, Fine Chinese, Japanese,
but also the gold cover and silver stand bear a conforming five-clawed South East Asian Works of Art, 3/2020, no. 32.
dragon design. It is important to note that an inscription on the gold LITERATURE
cover dates it to the second year of Zhengtong (1437). The consistency Silk Road Asian Art, Fine Chinese, Japanese,
of this design across precious mediums and different reign periods might South East Asian Works of Art, 3/2020, no. 32.
suggest that in the early 15th century this design became one of the $65,000–85,000

141
48

142
A SET OF FOUR CHINESE FAMILLE-ROSE PORCELAIN PLAQUES,
DATED TO SPRING 1928
1928年春作 粉彩人物瓷板 四件 馮聖心呈 育群軍座 （繆培南）
49 x 36.5cm
According to the inscriptions, this set of plaques were the gift to the Republic
government military official General Maio Peinan (1895-1970). Miao's military
career began in 1926 when he was appointed commanding officer of the 35th
Regiment, 12th Division, 4th Army. Within a year he in command of the division
and within a few months he was made officer in-charge of the 4th Army. In
1931, he became Chief of Staff of the 8th Route Army. The same year he was
also appointed Chief of Staff of the 1st Army Group. Then in 1936 he was given
the post of the Commanding Officer 5th Army. Miao moved higher up the
military command chain when in 1940 he became the Deputy Commanding
Officer Guangdong-Fujian-Jiangxi Border Area as well as the Commander-
in-Chief, 9th Army Group. In 1945 he was made Acting Director of Dongjiang
Field Headquarters, 7th War Area. He was the representative of the Republic
of China government to accept the Japanese surrender in Guangdong in
1945. His continued to move up the army hierarchy with his appointment as
the Deputy Director of Guangdong Pacification Headquarters in 1947.
育群軍坐及国民党陆军中将繆培南（1895～1970），字经成，号育群，广东五
华县周江早成村人毕业于保定陆军军官学校第六期。其歷任国民革命军第四军
第十二师师长，国民革命军第四军军长，国民革命军第八路军总指挥部参谋长，
第一集团军总司令部参谋长兼教导师师长、第五军军长，第四路军参谋长兼广州
警备司令，国民革命军第六十五军军长，国民革命军第九集团军总司令，第四战
区、第七战区长官司令部参谋长兼东江指挥所主任，联合勤务总司令部第三补给
区司令，广州绥靖公署副主任等职。曾当选为国民党中央军委委员和中央委员。
抗日战争胜利后，曾代表国民政府接受日军104师团投降。1970年病逝與香港。
PROVENANCE
Collection of Chinese Republic government Official-General Miao Peinan
(1895-1970).
Collection of Mrs. Semsei, Wahroonga, NSW, acquired before 1980s,
with an Insurance valuation Report from P. l. Pckles & Co., Pty, Ltd., 5/10/1982
(valued $6,000).
A private collection, NSW, acquired in 2013.
中国国民党将军繆培南(1895-1970)舊藏。
新南威爾士Semsei, Wahroonga女士舊藏，於80年代購入。附有1982年10月5
日，P. l. Pckles & Co., Pty, Ltd出具保險估價（價值$6000）。
新南威爾士私人收藏，購於2013年。
$2,000–3,000

143
A CHINESE FAMILLE-ROSE PORCELAIN PLAQUE OF HORSES,
REPUBLIC PERIOD, EARLY 20TH CENTURY
With Hongmu frame
民國 粉彩瓷板畫駿馬圖
83 x 57cm
PROVENANCE
A private collection, NSW, acquired in 2013.
新南威爾士私人收藏，購於2013年。
$3,000–5,000
Illustrated online at artvisory.com.au
142
 49

144

144 146
A SET OF CHINESE MARINE IVORIES OF EIGHT IMMORTALS, A SINO-TIBETAN BRONZE FIGURE OF AMITAYAS,
LATE QING DYNASTY (1644-1912) QIANLONG MARK AND OF THE PERIOD, DATED 1780
清 海象牙雕八仙一組 Dated gengzi year (1780) of the Qianlong reign
largest 15.5cm high 清 乾隆 「大清乾隆庚子年敬造款」銅藥師佛坐像
PROVENANCE 20cm high
Bonhams London, 3/11/2014, lot 220. $1,000–2,000
Illustrated online at artvisory.com.au
邦漢斯倫敦，2014年11月3日，拍品號：220。
$6,000–8,000
147
A CHINESE SOAPSTONE FIGURE OF LUOHAN,
145
QING DYNASTY (1644-1912)
A CHINESE BOX WOOD CARVED BUDAI,
清 壽山石雕 羅漢坐像
QING DYNASTY (1644-1912)
10cm high
With fitted wood stand
$1,200–2,500
清 黃楊木雕 布袋送子 Illustrated online at artvisory.com.au
16.5cm high
$3,000–5,000
Illustrated online at artvisory.com.au
50

148 149

150 151
 51

148 152
A CHINESE SOAPSTONE FIGURE OF LUOHAN, A LARGE CHINESE SOAPSTONE FIGURE OF LUOHAN,
QING DYNASTY (1644-1912) QING DYNASTY (1644-1912)
清 壽山石雕 羅漢坐像 with semi-precious stones inlaid
12cm high 清 壽山石雕 羅弗多尊者 笑獅羅漢坐像
$1,500–2,500 16.8cm high
$1,500–2,500
149
A CHINESE SOAPSTONE FIGURE OF LUOHAN,
QING DYNASTY (1644-1912)
清 壽山石雕 羅弗多尊者 笑獅羅漢坐像
10.5cm high
$1,500–2,500

150
A CHINESE SOAPSTONE FIGURE OF LUOHAN,
QING DYNASTY (1644-1912)
清 壽山石雕 戍博迦尊者 開心羅漢坐像
9.5cm high
$1,500–2,500

151
A CHINESE SOAPSTONE FIGURE OF LUOHAN,
QING DYNASTY (1644-1912)
清 壽山石雕 伐阇羅弗多羅尊者羅漢坐像
12cm wide; 10cm high
$1,500–2,500

152
52

153 155

153 155
A LARGE SOAPSTONE FIGURE OF SEATED GUANYIN, A CHINESE SOAPSTONE FIGURE OF A SCHOLAR
SHEN DE TANG MARK, QING DYNASTY (1644-1912) AND TWO GHOSTS, QING DYNASTY (1644-1912)
清 慎德堂御製款 壽山石雕觀音坐像 清 壽山石雕呂洞賓與兩隻小鬼
31.5cm high 15.5cm high
$5,500–7,500 $2,000–3,000

154 156
A RARE SRI LANKA IVORY STANDING BUDDHA, A WOOD CARVED TIBETAN MASK, 19TH-20TH CENTURY
18TH-19TH CENTURY 西藏 十九/二十世纪 彩绘木雕面具
斯里蘭卡 十八/十九世紀 象牙彩繪佛立像 $100–200
16cm high *This lot will be offered no reserve. 此拍品不設保留價
Illustrated online at artvisory.com.au
PROVENANCE
A private collection, Sydney.
悉尼私人收藏。
$200–300
*This lot will be offered no reserve. 此拍品不設保留價
Illustrated online at artvisory.com.au
 53

157 159
A SINO-TIBETAN DRY LACQUER SEATED BUDDHA, A CHINESE POLYCHROME LACQUER ON WOOD FIGURE
QING DYNASTY (1644-1912) OF A LUOHAN, MING DYNASTY, 17TH CENTURY
清 漢藏風格 脫胎漆釋迦牟尼坐像 明 十七世紀 木雕漆羅漢坐像
37cm high 44cm high
$5,000–7,000 PROVENANCE
A private collection, Melbourne.
158 Acquired from Suzy Lebasi of Soo Tze Oriental Antiques.
A CHINESE WOOD CARVED SEATED BUDDHA, 墨爾本私人收藏。購於Suzy Lebasi of Soo Tze Oriental Antiques藝廊。
QING DYNASTY (1644-1912) $5,000–6,000
accompanied by an inscribed note dated to the 25th day of the 12th
month of the eighth year of the Tongzhi reign (early 1870). 160
清 彩繪木雕佛坐像 A CHINESE WOOD CARVED SEATED FIGURE OF GUANYIN,
款「大清國湖南省寶慶府新化縣永寧一都地名窩山祀祭洞天廟王九像 POSSIBLY MING DYNASTY (1368-1644) OR LATER
（余文略）同治八年己巳（1870年初）歲十二月廿五日謹具」 明或以後 木雕觀音坐像
28.9cm high 32.5cm high
PROVENANCE
PROVENANCE
Apsara Asian Art, Sydney, 2009. A private collection, QLD.
傳承： 昆士蘭州私人收藏。
悉尼 Apsara 亞洲藝術， 2009。
$4,000–6,000
$400–600 Illustrated online at artvisory.com.au
*This lot will be offered no reserve. 此拍品不設保留價
Illustrated online at artvisory.com.au

157 159
54

161
A CHINESE LACQUER ON WOOD CARVED DAOIST
SEATED FIGURE, QING DYNASTY (1644-1912)
清 漆木雕西王母坐像
73cm high
PROVENANCE
An important private collection, South Yarra, acquired from Hanlin
Gallery Oriental Fine Art, Hong Kong in 1997.
墨爾本重要私人收藏。1997年購於香港Hanlin Gallery Oriental Fine
Art藝廊。
$1,500–2,500

162
A FINE TIBETAN GILT BRONZE BUDDHIST VASE,
16TH/17TH CENTURY
西藏 十六/十七世紀 銅鎏金文殊宝瓶
33cm high
$5,500–7,500

161

162 163
 55

164 165

163 165
A NEPALESE GILT BRONZE REPOUSSE FIGURE OF A TIBETAN GILT BRONZE SEATED FIGURE OF A LAMA,
DHRITARASHTTA, 19TH CENTURY 18TH CENTURY
尼泊爾 十九世紀 銅鎏金錘碟天王坐像 The lotus base is inscribed in Tibetan characters on the back,
27cm high the top is inlaid with a blue semi-precious stone.
$3,500–5,500 西藏 十八世紀 銅鎏金喇嘛坐像
13cm high
164 PROVENANCE

A CHINESE GILT BRONZE SEATED BUDDHA, A private collection, Melbourne.

QIANLONG PERIOD (1736-1795) 墨爾本私人收藏。
$1,500–2,500
清 乾隆鎏金燃燈佛坐像
7.6cm high
$6,500–7,500
56

166

166
A RARE AND FINE TIBETAN PARCEL-GILT SILVER AND BONE
TRUMPET WITH CORAL AND TURQUOISE INLAID, 19TH
CENTURY
西藏 十九世紀 銀鏨刻龍紋花卉局部鎏金嵌綠松石及紅珊瑚骨喇叭
43cm long
$5,500–7,500

167
A FINE NEPALESE BRONZE STUPA, 15TH CENTURY
尼泊爾 十五世紀 銅佛塔
13.5cm high
For a larger example (30cm high) see: Bonhams New
York, 16/3/2021, lot 307; for a later (17th century) example,
see: Bonhams Knightsbridge, 4/11/2019, lot 248.
$3,000–5,000

167
 57

An Important Private Collection, Melbourne

(Lots 168–197)

168
A RARE AND LARGE CHINESE YUE CELADON FUNERAL JAR,
WESTERN JIN DYNASTY (266–316)
The tapering oviform body decorated with applied moulded turtles
and Buddha figures, the elaborately detailed cover with hierarchical
bands of figures , with a funeral procession featuring a stele, a
flock of doves with small bats at the four corners, crowned with a
miniature walled villa, all covered in a greyish-green glazed. With a
fitted box.
西晉 越窑魂瓶
52cm high
Oxford Authentication thermoluminescence test number P116r4 is
consistent with dating of this lot.
Similar example please see Sotheby's New York 17/3/2015, lot 29.
PROVENANCE
Bonhams London, 8/5/2017, lot 168.
邦瀚斯倫敦，2017年5月8日，拍品號168。
$15,000–20,000

169
A LARGE CELADON JAR, WESTERN JIN DYNASTY (266–316)
西晉 青釉四係罐
21.5cm high
PROVENANCE
Mossgreen Melbourne, 21/11/2011, lot 351.
慕仕閣墨爾本，2011年11月21日，拍品號351。
$1,000–2,000
Illustrated online at artvisory.com.au

170
A CHINESE YUE CELADON JAR, WESTERN JIN (266–316)
西晉 青釉四係罐
9.5cm high
PROVENANCE
Brian Page Oriental Art, Brighton, UK, 4/8/2004.
A private collection, Melbourne.
2004年8月4日購於英國Brian Page Oriental Art藝廊。
墨爾本私人收藏。
$1,000–2,000
Illustrated online at artvisory.com.au

168
58

171
A CHINESE SANCAI BOWL, TANG DYNASTY (618-906)
唐 三彩缽
17.7cm wide
PROVENANCE
Sotheby's Melbourne, 2/5/2005, lot 601.
蘇富比墨爾本，2005年5月2日，拍品號：601。
$3,500–5,500

172
A CHINESE LONGQUAN CELADON WASHER, SOUTHERN
SONG (1127-1279)
南宋 龍泉黑胎青釉洗
13cm diameter
PROVENANCE
A private collection, Melbourne.
墨爾本私人收藏。
$2,500–3,500

173
A CHINESE GREEN GLAZED CENSOR AND COVER,
HAN DYNASTY (202 BC- 220 AD)
西漢 綠釉博山爐帶蓋
171
27.5cm high
University of Wollongong Authentication thermoluminescence test
number P116r4 is consistent with dating of this lot.
PROVENANCE
A private collection, Melbourne.
墨爾本私人收藏。
$800–1,200
Illustrated online at artvisory.com.au

174
A RARE CHINESE BLACK AND WHITE-GLAZED BOWL,
SONG DYNASTY (960-1279)
宋 外黑里白釉钵
9cm diameter
PROVENANCE
Mossgreen Melbourne, 14-15/6/2011, lot 343.
A private collection, Melbourne.
慕仕閣墨爾本，2011年6月14-15號，拍品號：343。
墨爾本私人收藏。
$1,500–2,500
Illustrated online at artvisory.com.au

172
 59

175
A CHINESE JIAN HARE'S FUR TEA BOWL,
SONG DYNASTY (960-1279)
宋 建窯兔毫盞
12cm diameter
An almost identical example is illustrated in Robert D. Mowry,
Hare's Fur, Tortoiseshell, and Partridge Feathers, no. 79.
PROVENANCE
Sotheby's Melbourne, 1/12/2005, lot 537.
A private collection, Melbourne.
蘇富比墨爾本，2005年12月1日，拍品號：537。
墨爾本私人收藏。
$6,000–8,000

176
A CHINESE JIAN OIL-SPOT TEA BOWL,
SONG DYNASTY (960-1279)
宋 建窯油滴盞
12.9cm diameter
PROVENANCE
Mossgreen Melbourne, 6/5/2014, lot 571.
A private collection, Melbourne.
慕仕閣墨爾本，2014年5月6日，拍品號：571。
墨爾本私人收藏。
175
$2,000–3,000

177
A CHINESE QINGBAI DOUBLE-FISH BOWL,
SOUTHERN SONG DYNASTY (1127-1279)
南宋 影青刻雙魚紋盌
18.5cm diameter
PROVENANCE
A private collection, Melbourne.
墨爾本私人收藏。
$1,500–2,500
Illustrated online at artvisory.com.au

178
A CHINESE QINGBAI CARVED FOLIATE-RIMMED BOWL,
SOUTHERN SONG (1127-1279)
南宋 影青刻花葵口盌
18.5cm diameter
PROVENANCE
A private collection, Melbourne.
墨爾本私人收藏。
$1,000–2,000
Illustrated online at artvisory.com.au

176
60

179 180

179 180
A CHINESE BLACK-GLAZED RUSSET-PAINTED JAR, A CHINESE JIAN HARE'S FUR TEA BOWL,
SONG-JIN DYNASTY, 12TH-13TH CENTURY SONG DYNASTY (960-1279)
The ovoid vase is covered overall with a lustrous black glaze, freely 宋 建窯兔毫盞
painted with russet strokes forming three abstract phoenix in flight. 13cm diameter
宋/金 十二/十三世紀 磁州窯黑釉鐵鏽花鳳紋嘟嚕瓶 PROVENANCE
24.4cm high Mossgreen Melbourne, 25/11/2008, lot 1188.
Similar examples see: Sotheby's New York, 21/3/2018, lot 674 and the Sotheby's Melbourne, 17/5/2004, lot 44.
same house: 11/09/2019, lot 725. A private collection, Melbourne.
慕仕閣墨爾本，2008年11月25日，拍品號：1188。
PROVENANCE
蘇富比墨爾本，2004年5月17日，拍品號：44。
A private collection, Melbourne.
墨爾本私人收藏。
墨爾本私人收藏。
$5,000–7,000
$2,500–3,500
 61

181
A SMALL CHINESE JUN TEA BOWL, JIN-YUAN DYNASTY,
13TH CENTURY
The bowl is covered with a dark lavender glaze with purple splashes
on the interior.
金/元 鈞窯紫斑泡泡盞
9.4cm diameter
PROVENANCE
Sotheby's London 13/5/1975, lot 84.
A private collection, Melbourne.
蘇富比倫敦，1975年5月13日，拍品號：84。
墨爾本私人收藏。
$6,000–8,000

182
A LARGE CHINESE BLACK-GLAZED MEIPING VASE,
SONG-JIN DYNASTY, 11TH-12TH CENTURY
the attenuated, finger-ribbed body tapers from the high rounded
shoulder to the foot and is covered with a thick black glaze.
宋/元 磁州窯黑釉刻弦紋梅瓶
40cm high
Similar example please see Christie's New York, 16/3/2017, lot 609.
PROVENANCE
A private collection, Melbourne.
181
墨爾本私人收藏。
$5,000–7,000

183
A CHINESE QINGBAI MOULDED BOYS' BOWL,
YUAN DYNASTY (1279-1368)
元 青白釉印花娃娃紋盌
17cm diameter
PROVENANCE
A private collection, Melbourne.
墨爾本私人收藏。
$1,000–2,000
Illustrated online at artvisory.com.au

184
A CHINESE YUE CELADON BOWL,
FIVE DYNASTIES-NORTHERN SONG, 10TH CENTURY
五代/北宋 越窯青釉盌
15.5cm diameter
PROVENANCE
A private collection, Melbourne, acquired from Koh Nai King,
Singapore in early 90s.
墨爾本私人收藏。90年代初購於新加坡Koh Nai King古董商。
$1,500–2,500
Illustrated online at artvisory.com.au

182
62

185
A CHINESE BLUE AND WHITE JAR AND COVER,
KANGXI PERIOD (1662-1722)
The jar is finely decorated with deer and cranes amongst
gnarled pines, rocks and clouds, double ring to base.
清 康熙 青花將軍蓋罐
44cm high
PROVENANCE
Mossgreen, Melbourne, 28/11/17, lot 680 .
Sotheby's New York 1981.
A private collection, Melbourne.
慕仕閣墨爾本，17年11月28日，拍品號：680.
蘇富比紐約，1981年。
墨爾本私人收藏。
$9,000–10,000

186
A CHINESE BLUE AND WHITE DISH,
KANGXI PERIOD (1622-1722)
清 康熙 青花盤
14.5cm diameter
PROVENANCE
A private collection, Melbourne,
acquired from Franzi and Filcock, St. Kilda, VIC, 24/7/1974.
墨爾本私人舊藏。1974年7月24日購於墨爾本
Franzi and Filcock藝廊。
$600–800
Illustrated online at artvisory.com.au

187
TWO CHINESE BLUE AND WHITE CUPS,
KANGXI PERIOD (1622-1722)
清 康熙青花盃 兩件
7cm and 3.6cm high
PROVENANCE
A private collection, Melbourne,
acquired from Franzi and Filcock, St. Kilda, VIC, 3/7/1974.
墨爾本私人收藏。1974年7月3日購於墨爾本
Franzi and Filcock藝廊。
$800–1,200
Illustrated online at artvisory.com.au

188
A CHINESE BLUE AND WHITE BOWL,
LATE MING DYNASTY, 16TH CENTURY
清 十六世紀 暗八仙蓮紋青花盌
15cm diameter
PROVENANCE
A private collection, Melbourne.
墨爾本私人收藏。
$800–1,200
185 Illustrated online at artvisory.com.au
 63

189 191
A RARE CHINESE WHITE-GLAZED BOWL, A SMALL CHINESE BLACK-GLAZED MEIPING VASE,
YONGZHENG SIX-CHARACTER MARK IN SONG-JIN DYNASTY, 12TH-13TH CENTURY
UNDERGLAZE BLUE AND OF THE PERIOD (1723-1735) 宋/金 磁州窯黑釉梅瓶
清 【大清雍正年製】六字方框青花款及本朝 白釉盌 22cm high
13.2cm diameter PROVENANCE

For a very similar bowl of the same period, see: Raymond and Victoria Tregaskis Oriental Arts, NSW.
Sotheby's New York, 4/11/2020, lot 30. Anders Ousback (1951-2004) Collection.
Sotheby's Melbourne, 3/5/2005, lot 611.
PROVENANCE
A private collection, Melbourne.
A private collection, Melbourne, acquired from Sotheby's London, 1980s.
新南威爾士Raymond and Victoria Tregaskis東方藝術收藏。
墨爾本私人收藏。80年代購於蘇富比倫敦。 Anders Ousback (1951-2004)收藏。
$4,000–6,000 蘇富比墨爾本，2005年5月3日，拍品號：611。
墨爾本私人收藏。
190 $2,000–3,000
TWO CHINESE BLUE AND WHITE GINGER JARS, Illustrated online at artvisory.com.au

KANGXI PERIOD (1662-1722)

192
清 康熙 青花博古開光冰梅紋罐 兩件
A CHINESE FAMILLE ROSE SGRAFFITO GROUND VASE,
22cm and 20.1cm high
QIANLONG MARK, 20TH CENTURY
PROVENANCE
Larger jar: Sotheby's London, 15/10/1974, lot 125. 乾隆款 二十世紀 粉底匝道花卉紋梅瓶
Smaller jar: Sotheby's London, 8/6/1982, lot 140. 27.5cm high
A private collection, Melbourne. PROVENANCE

大罐：蘇富比倫敦，1974年10月15日，拍品號：125。 A private collection, Melbourne.

小罐：蘇富比倫敦，1982年6月8日，拍品號：140。 墨爾本私人收藏。
墨爾本私人收藏。 $1,000–2,000
$3,000–5,000 Illustrated online at artvisory.com.au

Illustrated online at artvisory.com.au

189
64

193
A GANDHARAN FRAGMENTARY GREY SCHIST FRIEZE
SECTION, 4TH-5TH CENTURY
The Buddha is flanked by acolytes and attendants.
犍陀羅 四/五世紀 石雕佛与弟子楣板
33.7cm wide
PROVENANCE
Christie's London, 27/4/2000, lot 208.
A private collection, Melbourne.
佳士得倫敦，2000年4月27日，拍品號：208。
墨爾本私人收藏。
EXHIBITED
Melbourne, Potter Museum of Art,
Jitish Kallat: Circa , 13/10/2012-7/4/2013, No. 16.
LITERATURE
Natalie King & Bala Starr eds., Jitish Kallat: Circa,
Asian Link, The University of Melbourne, 2013, No. 16, P.38.
$5,000–7,000

193

194
A GANDHARAN GREY SCHIST SEATED BUDDHA,
3RD CENTURY
犍陀羅 三世紀 石雕佛坐像
39cm high
PROVENANCE
Christie's London, 2/5/1996, lot 276.
A private collection, Melbourne.
佳士得倫敦，1996年5月2日，拍品號276。
墨爾本私人收藏。
EXHIBITED
Melbourne, Potter Museum of Art, Jitish Kallat: Circa ,
13/10/2012-7/4/2013, No. 21.
LITERATURE
Natalie King & Bala Starr eds., Jitish Kallat: Circa,
Asian Link, The University of Melbourne, 2013, No. 21, P.39.
$10,000–20,000

194
 65

195 196

195 196
AN INDIAN STONE CARVED SEATED DEITY OF AN INDIAN STONE CARVED STANDING FIGURE OF SURYA,
DURGA BIHAR, PALA PERIOD, 9TH-10TH CENTURY 12TH-13TH CENTURY
印度 帕拉王朝 九/十世紀 石雕難近母杜尔噶坐像 with sunflower or lotus bloom and two attendants.
47cm high 印度 十二/十三世紀 石雕蘇利耶立像
PROVENANCE 54cm high
Sotheby's London, 21/10/1994, lot 92. PROVENANCE
A private collection, Melbourne. A private collection, Melbourne,
蘇富比倫敦，1994年10月21日，拍品號：92。 acquired from Sotheby's Melbourne in 2005.
墨爾本私人收藏。 墨爾本私人收藏。2005年購於蘇富比墨爾本。
EXHIBITED EXHIBITED
Melbourne, Potter Museum of Art, Jitish Kallat: Circa , Melbourne, Potter Museum of Art, Jitish Kallat: Circa ,
13/10/2012-7/4/2013, No. 27. 13/10/2012-7/4/2013, No. 28.
LITERATURE LITERATURE
Natalie King & Bala Starr eds., Jitish Kallat: Circa, Natalie King & Bala Starr eds., Jitish Kallat: Circa,
Asian Link, The University of Melbourne, 2013, No. 27, P.39. Asian Link, The University of Melbourne, 2013, No. 28, P.39.
$5,000–7,000 $4,000–6,000
66

197
A CENTRAL INDIAN STONE STELE,
DEPICTING A LADY, 12TH CENTURY
The figure is standing in tribhanga (tri-bent pose)
with Vidyadhara (upholder of wisdom) and Nagaraja
(king of snakes) at the upper corners.
印度 十二世紀 石雕女神立像
56cm high
PROVENANCE
Christie's Amsterdam, 2/11/1999, lot 17.
A private collection, Melbourne.
佳士得阿姆斯特丹，1999年11月2日，拍品號：17。
墨爾本私人收藏。
EXHIBITED
Melbourne, Potter Museum of Art,
Jitish Kallat: Circa , 13/10/2012-7/4/2013, No. 25.
LITERATURE
Natalie King & Bala Starr eds., Jitish Kallat: Circa,
Asian Link, The University of Melbourne, 2013,
No. 25, P.39.
$4,000–6,000

The auction will now be paused

for a short break and re-commence
with Lot 198 in fifteen minutes time
198
A STONE CARVED GANDHARAN BUST
OF A BUDDHA, 2ND/3RD CENTURY
犍陀羅 二世紀/三世紀 石雕佛像殘件
19cm high
$1,000–2,000
Illustrated online at artvisory.com.au

199
A CHINESE POTTERY STICK FIGURE,
HAN DYNASTY (202BC-220AD)
漢 陶製人物立像
62cm high
$400–600
*This lot will be offered no reserve. 此拍品不設保留價
Illustrated online at artvisory.com.au

197
 67

200 204
A RARE CHINESE PAINTED POTTERY JAR, NEOLITHIC PERIOD, A SMALL CHINESE PAINTED JAR, MAJIAYAO CULTURE,
MAJIAYAO CULTURE, CIRCA 2300-2000 B.C. MID 3RD MILLENNIUM BC
The jar decorated with large spirals. together with pottery jar with applied zig-zag dot patterns.
新石器時代 馬家窯文化彩陶漩渦菱形幾何紋雙系罐 马家窑 彩陶罐子和绳纹罐
42cm wide; 41cm high 9.8cm and 10cm high
PROVENANCE $600–800
A Private collection, NSW, acquired from Hong Kong in the early 90s. *This lot will be offered no reserve. 此拍品不設保留價
Illustrated online at artvisory.com.au
An Important private collection, London and Melbourne.
新南威爾士私人收藏。90年代初期購於香港。
墨爾本和倫敦重要私人收藏。
$3,500–4,500

201
A RARE CHINESE PAINTED GREY POTTERY
JAR, NEOLITHIC PERIOD, SIWA CULTURE,
CIRCA 1400-1000 B.C.
The jar is decorated with M motifs on the
shoulder.
新石器時代 寺窪文化 灰陶彩繪雙耳罐
32cm high; 27cm wide
PROVENANCE
A Private collection, NSW,
acquired from Hong Kong in the early 90s.
An Important private collection,
London and Melbourne.
新南威爾士私人收藏。90年代初期購於香港。
墨爾本和倫敦重要私人收藏。
$1,000–1,500
*This lot will be offered no reserve. 此拍品不設保留價
Illustrated online at artvisory.com.au

202
A RARE CHINESE BROWN GLAZED DRAGON
VASE, TANG DYNASTY (618-906)
唐 酱釉龙纹罐
20.8cm high
$800–1,200
*This lot will be offered no reserve. 此拍品不設保留價
Illustrated online at artvisory.com.au

203
A GROUP OF FOUR CHINESE CERAMIC
SCULPTURES, TANG DYNASTY (618-906)
Including one yellow-glazed lady,
a painted pottery figure of an official
and two pottery heads
唐 陶雕塑四件
26.5cm high
$600–800
*This lot will be offered no reserve. 此拍品不設保留價
Illustrated online at artvisory.com.au

200
68

205
A CHINESE LARGE SANCAI-GLAZED POTTERY FIGURE
OF AN OFFICIAL, TANG DYNASTY (AD 618-907)
唐 三彩文官立像
78.5cm high
For similar examples, see: Christie's New York,
13/19/2019, lot 1072 &1068.
PROVENANCE
An important private collection, Sydney, Australia.
悉尼重要私人收藏。
$10,000–15,000

206
A LARGE CHINESE SANCAI-GLAZED HORSE,
TANG DYNASTY (618-906 AD)
唐 三彩馬
52.0cm high, 45.0cm wide
The result of C-Link Research & Development Limited (originally
the Yeung Shui Sang Laboratory for Thermoluminescence of
Ancient Ceramics in the Chinese University of Hong Kong)
thermoluminescence test no.9060HK23 dated 23 October 2019, is
consistent with the dating of this lot.
PROVENANCE
A private collection, Hobart, Tasmania.
塔斯馬尼亞霍巴特私人收藏。
$20,000–30,000
Illustrated online at artvisory.com.au

207
A SMALL CHINESE QINGBAI DOUBLE GOURD EWER,
SOUTHERN SONG -YUAN DYNASTY, 13TH CENTURY
南宋/元 青白釉螭龍葫芦形执壶
13cm high
PROVENANCE
East and West Art, Kew, VIC.
An Important private collection VIC.
墨爾本東西畫廊。
維多利亞重要私人收藏。
$600–800
*This lot will be offered no reserve. 此拍品不設保留價
Illustrated online at artvisory.com.au

208
TWO CHINESE SANCAI-GLAZED FIGURES,
LATE QING DYNASTY, QING DYNASTY, 19TH CENTURY
清 十九世纪 三彩人物立像 两件
32.2cm high each
$500–800
*This lot will be offered no reserve. 此拍品不設保留價
Illustrated online at artvisory.com.au

205
 69

209 210

209 210
A CHINESE CARVED QINGBAI 'BOYS' BOWL, A CHINESE QINGBAI CARVED FOLIATE-RIM BOWL,
SOUTHERN SONG (1127-1279) SONG DYNASTY (960-1279)
The bowl thinly potted with slightly rounded conical sides and carved 宋 影青刻花花口盘
on the interior with three almost hidden figures of boys tumbling 16.1cm diameter
amidst large lotus blossoms, and covered overall with a glossy, $1,500–2,500
translucent glaze of pale-blue colour except for an unglazed circle on
the base.
211
南宋 影青三娃娃盌
A RARE PAIR OF SMALL CHINESE QINGBAI FIGURES OF
7.5cm diameter
DOGS, SONG DYNASTY (960-1279)
PROVENANCE
Each is covered in an attractive translucent glaze of a lustrous bluish
East and West Art, Kew, VIC.
tone.
An Important private collection VIC.
宋 影青犬 两只
墨爾本東西畫廊。
5cm and 4cm high
維多利亞重要私人收藏。
PROVENANCE
$3,500–5,500
East and West Art, Kew, VIC.
An Important private collection VIC.
墨爾本東西畫廊。
維多利亞重要私人收藏。
$800–1,200
*This lot will be offered no reserve. 此拍品不設保留價
Illustrated online at artvisory.com.au
70

212 213

212
A CHINESE QINGBAI CARVED FOLIATE-RIM BOWL,
SONG DYNASTY (960-1279)
宋 影青刻花花口盘
15.9cm diameter
$1,500–2,500

213
A CHINESE QINGBAI BOX AND COVER,
SOUTHERN SONG (1127-1279)
南宋 影青金錢紋蓋盒
8cm diameter
$4,000–6,000

214
 71

214
A CHINESE QINGBAI TEA JAR, SONG DYNASTY (960-1279)
With a Japanese bone cover
宋 影青茶罐及日本骨制盖
12.5cm high
PROVENANCE
Raymond and Victoria Tregaskis Oriental Arts, Sydney, Australia.
A private collection, NSW, Australia.
悉尼Raymond and Victoria Tregaskis 亞洲藝術。
澳洲新南威爾士州私人收藏。
$3,500–5,500

215
A RARE SMALL CHINESE QINGBAI HEXAGONAL EWER
AND COVER, SOUTHERN SONG (1127-1279)
The ewer is covered in an attractive translucent glaze of a lustrous
bluish tone.
南宋 影青六面小执壶
14cm high
PROVENANCE
East and West Art, Kew, VIC.
An Important private collection VIC.
墨爾本東西畫廊。
維多利亞重要私人收藏。
$3,000–5,000 215

216
A CHINESE QINGBAI CONICAL TEA BOWL,
SOUTHERN SONG DYNASTY (1127-1279)
The bowl is finely incised with floral motifs on the interior. It is
covered overall with a pale blue glaze appearing lucid in areas where
it pools.
宋 影青划花斗笠盏
14.4cm diameter
For a larger bowl with similar shape and glaze, carved with lotus
motifs, see: Christie's Hong Kong, 3/12/2021, lot 2803. Another
conical qingbai bowl carved with flower petals, see: Sotheby's Hong
Kong, 25/5/2022, lot 367.
PROVENANCE
An Important private collection, London and Melbourne.
墨爾本和倫敦重要私人收藏。
$2,500–3,500

216
72

217
A CHINESE FOLIATE-RIMMED QING BAI BOWL,
SONG DYNASTY (960-1279)
宋 影青花口盌
17.5cm diameter
PROVENANCE
Raymond and Victoria Tregaskis Oriental Arts, Sydney, Australia.
A private collection, NSW, Australia.
悉尼Raymond and Victoria Tregaskis 亞洲藝術。
新南威爾士州私人收藏。
$2,000–3,000

218
A CHINESE QINGBAI CARVED WASHER,
SOUTHERN SONG DYNASTY (1127-1279)
南宋 影青刻花洗
13.4cm diameter
$1,500–2,500

219
A SMALL CHINESE QINGBAI FOLIATE RIM DISH,
SOUTHERN SONG (1127-1279)
南宋 影青花形小碟
10cm diameter
217
PROVENANCE
East and West Art, Kew, VIC.
An Important private collection VIC.
墨爾本東西畫廊。
維多利亞重要私人收藏。
$1,500–2,500

220
A CHINESE DING DISH, SONG DYNASTY (960-1279)
宋 定窯刻花小盤
13cm diameter
$1,000–2,000
Illustrated online at artvisory.com.au

221
A CHINESE QINGBAI BOX AND COVER,
SOUTHERN SONG (1127-1279)
南宋 影青蓋盒
6.2cm diameter
$1,500–2,500

218
 73

221 222

222
A RARE CHINESE SMALL QINGBAI FOLIATE RIMMED DISH,
SOUTHERN SONG DYNASTY (1127-1279)
南宋 影青花口碟
8.5cm diameter
PROVENANCE
Raymond and Victoria Tregaskis Oriental Art, Sydney.
A private collection, VIC.
悉尼Raymond and Victoria Tregaskis 亞洲藝術。
維多利亞私人收藏。
$2,000–3,000

223
A CHINESE QINGBAI FOLIATE-RIM DISH,
SONG DYNASTY (960-1279)
宋 影青菊形盤
11cm diameter
$3,000–5,000

223
74

224 226

224 226
A CHINESE JIAN HARE'S FUR GLAZED BOWL, A CHINESE JIAN HARE'S FUR GLAZED CONICAL TEA BOWL,
SOUTHERN SONG DYNASTY (1127-1279) SOUTHERN SONG DYNASTY (1127-1279)
南宋 建窯兔毫斗笠盞 南宋 建窯兔毫斗笠盞
13cm diameter 11.2cm diameter
$3,000–5,000 $4,500–5,500

225 227
A CHINESE QINGBAI BOWL, A CHINESE SMALL QINGBAI VASE, SONG DYNASTY (960-1279)
SOUTHERN SONG DYNASTY (1127-1279) with a fitted box
The exterior is carved with a band of lotus petals. 宋 影青瓜棱瓶
南宋 影青刻蓮紋缽 9.5cm high
13cm diameter PROVENANCE
PROVENANCE A private collection, VIC.
East and West Art, Kew, VIC. 維多利亞私人收藏。
An important private collection VIC. $600–800
墨爾本東西畫廊。 *This lot will be offered no reserve. 此拍品不設保留價
Illustrated online at artvisory.com.au
維多利亞重要私人收藏。
$1,000–2,000
*This lot will be offered no reserve. 此拍品不設保留價
Illustrated online at artvisory.com.au
 75

228
A RARE CHINESE QINGBAI FLOWER SHAPED CARVED DISH,
NORTHERN SONG DYNASTY (960-1279)
北宋 青白花口深剔刻花卉紋盤
12.5cm diameter
PROVENANCE
A private collection, VIC.
維多利亞私人收藏。
$2,000–3,000

229
A CHINESE DING FOLIATE RIM BOWL,
NORTHERN SONG (960-1127)
北宋 定窯花口盏
16.5cm diameter
PROVENANCE
A private collection, NSW.
新南威爾士州私人收藏。
$15,000–25,000

230
A RARE CHINESE CIZHOU-TYPE CARVED VASE,
NORTHERN SONG DYNASTY, LATE 11TH-12TH CENTURY
The vase is well carved on the globular body and trumpet-form neck
228
with a broad band of peony scroll bearing two large blossoms framed
by leafy, curving stems above a band of narrow petals below, all in dark
brown reserved on a white slip ground and covered with a clear glaze.
北宋 十一/十二世紀 磁州窯白地黑剔花牡丹紋瓶
21.4cm high
A similarly decorated Cizhou carved meiping from the Arthur M. Sackler
Collection was sold at Christie's New York, 18 March 2009, lot 330;
another similar example also see, Christie's New York, 15/09/2016, lot 806.
PROVENANCE
A private collection, VIC.
維多利亞私人收藏。
$3,000–5,000
*This lot will be offered no reserve. 此拍品不設保留價
Illustrated online at artvisory.com.au

231
A CHINESE JIAN RUSSET GLAZED BOWL,
SOUTHERN SONG DYNASTY (1127-1279)
南宋 建窯紫金釉盞
9.6cm diameter
PROVENANCE
An Important private collection, London and Melbourne.
墨爾本和倫敦重要私人收藏。
$1,000–2,000
Illustrated online at artvisory.com.au

229
76

232
A CHINESE LARGE AND VERY FINE JUN BOWL,
YUAN DYNASTY (1271-1279)
The bowl of deep, rounded form is covered inside and out with a
glaze of even milky sky blue colour which thins to a dark brown on
the rim.
元代 鈞窯大盌
18.9cm diameter
A similar example with darker glaze, see, Christie's New York,
23/9/2022, lot 951.
PROVENANCE
The Peter Elliott Collection, Mossgreen, Sydney, 31/08/2015, lot 627.
Peter Elliott舊藏，慕仕閣悉尼，2015年8月31號，拍品號627.
$8,000–12,000

233
A FINE CHINESE JUN TEA BOWL, JIN DYNASTY (1127-1279)
金 鈞窯束口盞
13.2cm diameter
PROVENANCE
An old Japanese private collection, acquired from Joshua McClellan
Print Room, circa 2010.
日本私人舊藏。2010年間購於Joshua McClellan Print Room藝廊。
$4,000–6,000
232

234
A CHINESE LONGQUAN CELADON CENSER,
MING DYNASTY (1368-1644)
明 龍泉窯三足香爐
11.5cm diameter; 10cm high
PROVENANCE
A private collection, VIC.
維多利亞私人收藏。
$1,000–2,000
Illustrated online at artvisory.com.au

235
A CHINESE XING WHITE GLAZED BOWL,
TANG DYNASTY (618-906)
唐 邢窯白瓷盌
13.6cm diameter
PROVENANCE
A private collection, VIC.
維多利亞私人收藏。
$600–800
*This lot will be offered no reserve. 此拍品不設保留價
Illustrated online at artvisory.com.au

233
 77

236 金 定窯印荷塘鴛侶紋盤
A KOREAN CELADON BOWL, GORYEO DYNASTY (918-1392) 14.3cm diameter
Together with two Korean pottery vessels A ding dish with this pattern is very rare, one is illustrated in Mayuyama,
高丽 青瓷立粉青瓷碗及两个韩国陶器 Seventy Years, vol. I, no. 389, and one of a pair in the Heeramaneck
Bowl: 19.4cm diameter Collection by Warren Cox, The Book of Pottery and Porcelain, vol. I,
fig. 346. Another two almost identical examples see, J.J. Lally & Co.,
$800–1,200
Chinese Ceramics in Black and White, March 20-April 10/2010, no.
*This lot will be offered no reserve. 此拍品不設保留價
Illustrated online at artvisory.com.au 19; and Sotheby's, London, The Edward T. Chow Collection, Part II,
16/12/1980, lot 255.
237
PROVENANCE
A RARE CHINESE MOULDED DING 'MANDARIN DUCKS IN LOTUS'
K. Y. Fine Art, Hong Kong.
DISH, JIN DYNASTY (1115-1234)
An important private collection, NSW.
The dish is decorated with two mandarin ducks, one standing on the
香港紀遠古美術。
shore and the other swimming in a pond with blossoming lotus, covered
新南威爾士重要私人收藏。
overall with a transparent glaze of pale ivory tone, the lip of the mouth rim
$25,000–35,000
unglazed.

237
78

238
A CHINESE FINELY CARVED DING 'LOTUS' DISH,
NORTHERN SONG DYNASTY, 11TH-12TH CENTURY
The interior of the dish skilfully carved and combed to depict a single
leafy lotus sprig. The dish is covered in a pale ivory glaze pooling in
areas to the base.
北宋 十一/十二世紀 定窯刻花花口盤
20cm diameter
PROVENANCE
A private collection, VIC.
維多利亞私人收藏。
$3,000–5,000

239
A CHINESE DING CUP STAND, FIVE DYNASTIES (960-907)
With a fitted box.
五代 定窯花口盞托
14cm diameter
PROVENANCE
A private collection, NSW.
新南威爾士州私人收藏。
$6,000–8,000

238

239 240
 79

240
A CHINESE XING WHITE-GLAZED EWER,
TANG DYNASTY (618-906)
唐 邢窯白釉執壺
18cm high
PROVENANCE
Tony Omura, Hong Kong.
香港緣來畫廊。
$5,000–7,000

241
A CHINESE CELADON LONGQUAN WASHER,
SOUTHERN SONG (1127-1279)
南宋 龍泉洗
9.4cm diameter
$2,500–3,500

242
A RARE CHINESE LONGQUAN CELADON 'ARROW' VASE,
SOUTHERN SONG-YUAN DYNASTY, 13TH-14TH CENTURY
The pear-shaped body rises to a tall, slender neck flanked by a pair
of tubular handles, and is incised with a band of keyfret patterns. The
vase is covered overall with an even glaze of soft sea-green colour.
南宋/元 龍泉青釉投壺
241
17.6cm high
A similar vase with larger size (29.2cm high), see Christie's New York,
23/9/2022, lot 962. Also compare to a smaller example (16cm high),
see the same house, 25/3/2022, lot 1081.
PROVENANCE
The Dr. Steven Zador Collection of Asian Ceramics,
Mossgreen Melbourne, 16/11/2015, lot 81.
Steven Zador 醫生亞洲瓷器舊藏，慕仕閣墨爾本，2015年11月16日，
拍品號81.
$7,500–9,500

243
A CHINESE BLACK-GLAZED FOLIATE RIM VASE,
JIN DYNASTY (1115-1234)
The body is decorated with vertical ribs.
金 黑釉花口出筋瓶
13.8cm high
PROVENANCE
A private collection, VIC.
維多利亞私人收藏。
$600–800
*This lot will be offered no reserve. 此拍品不設保留價
Illustrated online at artvisory.com.au

242
80

244 EXHIBITED
Collingwood, ACAE Gallery, Silent Ritual, 23/7-20/8/2022.
A RARE CHINESE DING TYPED/DANGYANGYU PERSIMMON
GLAZED BOWL AND COVER, SONG DYNASTY (960-1279) LITERATURE
Australian Chinese Art Research Institute, Silent Ritual,
The bowl with deep rounded sides, covered inside and out with a russet
Collingwood, 23/7-20/8/2022, p. 58.
glaze ending in a dark brown line, below the unglazed mouth rim and
stopping at the top of the tall, unglazed foot ring to expose the pale grey $20,000–30,000
stoneware. The domed cover with sprig handle similarly glazed inside and
out, leaving the underside of the everted rim unglazed. 245
宋 定窯/當陽峪窯 紫金釉蓋罐 A RARE VIETNAMESE CELADON DEEP BOWL AND COVER,
12.3cm wide; 8.2cm high 13TH CENTURY
Ding-typed persimmon glazed covered bowls are very rare. This bowl and 越南 十三世紀 青釉深腹刻莲纹蓋盌
cover was most likely produced in one of the famous Ding-typed kilns- 16cm diameter
Dangyangyu kiln in Hebei, China. Compare to a very similar Dangyangyu PROVENANCE
bowl and cover, see Zhang Shuwei eds., Dangyangyu Kiln of China, East and West Art, Kew, VIC.
Beijing, 2010, no. 45. An Important private collection VIC.
PROVENANCE 墨爾本東西畫廊。
K. Y. Fine Art, Hong Kong. 維多利亞重要私人收藏。
An important private collection, NSW. $1,000–2,000
香港紀遠古美術。 Illustrated online at artvisory.com.au

新南威爾士重要私人收藏。

244
 81

246
A CHINESE GONGXIAN WHITE-GLAZED JAR AND COVER,
TANG DYNASTY (AD 618-907)
of ovoid form, the jar covered inside and out with an ivory-toned
clear glaze which stops at the foot. The domed cover is surmounted
by a plain knob and similarly glazed. Japanese wood box.
唐 鞏縣窯白瓷蓋罐
20cm high
PROVENANCE
Acquired in Japan prior to 1997.
Christie's New York, 17/3/2017, lot 1135.
1997年之前購藏於日本。
紐約佳士得，2017年3月17日，拍品號1135。
$10,000–20,000

246
247
A CHINESE FINE PAINTED CIZHOU PEAR-SHAPED VASE,
YUHUCHUNPING, NORTHERN SONG-JIN DYNASTY (960-1234)
The vase has a tapering ovoid body which rises to the tall neck that
flares towards the outward-curved mouth rim, and is painted in
brown on a white slip with three abstract foliate sprays between line
borders, all under a clear glaze that falls short of the thick, slightly
flared foot. Japanese wood box.
北宋/金 磁州窯白地黑花玉壺春瓶
24.1cm high
PROVENANCE
Mayuyama, Tokyo.
Kochukyo, Tokyo.
Sen Shu Tey, Tokyo.
Linyushanren Collection.
Christie's New York, 13/9/2018, lot 837.
茧山龙泉堂， 东京。
壶中居，东京。
千秋庭，东京。
临宇山人旧藏。
纽约佳士得，2018年9月13日，拍品号：837。
EXHIBITED
Melbourne, Leonard Joel & AACS, Why Collect?, No. 7.
LITERATURE
Leonard Joel & AACS, Why Collect?, No. 7.
$15,000–25,000
247
82

248 250

248 250
A CHINESE JIAN RUSSET GLAZE TEA BOWL, A CHINESE CIZHOU BLACK GLAZED BOWL WITH RUSSET
SONG DYNASTY (960-1279) STRIPES, JIN DYNASTY (1115-1234)
宋 建窯紫金釉茶盞 金 磁州窯黑釉鐵鏽斑盞
12.8cm diameter 19cm diameter
PROVENANCE PROVENANCE
A private collection, South Australia. An Important private collection, London and Melbourne.
An Important private collection, London and Melbourne. 墨爾本和倫敦重要私人收藏。
南澳大利亞私人收藏。 $4,500–6,500
墨爾本和倫敦重要私人收藏。
$3,000–4,000 251
A RARE CHINESE CARVED CELADON YUE WARE JAR,
249 TANG DYNASTY, 9TH-10TH CENTURY
A NORTHERN THAI UNDERGLAZED DECORATED FLORAL DISH, 唐 越窯雕鱼紋四係罐
KALONG, 14TH CENTURY 13.6cm wide
泰國北部 十四世紀 釉下花卉紋盤 PROVENANCE
21.9cm diameter East and West Art, Kew, VIC.
PROVENANCE An Important private collection VIC.
East and West Art, Kew, VIC. 墨爾本東西畫廊。
An Important private collection VIC. 維多利亞重要私人收藏。
墨爾本東西畫廊。 $2,000–3,000
維多利亞重要私人收藏。 Illustrated online at artvisory.com.au

$1,000–2,000
Illustrated online at artvisory.com.au
 83

252 256
A CHINESE PALE WHITE JADE 'LANDSCAPE' BOULDER, A CHINESE LONGQUAN JARLET TOGETHER WITH A LONGQUAN
QING DYNASTY (1644-1912) BOWL, YUAN DYNASTY (1271-1368)
青白玉'松下智者'山子 元 龙泉罐和龙泉盌
13.2cm high, 521g Bowl: 17cm diameter
$6,500–8,500 Jar: 12cm wide
PROVENANCE

253 East and West Art, Kew, VIC.

A NORTHERN THAI UNDERGLAZED DECORATED FLORAL An Important private collection VIC.
BOWL, KALONG, 14TH CENTURY 墨爾本東西畫廊。
維多利亞重要私人收藏。
泰國北部 十四世紀 釉下花卉紋盌
$1,000–2,000
20.6cm diameter
Illustrated online at artvisory.com.au
PROVENANCE
East and West Art, Kew, VIC.
An Important private collection VIC.
墨爾本東西畫廊。
維多利亞重要私人收藏。
$1,000–2,000
Illustrated online at artvisory.com.au

254
A LARGE SUKOTHAI FLORAL UNDER-GLAZE DECORATED
DISH, 15TH-16TH CENTURY
泰國 十五/十六世紀 釉下花卉紋盤
28.9cm diameter
PROVENANCE
Christie's Melbourne, 3/9/1990, lot 75.
East and West Art, Kew, VIC.
An important private collection VIC.
佳士得墨爾本，1990年9月3日，拍品號：75。
墨爾本東西畫廊。
維多利亞重要私人收藏。
$1,000–2,000
Illustrated online at artvisory.com.au

255
A CHINESE PALE WHITE JADE CARVED PENDANT,
QING DYNASTY, 18TH-19TH CENTURY
清 十八/十九世紀 青白玉“福祿封侯”掛飾
5cm long
$1,000–2,000
Illustrated online at artvisory.com.au

252
84

257 259

257 259
A CHINESE PALE WHITE JADE DRAGON AND PHOENIX PLAQUE, A CHINESE PALE WHITE JADE 'BOY AND LOTUS' CARVING,
QING DYNASTY (1644-1912) SONG-MING DYNASTY, 12TH-17TH CENTURY
清 和田青白玉雕龍鳳牌 宋/明 青白玉蓮葉童子把件
5.8 x 5 x 1cm 5.3cm long
PROVENANCE $2,000–3,000
Mark Walberg Fine Art and Antiques, New York, USA.
A private collection NSW and USA. 260
美國紐約Mark Walberg古美術. A CHINESE PALE WHITE JADE CARVED DOUBLE BOY PENDANT,
美國和新南威爾士州私人舊藏. MING-QING DYNASTY, 14TH-19TH CENTURY
$3,500–5,500
明/清 青白玉雕雙子把件
5 x 5cm
258
$1,500–2,500
A CHINESE PALE JADE CARVED DOUBLE HAPPINESS AND Illustrated online at artvisory.com.au

BUTTERFLY PLAQUE, QING DYNASTY (1644-1912)

清 青白玉雕“雙喜蝴蝶”牌
6.1 x 4cm
$1,000–2,000
Illustrated online at artvisory.com.au
 85

261
A CHINESE PALE WHITE JADE DRAGON PLAQUE,
MING DYNASTY (1368-1644)
明 青白玉鏤空雕龍紋帶銙
10 x 8.5cm
$2,500–3,500

261

262
A CHINESE WHITE JADE FIGURE AND MOUNTAIN PLAQUE,
QING DYNASTY (1644-1912)
清 白玉鏤空浮雕高山隱士 插屏
11 x 7.7cm
$2,500–3,500

263
A CHINESE YELLOWISH-WHITE JADE CARVED SEAL
carved with a bear finial.
熊鈕 黃白玉印章
4 x 3.5 x 3.4cm
$1,000–2,000
Illustrated online at artvisory.com.au

262
86

264 265

264
A CHINESE WHITE JADE CARVED LION AND CUB,
QING DYNASTY (1644-1912)
清 白玉太獅少獅把件
6.5cm long
$2,000–3,000

265
A CHINESE JADE CARVED OPEN WORK FINIAL,
JIN DYNASTY (115-1234)
金 青白玉蓮鷺紋玉爐頂
5.5cm high
Three very similar examples are illustrated in Gu Fang, Zhongguo
chutu yuqi quanji/The Complete Collection of Jades Unearthed in
China, Beijing, 2005, Vol. 2, no. 195; Vol. 7, no. 215 & Vol. 8, no. 224.
$6,000–8,000

266
 87

266 269
A RARE CHINESE JADE 'TORTOISE' SEAL, A WHITE CHINESE JADE PHOENIX PAPER WEIGHT,
HAN DYNASTY (206 BC-220 AD) QING DYNASTY, 18TH CENTURY
漢 玉龜鈕印章 清 十八世紀 和田白玉雕鳳凰銜靈芝紙鎮
2cm high 8.5 x 7cm
A similar jade seal is illustrated in Gu Fang, Zhongguo chutu yuqi PROVENANCE

quanji/The Complete Collection of Jades Unearthed in China, Beijing, A private collection NSW and USA.
2005, Vol. 11, no. 196. 美國和新南威爾士州私人舊藏。
$12,000–22,000 $5,000–7,000

267 270
A CHINESE ARCHAISTIC YELLOW JADE TIGER, A CHINESE WHITE JADE PLAQUE, 19TH CENTURY
QING DYNASTY (1644-1912) 清 十九世紀 白玉麒麟詩紋牌
清 黃玉雕虎 5.4 x 2.9cm
5.9cm high $1,000–2,000
Illustrated online at artvisory.com.au
$3,500–5,500
Illustrated online at artvisory.com.au

268
A CHINESE ARCHAISTIC WHITE JADE BI
和田白玉摹古雕龍紋璧
13.4cm diameter
$5,000–7,000
Illustrated online at artvisory.com.au

269
88

271
A CHINESE ARCHAISTIC CELADON JADE CARVED LIBATION
CUP, QING DYNASTY (1644-1912)
清 和田青白玉雕摹古來通盃
19.5cm high
$5,000–7,000

272
A CHINESE CELADON JADE CARVED PLAQUE,
QING DYNASTY (1644-1912)
Carved with two Buddha's citron and three peaches,
the stone with a pale white colour.
清 和田玉雕“瓜瓞連連”玉牌
7.1cm diameter
PROVENANCE
A private collection, NSW.
新南威爾士州私人收藏。
$2,200–3,200

273
A RARE CHINESE PALE WHITE JADE WEIGHT,
SIX DYNASTIES (220-598)
六朝 青白玉雕虎形席鎮
9cm long
271
PROVENANCE
An important private collection,
acquired from Hong Kong in the early 90s.
重要私人舊藏，90年代早期購於香港。
$15,000–25,000

272
 89

274
A CHINESE SMALL JADE CONG, SPRING AND AUTUMN
PERIOD (770-476 B.C.) TOGETHER WITH A CHINESE JADE
BELT BUCKLE, SONG-YUAN DYNASTY, 13TH-14TH CENTURY
春秋 玉琮 和 宋/元 青白玉帶扣
Cong: 2cm high; Belt buckle: 6.4cm long
$6,500–8,500

275
A CHINESE WHITE JADE OPENWORK DRAGON BELT PLAQUE,
YUAN-MING DYNASTY, 13TH-16TH CENTURY
元/明 和田白玉鏤空雕龍帶銙
5.5cm long
A almost identical example, see Gu Fang, Zhongguo chutu yuqi
quanji/The Complete Collection of Jades Unearthed in China, Beijing,
2005, Vol. 14, no. 236.
$2,500–3,500

273

274 275
90

276 277

276 277
A YELLOWISH-CELADON CHINESE JADE CARVING OF A CHINESE PALE WHITE JADE CARVED CRANE SHAPED WASHER,
AN OWL-SHAPED PENDANT, HONGSHAN CULTURE, QING DYNASTY (1644-1912)
CIRCA 4000-3000 BC 清 青白玉雕鶴銜蓮葉小水洗
紅山文化 公元前4000-3000年 青玉雕鸮 8cm long
3.3cm long $2,000–3,000
The form of the current amulet follows those of classic Hongshan
jades and the smooth polishing is also consistent with other excavated 278
Hongshan examples. See an almost identical example in National Palace A CHINESE PALE WHITE JADE CARVED DOG
Musuem, Taipei, illustrated in Deng Shuping, Guyu xinshi: Shi qian yu
青白玉雕獵狗把件
qi xiao pin wen ji, National Palace Museum, Taipei, 2011, no. 7. Also see
7cm long
a slightly larger related example, depicted with wider wings and more
rounded edges, also from the Peony Collection, illustrated in Angus $1,500–2,500
Illustrated online at artvisory.com.au
Forsyth and Brian McElney, Jades from China, The Museum of East Asian
Art, Bath, 1994, cat. no. 14. An other larger example (7.5cm long), see
279
Sotheby's Paris, 10/6/2021, lot 90.
A CHINESE QIN-STYLE PALE WHITE JADE PLAQUE
A smaller example with less detail, see, Christie's Hong Kong, 30/5/2018, lot
3055. Another similar example see the same house, 27/11/2019, lot 2704. 秦式 青白玉巫形佩
7cm high
PROVENANCE
An important private collection, $2,000–3,000
Illustrated online at artvisory.com.au
acquired from an old private collection in Malaysia, in the early 90s.
90年代初購於馬來西亞資深藏家。
$6,500–8,500
 91

280
A CHINESE PALE WHITE JADE SCABBARD SLIDE,
LATE WARRING STATES-HAN DYNASTY, 3RD-1ST CENTURY BC
戰國/漢 青白玉劍璏
5cm long
$2,500–3,500

281
TWO CHINESE JADE ANIMALS, QING DYNASTY (1644-1912)
Comprising a celadon jade mythical beast and a yellow jade monkey.
清 青白玉雕神獸 和 黃玉雕猴子
5.3cm and 4.3cm high
PROVENANCE
A private collection NSW and USA.
美國和新南威爾士州私人舊藏.
$600–800
*This lot will be offered no reserve. 此拍品不設保留價
Illustrated online at artvisory.com.au

280

282
A RARE AND IMPORTANT CHINESE PALE WHITE JADE
‘ANIMAL MASK’ STAFF FITTING, LATE HONGSHAN CULTURE,
CIRCA 3500-3000 BC
The thick-sided fitting is carved to each side with an animal mask,
detailed with large circular eyes, nostrils and a long narrow mouth,
surrounding a cylindrically hollowed centre.
紅山文化 玉饕餮紋杖首
5.6cm diameter
A similar example, see Christie's Hong Kong, 29/11/2017, lot 2705.
PROVENANCE
An important private collection,
acquired from Hong Kong in the early 90s.
重要私人舊藏，90年代早期購於香港。
$30,000–50,000

282
92

283
A CHINESE SMALL WHITE JADE FLOWER SHAPED VASE,
QING DYNASTY, 17TH CENTURY
清 十七世紀 和田青白玉雕玉蘭形花瓶
9cm high
$2,500–3,500

284
A CHINESE PALE WHITE JADE BEAST, YUAN-MING DYNASTY,
13TH-14TH CENTURY
元/明 青白玉雕瑞獸
5.4cm long
$2,000–3,000

285
A SET OF CHINESE PALE WHITE JADE BELT BUCKLE,
MOUNTED TO A NECKLACE WITH GREEN JADE BEADS,
SONG-QING DYNASTY, 13TH-18TH CENTURY
宋/清 和田青白玉雕龍首帶扣以及碧玉珠串
Belt Hook: 9cm long
A very similar belt buckle excavated from the tomb at Dongfang-
jueyuan-cailiaochang, Mianyang, Sichuan Province, now is in
Mianyang Musuem, see Gu Fang, Zhongguo chutu yuqi quanji/The
Complete Collection of Jades Unearthed in China, Beijing, 2005,
283
Vol. 13, no. 177.
PROVENANCE
Mark Walberg Fine Art and Antiques, New York, USA.
A private collection NSW and USA.
美國紐約Mark Walberg古美術.
美國和新南威爾士州私人舊藏.
$600–800
*This lot will be offered no reserve. 此拍品不設保留價
Illustrated online at artvisory.com.au

284
 93

286
AN IMPORTANT CHINESE SMALL JADE CARVING OF A ‘PIG-
DRAGON’, HONGSHAN CULTURE, CIRCA 4000-3000 BC
紅山文化 公元前4000-3000年 青白玉豬龍
6.3cm long
A very similar example, see Sotheby's Paris, 10/06/2021, lot 83.
A similar light green zhulong of slightly larger size and cut open,
excavated from the Niuheliang site, Jianping, Liaoning and now in
the Liaoning Provincial Institute of Cultural Relics and Archaeology,
is illustrated in Guo Dashun & Hong Dianxu, Hongshan wenhua yuqi
jianshang/A Study of Hongshan Culture Jades, Beijing, 2014, part 1,
pl. 11; another larger one, acquired at Zhangfudian, Fushan, also in
Jianping, and now preserved in the same Institute, ibid., part 3, pl. 1;
the former illustrated again in Gu Fang, Zhongguo chutu yuqi quanji/
The Complete Collection of Jades Unearthed in China, Beijing, 2005,
vol. 2, pl. 111, together with a slightly smaller yellowish-green one,
that was cut open, pl. 20, excavated at Hexi, Aohan Banner, Inner
Mongolia. Another larger piece, with the slit cut open, is in the Tianjin
Municipal Art Museum, illustrated in Mou Yongkang & Yun Xizheng,
eds, Zhongguo yuqi quanji [Complete series on Chinese jades], vol.
1, Shijiazhuang, 1993, pl. 25. Compare also a fragmentary piece in
the British Museum illustrated in Jessica Rawson, Chinese Jade from
the Neolithic to the Qing, The British Museum, London, 1995, p. 116,
fig. 1, and two larger pig dragons, one in the Musée Guimet, Paris,
the other excavated in Sanguan Dianzi, Liaoning, and today in the
Liaoning Provincial Museum, illustrated in Jao Tsung-I, ‘Some Notes
on the Pig in Early Chinese Myths and Art’, Orientations, vol. 19, no. 12,
December 1988, pp. 39-41, figs 1 and 2, where the importance of the
pig in early China discussed.
PROVENANCE
An important private collection, 286
acquired from Hong Kong in the early 90s.
重要私人舊藏，90年代早期購於香港。
$35,000–55,000

287
A GROUP OF THREE GALAHA, YUAN DYNASTY (1279-1368)
Comprising a jade, an red agate and an agate.
元 嘎啦哈一組三件，包括一件玉質，一件紅瑪瑙和一件花瑪瑙
Largest: 3cm long
$4,500–6,500

287
94

288
A CHINESE PALE WHITE JADE 'DRAGON' BELT HOOK,
HAN DYNASTY (206 BC-220 AD)
The curved shaft is carved in high relief with a sinuous phoenix,
terminating at an upturned dragon head. The semi-translucent stone
is of a pale white tone.
漢 白玉龍鳳帶鉤
10.5cm long
$8,500–15,000

288

289
A CHINESE YELLOW JADE CARVED DRAGON RING,
HUAN, MING DYNASTY (1368-1644)
明 黃玉龍形手鐲
18cm diameter
$2,500–3,500

290
A CHINESE PALE WHITE JADE CARVED
BUDDHA'S HAND CITRON
青白玉雕佛手把件
7.6cm long
$600–800
*This lot will be offered no reserve. 此拍品不設保留價
Illustrated online at artvisory.com.au

291
A CHINESE JADEITE SEAL, 20TH CENTURY
二十世紀 翡翠印章
4cm high
$800–1,200
*This lot will be offered no reserve. 此拍品不設保留價
Illustrated online at artvisory.com.au

289
 95

292
A CHINESE SMALL GREEN JADE WASHER,
SONG DYNASTY (907-1279)
宋 璧玉水盂
5cm high
$2,500–3,500

293
A CHINESE PALE-WHITE JADE CONG,
POSSIBLY WARRING STATE PERIOD (476-221 BC.) OR LATER
戰國或更晚 獸面玉琮
4 x 5 x 5cm
A very similar example excavated from Zeng Houyi tomb, now in
Hubei provincial museum, is illustrated in Gu Fang, Zhongguo chutu
yuqi quanji/The Complete Collection of Jades Unearthed in China,
Beijing, 2005, Vol. 10, no. 100.
$5,500–7,500
Illustrated online at artvisory.com.au

292

294
A CHINESE JADE TUBE-SHAPED HAIR ORNAMENT,
HONGSHAN CULTURE, CIRCA 4000-3000 BC
紅山文化 公元前4000-3000年 青玉髮箍形飾
8.5cm high
A similar example is excavated from tomb no. 21 of Burial Mound
No.1 within Niuheliang site, Chaoyang, Liaoning Provenance, now in
Liaoning Provincial Institute of Cultural Relics and Archaeology, see,
Gu Fang, Zhongguo chutu yuqi quanji/The Complete Collection
of Jades Unearthed in China, Beijing, 2005, Vol. 2, no. 136. Another
example excavated from the tomb at Tianbaotong, Inner Mongolian
Autonomous Region, now in Keshiketengqi Museum, see the same
book, no, 37.
PROVENANCE
An important private collection,
acquired from Hong Kong in the early 90s.
重要私人舊藏，90年代早期購於香港。
$15,000–25,000

294
96

295 296
A CHINESE YELLOW JADE SCABBARD SLIDE, A CHINESE YELLOWISH WHITE JADE CONG,
LATE WARRING STATES-HAN DYNASTY, MING DYNASTY (1368-1644) OR LATER
3RD-1ST CENTURY BC 明或更晚 玉琮
戰國/漢 黃玉劍璏 6.3cm high
4.6cm long $1,000–2,000
Two jade slides of this date and small size are illustrated by J. Rawson, Illustrated online at artvisory.com.au

Chinese Jade from the Neolithic to the Qing, British Museum, London,
297
1995, p. 300, fig. 1.
A CHINESE ARCHAISTIC JADE BI
Another smaller example (3.8cm long), see Christie's New York,
16/03/2017, lot 867. 青玉龍紋璧
PROVENANCE
10cm diameter
A private collection, Melbourne. $400–600
*This lot will be offered no reserve. 此拍品不設保留價
墨爾本私人收藏。 Illustrated online at artvisory.com.au

$15,000–25,000
298
A CHINESE SMOKY ROCKCRYSTAL SNUFF BOTTLE,
QING DYNASTY (1644-1912)
with a jadeite stopper.
清 煙晶鼻煙壺翡翠蓋
7.5cm high
$800–1,200
*This lot will be offered no reserve. 此拍品不設保留價
Illustrated online at artvisory.com.au

295
 97

299 301

299 301
A FINE CHINESE BRONZE TRIPOD CENSER, 17TH CENTURY A CHINESE BRONZE WATER DROPPER AND A GOOSE
With a wood cover carved with a coral carp finial. SHAPED SPOON, 19TH CENTURY
The base is cast with an apocryphal Xuande six-character mark. 清 十九世紀 銅“瓜瓞綿綿”水盂和雁形勺
明/清 十七世紀 宣德款 佛教八寶紋鼓形銅香爐 7.5cm diameter
11cm wide PROVENANCE
PROVENANCE An important private collection, Sydney, Australia.
An important private collection, Sydney, Australia. 悉尼重要私人收藏。
重要澳洲私人舊藏 $1,500–2,500
$2,500–3,500
302
300 A CHINESE BRONZE LION HANDLE,
A CHINESE LARGE CANTON ENAMEL ON COPPER SQUARE VASE EASTERN ZHOU (770–256 B.C.)
FANGHU, QING DYNASTY, 19TH CENTURY 東周 青銅獸面鋪首
清 十九世纪 画珐琅方壶 9.4cm long
52cm high $2,500–3,500
$2,000–3,000 Illustrated online at artvisory.com.au

Illustrated online at artvisory.com.au

98

303
A CHINESE BRONZE MIRROR, HAN DYNASTY (206BC-220AD)
漢 青銅鏡
18cm diameter
PROVENANCE
A private collection, NSW.
新南威爾士州私人收藏。
$2,500–3,500

304
A CHINESE ARCHAIC BRONZE VESSEL HU,
HAN DYNASTY (202 B.C.-220 A.D.)
漢 青銅鋪首壺
37cm high
PROVENANCE
Roger Keverne London, 1980s.
Mossgreen Melbourne, 16/6/2015, lot 13.
An important private collection, Sydney, Australia.
Roger Keverne 倫敦，1980年代。
慕仕閣墨爾本，2015年6月16日，拍品號13。
悉尼重要私人藏家舊藏。
$6,500–8,500

303

304 305
 99

305
A CHINESE BRONZE CENSER,
HAN DYNASTY (202 B.C.-220 A.D.)
漢 青銅鳳鈕蟠螭紋香爐及托盤
20.5cm high
$12,000–25,000

306
A CHINESE BRONZE VASE,
YUAN-MING DYNASTY, 13TH-16TH CENTURY
元/明 铜瓶
15cm high
$800–1,200
Illustrated online at artvisory.com.au

307
A CHINESE SILVER ALLOY PAPER WEIGHT, SIGNATURE OF
CHEN BANGYAN (1603-1647), PROBABLY 20TH CENTURY
Carved with heart stura, with a fitted box.
陳邦彥款 銀合金《心經》紙鎮
26 x 5 x 1.3cm; 980g
PROVENANCE
Tennants Auctioneers, 16/11/2012, lot 270 (label).
Sotheby's Australia, lot 88 (label).
Tennants 拍賣行，2012年11月16日，拍品號：270（標籤）。 310
蘇富比澳大利亞，拍品號：88（標籤）。
$1,500–2,500
Illustrated online at artvisory.com.au 310
A RARE AND FINE CHINESE CLOISONNÉ DRAGON DISH,
308
MING DYNASTY, 15TH-16TH CENTURY
A CHINESE EXPORT LACQUER FAN, 19TH-EARLY 20TH
明 十五/十六世紀 掐絲琺瑯龍紋盤
CENTURY
13.5cm diameter
With a gold and black fitted lacquer box.
A similar cloisonné bowl dated to the second half of 16th century,
十九世纪末/二十世纪初 黑漆描金嵌象牙扇及盒
decorated with a similar style of dragons on the interior, is illustrated
29.6cm long
on Chinese Cloisonne: Helmut Brinker & Albert Lutz, The Pierre Uldry
$1,000–2,000
Collection, London, 1989, no. 88.
Illustrated online at artvisory.com.au
$9,000–15,000
309
A CHINESE HONGMU-PAPER WEIGHT, EARLY 20TH CENTURY 311
Carved with bamboo, and inscribed and signed, A CHINESE BLUE AND WHITE AND IRON RED DRAGON DISH,
and one carved seal of Zheng Bian DAOGUANG MARK, 20TH CENTURY
二十世紀早期 鄭板橋 刻款 紅木紙鎮 道光款 二十世紀 青花礬紅龍紋盤
56cm long 18cm diameter
$800–1,200 $300–500
*This lot will be offered no reserve. 此拍品不設保留價
*This lot will be offered no reserve. 此拍品不設保留價
Illustrated online at artvisory.com.au
Illustrated online at artvisory.com.au
100

312

312
A RARE CHINESE DEGE WROUGHT IRON CIRCULAR COVERED
BOX WITH SILVER INLAY, QIANLONG MARK, QING DYNASTY
清 德格鐵鑄圓形蓋盒 「大清乾隆年製」篆書底款
9.9cm high
This type of metalwork was produced in very high quality and vast
number in Tibet as early as the 14th and 15th century. The unique
technique was been known as'damascening' to Europeans, but called
'Dege' in China, the name of the town through which the metal work was
brought to China-proper. Different from common inlay-work, Dege work
have their surface of wrought iron abraded and then gold and/or silver 313

applied in highly decorative patterns.

So favoured were they that the Qianlong emperor specially 313
commissioned a group of Tibetans to produce vessels and objects in
this technique for daily use, such as brush pots and plates, in addition to A CHINESE BRONZE GU-FORMED VASE,
those used for traditional ceremonial and religious purposes. SONG DYNASTY (960-1279)
With a Japanese wood box.
此類金屬器早在十四十五世紀藏人已大量制作，並且工藝極其高明。其鑲嵌
宋 青銅觚
工藝在歐洲被稱為"damascening" (金屬絲編織)，而在中國被稱為"德格"，
18cm high
一藏川邊境的文化交流重鎮，傳此種金屬器便是由德格傳入中原。與傳統金
屬絲編織所不同，"德格"器是先將鍛鐵表面磨切出凹陷花紋，然後再以金銀 PROVENANCE

捶打入內。乾隆帝甚至邀請藏人入京打造"德格"器，並將其運用於宗教禮祭 Raymond and Victoria Tregaskis Oriental Arts, Sydney, Australia.

乃至皇家日用。 A private collection, NSW, Australia.
PROVENANCE 澳大利亞Raymond and Victoria Tregaskis 亞洲藝術。
Andrew Stuart-Robertson, London, 1970s to 1990s. 澳洲新南威爾士州私人收藏。
Christie's, London, prior to 1995. EXHIBITED
Apsara Asian Art, Sydney. Izumi City, Kuboso Memorial Museum of Art Special Exhibition, 2000.
Mossgreen, Melbourne, 2 June 2010, lot 1105. Melbourne, Silk Road Asian Art, Fine Chinese, Japanese,
購於倫敦 Andrew Stuart-Robertson 古董商舊藏，七十年代到九十年代，。 South East Asian Works of Art, 3/2020, no. 32.
佳士得倫敦，早於1995年。 LITERATURE
悉尼Apsara 亞洲藝術收藏。 Silk Road Asian Art, Fine Chinese, Japanese,
慕仕閣墨爾本，2010年6月2日，拍品號1105。 South East Asian Works of Art, 3/2020, no. 32.
$4,000–6,000 $3,000–5,000
 101

314
A RARE AND LARGE CHINESE BRONZE
AND WOOD CARVED OPIUM PIPE,
QING DYNASTY, 18TH CENTURY
Mounted in the centre with a hardwood section
carved in high relief with two confronting
dragons chasing a flaming pearl, the cast bronze
front section with aquatic creatures in a lotus
pond, the rear section with precious objects,
the ten-lobed bowl in the form of opium bud,
inscribed "de he long zao"
清 十八世紀 鑄銅木雕大煙管 “德合隆造” 款
58.5cm long
PROVENANCE
Collection of the late Norman Rodd, NSW.
The Alfred Barton Collection of Chinese Bronzes.
Albert Barton was an ordained priest working
in Hong Kong in the 1940s. He mainly collected
religious artefacts from different cultures, this
collection was on loan to National Gallery of
Victoria in 1964, also exhibited in Perth in 1973
314
and 1975. Alfred Barton died in 1982.
Raymond and Victoria Tregaskis Oriental Arts,
Sydney, Australia.
新南威爾士 Norman Rodd舊藏。
Alfred Barton 中國銅器收藏。Albert Barton
1940 年代作為神父在香港工作。他主要收集來自
不同文化的宗教文物。該系列於 1964 年曾借給維
多利亞國家美術館展出，並於 1973 年和 1975 年
在珀斯展出。Alfred Barton於 1982 年去世。
Raymond and Victoria Tregaskis 亞洲藝術，悉
尼，澳大利亞。
EXHIBITED
Sydney, The Albert Barton Collection of Chinese
Bronzes, November, 1989.
LITERATURE
Raymond & Victoria Tregaskis, The Albert Barton
Collection of Chinese Bronzes, November, 1989,
no. 15.
$8,000–12,000

315
TWO CHINESE BRONZE MIRRORS, 315
HAN-THREE KINGDOMS PERIOD,
3RD CENTURY BC-3RD CENTURY AD
汉-三国时期 青铜镜两面
16.4cm and 10.6cm
PROVENANCE
A private collection, NSW.
新南威爾士州私人收藏。
$2,000–3,000
102

316
A CHINESE BOXWOOD CARVED
GROTTO, 19TH CENTURY
finely carved in a form of a twisted branch,
very nicely patinated.
清 十九世紀黃楊木雕文人擺件
17.5 x 11.4cm
PROVENANCE
A private NSW collection.
新南威爾士私人收藏。
$3,000–5,000

317
A GROUP OF FIVE CHINESE SCHOLAR
OBJECTS, QING DYNASTY (1644-1912)
comprising a 'huanghuali' brush pot; a
'Dehua' 'scholar and pine' brush rest and
wood stand; a 'scholarly pursuits' inkstone
and wood stand and cover; a spinach-green
jade brush handle; and a polychromed
'horses' ink cake (8)
清 一組五件文房用具
Brush pot: 10.8cm high;
Brush stand: 12.5cm long;
Inkstone: 12.5 x 7.9cm
316
PROVENANCE
Sotheby's New York, 24/6/2020, lot 951.
蘇富比紐約，2020年6月24日，
拍品號：951。
EXHIBITED
The brush rest:
Rock Show at the Garden, E&J Frankel,
New York, 1994, cat. no. 21b.
$4,500–5,500

318
A CHINESE HUALI TWO DRAWER
TABLE, LATE 19TH CENTURY-
EARLY 20TH CENTURY
十九世紀晚期/二十世紀早期 花梨木桌
151 x 85 x 53cm
PROVENANCE
An old private collection, VIC.,
thence by descent.
維多利亞私人舊藏，家族繼承。
$1,000–2,000
Illustrated online at artvisory.com.au

317
 103

319 325
A CHINESE BAMBOO CARVED BRUSHPOT, A RARE CHINESE CARVED RED LACQUER BOX AND COVER,
ZHI YAN MARK, QING DYNASTY (1644-1912) YUAN-MING DYNASTY, 14TH-16TH CENTURY
清 芷岩款 竹雕筆筒 元/明 十四至十六世紀 剔紅竹林隱士圖方盒
15.4cm high 11 x 11 x 7cm
$3,500–5,500 For a similar box and cover, see Sotheby's London, 15/05/2019, lot 75.
Illustrated online at artvisory.com.au
For a two tiered example, see Christie's New York, 17/9/08, lot 131. Another
similar box and cover is in the Cincinnati Art Museum, see Chinese Art in
320
the Cincinnati Art Museum, Cincinnati, 1997, pl. 99; a related example in
A CHINESE SMALL SCHOLAR'S ROCK the Shanghai Museum, included in the Museum's exhibition In A Myriad of
With a fitted wood stand. Forms: The Ancient Chinese Lacquers, Shanghai, 2018, cat. no. 85.
文人赏石 PROVENANCE
24.5cm long Raymond and Victoria Tregaskis Oriental Arts, Sydney, Australia.
$1,000–2,000 A private collection, NSW, Australia.
Illustrated online at artvisory.com.au
悉尼Raymond and Victoria Tregaskis 亞洲藝術。
321 澳洲新南威爾士州私人收藏。
$8,000–12,000
A CHINESE RED TAIHU SCHOLAR'S ROCK
With fitted carved wood stand
天然红太湖文人賞石
25 x 19cm
$600–800
*This lot will be offered no reserve. 此拍品不設保留價
Illustrated online at artvisory.com.au

322
A CHINESE CARVED WOOD LIBATION CUP,
QING DYNASTY, 19TH CENTURY
清 十九世紀 木雕壽桃來通杯
10cm wide
$1,000–2,000
Illustrated online at artvisory.com.au

323
A CHINESE GREEN DUAN STONE
with fitted hardwood case
端硯及硬木盒
19cm long
$600–800
*This lot will be offered no reserve. 此拍品不設保留價
Illustrated online at artvisory.com.au

324
A CHINESE HONGMU KANG TABLE,
QING DYNASTY (1644-1912)
清 紅木炕桌
38 x 26 x 7.5cm
$600–800
*This lot will be offered no reserve. 此拍品不設保留價
Illustrated online at artvisory.com.au

325
104

326
A CHINESE MARBLE-INLAID
HUANGHUALI TABLE, MING DYNASTY
(1368-1644)
明 黃花梨嵌大理石迷你長桌
30.5 x 13 x 8cm
PROVENANCE
Raymond and Victoria Tregaskis Oriental
Arts, Sydney, Australia.
A private collection, NSW, Australia.
澳大利亞Raymond and Victoria Tregaskis
亞洲藝術。
澳洲新南威爾士州私人收藏。
$3,000–5,000

327
A CHINESE HUANGHUALI RECESSED-
TRESTLE LEG STAND, XIAOAN,
MING-QING DYNASTY, 17TH CENTURY
明/清 十七世紀 黄花梨如意雲紋翹頭小案
33 x 16.5 x 11cm
For two 18th century examples, see
Christie's New York, 18/03/2015, lot 124 & 128.
Also see, Christie's New York, 21/03/2014, lot
326 2276 and same house, 16/03/2017, lot 662
for 18th and 19th century examples.
PROVENANCE
Raymond and Victoria Tregaskis
Oriental Arts, Sydney, Australia.
A private collection, NSW, Australia.
悉尼Raymond and VIctoria Tregaskis
亞洲藝術。
澳洲新南威爾士州私人收藏。
$5,000–7,000

328
A CHINESE LARGE HUALI ALTER
TABLE, LATE 19TH CENTURY-EARLY
20TH CENTURY
十九世紀晚期/二十世紀早期 花梨木長條案
194 x 105 x 46cm
PROVENANCE
An old private collection, VIC.,
thence by descent.
維多利亞私人舊藏，家族繼承。
$1,000–2,000
Illustrated online at artvisory.com.au

327
 105

329 332
A CHINESE HONGMU TRAY AN IMPORTANT AND RARE CHINESE YUMU
紅木托盤 WAISTED DAYBED LUOHANCHUANG,
33 x 24cm LATE MING-EARLY QING DYNASTY, 17TH CENTURY
$300–500 The well-proportioned bed with rectangular frame enclosing the mat seat
*This lot will be offered no reserve. 此拍品不設保留價
above a high waist and plain, straight apron supported on sturdy legs of
Illustrated online at artvisory.com.au square section terminating in hoof feet, the wood a rich golden colour.
明晚/清早期 十七世紀 榆木羅漢床
330
206 x 80 x 39cm
THREE BRUSHES
The use of the daybed was twofold – during the day, it served as a sitting
毛笔三件 platform; at night a bed. For a general discussion on daybeds, see R. H.
Largest: 37cm long Ellsworth, Chinese Furniture: Hardwood Examples of the Ming and Early
$300–500 Ch'ing Dynasties, New York, 1971, pp. 90-1.
*This lot will be offered no reserve. 此拍品不設保留價
Illustrated online at artvisory.com.au With construction typical of Shanxi province, the proportions of this
bed suggest strength and grandeur, and may have been employed
331 in a private gentleman's study or scholar's studio. A similar yumu
A CHINESE NATURALISTIC HONGMU CARVED STAND, luohanchuang supported on C-formed legs from the Shanxi region,
QING DYNASTY (1644-1912) illustrated by. C. Evarts, C. L. Ma Collection: Traditional Chinese Furniture
from the Greater Shanxi Region, Hong Kong, 1999, pp. 144-5, no. 51. The
清 紅木隨型雕底座
crisply defined hooves on the present lot may also be compared to
20 x 19.4cm
another yumu luohanchuang illustrated ibid., pp. 142-3, no. 50. Another
$400–600
very similar example sold at the auction, see Christie's New York,
*This lot will be offered no reserve. 此拍品不設保留價
Illustrated online at artvisory.com.au 19/9/2006, lot 80. A huanghuali daybed with a very similar shape and
dated to the same period, see Christie's Hong Kong, 28/5/2021, lot 2803.
PROVENANCE
An Important Private Collection, Hong Kong, acquired in the early 2000s.
重要香港藏家私人收藏, 購藏於2000年代早期。
$15,000–25,000

332
106

333
A CHINESE TAIHU SCHOLAR'S ROCK
With fitted carved wood stand
天然太湖文人賞石
43 x 30cm
$1,000–2,000

334
A CHINESE THRONE BACK COVER, NINGXIA PROVINCE,
SECOND-HALF OF THE 19TH CENTURY
knotted woollen pile on cotton foundation.
清 十九世紀 寧夏羊毛龍紋椅套
69 x 64cm
PROVENANCE
Sandra Whitman Gallery, San Francisco.
A private collection, Melbourne.
舊金山Sandra Whitman藝廊收藏。
墨爾本私人收藏。
$2,500–3,500

335
A GROUP OF THREE CHINESE EMBROIDERED PURSES,
LATE 19TH CENTURY
Mounted on 19th century Chinese silk damask.
333
清 十九世紀晚期 刺繡錢包
each about 38 x 10.5cm
PROVENANCE
A private collection, Melbourne.
墨爾本私人收藏。
$800–1,000
Illustrated online at artvisory.com.au

336
A CHINESE BLUE-GROUND MANCHU MAN'S
'NINE MANG' SEMI-FORMAL SUMMER ROBE, JIFU,
QING DYNASTY (1644-1912)
清 藍地龍袍（夏袍）
209 x 137.4cm
PROVENANCE
An old private collection, VIC,
acquired from Hong Kong in the 60s, thence by descent.
維多利亞私人舊藏。60年代購於香港，家族繼承。
$800–1,200
*This lot will be offered no reserve. 此拍品不設保留價
Illustrated online at artvisory.com.au

334
 107

338

337 338
A CHINESE BLUE-GROUND KESI DRAGON ROBE, A CHINESE FINELY EMBROIDERED BLUE SILK DRAGON ROBE,
MANGPAO, QING DYNASTY (1644-1912) 19TH CENTURY
清 緙絲藍地龍袍 清 十九世纪 刺绣藍地龍袍
134 x 129cm 209.4 x 140cm
PROVENANCE PROVENANCE
An old private collection, VIC., A private collection, UK.
acquired from Hong Kong in the 60s. Thence by descent. An important private collection, South Yarra.
維多利亞私人舊藏，於60年代購於香港，家族繼承。 英國私人收藏。
$600–800 南亞拉私人收藏。
*This lot will be offered no reserve. 此拍品不設保留價 $9,000–10,000
Illustrated online at artvisory.com.au
108

339
A CHINESE BADGE OF RANK, CIRCA 1880
Depicting the Golden Pheasant of the second rank civilian officials,
silk and metal-thread embroidery on a gauze ground, with coral
beads forming the prominently placed pearl of wisdom in the sky.
清 約1880年 刺繡二品文官補子
28.5 x 28.5cm
PROVENANCE
Linda Wrigglesworth, London.
A private collection, Melbourne.
倫敦Linda Wrigglesworth珍藏。
墨爾本私人收藏。
$1,500–2,500

340
A CHINESE KESI MONTE EN ROULEAU,
QING DYNASTY (1644-1912)
Depicting Da Ji two characters, translated “great auspiciousness",
surround by immortals in a double gourd
清 緙絲大吉紋掛屏
123 x 76.5cm
PROVENANCE
339 Acquired from Charlie Aaronson's Antiques, Sydney in early 2000s.
2000年初購於悉尼Charlie Aaronson's Antiques古美術。
$2,500–3,500

341
A CHINESE ROCK CRYSTAL HAT FINIAL,
QING DYNASTY (1644-1912)
清 水晶帽顶
7.4cm high
$300–500
*This lot will be offered no reserve. 此拍品不設保留價
Illustrated online at artvisory.com.au

342
A TURQUOISE BOULDER
綠鬆石 原石擺件
7cm high
$300–500
*This lot will be offered no reserve. 此拍品不設保留價
Illustrated online at artvisory.com.au

340
 109

The Way We Drink

芳茗清心
(Lots 343–361)

343 344
CHINESE YUNNAN PUERH MENGHAI TEA FACTORY CHINESE YUNNAN PUERH MENGHAI 401
60TH ANNIVERSARY RAW TEA CAKE, 2000 (4 PC) RAW TEA CAKE 2004 (7 PC)
2000年 勐海茶厂建厂60周年纪念饼 （4饼) 2004年 勐海茶厂401绿印青饼 1提（7饼）
數量：4片 數量：7片
總重量：1470 克 總重量：2876克
倉存：自然倉 倉存：幹倉
年份：2000年 年份：2004年
茶種：青餅 茶種：青餅
產區：雲南 ‧ 勐海 產區：雲南 ‧ 勐海
PROVENANCE 青餅的用料級別很高，滋味堪比大益的7542，並且04年的干倉茶經歷了較
An old Malaysian collection. 好的轉化，至今已有10幾載，擁有較大的升值空間，茶餅條索完整，餅面烏
馬來西亞私人收藏。 黑油亮，帶有金毫，撒面帶有茶芽，潔淨無雜質。葉底富有生機，多次沖泡
後，仍然柔軟鮮活、舒展，富有韌性。適合品飲也適合收藏。
$4,500–5,500
PROVENANCE
An old Malaysian collection.
馬來西亞私人收藏。
$2,000–3,000
Illustrated online at artvisory.com.au

343
110

345

345 347 349

A SET OF EIGHT CHINESE BLUE AND A CHINESE GE-GLAZED BUBBLE BOWL, A SET OF CHINESE BAMBOO CARVED TEA
WHITE CUPS AND SAUCERS, KANGXI QING DYNASTY, 18TH CENTURY SCOOP AND SPOON, MADE BY WENG
PERIOD (1662-1722) 清 十八世紀 哥釉泡泡盞 MINGCHUAN (1943-)
清康熙 青花刀馬人物狩獵紋茶杯碟 八套 7.7cm diameter both with a incised seal mark under the base
Cup: 8.8cm diameter $800–1,200 翁明川製 孟宗竹茶匙茶則一套
Saucer: 13.5cm diameter Illustrated online at artvisory.com.au 20 and 20.6cm long
$9,500–12,000 翁明川，台灣當代竹雕大師，作品於2007年獲國
348 立歷史博物館典藏、2008年獲南投縣立竹雕博物
346 A JAPANESE IRON TEA POT, EARLY 20TH 館典藏，2011年入選風華絕代-金門當代藝術家
CENTURY 紀錄片，2012年獲LV公司典藏。
TWO BLUE AND WHITE CUPS AND
SAUCERS, KANGXI PERIOD (1662-1722) 二十世紀早期 龍雲堂款 日本鐵壺 PROVENANCE

21.5cm wide KY Fine Art, Hong Kong.

清 康熙 青花杯碟两组
$1,500–2,500 A private collection, NSW, Australia.
Lager cup and saucer: 9cm and 13.5cm
Illustrated online at artvisory.com.au 香港繼遠古美術。
diameter
新南威爾士私人收藏。
$300–500
$1,000–2,000
*This lot will be offered no reserve. 此拍品不設保留價
Illustrated online at artvisory.com.au Illustrated online at artvisory.com.au
 111

350 352
CHINESE YUNNAN PERH RAW TEA CAKE-SIMPLIFIED RED LABEL CHINESE YUNNAN PUERH XIAGUAN 8653 MALAYSIA EDITION
7542 2001 (2 PC) AND MENGHAI 501 8582, 2005 (2 PC) IRON TEA CAKE, 2001 (7 PC)
2001年 简体云红大益 7542（2饼）+2005年 勐海茶厂501 8582 （2饼） 2001年 下關鐵餅8653（銷馬版）1提（7饼）
數量：4片 數量：7片
總重量： 1433克 總重量：2528克
倉存：自然倉 倉存：幹倉
年份：2001年和2005年 年份：2001年
茶種：青餅 茶種：青餅
產區：雲南 ‧ 勐海 產區：雲南 ‧ 下關
PROVENANCE PROVENANCE
An old Malaysian collection. An old Malaysian collection.
馬來西亞私人收藏。 馬來西亞私人收藏。
$3,000–5,000 $2,000–3,000
Illustrated online at artvisory.com.au

351
353
CHINESE YUNNAN PUERH DEEP MOUNTAIN OLD TREE
CHINESE YUNNAN PERH CHANGTAI BULANG RAW TEA CAKE,
RAW TEA CAKE 2005 (8 PC)
20005 (8 PC)
2005年 海湾茶厂 深山老树 1提並1饼 （共8饼）
2005 昌泰布朗青饼1提並1饼（共8饼）
數量：8片
數量：8片
總重量：4095克
總重量：3151克
倉存：幹倉
倉存：幹倉
年份：2005年
年份：2005
茶種：青餅
茶種：青餅
產區：雲南‧ 安寧
產區：雲南 ‧ 勐海
PROVENANCE
PROVENANCE
An old Malaysian collection.
An old Malaysian collection.
馬來西亞私人收藏。
馬來西亞私人收藏。
$2,000–3,000
$2,000–3,000
Illustrated online at artvisory.com.au
Illustrated online at artvisory.com.au

350
112

355
CHINESE YUNNAN PUERH LANGHE KING OF TEA RAW
TEA CAKE 2002 (8 PC)
2002年 郎河茶厂茶王青饼 1提並1饼（共8饼）
數量：8片
總重量：2881克
倉存：幹倉
年份：2002年
茶種：青餅
產區：雲南 ‧ 勐海
PROVENANCE
An old Malaysian collection.
馬來西亞私人收藏。
$2,000–3,000
Illustrated online at artvisory.com.au

356
CHINESE YUNNAN PUERH XIAGUAN 8653 IRON TEA CAKE,
2003 (8 PC)
2003年 下關鐵餅8653 1提和1饼（共8饼)
數量：8片
總重量：2900克
倉存：乾倉
年份：2003年
茶種：青餅
354 產區：雲南 ‧ 下關
PROVENANCE
An old Malaysian collection.
354
馬來西亞私人收藏。
CHINESE YUNNAN PUERH DAYI YELLOW LABEL OLD TREE $2,000–3,000
RAW TEA CAKE, 2001 (2 PC) Illustrated online at artvisory.com.au

2001年 黄大益老树圆茶 2饼
數量：2片 357
總重量：705克 CHINESE YUNNAN PUERH MENGHAI BADA HIGH MOUNTAIN
倉存：自然倉 8112 RAW TEA CAKE, 2003 (7 PC)
年份：2000年 2003 勐海茶厂巴达高山野生茶8112 1提（7饼）
茶種：青餅 數量：7片
產區：雲南 ‧ 勐海 總重量：2902克
PROVENANCE 倉存：幹倉
An old Malaysian collection. 年份：2003
馬來西亞私人收藏。 茶種：青餅
$3,000–5,000 產區：雲南 ‧ 勐海
PROVENANCE
An old Malaysian collection.
馬來西亞私人收藏。
$2,000–3,000
Illustrated online at artvisory.com.au
 113

358 361
A SET OF SIX CHINESE FAMILLE-ROSE AND CAFE-AU-LAIT A CHINESE ZISHA SQUARE TEAPOT, 20TH CENTURY
GROUND CUPS AND SAUCERS, KANGXI PERIOD (1662-1722) 二十世紀 紫砂壺
清康熙 醬釉粉彩盃碟 六套 17cm wide
Cup: 8.5cm diameter $600–800
Saucer: 13cm diameter *This lot will be offered no reserve. 此拍品不設保留價
Illustrated online at artvisory.com.au
$6,500–7,500
362
359 A CHINESE SMALL GREEN ZISHA TEAPOT, CONTEMPORARY
A CHINESE ZISHA TEAPOT, 20TH CENTURY
當代 紫砂壺
二十世紀 紫砂茶壺 10cm long
10.3cm high $300–500
$1,000–2,000 *This lot will be offered no reserve. 此拍品不設保留價
Illustrated online at artvisory.com.au
Illustrated online at artvisory.com.au

360 363

A CHINESE BROWN ZISHA TEAPOT, 20TH CENTURY A CHINESE SMALL ZISHA TEAPOT,
JIANGRONG MARK, CONTEMPORARY
二十世紀 紫砂壺
15cm wide 當代 蔣蓉款 紫砂壺
10.1cm long
$1,000–2,000
Illustrated online at artvisory.com.au
$300–500
*This lot will be offered no reserve. 此拍品不設保留價
Illustrated online at artvisory.com.au

358
114

364
CHEN YAN'EN (19TH CENTURY)
couplet in running script,
ink on gold-dusted paper, pair of scrolls
signed and dated, with a dedication,
two seals of the artist and one collector's seal.
陳延恩 清 十九世紀
行書對聯
題款，簽名，鈐印。
127 x 30.4cm
PROVENANCE
Sotheby's New York, 21/3/2015, lot 954.
蘇富比紐約，2015年3月21日，拍品號：954。
$5,500–7,500

365
HUAN YANYUAN
Couplet in running script,
ink on paper, pair of scrolls
signed, two red seals of the artist.
黄阎元
行書對聯
題款，簽名，鈐印。
145 x 28.4cm each
$800–1,200
*This lot will be offered no reserve. 此拍品不設保留價. Illustrated online at artvisory.com.au

366
XING YIFENG, REPUBLIC PERIOD, EARLY 20TH CENTURY
ink and colour,
Inscribed, signed and two red seal of the artist, framed.
民國 邢一峰 花鸟
设色纸本
50 x 23cm
PROVENANCE
A private collection, acquired in 16/10/2016.
私人收藏，購於2016年10月16日。
$2,000–3,000
Illustrated online at artvisory.com.au

367
CHEN JIALING (B. 1937)
ink and colour on paper
two red seals of the artist, framed and perspex.
陈家泠 （1937-）
设色纸本
46 x 42.5cm
PROVENANCE
Acquired from Hong Kong.
購於香港。
$1,000–2,000
Illustrated online at artvisory.com.au
364
 115

368

368 370
YAN GONGDA (1948-) A CHINESE SCROLL OF A
Calligraphy MOUNTAIN LANDSCAPE,
ink on paper, ATTRIBUTED TO NI YUN LIN
two red seal of the artist (1301-1374)
言恭达 Landscape
书法 ink and colour on paper, hanging scroll
镜心，纸本 inscribed and signed Ni Zan with
題款，簽名，鈐印 a dedication and a red seal of his
136.5 x 68cm Annotations signed Huang Yi (1744-
言恭達（b.1948），江蘇常熟人。全國 1802) and with one collector’s seal of
政協委員，中國文聯全國委員會委員， his; and signed Chen Ruyan (1331-1371)
中國書法家協會副主席，中國書法家協 and with one collector’s seal of his.
會教育委員會主任，中國國家畫院院務 with one collector’s red seal of XX on
委員，中國傳媒·中國美術院副院長， the lower right
開明畫院副院長，江蘇省文學藝術界聯 山水
合會副主席，江蘇省文化發展基金會理 傳 倪瓚
事長。 立軸 設色紙本
$5,000–7,000 108.5 x 43cm
PROVENANCE

369 East and West Art, Kew, VIC.

An Important private collection VIC.
A CHENSE SCROLL
OF A COURT LADY 墨爾本東西畫廊。
維多利亞重要私人收藏。
ink and colour on paper, hanging scroll
$4,000–6,000
清 仕女圖
立軸 設色紙本
122 x 40cm
PROVENANCE
East and West Art, Kew, VIC.
An Important private collection VIC.
墨爾本東西畫廊。
維多利亞重要私人收藏。
$600–800
*This lot will be offered no reserve. 此拍品不設保留價
Illustrated online at artvisory.com.au

370
116

371
ATTRIBUTED TO ZHU DA
(BADA SHANREN, 1626 - AFTER 1705),
QING DYNASTY (1644-1911)
ink and colour on paper,
inscribed, signed and one red seal of the artist.
Framed
清 傳 八大山人
設色紙本, 木框
94.5 x 49cm
PROVENANCE
The incredible provenance relating to this painting, together
with the subject matter, which can be traced back for more
than a century,make it extraordinary and truly unique.
At first in the possession of Mr. Willard Straight (1808-1918), a
young American diplomat, banker and artist who had a career
in the Far-East "that Midas himself might have envied", who
married Dorothy Whitney, the daughter of legendary millionaire
William C. Whitney.
It is thought that Willard Straight and his wife, passed on this
present painting, originally purchased in China to their son
Michael Straight.
Michael Straight's biography appears in: "Last of the Cold
War Spies - The Life of Michael Straight. The Only American
in Britain's Cambridge Spy Ring" by Roland Perry, and which
details how he became an MI5 Secret Agent, who eventually
admitted to having worked as a spy for the Russians.
During the Second World War, Michael Straight became
acquainted with an extraordinary South African man, named
Oscar Oeser (1904-1983). A trimly built gentleman, with a keen,
narrow gaze and neat moustache, Oeser appreciated fine art,
literature and music; he spoke several languages, supported
progressive education, read voraciously, and had a formidable
and penetrating intellect. He had been Michael's Professor,
and was remarkably also an elite member of the MI5, and was
daringly part of the impressive group who helped to decode
Enigma during the war.
At some point,during this period, Michael Straight gifted this
painting to Oscar, as a sign of his gratitude and respect, and
the work was gratefully received.
The painting has thence by descent, been passed to the
previous owner- Yvonne Raphael Oeser (22/4/1923-13/12/2020).
An important private collection, South Yarra.
Willard Straight (1808-1918)舊藏，後家族傳承。
Yvonne Raphael Oeser (22/4/1923-13/12/2020)舊藏。
南雅拉資深私人收藏。
$6,000–8,000

371
 117

372
ZHANG DAQIAN (1899-1983)
Apple
ink and colour on paper, hanging scroll
Inscribed and signed Daqian Zhang Yuan,
with four seals of the artist
Dated sixth month of gengyin year (1950).
張大千 蘋果 設色紙本 立軸 一九五零年作
款識：經系仁兄二十七歲生日。庚寅（1950）六月大千張爰筆。
鈐印：大千大利、張爰、大千豪髮、兩到黃山絕頂人
86.5 x 39.0cm
PROVENANCE
A private collection, Southeast Asia.
A private collection NSW and USA.
東南亞私人收藏.
美國和新南威爾士州私人舊藏.
$10,000–20,000

373
A CHINESE IMPERIAL EDICT, DAOGUANG PERIOD (1821-
1850), DATED TO MARCH 1950 AND OF THE PERIOD
Constructed of multicoloured silk brocade woven with
scattered ruyi-shaped clouds, mounted as a handscroll, and
composed in standard form beginning with the declaration 'By
Command of Heaven' in Manchu script flanked by two dragons
woven in the brocade, followed by a handwritten Chinese and
Manchu inscription in multicoloured pigments.
清 道光 誥命聖紙 三十年三月初
259.08 x 33.02cm
PROVENANCE
A private collection NSW and USA.
美國和新南威爾士州私人舊藏.
$4,500–5,500
Illustrated online at artvisory.com.au

374
HONG JI (1887-?)
Landscape,
ink and colour on paper,
hanging scroll, two red seals of the artist.
洪畿
山水
設色紙本，掛軸。
鈐印: 洪畿畫印, 庶安。
38.8 x 30cm
洪畿，又名基，字庶安，以字行，又字麗生，號西廬，江西婺源
人。寄居上海。以工畫花卉有名於時，所畫花卉擅雙勾法，寫
生曲盡形神，淡逸處近惲壽平，穠麗處近沈銓，行筆與程璋相彷
彿。為海上名家之一
$1,000–2,000
Illustrated online at artvisory.com.au

372
118

378
A JAPANESE LACQUER AND BRONZE
FITTED CABINET, MEIJI/TAISHO PERIOD
LATE 19TH/EARLY 20TH CENTURY
二十世纪早期日本黑漆描金柜
81.5 x 42 x 25cm
$1,500–2,000
Illustrated online at artvisory.com.au

379
A RARE CHINESE REVERSED
PAINTING OF AN EUROPEAN LADY,
LATE QING DYNASTY, 19TH CENTURY
清 十九世紀 玻璃畫西洋女士人物肖像
48 x 23cm
PROVENANCE
A private collection, Melbourne.
墨爾本私人收藏。
$600–800
Illustrated online at artvisory.com.au

380
A CHINESE FRAMED FAN PAINTING,
375 QING DYNASTY (1644-1912)
Rock and Tree,
ink and colour on silk,
375 377 inscribed, signed and one red seal of the artist.
A FRAMED CHINESE FAN PAINTING BY ANONYMOUS, FRAMED framed.
YUEQIN, QING DYNASTY (1644-1912) JAPANESE PAINTING OF HORSES, 清 樹石圖 設色絹本
Ink and colour and gold pigment on paper, EARLY 20TH CENTURY 23.5cm diameter
back inscribed and signed, framed. Seventeen horses; PROVENANCE

清 月琴女史 Ink and colour on paper. East and West Art, Kew, VIC.
设色纸本 匿名 日本 二十世纪早期 骏马图 An Important private collection VIC.
红木框 设色纸本 墨爾本東西畫廊。
53 x 31cm (including frame) 133.5 x 65.5cm 維多利亞重要私人收藏。
$2,000–3,000 PROVENANCE $300–500
Collection of Manly P. Hall. *This lot will be offered no reserve. 此拍品不設保留價
Illustrated online at artvisory.com.au
376 An important private collection, South Yarra,
ATTRIBUTED TO ZHAO SHAOANG acquired from Sam Fogg, London. 1996. 381
(1905-1998) Manly P. Hall收藏。 A JAPANESE BAMBOO FLOWER BASKET,
墨爾本South Yarra重要私人收藏。 TAISHO PERIOD, 20TH CENTURY
Flowers and Birds
1966年購於倫敦Sam Fogg古董商。
Hanging scroll, ink and colour on paper with tall loop handle, signed to the base.
$1,000–2,000
Inscribed and signed, 日本 二十世紀 竹編花籃
Illustrated online at artvisory.com.au
with three red seals of the artist 44.2cm high
傳 趙少昂 PROVENANCE
花鳥 An important private collection, South Yarra.
掛軸，設色紙本， 南亞拉重要私人收藏。
題款，簽名，鈐印
$300–500
118 x 50.5cm *This lot will be offered no reserve. 此拍品不設保留價
$1,000–2,000 Illustrated online at artvisory.com.au

Illustrated online at artvisory.com.au

 119

382 383 384

A JAPANESE SIX-FOLDED DRAGON A JAPANESE TEA BOWL, BY ROKUBEI A JAPANESE TEA BOWL, BY ROKUBEI
SCREEN, SIGNED BY KANO SEKO, MEIJI KIYOMIZU IV (1848-1920) KIYOMIZU IV (1848-1920)
PERIOD, EARLY 19TH CENTURY With original signed Japanese wood box. With original signed Japanese wood box.
ink on paper, dated, signed and one red seal of 日本 清水六兵衛 茶盌 日本 清水六兵衛 大茶缽
the artist. 10cm diameter 20.5cm diameter
日本 明治时期 狩野晴皋绘 龍紋六折屏风 PROVENANCE PROVENANCE
390 x 177cm An Important private collection, London and An Important private collection, London and
$5,000–7,000 Melbourne. Melbourne.
墨爾本和倫敦重要私人收藏。 墨爾本和倫敦重要私人收藏。
$400–600 $600–800
*This lot will be offered no reserve. 此拍品不設保留價 *This lot will be offered no reserve. 此拍品不設保留價
Illustrated online at artvisory.com.au Illustrated online at artvisory.com.au

382
120

386

385
A FRAMED JAPANESE BUDDHIST PAINTING,
EDO PERIOD, 17TH CENTURY
Ink and colour on paper, depicting with a mandala of Taizokai
on the top and four esoteric Buddhist masters below.
明治 日本四僧畫
133 x 50cm
The two principal mandalas in Japanese esoteric Buddhism are
Garbhadhatu (Kongokai , 胎藏界) and Vajradhatu (Taizokai, 金刚界)
respectively, together they are known as the Ryogai Mandala, they
represent the dual aspects of the universe. These were brought to Japan
from China in the 9th century by the monk Kobo Daishi. For an almost
identical mandala, see: Meher McArthur, Japanese Buddhist and Shinto
Prints from the Collection of Manly P. Hall, Sam Fogg, London, 1996,
mo. 202, p.28.
PROVENANCE
An important private collection, South Yarra,
acquired from Morimoto, Kyoto, Japan, in 2007.
南亞拉重要私人收藏。2007年購於京都Morimoto藝廊。
$2,000–3,000

385
 121

386 389
A PAIR OF JAPANESE SATSUMA VASES, BY TOZAN, A GROUP OF 17 CHINESE AND ASIAN ART
MEIJI PERIOD (1868-1912) AUCTION CATALOGUES
Each vase is finely decorated with ladies in landscapes, 一組17本中國與亞洲藝術拍賣圖錄
Tozan signature mark to the base. $100–200
日本 明治時期 富山造 薩摩燒花瓶一對 *This lot will be offered no reserve. 此拍品不設保留價
Illustrated online at artvisory.com.au
23.54cm
PROVENANCE 390
Estate of the late June Harris.
GROUP OF ELEVEN CHINESE ART REFERENCE BOOKS
June Harris遺產。
中國藝術書籍 11本
$2,000–3,000
$200–300
*This lot will be offered no reserve. 此拍品不設保留價
387 Illustrated online at artvisory.com.au

VOLUMES (16), COMPLETE COLLECTION OF CERAMIC ART

391
UNEARTHED IN CHINA, 2008
GROUP OF TEN CHINESE ART REFERENCE BOOKS
In English & Chinese.
《中国出土瓷器全集》16卷 中國藝術書籍 10本
$500–800 $200–300
*This lot will be offered no reserve. 此拍品不設保留價
*This lot will be offered no reserve. 此拍品不設保留價
Illustrated online at artvisory.com.au
Illustrated online at artvisory.com.au

388
END OF SALE
ART FROM RITUAL: ANCIENT CHINESE BRONZE VESSELS FROM
THE ARTHUR M. SACKLER COLLECTIONS TOGETHER WITH A
GROUP OF 20 CHINESE AND ASIAN ART AUCTION CATALOGUES
《祭祀中的美術：塞克勒收藏中國高古青銅器》和一組20本中國與亞洲藝
術拍賣圖錄
$200–300
*This lot will be offered no reserve. 此拍品不設保留價
Illustrated online at artvisory.com.au
ENTRIES INVITED

Fine Chinese & Asian Art Illustrated:

A rare and fine Ding/Dangyangyu
persimmon-glazed conical tea bowl,
Northern Song Dynasty (960-1127)
Auctions in 2023 Est $15,000–20,000.
Sold: AUD $45,504 (inc.BP)
Enquiries Luke Guan
[email protected] 0455 891 888

www.artvisory.com.au
The Contents of Yaloak Viewing
Onsite at the property
Thursday 16 – Sunday 19 February 2023

Estate, Fiskville, Victoria 11am–5pm

Enquiries Paul Sumner
[email protected] 0412 337 827
The Property of Mr Peter Yunghanns
Including Fine Australian Art, English and European Furniture, Furnishings and Books

Auction • Monday 20 February 2023

www.artvisory.com.au
124

Absentee Bid Form

In order to register to bid with Artvisory, please complete this form, 310 Toorak Road South Yarra VIC 3141
+61 3 9826 4039 www.artvisory.com.au
scan and email to [email protected]

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Lot Number Catalogue Description Cover Bid Not including buyer’s premium
(in order) (please print clearly) or GST (where applicable)

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I authorise Artvisory to register bids on a per lot basis up to the maximum price I have indicated for each lot. I will not hold Artvisory responsible for any errors that occur.
I understand that if my bid is successful, the purchase price will be the sum of my final bid plus the buyer’s premium of 24% plus GST of the final hammer price plus any
GST payable on the hammer price, as indicated in the catalogue. GST will be charged on the buyer’s premium. If the lot is denoted by the † symbol, GST will be charged the
whole amount (hammer price + GST). If the Resale Royalty Scheme is applicable 5% will be charged on the hammer price only. The Resale Royalty Scheme is denoted by
the § symbol in the catalogue. Your invoice will be emailed to the supplied email address immediately after the auction has finished and will contain all details pertaining to
payment and collection.
I have read and accepted Artvisory’s terms and conditions as printed in the catalogue and online
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Signature Date Bidder Number (Office Use Only)

 125

Telephone Bid Form

In order to register to bid with Artvisory, please complete this form, 310 Toorak Road South Yarra VIC 3141
+61 3 9826 4039 www.artvisory.com.au
scan and email to [email protected]

Auction Title:

Name (please print clearly):

Email Address (for invoicing & correspondence):

Telephone (mobile): Telephone (home/work):

Invoice address (PO Box not accepted):

City State Post Code Country

Please tick here if you do not want to receive special invitations and online auction catalogues by email.
We value your privacy and will not disclose your details to any third party. You may request that your details are removed from our database at any time.
If you have not previously purchased with Artvisory, please scan your photo ID (either a drivers licence or passport) and email to [email protected]

Lot Number Catalogue Description Cover Bid Not including buyer’s premium
(in order) (please print clearly) or GST (where applicable)

A$

A$

A$

A$

A$

A$

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Telephone bids must be received by Artvisory no later than 24 hours prior to the commencement of the Auction. Once received, your bid will be confirmed by email.

I authorise Artvisory to register bids on a per lot basis up to the maximum price I have indicated for each lot. I will not hold Artvisory responsible for any errors that occur.
I understand that if my bid is successful, the purchase price will be the sum of my final bid plus the buyer’s premium of 24% plus GST of the final hammer price plus any
GST payable on the hammer price, as indicated in the catalogue. GST will be charged on the buyer’s premium. If the lot is denoted by the † symbol, GST will be charged the
whole amount (hammer price + GST). If the Resale Royalty Scheme is applicable 5% will be charged on the hammer price only. The Resale Royalty Scheme is denoted by
the § symbol in the catalogue. Your invoice will be emailed to the supplied email address immediately after the auction has finished and will contain all details pertaining to
payment and collection.
I have read and accepted Artvisory’s terms and conditions as printed in the catalogue and online
at www.artvisory.com.au. Bids will not be processed unless this form is signed.

Signature Date Bidder Number (Office Use Only)

126

Terms and Conditions of Sale

The terms and conditions of sale listed here contain the b) Catalogue and other Descriptions c) Bidding as a Principal
policies of Artvisory Pty Ltd. They are the terms on which All statements by Artvisory in the catalogue entry for When making a bid, a bidder is accepting personal
Artvisory Pty Ltd and the Seller contract with the Buyer. the property or in the condition report, or made orally liability to pay the purchase price including the
They may be amended by printed Saleroom Notices or or in writing elsewhere, are statements of opinion buyers premium and all applicable taxes, plus
oral announcements made before and during the sale. By and are not to be relied upon as statements of fact. all other applicable charges, unless it has been
bidding at auction you agree to be bound by these terms. Such statements do not constitute a representation, explicitly agreed in writing with Artvisory before
warranty or assumption of liability by Artvisory of the commencement of the sale that the bidder is
any kind. References in the catalogue entry to the acting as agent on behalf of an identified third party
1. Background to the Terms used in condition report to damage or restoration are for acceptable to Artvisory and that Artvisory will only
these Conditions guidance only and should be evaluated by personal look to the principal for payment.
inspection by the bidder or a knowledgeable
The conditions that are listed below contain terms that d) International Registrations
representative. The absence of such a reference
are used regularly and may need explanation. They are All International clients not known to Artvisory will be
does not imply that an item is free from defects or
as follows: required to scan through an accredited form of photo
restoration, nor does a reference to particular defects
identification and pay a deposit at our discretion in
“the Buyer” means the person with the highest bid imply the absence of any others. Estimates of the
cleared funds into Artvisory’s account at least 24
accepted by the Auctioneer selling price should not be relied on as a statement
hours before the commencement of the auction. Bids
“the Lot” means any item depicted within the sale for that this is the price at which the item will sell or it’s
will not be accepted without this deposit. Artvisory
auction and in particular the item or items described value for any other purpose. Neither Artvisory nor
also reserves the right to request any additional forms
against any lot number in the catalogue. The Seller is responsible for any errors or omissions
of identification prior to registering an overseas bid.
in the catalogue or any supplemental material.
“the Hammer price” means the amount of the highest bid This deposit can be made using a credit card,
accepted by the auctioneer in relation to a lot Images are measured height by width (sight size).
however the balance of any purchase price in excess
Illustrations are provided only as a guide and
“the Buyers Premium” means the charge payable by of $5,000 can not be charged to this card without
should not be relied upon as a true representation
the Buyer to the auction house as a percentage of the prior arrangement.
of colour or condition. Images are not shown at a
hammer price. This deposit is redeemable against any auction
standard scale. Mention is rarely made of frames
“the Reserve” means the lowest amount at which (which may be provided as supplementary images purchase.
Artvisory has agreed with the Seller that the lot can be on the website) which do not form part of the lot as e) Absentee bids
sold. described in the printed catalogue. Artvisory will use reasonable efforts to execute
“Forgery” means an item constituting an imitation Foreign buyers should note that all transactions are in written bids delivered to us AT LEAST 24 Hours
originally conceived and executed as a whole, with Australian dollars so there may be a small exchange before the sale for the convenience of those clients
a fraudulent intention to deceive as to authorship, rate risk. The costs associated with acquiring a good who are unable to attend the auction in person. If we
origin, age, period, culture or source, where the correct certificate will be carried by the purchaser. If the receive identical written bids on a particular lot, and
description as to such matters is not reflected by the item turns out to be forged or otherwise incorrectly at the auction these are the highest bids on that lot,
description in the catalogue. Accordingly no lot shall be described, all reasonable costs will be borne by the then the lot will be sold to the person whose written
capable of being a forgery by reason of any damage or vendor. bid was received and accepted first. Execution of
restoration work of any kind (Including re-painting). written bids is a free service undertaken subject to
c) Buyers Responsibility
“the insured value” means the amount that Artvisory in other commitments at the time of the sale and we do
All property is sold “as is” without representation
its absolute discretion from time to time shall consider not accept liability for failing to execute a written bid
or warranty of any kind by Artvisory or the Seller.
the value for which a lot should be covered for insurance or for errors or omissions which may arise. It is the
Buyers are responsible for satisfying themselves
(whether or not insurance is arranged by Artvisory.) bidder’s responsibility to check with Artvisory after
concerning the condition of the property and the
All values expressed in Artvisory Pty Ltd catalogues the auction if they were successful. Unlimited or
matters referred to in the catalogue by requesting a
(in any format) are in Australian Dollars (AU$). All bids, “Buy” bids will not be accepted.
condition report
“hammer price”, “reserves”, “Buyers Premium” and other No lot to be rejected if, subsequent to the sale, f) Telephone bids
expressions of value are understood by all parties to be in it has been immersed in liquid or treated by any Priority will be given to overseas and interstate
Australian Dollars (AU$) unless otherwise specified. other process unless the Auctioneer’s permission to bidders. Please refer to the catalogue for the
subject the lot to such immersion or treatment has Telephone Bids form. Arrangements for this service
must be confirmed AT LEAST 24 HOURS PRIOR
2. Artvisory Auctions as Agent first been obtained in writing.
to the auction commencing. Artvisory accepts no
Except as otherwise stated Artvisory Pty Ltd acts as agent responsibility whatsoever for any errors or failure
for the Seller. 4. At the Sale to execute bids. In telephone bidding the buyer
agrees to be bound by all terms and conditions
The contract for the sale of the property is therefore a) Refusal of Admission listed here and accepts that Artvisory cannot be
made between the Seller and the Buyer. Artvisory reserves the right at our complete held responsible for any miscommunications in the
discretion to refuse admission to the auction process. The success of telephone bidding cannot be
3. Before the Sale premises or participation in any auction and to reject guaranteed due to circumstances that are unforeseen.
any bid. Buyers should be aware of the risk and accept the
a) Examination of Property b) Registration before Bidding consequences should contact be unsuccessful at the
Prospective Buyers are strongly advised to examine Any prospective new buyer must complete and sign time of Auction. You must advise Artvisory of the lots
in person any property in which they are interested a registration form and provide photo-identification in question and you will be assumed to be a buyer at
before the Auction takes place. Neither Artvisory before bidding. Artvisory may request bank, trade the minimum price of 75% of estimate (ie. reserve) for
nor the Seller provides any guarantee in relation to or other financial references to substantiate this all such lots. Artvisory will advise Telephone Bidders
the nature of the property apart from the Limited registration. who have registered at least 24 hours before the
warranty in the paragraph below. auction of any relevant changes to descriptions,
The property is otherwise sold “AS IS” withdrawals or any other sale room notices.
 127

G) Online Bidding 5. After the Sale for an export licence then we shall be entitled to
Artvisory offers an online bidding service via charge a fee for this service. We shall not be obliged
Invaluable.com. When bidding online the buyer a) Buyers Premium to rescind a sale nor to refund any interest or other
agrees to be bound by all terms and conditions listed In addition to the hammer price, the buyer agrees to expenses incurred by the Buyer where payment is
here by Artvisory and agrees to pay any fees charged pay to Artvisory the buyer's premium. The buyer’s made by the Buyer in circumstances where an export
in regard to any purchases made via Invaluable.com. premium is 24% of the hammer price plus GST. licence is not granted.
Artvisory accepts no responsibility for any (Goods and Services Tax) where applicable. f) Remedies for non-payment
errors, failure to execute bids or any other b) Payment and passing of title If the Buyer fails to make full payment immediately,
miscommunications regarding this process. It is the The buyer must pay to the company trust account Artvisory is entitled to exercise one or more of the
online bidder’s responsibility to ensure the accuracy managed by KK Partners Pty Ltd Chartered following rights or remedies (in addition to asserting
of the relevant information regarding bids, lot Accountants the full amount due (comprising the any other rights or remedies available under the law)
numbers and contact details. hammer price, buyer's premium and any applicable i) to charge interest at such a rate as we shall
H) Reserves taxes and GST) not later than 3 days after the auction reasonably decide
Unless otherwise indicated, all lots are offered date. ii) to hold the defaulting Buyer liable for the
subject to a reserve, which is the confidential The buyer will not acquire title for the lot until total amount due and to commence legal
minimum price below which the Lot will not be Artvisory receives full payment in cleared funds, and proceedings for it’s recovery along with interest,
sold. The reserve will not exceed the low estimate no goods under any circumstances will be released legal fees and costs to the fullest extent
printed in the catalogue. The auctioneer may open without confirmation of cleared funds received. permitted under applicable law
the bidding on any Lot below the reserve by placing This applies even if the buyer wishes to send items iii) to cancel the sale
a bid on behalf of the Seller. The auctioneer may interstate or overseas.
continue to bid on behalf of seller up to the amount iv) to resell the property publicly or privately on
Payment can be made by direct transfer, cash (not such terms as we see fit
of the reserve, either by placing consecutive bids or exceeding $5,000AUD, if wishing to pay more than
by placing bids in response to other bidders. $5,000AUD then this must be deposited directly v) to pay the Seller an amount up to the net
into the company trust account and bank receipt proceeds payable in respect of the amount bid
I) Auctioneers Discretion
supplied) and Eftpos (please check your daily limit). by the defaulting Buyer. In these circumstances
The Auctioneer has the right at his absolute and sole
Payments can also be made by credit card in person the defaulting Buyer can have no claim upon
discretion to refuse any bid, to advance the bidding
with a 1.3% (inc GST) merchant fee for Visa and Artvisory in the event that the item(s) are sold
in such a manner as he may decide, to withdraw or
Mastercard and 2% (inc GST) for American Express. for an amount greater than the original invoiced
divide any lot, to combine any two or more lots and,
Credit card payments where the card-holder is not amount.
in the case or error or dispute and whether during
or after the sale, to determine the successful bidder, present, can not be accepted unless a scanned vi) to set off against any amounts which Artvisory
to continue the bidding, to cancel the sale or to image of the card and signature is supplied (that may owe the Buyer in any other transactions, the
re-offer and resell the item in dispute. If any dispute corresponds with the supplied signature on the outstanding amount remaining unpaid by the
arises after the sale, then Artvisory’s sale record is bidding or registration forms). Personal cheques are Buyer.
conclusive. only accepted with prior arrangement and funds vii) where several amounts are owed by the Buyer to
must be cleared before goods will be released. Bank us, in respect of different transactions, to apply
J) Successful bid and passing of risk
cheques are subject to three days clearance. any amount paid to discharge any amount owed
Subject to the auctioneer’s discretion, the highest
The buyer is responsible for any bank fees and in respect of any particular transaction, whether
bidder accepted by the auctioneer will be the buyer
charges applicable for the transfer of funds into or not the Buyer so directs.
and the striking of his hammer marks the acceptance
of the highest bid and the conclusion of a contract Artvisory’s company trust account. viii) to reject at any future auction any bids made by
for sale between the Seller and the Buyer. Risk and c) Collection of Purchases & Insurance or on behalf of the Buyer or to obtain a deposit
responsibility for the lot (including frames or glass Artvisory is entitled to retain items sold until all from the Buyer prior to accepting any bids.
where relevant) passes immediately to the Buyer. amounts due to us have been received in full in good ix) to exercise all the rights and remedies of a
K) Indicative Bidding steps, etc. cleared funds. Subject to this, the Buyer shall collect person holding security over any property in our
purchased lots within 3 days from the date of the possession owned by the Buyer whether by way
Artvisory reserves the right to refuse any bid,
sale unless otherwise agreed in writing between of pledge, security interest or in any other way,
withdraw any lot from sale, to place a reserve on
Artvisory and the Buyer. to the fullest extent permitted by the law of the
any lot and to advance the bidding according to the
At the fall of the hammer, insurance is the place where such property is located. The Buyer
following, at the auctioneers discretion:
responsibility of the purchaser. will be deemed to have been granted such
Increment Amount Dollar Range security to us and we may retain such property
d) Packing, Handling and shipping as collateral security for such Buyer’s obligations
$20 $0–$500 Artvisory will be able to suggest local, national and to us.
$50 $500–$1,000 international carriers and takes no responsibility x) to take such other action as Artvisory deem
whatsoever for the actions of any recommended necessary or appropriate
$100 $1,000–$2,000
third party carrier. Artvisory can pack and handle
$200 $2,000–$5,000 goods purchased at the auction by agreement, If we do sell the property under paragraph
however will take no responsibility for damage, a (iv), then the defaulting Buyer shall be liable
$500 $5,000–$10,000 for payment of any deficiency between the
charge may be made for this service. All packing,
$1,000 $10,000–$20,000 shipping, insurance, postage & associated charges total amount originally due to us and the price
will be borne by the purchaser. obtained upon reselling as well as for all costs,
$2,000 $20,000–$50,000 expenses, damages, legal fees and commissions
e) Cultural heritage Export Licences and premiums of whatever kinds associated with
$5,000 $50,000–$100,000
Unless otherwise agreed by us in writing, the fact both sales or otherwise arising from the default.
$10,000 $100,000–$200,000 that the buyer wishes to apply for an export licence
If we pay any amount to the Seller under
does not affect his or her obligation to make full
$20,000 $200,000–$500,000 paragraph (v) the Buyer acknowledges that
payment immediately, nor our right to charge
Artvisory shall have all of the rights of the Seller,
$50,000 $500,000–$1,000,000 interest or storage charges on late payment. It is the
however arising, to pursue the Buyer for such
Buyer’s responsibility to check Australia’s Protection
Absentee bids must follow these increments and any amount.
of Moveable Cultural Heritage Act 1986 before
bids that don’t follow the steps will be rounded up to purchase. If the Buyer requests Artvisory to apply
the nearest acceptable bid.
128

g) Failure to collect purchases any special, incidental nor consequential damages Overseas buyers and buyers non-resident in Australia
Where purchases are not collected within 3 days including, without limitation, loss of profits not for will not be charged GST on both hammer price and
from the sale date, whether or not payment has interest. premiums under the following conditions:
been made, we shall be permitted to remove the v) The Buyer must give written notice of claim to us 1. The items are exported through a Artvisory approved
property to a warehouse at the buyer’s expense, and within thirty days of the date of the Auction. The freight company including Australia Post
only release the items after payment in full has been Seller shall have the right, to require the Buyer to 2. The items are exported within 60 days of the date of
made of removal, storage handling, insurance and obtain two written opinions by recognised experts the sale
any other costs incurred, together with payment of in the field, mutually acceptable to the Buyer and
all other amounts due to us. The invoice supplied by Artvisory for purchases will be
Artvisory to decide whether or not to cancel the sale
regarded as a Tax invoice for GST purposes.
under warranty.
6. Extent of Artvisory Liability vi) the Buyer must return the lot to Seller in the same
condition that it was purchased. 14. Resale Royalty Scheme
Artvisory agrees to refund the purchase price in the
circumstances of the Limited Warranty set out in Under the legal obligations of the Resale Royalty Scheme
paragraph 7 below. Apart from that, neither the Seller nor 8. Severability for Visual Artists Act 2009, sellers must provide the
we, nor any of our employees or agents are responsible following information to comply with the act:
If any part of these Conditions of Sale is found by any
for the correctness of any statement of whatever kind • was the artwork acquired after 8 June 2010?
court to be invalid, illegal or unenforceable, that part
concerning any lot, whether written or oral, nor for any • is the sale/reserve price (including GST) $1,000 or
shall be discounted and the rest of the Conditions shall
other errors or omissions in description or for any faults more?
continue to be valid to the fullest extent permitted by law.
or defects in any lots. Except as stated in paragraph 7
• is the artist from Australia or a country listed in the
below, neither the Seller ourselves, our officers, agents or
Regulations to the Act?
employees give any representation warranty or guarantee 9. Copyright
or assume any liability of any kind in respect of any lot • is the artist alive, or deceased less than 70 years?
with regard to merchantability, fitness for a particular The copyright of all images, illustrations and written The seller:
purpose, description, size, quality, condition, attribution, material produced by Artvisory relating to a lot including
i) acknowledges that he or she understands his or her
authenticity, rarity, importance, medium, provenance, the contents of this catalogue, is and shall remain the
legal obligations under the Resale Royalty for Visual
exhibition history, literature or historical relevance. Except property at all times of Artvisory and shall not be used by
Artists Act 2009 (the Act);
as required by local law any warranty of any kind is the Buyer, nor by anyone else without our prior written
excluded by this paragraph. consent. Artvisory and the Seller make no representation ii) undertakes to comply with all requirements of the
or warranty that the Buyer of a property will acquire any Act, including by providing its agent, the company,
copyright or other reproduction rights in it. with accurate information sufficient for compliance
7. Limited Warranty with sections 28 and 29 of the Act;
iii) undertakes to indemnify the company for any loss
Subject to the terms and conditions of this paragraph, 10. Law and Jurisdiction incurred by the company as a result of the vendor’s
the Seller warrants for the period of thirty days from
These terms and conditions and any matters concerned failure to comply with any of the vendor’s legal
the date of the sale that any property described in this
with the foregoing fall within the exclusive jurisdiction of obligations under the Act; and
catalogue (noting such description may be amended
by any saleroom notice or announcement) which is the courts of the state in which the auction is held. iv) acknowledges that if he or she fails to comply with
stated without qualification to be the work of a named any of his or her legal obligations under the Act,
author or authorship is authentic and not a forgery. The the company may provide the vendor’s name and
term “Author” or “authorship” refers to the creator of the
11. Pre-Sale Estimates contact details to Copyright Agency Limited (CAL).
property or to the period, culture, source, or origin as the Artvisory publishes with each catalogue our opinion as to Lots subject to payment of the Resale Royalty Scheme
case may be, with which the creation of such property is the estimated price range for each lot. These estimates will be denoted by the §. The Australian Resale Royalty
identified in the catalogue. are approximate prices only and are not intended to be is a flat rate of 5% on the hammer price (including GST).
The warranty is subject to the following: definitive. They are prepared well in advance of the sale The Australian Resale Royalty is payable by the buyer in
and may be subject to revision. Interested parties should addition to the buyers premium plus any applicable GST.
i) it does not apply where a) the catalogue description
or saleroom notice corresponded to the generally contact Artvisory prior to auction for updated pre-sale
accepted opinion of scholars and experts at the date estimates and starting prices.
of the sale or fairly indicated that there was a conflict
of opinions, or b) correct identification of a lot can be
demonstrated only by means of a scientific process
12. Sale results
not generally accepted for use until after publication Artvisory will provide auction results, which will be
of the catalogue or a process which at the date of available as soon as possible after the sale. Results will
the publication of the catalogue was unreasonably include buyer’s premium. These results will be posted at
expensive or impractical or likely to have caused www.artvisory.com.au.
damage to the property.
ii) the benefits of the warranty are not assignable and
shall apply only to the original buyer of the lot as
13. Goods and Service Tax
shown on the invoice originally issued by Artvisory In accordance with A New Tax System (Goods and
when the lot was sold at Auction. Services Tax) Act 1999 Artvisory Auctions will collect on
iii) the Original Buyer must have remained the owner of behalf of the Australian tax office (ATO) a Goods and
the lot without disposing of any interest in it to any Service Tax (GST) of 10% on all applicable transactions.
third party GST is applicable on the hammer price in the case where
iv) The Buyer’s sole and exclusive remedy against the the seller is selling property that is owned by an entity
Seller in place of any other remedy which might registered for GST. GST is also applicable on the hammer
be available, is the cancellation of the sale and the price in the case where the seller is not an Australian
refund of the original purchase price paid for the lot resident. These lots are denoted by a dagger symbol †
less the buyers premium which is non refundable. placed next to the estimate.
Neither the Seller nor Artvisory will be liable for GST is also applicable on the buyer’s premium.
ASIAN ART SPECIALISTS

310 Toorak Road South Yarra Victoria 3141

+61 3 9826 4039 | www.artivsory.com.au