0% found this document useful (0 votes)
126 views8 pages

Libera Me: Score by Garcia

The document is a musical score for 'Libera me' by José Mauricio Nunes Garcia, arranged by Marcos Botelho. It includes parts for various instruments such as trumpets and horns, with specific notations and dynamics. The score is structured in sections with different tempos, including Andante and Allegro.
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
0% found this document useful (0 votes)
126 views8 pages

Libera Me: Score by Garcia

The document is a musical score for 'Libera me' by José Mauricio Nunes Garcia, arranged by Marcos Botelho. It includes parts for various instruments such as trumpets and horns, with specific notations and dynamics. The score is structured in sections with different tempos, including Andante and Allegro.
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd

Score

Libera me
José Mauricio Nunes Garcia
Arr. Marcos Botelho
                      
Andante

 
Trumpet in B  1    
 

  
              
 
        
Trumpet in B  2    
   

                          
    

Horn in F 1

  
           
Horn in F 2        
       
  
    
      
            
   
6

B  Tpt. 1

 
B  Tpt. 2             
      

                    

Hn. 1  

 
                
6

Hn. 2
      

©
2 Libera me

       
Allegro
      

13

B  Tpt. 1
 
B  Tpt. 2                 
 
                
Hn. 1 
 
  
            
13

  
Hn. 2

   

         
       
  
20

B  Tpt. 1

  
B  Tpt. 2     
             

  
    
Hn. 1                  
  
 
          
20

       
 
Hn. 2
   
Libera me 3

        
Andante
      
 
28

B  Tpt. 1 

 
              
B  Tpt. 2


   
Hn. 1           
   

  

28

Hn. 2
              
  

                     
  
34

B  Tpt. 1

    
B  Tpt. 2            

                  
Hn. 1   


   
34

        
Hn. 2
 
4 Libera me

             
     
41

B  Tpt. 1
 
B  Tpt. 2                  
 
              
Hn. 1    
 
     
       
41

       
Hn. 2

  
       
    
 
48

B  Tpt. 1


B  Tpt. 2             


       
Hn. 1       

 
            
48

    
  
Hn. 2


Libera me 5

            
  
 
54

B  Tpt. 1


  
B  Tpt. 2           

         
Hn. 1     


             
54

    

Hn. 2

                

60

B  Tpt. 1
 
B  Tpt. 2                  
 
                  
Hn. 1 
 

            
60

Hn. 2
        
   
6 Libera me

                      
   
68

B  Tpt. 1
 
B  Tpt. 2     
                
 

        
Hn. 1     
          
 
 
                
68

      
Hn. 2
  
                      
Andante

 
      
75

B  Tpt. 1

  

           
              
 
B  Tpt. 2    
  
                          
   

Hn. 1

  
      
           
75

Hn. 2           
      
Libera me 7

      
            
   
81

B  Tpt. 1

 
B  Tpt. 2             
      

                   


Hn. 1  

 
                
81

Hn. 2
      

      
Allegro
       

88

B  Tpt. 1
 
B  Tpt. 2                     
 
                
Hn. 1 
 
  
            
88

  
Hn. 2

    
8 Libera me

              
 
  
95

B  Tpt. 1

  
rit.

B  Tpt. 2     
             

  
   
Hn. 1                   
  
 
   
95

             
 
Hn. 2
   

You might also like