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Introduction to Architectural Theory

The document provides an overview of architectural theory, design elements, principles, and notable architects. It covers various systems in architecture, including spatial, structural, and circulation systems, as well as design perception and principles such as proportion, balance, and contrast. Additionally, it discusses tropical architecture, climate considerations, and highlights influential architects and their significant works.

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Jumaica Resus
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0% found this document useful (0 votes)
52 views12 pages

Introduction to Architectural Theory

The document provides an overview of architectural theory, design elements, principles, and notable architects. It covers various systems in architecture, including spatial, structural, and circulation systems, as well as design perception and principles such as proportion, balance, and contrast. Additionally, it discusses tropical architecture, climate considerations, and highlights influential architects and their significant works.

Uploaded by

Jumaica Resus
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd

TOA (INTRO TO THEORY)

Theory - Abstract thought or speculation in analyzing, explaining, or predicting


phenomena
Descriptive - explains events or phenomena
Prescriptive - prescribes guidelines
Spatial System - program elements and spaces accommodates the multiple functions of
a house
Structural System - support horizontal beams and slabs
Enclosure System - Four exterior wall planes define a rectangular volume
Circulation System - movement of the automobile in villa savoye
Context - wraps around a complex interior organization of forms and spaces
Perceptual - Sensory perception and recognition of the physical elements
Conceptual - Comprehension of the ordered and disordered of buildings elements and
systems
Design process - aimed at devising a plan for changing an existing situation
Initiation - Identifying a problem and its social, economic, and physical context
Preparation - Collecting and analyzing relevant information
Synthesis - Discovering constraints and opportunities for possible alternative solution
Evaluation - Simulating, testing, and modifying acceptable alternatives
Action - Selecting and implementing the most suitable solution
Reevaluation - Assessing how well an implemented solution is use

TOA (ELEMENTS+PRINCIPLES)

Point - Primary elements of design that marks a position of space and known for its
directionless
Two Points - line that connects them and describes as symmetrical
Line - an extended point in expressing direction, movement and growth
Plane - An extended line has length, width but no depth
Shape - identify as a characteristic of a plane
Volume - plane extended that has length, width and depth
Form - primary identifies a characteristic of volume
Form - the manner of arranging and coordinating the elements that produce coherent
image
Articulation - jointing parts that has relation (clear, distinct and precise) to each other
Shape - Visual Properties of Form: characterize outline of a surface or silhouettes and
contours of forms
Size - Visual Properties of Form: physical dimensions of length, width, and depth that
determine the proportion of forms
Texture - Visual Properties of Form: tactile quality that determines surfaces of a form
reflect or absorb incident light.
Color - Visual Properties of Form: perception of hue, saturation, and tonal value that
affects weight of a form
Hue - Parts of colors: another word for color
Value - Parts of colors: describes how light or dark
Temperature - Parts of colors: feeling of warmth or coolness
Intensity - Parts of colors: color from dull to vivid
Intensity - Also called chroma and saturation
Primary - Color Wheel: red, blue, and yellow
Secondary - Color Wheel: violet, green, and orange.
Tertiary - Color Wheel: red-violet, blue-violet, yellow-green, blue-green, red-orange, and
yellow-orange
Warm Colors - Colors that conveys emotions: energy and joy (when in rooms appears
larger)
Cool Colors - Colors that conveys emotions: calmness and peace (office: appears
smaller, used for background)
Complementary - Basic Color Schemes: colors opposite each other (blue and orange)
Split Complimentary - Basic Color Schemes: use of three colors or one color and two
colors matches together (blue, yellow-orange)
Analogous - Basic Color Schemes: three colors next to each other
Triadic - Basic Color Schemes:Three colors that are equally apart
Tetradic or Double Complementary - Basic Color Schemes: four colors together, in the
form of two sets of complementary colors
Tints - Basic Color Schemes: adding white
Shades - Basic Color Schemes: adding black
Tones - Basic Color Schemes: mixing hue to grey
Achromatic - Basic Color Schemes: no color or just shades of grey, black and white
(greyscale)
Position - location of a form which is seen
Orientation - direction of a form to a persons view
Visual Inertia - degree of concentration and stability depends on the orientation
Form Articulation - changing in materials, colors, texture or pattern; developing corners
and removing corners
Circulation - passage of one place to another from moving time through sequence of
spaces
Approach - first phase of the circulation system known as entrance
Frontal - directly to the entrance of a building along a straight, axial path.
Oblique - Enhances the effect of perspective on the front façade (path is not directly to
the building)
Spiral - prolongs the path usually move around its perimeter
Entrance - a vertical plane that distinguishes one space from another and separates
here from there
Flush - continuity of the surface of a wall and can be deliberately obscured
Projected - transitional space that provides overhead shelter
Recessed - Also provides shelter and receives a portion of exterior space into the realm
of the building
Configuration of Path - paths of movement are linear in nature from starting point to
sequence of spaces
Linear - straight path, curvilinear or segmented, intersect to other paths, have branches
or form aloop
Radial - linear path that extend s in terminating at a central, common point.
Spiral - from center point to a continuous single path that is increasingly distant from it
Grid - two sets of parallel paths that intersect at regular intervals and create square or
rectangular space
Composite - combination of the preceding patterns (linear, radial, spiral and grid)
Pass by Spaces - maintaning integrity of each space and a flexible path
Network - paths that connect established points in space
Pass through Spaces - path may pass through a space axially, obliquely, or along its
edge
Terminate in a Space - location of the space establishes the path to enter functionally or
symbolically
Enclosed - public galleria or private corridor that relates to the spaces it links through
entrances in a wall plane
Open on one side - balcony or gallery that provides visual and spatial continuity with the
spaces
Open on both sides - colonnaded passageway that becomes a physical extension of the
space
Design principle - fundamental and comprehensive concept of visual perception and
aesthetic composition
Proportion - harmonious relation of one part to another or to the whole
Golden Section - ratio between two sections which is lesser of the two and greater sum
of both
Classical Orders - perfect expression of beauty and harmony
Le Corbusier (modulor) - he develop the dimensions of that which contains and that
which is contained
Modulor - based on both mathematics and proportions of the human body
Anthropometry - measurement of the size and proportions of the human body
Anthropometry - average dimension varry from the norm of the difference of men and
women
Ergonomics - developed from a concern with human factors
Scale - reference standard or relation to the size of something
Visual Scale - refers to how small or large something
Human Scale - dimensions and proportions of the human body or height
Contrast - Opposition or juxtaposition of dissimilar elements
Balance - ate of equilibrium between contrasting, opposing, or interacting elements in
harmonious arrangement
Symmetry - exact correspondence in size, form, and arrangement of parts on opposite
sides
Bilateral Symmetry - balanced arrangement of similar or equivalent elements
Radial Symmetry - balanced arrangement of similar, radiating element around the
center point along central axis
Hierarchy - importance or significance of a form or space by its size, shape, or
placement
Rhythm - Movement characterized by a patterned repetition or alternation of formal
elements
Repetition - act or process of repeating formal elements

TOA (DESIGN PERCEPTION)

Space - Relative positive and direction with a particular purpose


Space within a space - three-dimensional field for the smaller space contained within it
Interlocking spaces - overlapping of two spatial fields and merge of shared space
Adjacent spaces - most common type of spatial relationship and clearly defined a
specific function or symbolic requirements
Spaces linked by a common space - Two spaces that are separated by distance can be
linked or related to each other
Centralized - stable, concentrated composition consist of grouped around large,
dominant and central space
Linear - either be directly related to one another or be linked through a separate and
distinct
Radial - space combines elements of both centralized and linear
Clustered - physical proximity to relate its spaces to one another often consist of
repetitive, cellular space such as shape or orientation
Grid - forms and spaces whose positions in space and relationships with one another to
regulate pattern or field
Proxemics - Symbolic and communicative role in social and interpersonal situation on
how the nature relates to environment and cultural factor
Personal Space - one person feels comfortable talking to another
Personal Distance - Other term of personal space
Intimate Distance - Close range that can whisper, moan, or grunt usually 0-18 inches(0-
450mm) from each other
Personal Distance - available to be grasped, held, or shoved away usually 18 inches to
4 feet(450mm-1.20m) far from each other
Social Distance - rely solely on what we can see and hear and can ignore or disengage
a conversation usually 4 to 10 feet (1.20m -3.00m) far from each other
Public Distance - no longer pick up subtle nuances usually 10 feet to infinity (3 meters
and beyond) far from others
Semi-fixed feature space - Furniture arrangement in public places has distinct
relationship
Sociopetal Space - Bring people together
Sociofugal Space - keep people apart and discourage conversations
Style - artistic expression characteristic of a person, people, or period
Moorish - fluences were Mesopotamian brick and stucco techniques and frequent use of
horseshoe arch, and Roman columns and capitals
Classical - principles of Greek and Roman architecture
Romanesque - characterized by massive articulated wall structures, arches and
powerful vaults
Gothic - Characterized by balance of forces throughout a rigid structural lattice
Renaissance - rebirth of classical art and known as used of classical orders, round
arches, and symmetrical proportions
Baroque - attempt to impress and lavish of all styles
Rococo - associated with lightness, swirling forms, flowing lines, ornate stucco work,
and arabesque ornament
Expressionism - Buildings were Functional structures and has sculptural objects
Art Nouveau - style of fine and applied art derived from natural forms
Art Deco - Geometric, streamlined and curvilinear forms, sharp outlines often bold
colors
International Style - Simple geometric forms usually steel or reinforced concrete used in
construction
Brutalism - no apparent concern for visual amenity and cast-in-place concrete used in
construction
Post-modernism - encourages use of elements from historical vernacular styles
Organic Architecture - all forms should express the natural use of materials
Deconstruction - Traditional assumptions take an extreme and exaggerates motifs
Evolutionary Architecture - living organism as if natural forces had shaped the structure
Eugene Tsui - Major proponent in evolutionary architecture
Conceptual Architecture - buildings and cities that have never been constructed known
an invisible or imaginary

TOA (TROPICAL ARCHITECTURE)

Climate - Measures temperature, humidity, atmospheric pressure, wind, precipitation,


atmospheric particle
Weather - describes the short-term conditions mostly with in 15 Celsius N and S
Temperature - Measures 26.6 Celsius excluding Baguio
January - Coolest month about 25.5 Celsius in a year
May - Warmest month about 28.3 Celsius in a year
Humidity - moisture content of the atmosphere
71% - percentage of moisture content in March
85% - percentage of moisture content in September
Rainfall - most important climatic element in the Philippines
Seasons - Based in the climate of the country
June to November - Rainy season
December to May - Dry season
December to February - Cool dry season
March to May - Hot dry season
Type I - dry from November to April and wet during the rest of the year
Type II - dry from November to April and wet during the rest of the year
Type III - Seasons are not very pronounced, relatively dry from November to April, and
wet during the rest of the year
Type IV - rainfall is more or less evenly distributed throughout the yea
Amihan - Prevailing winds on North-East on November to April
Habagat - Prevailing winds on South-West on May to October
Monsoon - Seasonal shift and brin different kind of weather
Passive Design - Taking advantage of sun and breeze usually avoiding or minimizing
mechanical heating or cooling
Passive cooling - Energy efficient as result of saving cost of both cooling and lighting
Active cooling - Equipment that consumes energy
Orientation - Position and arrangement of building and site
Azimuth - angles run around the edge of celestial object and measured clockwise of
direction
Altitude - angular elevation of the sun above horizon in concentric circular motion
Date lines - sun path of one particular day of a year
Hour lines / Analemma - position of the sun at a specific hour of the day
Ventilation - circulation of air to replace stale air with fresh air
Stack Ventilation - angles run around the edge
Landscaping - Reducing the extent of paving and other hard surfaces with vegetation to
prevent building from absorbing and re-radiate heat
Thermal Mass - ability of building materials to absorb, store, and release heat
Trombe Wall - system for indirect solar heat gain and consist of dark colored wall facing
the sun
Insulation - most effective way to controls loses or gains heat in a building usually
installed in roof, ceiling and walls
Windows - encourage and direct air flow into a building
Tinted glass - type of glass that reduce the amount of heat transmitted
Reflective coatings - stop greater amounts of heat gain but potential to glare problems
Solar Shading - reduce glare and excessive solar heat gain in warm weather
Horizontal overhangs - -solar shading ideal in southern part of the building known as
most effective shading
Slanted louvers - more protection in shading the building
Vertical Louvers - most effective for eastern and western shading
Eggcrates - efficient in hot climates referred as brise-soleil due to its high shading ratio
Solar blinds - types of shading that reduces 50% reduction of solar radiation
Heat-absorbing glass - absorb up tp 40% of radiation
Natural Lighting - it maximize the amount of light enters in the building
Skylights - provide good quality light especially those areas away from window but
needed shaded and glazes to prevent heat transfer
Atria - large open space often several stories high and having a glazed roof and/or large
windows
Light Shelves - allows dayligh to penetrate deeper into the building and placed above
eye level
Clerestory Windows - vertically placed windows that are ideally north side

TOA (MASTERS OF ARCHITECTURE)

Glass House - most respected work and applied a Modernist to Postmodernist to Anti-
Postmodernist style and showed a keen interest in style
Philip Johnson - He won Pritzker award in 1979 his famous works are Glass House and
Sony Tower
-
LA Sagrada Familia - sensuous, curving, almost surreal design which establish a
Spanish Art Nouveau movement by Antonio Gaudi
Frank Gehry - He designed the Guggenheim Museum in Bilbao Spain and
deconstructed architectural style
Frank Lloyd Wright - He designed Gugenheim Museum in New York and the building
called organic architecture
Falling Water (Kauffman House) in Pennsylvania - developed the idea of the prairie
house - a long, low building with hovering planes and horizontal emphasis by Frank
Lloyd Wright
I.M Pei (Ieoh Ming Pei) - his famous buildings were Bank of china in Hongkong and
Louvre Pyramid in Paris France
Louvre Pyramid in Paris, France - I.M Pei designed sophisticated glass clad buildings
loosely related to the high-tech movement
Jorn Utzon - he designed National Assembly Building an Sydney Opera House in
Australia
Sydney Opera House in Australia - What building did Jorn utzon the design
incorporated the the sculptural quality of Alvar Aalto, and the organic structures of
FrankLloyd Wright into his designs
Kenzo Tange - he designed Peace Memorial Museum in Hiroshima and St. Mary's
Cathedral in Tokyo
St. Mary's Cathedral in Tokyo - What building did Kenzo Tange attempted to combine
the e modernism with traditional Japanese forms
Le Corbusier - he designed Unite d'Habitation in France, Notre Dame du Haut in France
and Villa Savoye
Villa Savoye, France - What building did Le Corbusier known as a machine for living in
and a five points of architecture
Louis Sullivan - He designed Sullivan Center and Wainwright Building
Wainwright Building in Missouri - What building did Louis Sullivan designs with simple
geometric form decorated with ornamentation based on organic system
Louis Sullivan - his philosophy is Form follows function
Ludwig Mies Van Der Rohe - He designed Farnworth House in Illinois and Seagram
Building in New York
Seagram Building in New York - What building designed by Ludwig Mies Van Der Rohe
developed advance structural techniques
Ludwig Mies Van Der Rohe - His philosophy is Less is more
Michael Graves - He designed Disney Hotel and Humana Building
Disney Hotel - generates an ironic, vision of Classicism
Michael Graves - become an an opponent of modern works who uses humor as an
integral part of his architecture
Norman Foster - He designed 30 st. Mary Axe and Hearst Tower
30 St. Mary Axe - exploration of technological innovations and forms
Oscar Niemeyer - he designed Brasilia Cathedral and Penang State Mosque
Brasilia Cathedral - Borrowed extensively from the Brazilian Baroque style of
architecture
Rem Koolhaas - designed a CCTV Headquarters and Seattle Central Library
CCTV Headquarters - the more humanist, lessabsolute branch of the Deconstructivist
Renzo Piano - he designed Centre Georges Pompido and The shard together with
Richard Rogers
Centre Georges Pompido - known as cultural machine with all colorcoded service
elements and structure
Richard Meier - designed Jubilee Church and Getty Center
Jubilee Church - usually designs white Neo Corbusian forms with enameled panels and
glass plays as e linear relationships of ramps and handrails
Robert Venturi - designed Vanna Venturi House and Allen Art Museum
anna Venturi House - uses a form of symbolically decorated architecture means
decoration should reflect the culture in which it exists
Santiago Calatrava - designed Turning Torso and Auditorio de tenerife
Turning Torso - innovative works that depend on a firm grasp of both the creative and
structural aspects of design
Walter Gropius - designed Bauhaus School and Faculty and Fagus Factory
Bauhaus School and Faculty - advocacy of industrialized building and designs a
innovative borrowed materials and method of construction from modern technology
Zaha Hadid - he/she design Heydar Aliyev Center
Frank Lloyd Wright - "An idea is salvation by Imagination"
Mies van der Rohe - "God is in the details"
Louis Sullivan - "But the building's identity resides in the ornament."
Philip Johnson - "Architecture is the art of how to waste space."
Frank Gehry - "Architecture should speak of its time and place, but should yearn for
timelessness."
Le Corbusier - "To create architecture is to put in order."
Louis Sullivan - "Form ever follows function"
Kenzo Tange - "Architects today tend to depreciate themselves, to regard themselves
as no more thanjust ordinary citizens without the power to reform thefuture."
Mies vander Rohe - "Architecture is the will of an epoch translated into space."
Walter Gropius - "Architecture begins where engineering ends."
Le Corbusier - "Architecture is the learned game, correct and magnificent, of forms
assembled in the light."
Mies vander Rohe - "Less is more."
Frank Lloyd Wright - "A doctor can bury his mistakes, but an architect can only advise
his clients to plant vines."
Oscar Niemeyer - "form follows feminine."
Buckminster Fuller - "When I'm working on a problem, I never think about beauty. But
when I've finished, if the solution is not beautiful I know It's wrong"
Frank Gehry - "I don't know why people hire an architects and then tell them what to
do."

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