0% found this document useful (0 votes)
31 views6 pages

Taekwondo: History, Techniques, and Terms

Taekwondo is a Korean martial art that emphasizes foot and fist techniques, promoting calmness and peacefulness. It became an Olympic sport in 2000 and is governed internationally by the World Taekwondo Federation. The document outlines the history, basic commands, tenets, and various techniques associated with Taekwondo practice.
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
0% found this document useful (0 votes)
31 views6 pages

Taekwondo: History, Techniques, and Terms

Taekwondo is a Korean martial art that emphasizes foot and fist techniques, promoting calmness and peacefulness. It became an Olympic sport in 2000 and is governed internationally by the World Taekwondo Federation. The document outlines the history, basic commands, tenets, and various techniques associated with Taekwondo practice.
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd

P A T H F IT 3 M id term s ● S illa k in g d o m 's w a rrio rs k n o w n a s

th e H w a ra n g .
In tro d u c tio n a n d H is to ry o f T a ek w o n d o ● T h e y s p rea d th e a rt to w h o le
K o re a
● T a ek w o n d o is a s p ec ific fo rm o f ● T a e k w o n d o in c lud ed in O lym p ic s
m a rtia l a rts fro m K o rea . a s o n e o f th e A s ia n m a rtial a rts
● w o rd T a e m ea n s fo o t th e o th e r o n e is J u d o o f J a p a n .
● K w o n = F is t ● T a e k w o n d o d eb u ted a t th e 1988
● D o = A rt o r W a y Seoul Olympic Games a s a
● T h ere fo re, it m e a n s to "th e a rt d em o n s tra tio n s p o rt.
(w a y) o f th e fo o t a nd th e h an d ● 2000 Sydney Olympics it b ec a m e
(fis t)"; o th e rs c a ll it th e a m ed a l s p o rts
"fo o t-fis t-w a y."” ● World Taekwondo Federation ,
● A n o th e r v ery im p o rta n t p rin c ip le in "W o rld T a e k w o n d o " g o v ern s a ll
T a ek w o n d o is th a t o f calmness, th e g a m e s a nd c o m p etitio n s
peacefulness, and in tern a tio n a lly.
preventing/stopping fights. ● It rec o g n iz es n a tio n a l
● A c c o rd in g to th e ta e k w o n d o a d m in is tering b o d ies in e ve ry
p h ilo s o p h y, a p e rs o n s h o u ld u s e n a tio n a s its m e m b e rs .
h is o r h e r b o d y ( p a rtic ula rly f ee t ● In th e ye a r 2017, th e w o rld
a n d fis ts ) to s to p fig h ts a n d ta e k w o n d o is c o n s is t o f 208
es ta b lis h p e a c e . n a tio n a l a d m in is terin g b o d ies .
● th is a rt o f s elf-d efe n s e u s es ● 1 9 7 5 w h en T a ek w o n d o c a m e to
punches, kicks, blocks, and th e P h ilip p in es b u t 1 9 8 0 b e c a m e
strikes combined using bare p o p u la r.
hands and feet. ● T a e k w o n d o G ra nd m a s te r S u n g
● T a ek w o n d o h a s o n ly b e en u s ed a s C h u n H o n g is p ro p o n en t o f
a m o d e rn n a m e s in c e April 1955 T a e k w o n d o in th e P h ilip p in es
in K o re a , w h ile
● th e a rts ' o rig in s ta rted 2,300 years K o re a n Te rm in o lo g ies
ago.
● T h e a rt w a s p ra c tic e d a s ea rly a s B A S IC C O M M A N D S
5 0 B C E d u rin g th e P e rio d o f th e
th re e k in g d o m s ● C H IE F IN S T R U C T O R – K w a n g
● Koguryo Silla and Paekche. J a n g N im
● It can be traced to the art of Tae ● T O T H E C H IE F IN S T R U C T O R -
Kyon= T a ek w o nd o o ld na m e K w a n g J a n g N im K e
● It w a s firs t p ra c tic ed in Koguryo; ● IN S T R U C T O R - S a B u m N im
● A T T E N T IO N – C h a ryeo t
● B O W - K yeu n g -rye
● RE AD Y – Jo onb i S M IP E (T e n ets o f T a ek w o n d o )
● T O T H E F LA G - K u k g i e d e h a ryo
S e lf C o n fid en c e – B e lie vin g in o n e s elf
B A S IC C O U N T IN G S a n d o n e's a b ilitie s is c ru c ia l. T h is te ne t
● O N E - H a -n a h e n c o u ra g es p ra c titio n ers to fa c e
● TW O – Dhul c h a lle n g e s w ith th e a s s u ra n c e th a t th e y
● T H R E E – Se h t h a v e th e s k ills a n d s tre n g th to o v erc o m e
● FOU R – Neht th e m .
● F IV E - D a -s eo t
● S IX - Y e o -s e o t M o d es ty – D es p ite d e ve lo p in g s k ills a n d
● S E V E N - Il-g o p s tren g th , T a e k w o n d o p ra c titio n e rs a re
● E IG H T - Y eo -d u l ta u g h t to re m ain h u m b le. T h is in v o lv es
● N IN E - A -h o p re s p ec tin g o th ers , a c k n o w le d g in g o n e's
● TEN – Ye ol o w n lim ita tio n s , a n d n o t b o a s tin g a b o u t
o n e's a c h ie ve m e n ts .
C O M M A N D S U SIN G IN S P A R R IN G
● B E G IN - S h i-ja k In d o m ita b le S p irit – T h is p rin c ip le re fers
● B R E A K - K a l-yeo to th e u n yield in g d ete rm in a tio n to fa c e
● S T O P / F IN IS H - K e u -m a n c h a lle n g e s h e a d -o n , w ith o u t g iv in g in to
● T IM E - K ye-s h i f ea r o r d o u b t. It's a b o u t m a in ta in in g a
STAN CES s tro n g w ill a n d p ers ev erin g th ro u g h
● STAN CE – Se og i d iffic u ltie s .
● RE AD Y STAN CE - Jo onb i se ogi
● H O R SE B A C K R ID IN G S T A N C E P e rs e ve ra n c e – T a ek w o n d o tea c h es th e
-J u c h u m s eo g i im p o rta n c e o f p e rs is te n c e a n d
e n d u ra n c e . T h is m ea n s c o n tin u in g to
O TH ER TERM S tra in a n d im p ro v e, e ve n w h e n p ro g re s s
● U N IF O R M - D o B u k s e em s s lo w o r w h e n fa c ed w ith s e tb a c k s .
● GY M - Do Jang
● FO R M – P oo m sae E tiq u ette – R es p ec t a n d c o u rtes y a re
● S P A R R IN G – K yeo ru g i c en tra l to T a ek w o n d o . P ra c titio n ers a re
● B R E A K IN G – K yu k p a e xp ec te d to s h o w res p ec t to the ir
● F IS T – J um e o k in s tru c to rs , fello w s tu d en ts , a n d
● E L B O W – P a lk u p o p p o n e n ts , a s w ell a s to a d h ere to th e
● LE G – D a ri ru les a n d trad itio n s o f th e art.
● FOO T – Bal
● BODY – M om E xe rc is e C a lis the n ic s & Stretc h in g
● B LA C K B E L T - Y u d a n ja
W a lk in g in P la c e – A c a rd io v a s c u la r a n d d o w n to c a lve s . O ften u s e d in th e “ s it
s tre tc h in g ex erc is e th a t p rim a rily ta rg ets a n d re a c h ” tes t.
th e q u a d s a n d to a les s e r d eg re e a ls o
ta rg ets th e a b s , h a m s trin g s , a n d h ip K n e e H u g – Lyin g d o w n , b rin g k n ee s to
flex o rs . It is fo r th o s e w ith a v ery ea s y c h es t. H o ld 2 0 s ec o n d s to rela x lo w e r
lev el o f p h ys ic a l fitn es s a n d e xe rc is e b a c k a n d b o tto m m u s c le s .
ex p e rie n c e .
Q u a d ric ep s P u ll – A p u lled q u a d c a n
J o g g in g in P la c e – A n a ero b ic ex erc is e c a u s e p a in . S tre tc h in g a n d res t h elp
th a t req u ire s yo u to c o n s ta n tly m o v e a n d re c o v ery. Q ua d s s tra ig h ten th e k n ee .
c o n tra c t yo u r m u s c les , w h ic h im p ro v es
m u s c le s tre n g th , s ta b ility, a n d fle xib ility. A lte rn a tin g F o rw a rd Lu n g e s –
S tren g th e n s le g m u s c les a n d g lu tes
J u m p in g J a c k – A p h ys ic a l ju m p in g w h ile ra is in g h e a rt ra te to b u rn fa t.
ex erc is e p e rfo rm e d b y ju m p in g to a
p o s itio n w ith th e leg s s p rea d w id e a n d C a lis th en ic s S tretc h in g E xe rc is e s
th e h a n d s g o in g o v erh ea d ( s o m etim e s in
a c la p ) , th e n re tu rn in g to fee t to g eth er F ro n t S p lit – O n e le g ex ten d e d fro n tw a rd ,
a n d a rm s a t th e s id es . th e o th e r b a c k w a rd at rig h t a n g le s to
tru n k . Id e a lly 1 8 0 d eg re es fla t o n th e
N ec k Stretc h in g – S lo w ly tu rn yo u r h e a d f lo o r, h ip s s q u a re.
to th e rig h t u n til yo u fe el a s tretc h in th e
s id e o f yo u r n ec k a n d s h o u ld e r. H o ld S id e S p lits – Le g s ex ten d ed to lef t a n d
1 5 – 3 0 s ec o n d s , re p ea t o n th e left. U p to rig h t o f to rs o . A ls o c a lled s tra d d le s p lits .
1 0 s ets .
1 . D yn a m ic S tretc h in g (K ic k s )
A rm S tretc h in g – B rin g y o u r le ft a rm
a c ro s s th e fro n t o f yo u r b o d y a t c h e s t 2 . L ef t a n d R ig h t L eg S tretc h K ic k
h eig h t. H o ld f o r 3 0 s e c o n d s . R e p e a t o n
th e o p p o s ite s id e. 3 . L ef t a n d R ig h t L eg In -O u t S w in g

S id e T ru n k S tretc h – B en d yo u r to rs o 4 . L ef t a n d R ig h t L eg O u t-In S w in g
s id e w a ys w h ile o n e a rm o ve rh e a d is h eld
b y th e o p p o s ite h an d . S tre tc h alo n g yo u r B lo c k in g T ec h n iq u es L o w B lo c k
s id e . ( A ra em a k k i / 아래막기)
T o e T o u c h in g – A c la s s ic d em o n s tra tio n B lo c k in g a rm p la c e d o n th e s h o u ld er fo r
o f f le xib ility in m u s c les fro m lo w e r b a c k th e rea d y p o s itio n w h ile th e o th e r h a n d
s tretc h e d fo rw a rd a s a g u id e.
M o tio n b e g in s ex p lo s ive ly a n d A tte n tio n S ta n c e (차렷c h a ryeo t ) u s es
s im u lta n eo u s ly. th e
S o le o f th e F o o t ( 발바닥b a lb a d a k ) d u rin g
B lo c k in g h a n d g o e s d o w n , o th e r h a n d th e s ta n c e p o s tu re. A tten tio n is a s ta n c e
p la c ed o n w a is t f o r a tta c k in g p u rp o s e w h e re yo u r b o d y is in an u p rig h t s ta nd in g
a fter th e b lo c k . p o s itio n w ith th e le g s s id e b y s id e, h e els
to uc h in g , to e s fa c in g s tra ig h t fo rw a rd .
M id d le B lo c k (M o m to n g m a k k i / 몸통막기) Y o u r h a n d s s h o u ld b e p a ra lle l w ith yo u r
b o d y, to th e s id e. P a tte rn m o v em e n ts .
● B lo c k in g a rm w ith th e c lo s ed fis t
o n th e rea d y p o s itio n , s lig h tly b en t ● R E A D Y S T A N C E “ JOON-BI”
o n th e s id e f a c in g o u tw a rd ; T h e le ft le g o p en s fro m C h a ryu tS o g i.
a n o th er a rm in f ro n t a s lev era g e . 1 . S h o u ld er-w id th a p a rt.
2 . H a n d s c lo s ed fis t in th e f ro n t b elt
● B lo c k in g a rm s w in g s in w a rd le ve l.
s h o u ld er le ve l to fo rm a b lo c k , 3 . s to m a c h -in b a c k s tra ig h t fee t
o th e r h a n d p la c ed o n w a is t, re a d y re a d y to m o ve
fo r a tta c k .
● W A LK IN G S T A N C E “ APSOGI”
● W ith fu ll p o w e r, b lo c k in g h a nd S a m e a s if yo u a re w a lk in g fo rw a rd .
en d s in fro n t o f c h in , e lb o w d o w n
b u t n o t to o c lo s e to b o d y. 1 . L ef t/ rig h t fo o t s te p s fo rw a rd .
2 . F e et s h o u ld e r-w id th a p a rt.
A rm s m o ve s im u lta n eo u s ly, fo rm in g a 3 . B a c k f o o t a n g le d 3 0 d eg re es .
c ro s s . 4 . W eig h t ev en ly d is trib u ted
5 . T h e y w e re u s ed f o r o ffe n s iv e
B lo c k in g a rm ra is es u p in fro n t o f p rac tic e.
fo re h ea d , ro ta te d o u tw a rd s lig h tly a b o v e
elb o w a s b lo c k c o m p lete s .
● F O R W A R D S T A N C E “ AP
F IG H T IN G S T A N C E S KOOBISOGI”

● BOW T a k e a b ig s te p fo rw a rd , 1 .5 s h o u ld er-
T a ek w o n d o p ra c tic es s ta rts a n d en d w ith w id th a p a rt.
a b o w a s a s ig n o f c o u rte s y o r res p ec t
“ kyeong-rye” 1 . F ro n t leg in lu ng e p o s itio n f o o t
f a c in g fo rw a rd w ith 7 0 p erc e n t o f
● “ C H A R Y E O T (CHARI-YOT)” yo u r w e ig h t o n it.
2 . B a c k leg s tra ig h t a n d fo o t 4 5
d e g re es o p en .
3 . A n o ffen s iv e s ta n c e c o m m o n ly
u s es fo r a tta c k p rep a ra tio n s .

● B A C K S T A N C E “ DWITKOOBI
SOGI” ● M ID D LE P U N C H
T h e B a c k S ta n c e o r K o k u ts u D a c h i is “ MOMTONGBANDAE JIREUGI”
p rim arily a d efe n s iv e s ta n c e th a t is u s e d M id d le P u nc h is a fis t s trik e c o m m o n ly
to ev a d e a ro u n d h o u s e tec h n iq u e o r a n y o rig in a tin g fro m a c h a m b ere d p o s itio n
o th e r tec h n iq u e th a t ta rg ets th e u p p e r a im ed a t the m id -s ec tio n id ea lly th e
p a rt o f th e b o d y. S im ila r to th e fro n t c h es t, s tern u m a b d o m e n , a n d / o r rib s
s ta n c e , th e b a c k s ta n c e m a in ta in s a a re a. S trik es s h o u ld g en era lly b e th ro w n
p o s itio n w h ere th e w eig h t is 6 0 % to 7 0 % w ith s o m e m e a s u re o f s h iftin g b o d y
o n th e b a c k le g . w e ig h t s u p p o rtin g th e b lo w , a s o p p o s ed
to ju s t th e s trik in g w ith th e fis t.
● H O R SE R ID IN G S T A N C E
T h e H o rs e S ta n c e is a ls o c a lled H o rs e- ● H IG H P U N C H “ OLGULBANDAE
R id in g Sta n c e, juchumseogi, or JIREUGI”
annunseogi. A s th e n a m e im p lie s , th is H ig h S e c tio n Pu n c h (a ls o c a lled H ig h
s ta n c e is rem in is c en t o f the s h a p e o f P u n c h o r o lg u ljire u g i) - th is is a im ed a t
o n e 's le g s w h ile rid in g a h o rs e. B o th fe et th e o p p o n en t's fa c e (es p ec ia lly th e
a re p o inte d fo rw a rd . K n ee s are n o rm a lly h e ig h t o f th e u p p er lip ) .
d e ep ly b en t, o u tw a rd fro m th e b o d y, ● L O W P U N C H “ NAERYOJIREUGI”
th o u g h s o m e s c h o o ls re q u ire le s s b e nd . L o w p u n c h L o w P u n c h is a fis t s trik e
c o m m o n ly o rig in a tin g fro m a c h a m b e re d
● T A E K W O N D O F IG H T IN G S TA N C E p o s itio n a im ed a t th e lo w -s e c tio n s u c h
O R ( G Y O R O O G IS E O G I) as
In K o rea n , th is s ta n c e is k n o w n a s th e g ro in o r th ig h a re a . A fis t is a n ac tio n
G yo ro o g iSe o g i. T he T a ek w o n d o fig h tin g w h e re a h a n d h a s th e fin g e rs c u rled in to
s ta n c e is o fte n u s e d in T a e k w o n d o th e p a lm a n d th e thu m b retra c ted ,
s p a rring . d is p la yin g th e k n u c k les . T h e w ris t m u s t
a ls o b e k ep t in p ro p er a lig n m e n t d u rin g
th e fis t s trik e. “ N a eryo jire u g i”

B L O C K IN G T E C H N IQ U E S

1 . LO W B LO C K “ ARAEMAKKI”
A . B lo c k in g a rm p la c ed o n th e s h o u ld er th e fo reh ea d ,
fo r
th e rea d y p o s itio n w h ile th e o th er h a n d D . T h e b lo c k in g a rm w ill b e ro ta ted
s tre tc h ed fo rw a rd as a g u id e f a c in g
o u tw a rd s lig h tly h ig h e r th a n th e e lb o w a s
B . m o tio n w ill b eg in e xp lo s ive ly a n d th e u p p e r b lo c k c o m p leted
s im u lta n eo u s ly

C . a s th e b lo c k in g h a n d g o es d o w n , a n d
th e o th er h a n d w ill b e p la c e d o n th e
w a is t
a rea fo r a tta c k in g p u rp o s e rig h t a fter th e
b lo c k

2 . M ID D L E B L O C K “ MOMTONGMAKKI”

A . B lo c k in g a rm w ith th e c lo s e fis t o n th e
rea d y p o s itio n s lig h tly b e n t o n th e s id e
fa c in g o u tw a rd . A n o th er a rm in fro n t a s
lev era g e
B . A s th e b lo c k in g a rm s w in g s in w a rd
s h o u ld er le ve l to fo rm a b lo c k ,
s im u lta n eo u s ly, th e o th e r h a n d w ill b e
p la c ed o n th e w a is t, re a d y fo r a tta c k

C . W ith fu ll p o w er, th e b lo c k in g h a n d w ill


b e in fro n t o f yo u r c h in , a rm s b en t elb o w
d o w n b u t n o t to c lo s e to yo u r b o d y a s th e
ex ec u tio n o f th e b lo c k ta k e s p la c e
3 . H IG H B LO C K “ OLGULMAKKI”

A . T h e b lo c k in g arm p la c e d w a is t lev el
d ia g o n a lly w h ile th e o th er fo r le ve ra g e
p la c ed o n th e s h o u ld er

B . S im u lta n eo u s m o v em en t o f b o th a rm s
w ill m e et in th e m id d le f o rm in g a c ro s s

C . T h e b lo c k in g arm ra is es u p in fro n t o f

You might also like