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Chaplin's Modern Times: A Satirical Take

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256 views2 pages

Chaplin's Modern Times: A Satirical Take

Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Download as DOCX, PDF, TXT or read online on Scribd

PASSAGE 16

Probably the most famous film commenting on the twentieth-century technology is Modern Times, made
in 1936. Charlie Chaplin was motivated to make the film by a reporter who, while interviewing him,
happened to describe the working conditions in industrial Detroit. Chaplin was told that healthy young
farm boys were lured to the city to work on automotive assembly lines. Within four or five years, these
young men’s health was destroyed by the stress of work in the factories.
The film opens with a shot of a mass of sheep making their way down a crowded ramp.
Abruptly, the film shifts to a scene of factory workers jostling one another on their way to a factory.
However, the rather bitter note of criticism in the implied comparison is not sustained. It is replaced by a
gentle note of satire. Chaplin prefers to entertain rather than lecture.
Scenes of factory interiors account for only about one-third of Modern Times, but they contain some of
the most pointed social commentary as well as the most comic situations. No one who has seen the film
can ever forget Chaplin vainly trying to keep pace with the fast-moving conveyor belt, almost losing his
mind in the process. Another popular scene involves an automatic feeding machine brought to the
assembly line so that workers need not interrupt their labor to eat. The feeding machine malfunctions,
hurling food at Chaplin, who is strapped in his position on the assembly line and cannot escape. This
serves to illustrate people’s utter helplessness in the face of machines that are meant to serve their basic
needs.
Clearly, Modern Times has its faults, but it remains the best film treating technology within a social
context. It does not offer a radical social message, but it does accurately reflect the sentiment of many
who feel they are victims of an over-mechanised world.
Question 1. According to the passage, Chaplin got the idea for Modern Times from .
A. a movie B. a conversation C. a newspaper D. fieldwork
Question 2. The young farm boys went to the city because they were .
A. promised better accommodation B. driven out of their sheep farm
C. attracted by the prospect of a better life D. forced to leave their sheep farm
Question 3. The phrase “jostling one another” in the third paragraph is closest in meaning to “ ”.
A. jogging side by side B. pushing one another
C. hurrying up together D. running against each other
Question 4. According to the passage, the opening scene of the film is intended .
A. to reveal the situation of the factory workers B. to introduce the main characters of the film
C. to produce a tacit association D. to give the setting for the entire plot later
Question 5. The word “vainly” in the fourth paragraph is closest in meaning to “ ”.
A. recklessly B. carelessly C. hopelessly D. effortlessly
Question 6. According to the author, about two-thirds of Modern Times .
A. entertains the audience most B. is rather discouraging
C. was shot outside a factory D. is more critical than the rest
Question 7. The author refers to all of the following notions to describe Modern Times EXCEPT
“ ”.
A. satire B. entertainment C. criticism D. revolution

Page 1
ĐÁP ÁN
1-B 2-C 3-B 4-C 5-C
6-C 7-D

LỜI GIẢI CHI TIẾT


Question 1:
Đọc đoạn thứ nhất, ta có thể thấy ý t ưởng của bộ phim là từ cuộc hội thoại (conversation) khi Charlin nói
chuyện với phóng viên. Trong đo ạn đầu có câu: “Charlie Chaplin was motivated to make the film by a
reporter who, while interviewing him, happened to describe the working conditions in industrial Detroit.”
Động từ motivate nghĩa là động cơ, trong ngữ cảnh này chính là khơi ngu ồn cảm hứng làm bộ phim
Modern Times.
Question 2:
Đọc đoạn thứ nhất, ta thấy câu: “healthy young farm boys were lured to the city to work on automotive
assembly lines.” Động từ lure = attract chia ở bị động tức là bị cuốn hút, lôi kéo. Chúng ta có thể thấy
rằng, young farm boys ra thành phố bởi họ hi vọng có cuộc sống tốt đẹp hơn
Question 3:
jostling one another nghĩa là xô đẩy lẫn nhau, vậy đáp án B: pushing one another là gần nghĩa nhất
Question 4:
Cảnh đầu của bộ phim l à “mass of sheep making their way down a crowded ramp” có tác dụng ngụ ý (ẩn
ý) về hình ảnh những công nhân nh à máy. Vì vậy đáp án đúng là B, tacit nghĩa là ngụ ý, ẩn ý
Question 5:
Các trạng từ effortlessly (một cách dễ dàng), recklessly ( một cách thiếu thận trọng), hopelessly (tuyệt
vọng), carelessly (một cách bất cẩn), vainly có nghĩa là vô ích, vô vọng, vì vậy từ gần nghĩa nhất với nó là
phương án C hopelessly
Question 6:
Chừng 2/3 bộ phim được quay bên ngoài 1 nhà máy
Question 7:
Đoạn cuối có câu:“ It does not offer a radical social message” vì vậy nó không có ý revolution

Page 2

Common questions

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The comparison of workers to sheep in 'Modern Times' aids the narrative by visually and symbolically illustrating the mindlessness and lack of agency faced by factory workers in an industrialized society. This metaphor sets a critical tone for the film, emphasizing the dehumanizing effects of assembly lines and the loss of individuality among workers .

'Modern Times' employs satire by humorously depicting the absurdities of industrial life, such as the malfunctioning feeding machine that hurls food at Chaplin as he remains helpless. These scenes highlight the irony and frustration of workers becoming subservient to machines meant to aid them, thus offering a satirical critique of technological progress at the expense of human dignity .

The opening scene of 'Modern Times' features a mass of sheep making their way down a crowded ramp, which then shifts to factory workers jostling to enter a factory. This visual metaphor is intended to create a tacit association between the mindless nature of sheep and the condition of factory workers, setting the tone for the film's critique of dehumanizing industrial work .

Humor in 'Modern Times' serves as a critical tool for communicating themes such as the absurdity of industrial systems and the dehumanization of workers. By employing physical comedy and situational irony, Chaplin effectively diminishes the harsh reality of mechanization's impact while making his social critique accessible and palatable to the audience .

While 'Modern Times' contains significant scenes that critique the absurdity and pressure of industrial work, such as the fast-moving conveyor belt, only about one-third of the film focuses directly on factory interiors. The rest of the film shifts towards more general entertainment and satire, which dilutes the focus on a radical social message .

'Modern Times' achieves a balance between critique and entertainment by using humor and satire to address serious issues of industrial society. While it sharply critiques the dehumanizing aspects of factory work, it simultaneously entertains through comedic sequences, ensuring the film engages a broad audience without presenting an overtly radical message .

Charlie Chaplin was inspired to create 'Modern Times' after an interview with a reporter who described the harsh working conditions in industrial Detroit. This conversation motivated him to highlight the struggle of factory workers in the film .

'Modern Times' refrains from offering a radical social message as it chooses to focus on satire instead of outright revolution. While it critiques mechanization and worker exploitation, it ultimately prefers to entertain with a gentle satirical tone rather than proposing a drastic societal overhaul or instigating social change .

The automatic feeding machine scene is significant as it illustrates the extreme mechanization of human life where workers are controlled by machines. The malfunction of the machine, which prevents Chaplin from eating properly, serves as a symbolic critique of how technology, instead of serving humanity, can create absurd and helpless situations for individuals .

'Modern Times' reflects 20th-century societal views by highlighting the tension between human workers and machines. The film portrays workers as victims of an over-mechanized world, emphasizing feelings of helplessness and stress induced by relentless industrial technologies that prioritize productivity over human well-being .

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