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The Hit List: Thriller Title Sequence Analysis

This document provides a summary of Raz Hoque's research and planning for an opening title sequence. It discusses films and title sequences that served as inspiration, including Se7en, Goodfellas, and Law Abiding Citizen. Common themes and techniques were identified, such as the use of black and white colors, thriller music, and starting films immediately after short credits. A synopsis and character profiles were presented for the title sequence. A shotlist schedule was also included, outlining the locations, shots, actors, and timing for filming.

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razzz_786
Copyright
© Attribution Non-Commercial (BY-NC)
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PPTX, PDF, TXT or read online on Scribd

Topics covered

  • film editing,
  • character development,
  • color symbolism,
  • film production,
  • narrative structure,
  • storyboarding,
  • Saul Bass,
  • emotional rollercoaster,
  • emotional connection,
  • dark atmosphere
0% found this document useful (0 votes)
90 views13 pages

The Hit List: Thriller Title Sequence Analysis

This document provides a summary of Raz Hoque's research and planning for an opening title sequence. It discusses films and title sequences that served as inspiration, including Se7en, Goodfellas, and Law Abiding Citizen. Common themes and techniques were identified, such as the use of black and white colors, thriller music, and starting films immediately after short credits. A synopsis and character profiles were presented for the title sequence. A shotlist schedule was also included, outlining the locations, shots, actors, and timing for filming.

Uploaded by

razzz_786
Copyright
© Attribution Non-Commercial (BY-NC)
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PPTX, PDF, TXT or read online on Scribd

Topics covered

  • film editing,
  • character development,
  • color symbolism,
  • film production,
  • narrative structure,
  • storyboarding,
  • Saul Bass,
  • emotional rollercoaster,
  • emotional connection,
  • dark atmosphere

THE HITLIST

RESEARCH
AND
PLANNING
BY
RAZ HOQUE
CODES AND CONVENTIONS
And
Mise-en-scene
I have done research on the movie “Seven” as it has
similar opening title sequence to mine.

The colour used were mainly black and white for


both films.
Font was gothic style for se7en .
Location used for se7en was in like a office with
puzzle solving pieces.
The sounding used and effects for both opening title
sequence was dark, mysterious and moody
soundtrack.
The camera techniques were close ups of images
and mid-shot of scenes.
Most thriller films are
15+ Most thriller films are
watched by male than
females

Students find thriller films


more interesting

TARGET AUDIENCE
15-24
WHY?

Majority of
students aged 15-
24 mostly go
cinema to watch
thriller films
THRILLER HELL

CRIME BLOOD

LOVE/LUST
PUZZLES
ANALYSIS OF SIMILAR
GENRE
The title sequence I researched that helped me on my opening title sequence was
the film “ Se7en”, which was designed by Kyle cooper who has designed many title
sequences e.g. The Orphan, The Mummy etc.
The opening title sequence of se7en gave me inspiration for my opening title
sequence as it had the thriller theme with black and white colour effects with a
puzzle solving.
The way the mise-en-scene was used in the movie se7en portrayed our opening
title sequence, such as the theme, colours.
I had also researched the opening title sequence for Goodfellas which was
designed by Saul Bass. It has a different type of title sequence compared to most
thriller films because it is a gangster/thriller type genre, which compared to my
one is different. It also starts of with short opening credits and then begins with
the start of the film.
However during my research I had noticed that majority of the thriller films have
the same theme and colour used, black and white. Fast action paced movement of
scenes.

Links – Goodfellas [Link]


Seven [Link]
ANALYSIS OF SIMILAR
Saul bass
GENRE
Saul bass is best known for his design on animated title sequences. They are normally easily recognisable as they tend to feature rough
strips of torn up paper, or paper cut arms of what has been described as heroin addicts arms. Saul Bass saw the title opening sequence
as a chance to condition the audience so that when the film actually started they already have some sort of emotional connection to it.

The man with the golden arm

The music used is rather fast paced and uplifting but there seems to be no continuity of the notes in this piece of music which suggests
come concept of misguidance or false leading paths. As part of an audience member I wouldn’t know what to expect next. Because the
tempo of the music speeds up quite quickly I noticed I found myself constantly waiting for some sort of loud, sharp, or dangerous
noise to arrive, but it never did. This is good as it keeps the audience engaged. The background music is somewhat similar to a spy
movie such as the well known James bond.

The colours used throughout the opening title sequence do not reflect what the music tells us. Throughout the whole sequence there is
a blackwash. The images on top of the black canvas change however they are all white. There is a consistent slide of white straight lines
tilted at different angles to create different still images. There seems to be no specific placement of these lines as if they’ve been placed
their without much thought. The only other image we see is at the end where there is a hand displayed. The hand appears to be made
from the tearing out of a white piece of paper.
Black and white are contrasting colours but can become boring when that is all the audience are presented with. Unlike the music it
creates a dull laid back mood.

There is no live action just still images. Sometimes the images adjust their position on the screen with a ‘crawl’ type transition. The
credits tend to feed themselves between these images.

The tone and the mood of the sequence seems to me like the film would consist of a mixture of different emotions. The inconsistency
of the music mixed with the images could represent an emotional rollercoaster ‘never knowing what to expect after each bend’. As an
audience member I would believe that there will be some light hearted elements such as humorous jokes or reflections of life’s positive
aspects but also some not so nice moments such as death of a loved one or heartbreak.

Themes that can be withdrawn from the title sequence would be clues, murder, betrayal, and secrets.
ANALYSIS OF SIMILAR
GENRE
I have also researched the film ‘Batman’ opening title sequence and
experienced the heroic type of thriller genre. Its not much different
compared to others as it still uses dark colours/theme and
drum/bass music in the background. In fact throughout the whole
title sequence black was used and no other colours . It shows during
my research that alot of thriller films use only black colour/theme.
I have researched the film ‘ Law Abiding Citizen’, which surprised
me because on the opening title sequence it only shows very short
credits for approx 5 seconds and then the film starts. It still uses
black and white colours however the film starts straight away.

So during my research i have noticed alot the crime/thriller genre


type of films start the film straight away and use black and white
colours.

Links - [Link]
[Link]
Se7en, Saul Bass and
Law Abiding Citizen, Kyle Cooper
Goodfellas, The
Unborn, War Codes and Conventions
and Misc en scene

Themes = Horror,
Age = 15 - 24 Mind Map and
black and white,
Ideas
red

Location office, woods, Colours = Black, white,


Fonts = Gothic, horror alleyway red
USE OF INSPIRATION

The film Se7en gave me inspiration on my title sequence as it is more of a


puzzle thriller theme. It also has the colour scheme which have been used
within our title sequence, which are black and white theme with a bit of
colour. The opening title sequence of se7en influenced me on the mise en
scene used within the title sequence. The way it was designed with effects
of colour and music in the background, props and equipment used and
also camera shots.
“THE HIT LIST”
SYNOPSIS
Equilibrium - The story shows us about a girl who has four
past friends in her life who have been mean to her. The four
people have no connection with each other except with the
girl.
Disequilibrium – In this story she murders the four people
with torture and beating. The four people have no
connection with each other except with the girl. The psycho
has a diary with pictures of them and targets the four people
one by one.
New Equilibrium – After the torturing and killing the four
people are dead .
Raz Parris Shanique Lynne

Producer and
Research Editor and
Organiser

Music and Design and


Effects Costume/Props
CHARACTER PROFILE
Zakariyya Wattar
We chose Zak as the bully in the title sequence because his dress code suited his
look. He showed us the opposite side to a bully which encouraged us to use him for
that part. He currently studies within Greenwich College aged 20 studying Politics,
Law, French and Spanish A2.

Asma King
We chose Asma as the Main character as we liked her dress code because it suited
the role of a mad physco girl. This encouraged us to use her for the main role. She is
aged 18 and studies as Greenwich College studying English, History and Sociology
AS.

Caroline Ibuwo
We chose Caroline as the victim of a murder in the toilet scene as she had the bitchy
and popular girl look with the outfits she wore. This too encouraged us to use her
for that role. Aged 18, currently studying Sociology, Physcology and English at
Greenwich College.
SHOTLIST SCHEDULE
Wednesday 8th December 2010

Directors – Raz Hoque, Shanique Campbell, Parris Rochford, Lynne

1.00pm – Actors on scene Asma . Props used diary book . Camera shots close
up. Location Lynnes (Executive Director) House . Ask permission to use the
house and carry out some health and safety procedures.

1.30pm – Location Alleyway Plumstead. Camera Shots used medium range


shot, frame shot, point of view shot. Actors and Actress on scene, Zakaryyia
Wattar and Asma King.

2.00pm – Location Greenwich Community College toilets. Ask permission to


use toilets. Medium close up shots, close ups. Actress on scene, Asma King
and Caroline Ibuow.

2.15pm – All scenes finished

Common questions

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The non-continuous music in 'The Man with the Golden Arm' generates suspense and unpredictability, keeping the audience on edge and enhancing their engagement by creating expectations for sudden changes that never materialize . This approach evokes a complex emotional response, as it combines anticipation with a sense of unease, mirroring the possible emotional rollercoasters depicted in the film .

'The Hit List' incorporates common thriller motifs such as murder, mystery, and personal vendetta, with its narrative involving a girl seeking revenge on former friends . The film targets audiences aged 15-24, a demographic interested in thrillers due to elements of suspense, intense emotions, and psychological intrigue that reflect their interests . This targeted use of motifs suggests an intentional alignment with audience expectations in storytelling and thematic presentation.

Title sequences in thriller films like 'Batman' and 'Law Abiding Citizen' heavily utilize dark colors, predominantly black, to establish a serious, intense mood. This consistent use of color can cause a dull, laid-back feeling, counteracting the exciting potential of the film's narrative . These visual styles are intended to immerse the audience in a world characterized by mystery and danger, setting a tone aligned with the thriller genre .

A simple visual presentation and sparse music in a film's opening sequence, seen in some thrillers, can serve to focus the audience’s attention on subtle narrative elements and build a quiet tension, creating a sense of anticipation for the story's development . This minimalist approach may enhance viewer engagement by compelling them to invest attention in the emerging narrative rather than being overwhelmed by sensory detail, fostering a contemplative and suspenseful viewing experience .

Using a structured color scheme of black and white in films like 'Se7en' and 'Law Abiding Citizen' emphasizes themes of duality and moral ambiguity, reinforcing the films' darker, more serious tones . This choice of color scheme aids in mood setting, as it primes audiences for narratives centered around crime, suspense, and intense emotional turmoil, enabling a deeper psychological engagement with the film's content .

The mise-en-scène in 'Se7en' uses sparse, gritty settings, along with disturbing images and close-up shots, to create a pervasive sense of unease and foreboding, setting the tone for its dark, complex narrative . The intricate puzzle-solving imagery acts as a visual metaphor for the film's themes of mystery, intellectual challenge, and moral decay, integral to both the narrative structure and thematic presentation .

The opening sequence of 'Se7en', designed by Kyle Cooper, uses black and white tones with a gothic font to establish a mysterious, puzzle-solving atmosphere, aligning with its crime thriller genre . In contrast, 'Goodfellas', designed by Saul Bass, features a straightforward approach with short opening credits, reflecting its gangster/thriller genre. The differences suggest 'Se7en' prepares viewers for a complex narrative, while 'Goodfellas' places immediate emphasis on story progression .

The casting choices in 'The Hit List' reflect typical thriller themes by embodying character archetypes: the vengeful protagonist, the victims with past grievances, and the use of settings that evoke tension, such as alleys and bathrooms . The mise-en-scène complements these themes by using locations and costuming to emphasize danger and psychological tension, a hallmark of thriller films aiming to cultivate suspense and highlight personal vendetta narratives .

Achieving an emotional connection through the opening title sequence is crucial as it conditions the audience's emotional response before the narrative unfolds, enhancing their engagement and investment in the story . As emphasized by designers like Saul Bass, this strategy makes the title sequence a conceptual extension of the narrative, allowing viewers to enter the film’s world with a pre-established emotional framework, ultimately enriching the viewing experience and thematic resonance .

The music in 'The Man with the Golden Arm' is fast-paced and uplifting, yet lacks continuity, creating a feeling of misguidance and expectation for sharp or dangerous sounds that never arrive, thus maintaining audience engagement . This differs from typical thriller films, where music often matches the dark and mysterious atmosphere conveyed by visuals, such as the moody soundtracks in films like 'Se7en' .

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