Gabriel García Márquez
(1927-2014)
Presented by: Areeba Aftab
Life and death:
• Gabriel García Márquez was a Colombian novelist,
short-story writer, screenwriter and journalist.
• He is known as "Gabo" in his native country.
• He was born on 7 March 1927 in Aracataca, a town
near Colombia’s Caribbean coast. Later moves to
Barranquilla.
• He was raised by his maternal grandparents.
• His grandfather, Colonel Nicolás Márquez, influenced
him and enriched his fiction. His grandfather inspired the
novel No One Writes to the Colonel.
Life and death:
• In 1958, Garcia married Mercedes Barcha. The had their first
son, Rodrigo Garcia in 1958. Three years later, they were
blessed with Gonzalo, their second son.
• In 1999 he was diagnosed with lymphatic cancer.
• In April 2014 he was admitted to the National Institute of
Medical Sciences and Nutrition in Mexico City, because of a
relapse product of lymphatic cancer that was diagnosed in
1999.
• Garcia Marquez died on April 17, 2014. President of Colombia
Juan Manuel Santos said that the writer was "the Colombian
who, throughout the history of our country, further and
higher has taken the name of the country,"
Life and death:
• Admirers of the late Gabriel Garcia Marquez paid their
last respects to the Colombian-born writer at a
memorial service held in his honor in Mexico City.
• Thousands of people lined up outside the Palace of Fine
Arts for the chance to view the urn containing the Nobel
laureate's ashes.
• While a musical trio played the vallenato folk music of
Garcia Marquez's native Colombia. The palace was
decorated with yellow roses, a favorite of the author.
Journalism:
• García began his career as a journalist while
studying law at the National University of
Colombia.
• He got his two short stories published in El
Espectador newspaper. Later, in 1954 he started
working for this newspaper.
• (1948-1950) Riots forced the National University to
close and Garcia Marquez returned to Barranquilla.
• There he became an active member of the informal
group of writers and journalists known as the
Barranquilla Group.
Awards:
• ESSO Novel Prize for Evil Hour (1961)
• Rómulo Gallegos Prize for One Hundred Years of
Solitude (1972)
• Nobel Prize for Literature (1982) "for his novels and
short stories”. His acceptance speech was entitled The
Solitude of Latin America. García was the first
Colombian and fourth Latin American to win a Nobel
Prize for Literature.
• Award forty years of the Association of Journalists of
Bogotá (1985)
Garcia in cinema:
• Garcia Marquez said:
"My relationship with cinema is like that of a poorly-
matched married couple. That is to say, I can't live with
cinema, and I can't live without it. And, to judge by the
number of offers that I get from producers, cinema
feels the same way about me."
• The frequency of García Márquez's film-related projects,
and those of others to bring his work to the big screen, is
thus clear, but these never lived up to their potential.
Style:
• During an interview with Marlise Simons, Gabriel
described his style as:
“In every book, I try to make a different path
[…]. One doesn’t choose the style[…]”
• But there are certain aspects that readers can find in all
his writings, like instances of humor.
• He did not stick to any clear and predetermined style in
his novels.
Magical Realism:
• A literary genre in which realistic narrative is combined
with surreal elements of fantasy.
• Gabriel Garcia Marquez is responsible for a worldwide
popularity of this artistic genre.
• One Hundred Years of Solitude was the most popular,
substantial and summative work in this mode.
• Because of Gabriel Garcia Marquez magical realism
became the most dominant form in late-twentieth-
century literature.
His novels of love:
• In Gabriel Garcia's view, love is like some disease such
as cholera and rabies, which causes its victims to be
placed in quarantine.
• Love is a dangerous affliction.
• An affliction always suffered by men.
• His view about love is clear in his work: Chronicle of a
Death Foretold, Love in the Time of Cholera, Love
and Other Demons and Memories of My Melancholy
Whores.
.
FAMOUS WORKS
• Leaf Storm
.
• The Autumn Of the
Patriarch
• One Hundred Years Of
Solitude
• In Evil Hour
• Love in the Time of
Cholera • Strange Pilgrims
• Memories of my • No one Writes to the
Melancholy Whores Colonel
• Of Love and Other • Living to tell the tale
Demons
One Hundred Years Of Solitude:
• García always wanted to write a novel based on his
grandparents' house where he grew up. However, he
struggled with finding an appropriate tone and idea.
• He got the idea while driving his family to Acapulco. He
turned the car around and the family returned home so
he could begin writing.
• Gabriel García Márquez took eighteen months to write
this novel.
• This novel has been translated into 37 languages and
sold 25 million copies worldwide.
• This epic tale deals with seven generations of the
Buendía family that also spans a hundred years of
turbulent Latin American history, from the postcolonial
One Hundred Years Of
1820s to the 1920s.
• It can be considered a work of magical realism.
Solitude:
Leaf Storm:
• Leaf Storm is García's first novel and took seven years
to find a publisher, finally being published in 1955.
• García Márquez notes that "of all that he had written,
Leaf Storm was his favorite because he felt that it
was the most sincere and spontaneous.”
• It is the story of an old colonel (similar to García
Márquez's own grandfather) who tries to give a
proper Christian burial to an unpopular French
doctor.
• The colonel is supported only by his daughter and
grandson.
• The novel explores the child's first experience with
death by following his stream of consciousness.
• The book also reveals the perspective of Isabel, the
Colonel's daughter, which provides a feminine point
of view.
.
Chronicles of a Death Foretold:
• It recreates a murder that took place in Sucre, Colombia
in 1951.
• The character named Santiago Nasar is based on a good
friend from García Márquez's childhood friend.
• This novel is a combination of journalism, realism and
detective story.
• The novel was also adapted into a film by Italian
director Francesco Rosi in 1987.