Francisco Mañosa
-Mother: Maria; Father: Manuel Manosa Sr.
-He was born and grew up in Calle Azcarraga (now CM.
Recto)
-Filipino architect during the 20th century
-Awarded as the New National Artist in Architecture for
his advocacy in promoting and upholding the Filipino
architecture.
-He graduated high school at San Beda College and
pursue Architecture in University of Santo Tomas(1953)
-In 1957, Arch. Manosa finished a Landscaping Course in
Tokyo University in Japan
Francisco Mañosa
-Papal Awardee of the Noble Knighthood of the Pontifical Order of
St. Gregory the Great in September1982
-Recognized by the Professional Regulations Commission as the
Most Outstanding Professional of the Year in September 1994
-Recipient of the7th LIKHA Gold Medal Award given by the United
Architects of the Philippines in April 2003
-The Cultural Center of the Philippines (CCP) best owed upon him
the Gawad CCP Para sa Sining in the field of Architecture in June
2004
-One of The Five Outstanding Filipino (TOFIL) by the Philippine
Jaycee Senate and Insular Life in December2004
Francisco Mañosa
INSPIRATION:
- Japan culture, which is reflective to Filipino
architecture
-He had more freedom to put into realization his vision
of Philippine Architecture inspired by the Bahay Kubo
and the Bahay na Bato.
-He then became a pioneered in Neo-Vernacularism
NEO-VERNACULARISM
is the main goal to present neo-
vernacular as a part of broad
range of revitalization of cultural
heritage. That some of the new
buildings are designed by
traditional materials and
technology are only considered as
neo-vernacular expressions. The
main focus is detecting the
aspects of active and creative
“conservation” of some specific
vernacular ambient.
Coconut Palace