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Understanding Aesthetic Arts & Crafts

This document provides an overview of aesthetic arts and crafts. It begins by recapping that art is everywhere and can be appreciated using the five senses. It then defines the terms "aesthetic" and "craft" and discusses their relationship. The historical background of the arts and crafts movement is presented, which began in the 19th century emphasizing craftsmanship and community. Various categories of arts and crafts are listed, including textile crafts like weaving, tatting, and macramé. Wooden crafts discussed are marquetry and woodturning. The document encourages listening to part two for further discussion.

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Christine Leal-Estender
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114 views25 pages

Understanding Aesthetic Arts & Crafts

This document provides an overview of aesthetic arts and crafts. It begins by recapping that art is everywhere and can be appreciated using the five senses. It then defines the terms "aesthetic" and "craft" and discusses their relationship. The historical background of the arts and crafts movement is presented, which began in the 19th century emphasizing craftsmanship and community. Various categories of arts and crafts are listed, including textile crafts like weaving, tatting, and macramé. Wooden crafts discussed are marquetry and woodturning. The document encourages listening to part two for further discussion.

Uploaded by

Christine Leal-Estender
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PPTX, PDF, TXT or read online on Scribd

Arts and

Humanities
Chapter 2-Aesthetic Arts
& Crafts
MS. CHRISTINE
LEAL-ESTENDER,
LPT
RECAP in Previous Lesson:
• ART IS EVERYWHERE

IT IS NOT NECESSARY THAT YOU HAVE TO GO


TO MUSEUMS, ART GALLERIES, OR ART
EXHIBITIONS TO BE ABLE TO UNDERSTAND
AND APPRECIATE THE MEANING BEHIND ART,
AND BECAUSE IT IS EVERYWHERE, YOU NEED
TO USE YOUR FIVE BASIC SENSES (SIGHT,
SMELL, HEAR, TASTE AND TOUCH) TO BE ABLE
AESTHETIC
ARTS AND
CRAFTS
TITLE: SAN FRANCISCO HERE WE COME

FEATURE
D ARTIST: MARGARET KEANE

PAINTING DATE OF CREATION: 1991

IN THE
TITLE TYPE: PRINT ON CANVASS

SLIDE DIMENSION: 8X10 IN. (20.3X25.4CM)


LEARNING OBEJECTIVES:

1 2 3
TO BE ABLE TO BE ABLE TO BE ABLE
TO EXPLAIN TO TO DISCUSS
THE IDENTIFY THE
CONCEPT THE PRINCIPLES
OF DIFFERENT IN
“AESTHETIC TYPE OF UNDERSTAN
“AESTHETICS”
• This word is derived from the
Greek word “eisthesis” which
means PERCEPTION.
• It is branch of philosophy devoted
to the study of art and beauty
used during the 18th century by
Alexander Baumgarten , a German
philosopher.
“CRAFT”
• It is derived from the German word “kraft”
which mean POWER and ABILITY.
• It is an application of human skills through
the used of hand.
What is the relationship between Aesthetic and
Craft?

• We create different kinds of crafts


mainly for its practical use but we
also create it to appreciate its visual
beauty, which is the focal point of
aesthetics.
HISTORICAL BACKGROUND OF ARTS
AND CRAFTS
• Started in 19th century as a design reform
and social movement.
• It began in Great Britain in 1880 and
quickly spread in America and Europe.
• William Morris motivated this
movement. He is known as to link art to
industry by applying the values of fine art
to the production of commercial design.
DESIGNED PRINCIPLES THAT MOTIVATED
THE MOVEMENT OF ART AND CRAFTS

2. To appreciate the
1. To lean away simple yet unique
3. To be able to
from the styles design that
help community
developed by craftmanship has to
economically and
machine offer, by
morally
production. emphasizing the
materials used.
CATEGORIES OF ARTS AND
CRAFTS
Any craft that
you work with
TEXTILE fabric, yarn or
surface
CRAFT design.
• It is a fabric production yarn is interlaced
1. at right angle technique in which s to form
WEAVING fabric or cloth.
Example of Cordillera Jusi or Pineapple cloth Abaca fiber from
Textile Pattern from Aklan Mindanao
T’nalak Cloth
of the T’boli • This traditional cloth is hand woven made of

tribe of South ABACA fibers which traditionally has three


primary colors RED, BLACK and the original color
of Abaca leaves.

Cotabato • The colorant of the materials are naturally dyed


boiled in with bark, roots and leaves of plants.
• It is a heritage and believed that the intricate and
creative patterns of t’nalak was seen on their dreams
and made it on to work. they create a design of
t’nalak if they haven’t dreamed for it. They are
sometimes called the “DREAM WEAVERS”
2. TATTING
• A technique for handcrafting
particularly in making
durable lace which is
constructed through series
of KNOTS and LOOPS.
MACRAMÉ
• Is a form of textile
making which
requires very few
tools and just some
pure knowledge of
basic knotting.
WOODEN
CRAFTS
1.
MARQUETRY

• It is the art and craft


applying VENEER
(thin slices of wood) to
a structure to form
decorative design.
2. WOODTURNING
•A form of woodworking that
is used to create wooden
objects.
•Used machine called WOOD
LATHE to create a craft.
PLEASE WATCH AND LISTEN THE
CONTINUATION OF THIS
DISCUSSION (THE PART 2)

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