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Iberian and Baroque Influences in India

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Topics covered

  • architectural innovation,
  • architectural styles,
  • Victorian style,
  • design evolution,
  • urban development,
  • Herbert Baker,
  • design principles,
  • architectural history,
  • architectural identity,
  • cultural heritage
0% found this document useful (0 votes)
55 views20 pages

Iberian and Baroque Influences in India

Uploaded by

Akash Akash
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PPTX, PDF, TXT or read online on Scribd

Topics covered

  • architectural innovation,
  • architectural styles,
  • Victorian style,
  • design evolution,
  • urban development,
  • Herbert Baker,
  • design principles,
  • architectural history,
  • architectural identity,
  • cultural heritage

Lecture 10

modern architecture

ART AND
CULTURE

A M I T VA R I D H I K I L H O R
The arrival of the European colonists
coincided with the decline of the Mughal
empire which started a power struggle
among the Portuguese, French, Dutch,
Danish and the British which culminated
into British rule till 1947.
However, the Europeans also brought with
them a wealth of architectural styles, which
can be seen in the numerous constructions
they undertook.
Portugese
Influence
The Portuguese brought with them the Iberian style of
architecture. They initially built trading posts and ware
houses, which were later remodelled into fortified towns
along the coastlines.
They also introduced the concept of ‘Patio houses’ and
‘Baroque style’ developed in late 16th century in Europe
to express the strength of the Church.
It had elaborate, detailed and theatrical design to create
a dramatic effect. It involved use of contrasting colours.
Se Cathedral,

was completed in 1619 AD.


It has been built in the
Portuguese late-Gothic
style. It has a large bell
called “Golden Bell”.
It is part of the World
Heritage Site, Churches
and convents of Goa
located in Old Goa, India.
Basilica of Bom Jesus (Holy Jesus),

In Goa. It is a World
Heritage Site built
in Baroque style
and was completed
in 1604 AD. It has
the body of revered
St. Francis Xavier
It is both a pilgrimage centre
and also the most iconic
monument of all the churches
and convents of Goa, recognised
by UNESCO as a World Heritage
Site
is considered to be one of the
best examples of baroque
architecture and Portuguese
Colonial architecture in India. It
is one of the Seven Wonders of
Portuguese Origin in the World.
This is one of the
oldest churches in
Goa and in India
The Basilica of Bom
Jesus is more than
408 years old
Diu Fort was built in 1535 AD on
the coast of Diu island. The fort
has a lighthouse and canons are
placed on the walls.
It has three churches inside the
fort complex namely: St. Thomas
Church, St. Paul’s Church, and
Church of St. Francis of Assisi\
The Portuguese ruled over this
territory from 1537 until the Indian
invasion of December 1961. Today
it is a landmark of Diu and one of
the Seven Wonders of Portuguese
Origin in the World.
French Influence
The French brought the concept of urban
city planning with them. The French
towns of Puducherry and Chandernagore
(now Chandannagar, West Bengal) were
built using the Cartesian grid plans and
scientific architectural designs. They built
imposing buildings as a show of power.
They also introduced the concept of
anonymous architecture which involves
simple facade without much
ornamentation or design, much like
modern buildings. French also developed
coastal towns of Mahe (Kerala), Karaikal
(Tamil Nadu) and Yanam (Andhra
Pradesh).
British Influence:

The British brought with them the Gothic


style of architecture. It merged with the
Indian architecture and resulted in the
Indo-Gothic style of architecture.
Post-1911, a new style of architecture
known as the NeoRoman architecture
emerged
Indo-Gothic Style
Also known as the Victorian style, was a
unique blend of Indian, Persian and Gothic
styles of architecture. Some of the features
of Indo-Gothic style are: •
The constructions were extremely large
and elaborate in their execution. •
The walls were thinner than in the Indo-
Islamic constructions. •
The arches were pointed, unlike the curving
arches of Indo-Islamic era. •
One of the unique features of the Victorian
style was the use of large windows. • The
churches had a crucified ground plan. • It
adhered to advanced structural engineering
standards of Britain. Steel, iron and poured
concrete started being used.
Neo-Roman Style

• Post-1911, the constructions undertaken by the British Raj were done according
to Neo-Roman style or Neo-Classical style.
• The architectures of New Delhi, done by Edwin Lutyens and Herbert Baker were
the finest examples of this style. It has been often described as the “Rome of
Hindustan”.
• The features of this phase are: • The constructions were anonymous and without
any interesting features. • It was a confluence of all styles of architecture which
made the style congested and cramped the space of artistic expression. •
• Simplicity, modernity and utility were highly compromised due to the hybrid
nature of the constructions. •
• There was a focus on circular buildings.

• • There was an overuse of oriental motifs to realise western architectural


designs.
• • The concept of upturned dome, as can be seen in the top of Supreme Court
and Rashtrapati Bhavan, was introduced during this phase.

Common questions

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The French colonial architecture in India primarily differed through its focus on urban planning and the concept of anonymity in design. Unlike the Portuguese, who introduced highly decorative Baroque styles in structures like the Basilica of Bom Jesus , the French applied Cartesian grid plans to towns like Puducherry and developed aesthetic principles that emphasized unornamented facades, aligning with modern architectural trends . In contrast to the Indo-Gothic style of the British, which embraced elaborate structures , French architecture stressed simplicity and functionality without unnecessary embellishments.

During European colonization, various architectural styles were introduced in India which significantly influenced modern architecture. The Portuguese brought the Baroque style and introduced patio houses, as evident in the Se Cathedral and Basilica of Bom Jesus in Goa, both showcasing detailed and theatrical designs with contrasting colors . The French contributed through urban city planning and the concept of anonymous architecture, as seen in the Cartesian grid plans of Puducherry . The British merged the Gothic style with local elements, creating the Indo-Gothic or Victorian style, featuring pointed arches, large windows, and crucified ground plans . This was followed by the Neo-Roman style, characterized by simplicity and circular buildings, influencing the layout of New Delhi . Together, these styles laid the foundation for hybrid and modern architectural designs in post-colonial India.

The Basilica of Bom Jesus is considered a critical example of Portuguese Colonial architecture due to its iconic Baroque style, which incorporates dramatic and intricate designs, featuring contrasting colors and sophisticated artistic details . Completed in 1604 AD, it not only holds religious significance by housing the remains of St. Francis Xavier but also symbolizes the influence of Portuguese design by combining European architectural elements with Indian cultural context . As a UNESCO World Heritage Site and a part of the seven wonders of Portuguese origin, it encapsulates the enduring legacy of Portuguese art and architecture in India.

The British adapted the Indo-Gothic architectural style to symbolize colonial power while accommodating Indian and Persian influences, creating a distinct aesthetic that resonated with regional contexts. This style featured pointed arches and a large window design, differing from the traditional Gothic style’s thicker walls and curvilinear arches . The British incorporated advanced structural technologies from Europe, such as the use of iron and concrete, facilitating expansive constructions like churches with crucified ground plans . These choices not only allowed integration with local architectural traditions but also served as a visible declaration of British technological and cultural dominance in colonial India.

The Neo-Roman style, developed post-1911 in India, contrasted with earlier colonial styles by prioritizing simplicity and spacious designs over ornate decoration. It was characterized by anonymous constructions lacking interesting features, a deviation from the elaborate and dramatic Baroque style introduced by the Portuguese . Unlike the Indo-Gothic style, which highlighted vast and decorative designs, the Neo-Roman style pursued a more utilitarian approach, incorporating circular building designs and integrating oriental motifs into Western concepts, as exemplified by structures in New Delhi designed by Edwin Lutyens and Herbert Baker . This led to a hybrid architecture that often resulted in congested and cramped artistic expression.

The Se Cathedral holds cultural and architectural significance as a prime example of Portuguese late-Gothic architecture, reflecting the intricate and dramatic design language brought to India during Portuguese rule . Completed in 1619 AD, it is part of the World Heritage Site of Churches and Convents of Goa, symbolizing the historical and religious implications of Portuguese colonial influence. Its architectural elements, such as the "Golden Bell" and distinct styles, serve as enduring markers of this era, making it an important heritage site that preserves the unique fusion of European and Indian architectural traditions within the historical context of Catholicism in the region.

The Portuguese Baroque architectural style in Goa is best exemplified by the Basilica of Bom Jesus and Se Cathedral. The Basilica, completed in 1604 AD, is a UNESCO World Heritage Site renowned for its elaborate Baroque style that includes dramatic design elements and color contrasts . The Se Cathedral, showcasing Portuguese late-Gothic influences, features the 'Golden Bell' and is part of the 'Churches and Convents of Goa', another World Heritage site . Modern landmark status and tourism solidify their reflection of Baroque influence, emphasizing detailed and grand designs that continue to attract pilgrims and tourists.

The Neo-Roman style introduced after 1911 reflected the British colonial administration's shift towards symbolic simplicity and functional utility in architecture. It marked a departure from the grandeur of Indo-Gothic style by emphasizing understated designs, characterized by circular buildings and the integration of oriental motifs with Western architectural principles . This style supported the pragmatic needs of colonial administration, providing efficient and austere solutions to housing governmental and civic functions, as exemplified by structures in New Delhi that merged diverse styles into a cohesive yet subtly grand political and administrative hub, with functionality prioritized over artistic flourishes.

Indo-Gothic architecture, developed during British colonial rule, diverged from traditional Gothic architecture through its integration of Indian and Persian elements. It featured pointed arches, thinner walls, and large windows, unlike the thicker walls and curvilinear arches typical in Gothic architecture . The architecture was elaborate and large in execution, often adhering to advanced structural engineering practices introduced from Britain, including the use of steel, iron, and poured concrete . This resulted in a distinctive blend that supported expansive structural forms while integrating European and Asian aesthetic influences.

The Gothic style introduced by the British during colonial rule brought about key architectural innovations that transformed Indian building practices by blending traditional Gothic elements with local forms. This resulted in the development of the Indo-Gothic style, which included pointed arches, thinner walls for larger constructions, and the use of large windows, significantly different from the heavier, rounded arches typical of previous Indo-Islamic constructions . Advanced structural techniques like the use of steel and concrete allowed for more ambitious projects, profoundly influencing the scope and aesthetic of local architecture, paving the way for modern architectural approaches in India.

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