ICFA Oral History Initiative

ICFA Oral History Initiative
Dumbarton Oaks Image Collections and Fieldwork Archives

The aim of this initiative is to speak directly with individuals who participated in key fieldwork projects or who have managed ICFA’s collections over the years. By recording verbal accounts straight from collection “protagonists” themselves, ICFA seeks to enhance its own—and, by extension, its researchers’—understanding of its many resources. 

The ICFA Oral History Initiative is distinct from, but related to, the Oral History Project administered by the Dumbarton Oaks Archives (DOA). Whereas the DOA seeks to gather Dumbarton Oaks affiliates’ memories of the institution and their perceptions of how it has changed over time, ICFA asks more targeted questions about the past fieldwork projects represented in its collections.

Photographs and documents can tell you a great deal, but people can tell you a great deal more. Oral histories—stories spoken aloud—are presented to the hearer as preformed (and performed) narratives that can, at times, provide bits and pieces of context not evident from archival materials themselves. These conversations, then, should be regarded as invaluable supplements to other archival materials—as the hearer’s guide to reading between the lines of the “paper trail” that is an archive. 

Hear Their Stories...

  

Online Exhibition: God's Regents on Earth: A Thousand Years of Byzantine Imperial Seals

God's Regents on Earth: A Thousand Years of Byzantine Imperial Seals

 

For over a thousand years the Byzantine Emperor sat in his palace, ruling over the empire as God’s regent on earth. His was the ultimate authority. The emperor was the font of all law, granter of titles and offices, distributer of largess, master of the Church, commander of the army, head of the bureaucracy, and supreme judge. The decisions of the individual who sat on the throne had repercussions throughout the Byzantine world and far beyond. Decrees, letters, judgments, and commands left Constantinople every day signed by the emperor in red ink and secured with the imperial seal. These seals not only protected and authenticated imperial documents, they also spread the emperor’s image and served as imperial propaganda. It is no accident that while one emperor chose to be depicted as a soldier, another chose to be shown as a civilian. Although Christ accompanies one emperor, another might choose St. Constantine, or the Mother of God, or perhaps simply the cross. Was his title Greek, basileus, or Latin, augustus? Did he want to emphasise his family as an imperial asset or assert his position as autokrator, the sole ruler of God’s empire on earth? The designs of the imperial seals are interesting for more than their artistic value, they provide an insight into the minds and policies of the rulers whose image they bore; they tell us not only how they wished to be viewed by the recipients of their letters, but also how they viewed themselves. Imperial seals, with their titles, images, and projection of divinely sanctioned authority, show the blend of Roman, Hellenistic, and Judaeo-Christian ingredients that went into the Byzantine imperial recipe.

This exhibition presents the imperial lead seals from the Dumbarton Oaks Collection. Sections include: a chronology of the rulers of Byzantium exploring the design and inscriptions of their seals and presenting brief biographies; an analysis of the development of imperial titulature; the iconographic choices made by usurpers; and finally a section on seals that show or reference the imperial family. We hope that after visiting this exhibit you will be inspired to explore the online catalogue of Byzantine seals in the Dumbarton Oaks collection. This project was begun in 2010, and is continually updated as more seals from our collection of 17,000 are catalogued.
 

Rulers of Byzantium

Dynasties of Empire

Interlopers and Usurpers

Divine Guardians

Imperial Titulature

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