Literary Fiction Ebooks

From the author of Book of the Little Axe, nominated for the Hurston/Wright Legacy Award, and the critically acclaimed 'Til the Well Runs Dry, a riveting literary novel with the sharp edges of a thriller about the abuses of history and the costs of revenge, set between Washington, D.C., and Johannesburg, South Africa Prudence Wright seems to have it all: a loving husband, Davis; a spacious home in Washington, D.C.; and the former glories of a successful career at McKinsey, which now enables her to dedicate her days to her autistic son, Roland. When she and Davis head out for dinner with one of Davis’s new colleagues on a stormy summer evening filled with startling and unwelcome interruptions, Prudence has little reason to think that certain details of her history might arise sometime between cocktails and the appetizer course. Yet when Davis’s colleague turns out to be Matshediso, a man from Prudence’s past, she is transported back to the formative months she spent as a law student in South Africa in 1996. As an intern at a Johannesburg law firm, Prudence attended sessions of the Truth and Reconciliation hearings that uncovered the many horrors and human rights abuses of the Apartheid state, and which fundamentally shaped her sense of righteousness and justice. Prudence experienced personal horrors in South Africa as well, long hidden and now at risk of coming to light. When Matshediso finally reveals the real reason behind his sudden reappearance, he will force Prudence to examine her most deeply held beliefs and to excavate inner reserves of resilience and strength. Lauren Francis-Sharma’s previous two novels have established her as a deft chronicler of history and its intersections with flawed humans struggling to find peace in unjust circumstances. With keen insight and gripping tension, Casualties of Truth explosively mines questions of whether we are ever truly able to remove the stains of our past and how we may attempt to reconcile with unquestionable wrongs.

Stupendous African Gothic, by the winner of Yale University’s Windham–Campbell Prize Showcasing African Gothic at its finest, The Creation of Half-Broken People is the extraordinary tale of a nameless woman plagued by visions. She works for the Good Foundation and its museum filled with artifacts from the family’s exploits in Africa, the Good family members all being descendants of Captain John Good, of King Solomon’s Mines fame. Our heroine is happy with her association with the Good family, until one day she comes across a group of protestors outside the museum. Instigating the group is an ancient woman, who our heroine knows is not real. She knows too that the secrets of her past have returned. After this encounter, the nameless woman finds herself living first in an attic and then in a haunted castle, her life anything but normal as her own intangible inheritance unfolds through the women who inhabit her visions. With a knowing nod to classics of the Gothic genre, Siphiwe Gloria Ndlovu weaves the threads of a complex colonial history into the present through people “half-broken” by the stigmas of race and mental illness, all the while balancing the humanity of her characters against the cruelty of empire in a hypnotic, haunting account of love and magic.

FINALIST FOR THE NATIONAL BOOK AWARD • NATIONAL BESTSELLER • THE NEW YORK TIMES BOOK REVIEW EDITORS' CHOICE • From Pulitzer finalist, MacArthur Fellowship recipient, and bestselling author of Swamplandia! and Vampires in the Lemon Grove Karen Russell: a gripping dust bowl epic about five characters whose fates become entangled after a storm ravages their small Nebraskan town A Most Anticipated Book of 2025 from Lit Hub, Marie Claire, TIME, Vulture, Esquire, People, The Chicago Review of Books, and BookPage The Antidote opens on Black Sunday, as a historic dust storm ravages the fictional town of Uz, Nebraska. But Uz is already collapsing—not just under the weight of the Great Depression and the dust bowl drought but beneath its own violent histories. The Antidote follows a "Prairie Witch,” whose body serves as a bank vault for peoples’ memories and secrets; a Polish wheat farmer who learns how quickly a hoarded blessing can become a curse; his orphan niece, a basketball star and witch’s apprentice in furious flight from her grief; a voluble scarecrow; and a New Deal photographer whose time-traveling camera threatens to reveal both the town’s secrets and its fate. Russell's novel is above all a reckoning with a nation’s forgetting—enacting the settler amnesia and willful omissions passed down from generation to generation, and unearthing not only horrors but shimmering possibilities. The Antidote echoes with urgent warnings for our own climate emergency, challenging readers with a vision of what might have been—and what still could be.

From “one of the great—if not the greatest—contemporary Yiddish novelists” (Elie Wiesel), the long-awaited English translation of a work, Tolstoyan in scope, that chronicles the last, tumultuous decade of a world succumbing to the march of modernity “A great beard novel . . . Also a great food novel . . . A melancholy book that also happens to be hopelessly, miraculously, unremittingly funny . . . [Grade’s] fretful characters vibrate as if they were drawn by Roz Chast [and] Rose Waldman's translation seems miraculous to me.” —Dwight Garner, The New York Times “It is me the prophet laments when he cries out, ‘My enemies are the people in my own home.’” The Rabbi ignored his borscht and instead chewed on a crust of bread dipped in salt. “My greatest enemies are my own family.” Rabbi Sholem Shachne Katzenellenbogen’s world, the world of his forefathers, is crumbling before his eyes. And in his own home! His eldest, Bentzion, is off in Bialystok, studying to be a businessman; his daughter Bluma Rivtcha is in Vilna, at nursing school. For her older sister, Tilza, he at least managed to find a suitable young rabbi, but he can tell things are off between them. Naftali Hertz? Forget it; he’s been lost to a philosophy degree in Switzerland (and maybe even a goyish wife?). And now the rabbi’s youngest, Refael’ke, wants to run off to the Holy Land with the Zionists. Originally serialized in the 1960s and 1970s in New York–based Yiddish newspapers, Chaim Grade’s Sons and Daughters is a precious glimpse of a way of life that is no longer—the rich Yiddish culture of Poland and Lithuania that the Holocaust would eradicate. We meet the Katzenellenbogens in the tiny village of Morehdalye, in the 1930s, when gangs of Poles are beginning to boycott Jewish merchants and the modern, secular world is pressing in on the shtetl from all sides. It’s this clash, between the freethinking secular life and a life bound by religious duty—and the comforts offered by each—that stands at the center of Sons and Daughters.  With characters that rival the homespun philosophers and lovable rogues of Sholem Aleichem and I. B. Singer—from the brooding Zalia Ziskind, paralyzed by the suffering of others, to the Dostoyevskian demon Shabse Shepsel—Grade’s masterful novel brims with humanity and heartbreaking affection for a world, once full of life in all its glorious complexity, that would in just a few years vanish forever.

The world has stopped. But Rachel is just getting started… It’s spring of 2020 and Rachel Bloomstein—mother of three, recent divorcée, and Brooklynite—is stuck inside. But her newly awakened sexual desire and lust for a new life refuse to be contained. Leaning on her best friend Lulu to show her the ropes, Rachel dips a toe in the online dating world, leading to park dates with younger men, flirtations with beautiful women, and actual, in-person sex. None of them, individually, are perfect . . . hence her rotation. But what if one person could perfectly cater to all her emotional needs?  Driven by this possibility, Rachel creates Frankie, the AI chatbot she programs with all the good parts of dating in middle age . . . and some of the bad. But as Rachel plays with her fantasy to her heart’s content, she begins to realize she can’t reprogram her ex-husband, her children, her friends, or the roster of paramours that’s grown unwieldy. Perhaps real life has more in store for Rachel than she could ever program for herself.

A joyfully unhinged story of money, marriage, sex, and revenge unspools when a billionaire crashes his hot-air balloon into the middle of a post-pandemic first date. Joannie hadn’t been on a date in seven years when Johnny invites Joannie and her daughter to dinner. His house is beautiful, his son is sweet, and their first kiss is, well, it’s not the best, but Joannie could convince herself it was nice enough. But when Joannie’s childhood crush, a summer-camp fling turned famous billionaire, crash-lands his hot-air balloon in Johnny’s swimming pool, Joannie dives in.  Soon she finds herself alighting on a lost weekend with Johnny the bad kisser, Jonathan the billionaire, and Julia, his smart, stunning wife. Does Joannie want Jonathan? Does Julia want her husband? Or Joannie? Or Joannie’s beautiful little girl? Does Johnny want Julia? Does Jonathan want Joannie, or Julia, or maybe, his much younger personal assistant, Vivian, who is tasked to fix it all? A tale of lust and money and lust for money, Hot Air is as astonishing as it is blisteringly funny, a delirious, delicious story for our billionaire era.