IMPRISONED

BY KIREN ANANDJI

[email protected]
16 NETLEY AVENUE, ILFORD
IG27NF
07568392764

Non diegetic sound, score music

Diegetic Sounds- Sirens and birds chirping and light breeze of
wind

BLACK SCREEN

Long shot of Michael walking through the alleyway- out of focus

Close up of Michaels feet when walking through the alleyway
High angle- watching Michael walk out the alleyway

EXT- FOREST ALLEY WAY- AFTERNOON

ELLIOT (28) Black trousers, dark blue coat with a dark blue
scarf. ELLIOT walking at a slow pace through the forestry
Medium shot of Michael out the alleyway onto the road from
alleyway
behind
SFX Extreme close up of Michaels eyes
BIRDS BLARING
Extreme long shot of Michael walking down the road- out of focus
LIGHT WIND
Long shot of Michaels feet walking
Medium shot of Michael walking into the driveway of the house
EXT- ROAD-AFTERNOON
Medium shot but below the waste of Michael walking towards the
front
of the
house.
He walks out the alley way onto
a door
side
road
where there are

expensive looking houses. This is where the disruption will

take place.
Elliot continues to walk down the round checking
Medium shot of Michael from the inside window, of hi8m walking to the door and holing the handle
out the houses in search of his next target.
to open and let himself in

EXT- OUTSIDE MAYA'S HOUSE-AFTERNOON

He comes past MAYA'S house an notices that the house door has
been left open. ELLIOT slowly walks into the drive heading for
Medium
shot ofdoor
him inside
house
the door, as he get
to the
waythehe
check he surrounding
and slowly enters
sliding
his
body
through
the on
door.
Extreme close up of Michael putting his gloves
Tracking of Michael walking to the door in the house, to open and see whats there
Diegetic sound of door opening and closing
see
Close the
up of the
mirror,of
which
is where weface.
see the reflection
Michael from the back
At this point we
whole
ELLLIOTS
ELLIOTofgets
Diegetic
sound
of Footsteps
himself in the house
and
slowly
and quietly closes the door.
He prepares to burgle
the
getting
gloves
Close up
fromplace
the stairsby
of Michaels
feethis
slowlyrubber
creeping up.
out of his coat pocket.
He
puts
the
gloves
and
then
clinches
High angle of Michael walking up the stairs
his hands into fist.
Point of view from when he has reached the stairs but is still walking
ELLIOT starts to walk towards one of the doors to check if
Extremeit
close
up of Michaels
feet walking
but outand
of focus.
anyone home. He opens
slowly
peaking
through
then

INT-INSIDE MAYA'S HOUSE-AFTERNOON

slowly closes it.

ELLIOT turns round and walks towards the stairs, he cautiously
walks up stairs preparing to burgle the place. As he reaches
the landing he notices MAYAS door has been left open ELLIOT is
curious to know what is in the room he creeps in her room.

Medium shot of Michael walking towards Mayas bedroom door

Low angle of Michael opening the door and entering the bedroom
INT-MAYA'S BEDROOM AFTERNOON
Low angle of Michael approaching Maya
As he gets himself in the
room
her
finds
sleeping.
Two
shot of
Maya
sleepingMAYA
in her bed
and Michael walking closer towards
MAYA is sleeping peacefully
in
her
bed
while
ELLIOT
is slowly
her
creeping closer and closer
the
turning point for
Arielthis
shot ofis
Maya
sleeping
ELLIOT where he transformed from a thief to a rapist. ELLIOT
Longslowly
shot formmoves
the view his
from the
reflection
of the MAYA'S
mirror of Michael about
reaches MAYA'S bedside and
arm
towards
cover rips
her mouth
face. He covers her mouthtoand
the bed covers off in a
Long shot/two shot of Michael pulling the duvet covers aggressively

rapid motion. MAYA wakes up suddenly in total shock. She

instantly starts to scream and move herself rapidly in attempt
to free herself.

Extreme close up of Mya screaming with Michaels hand covering her mouth
Extreme
close up
of Michael hushing Mya whilst she is creaming, his facial
MAYA:
(SCREAMING)
expression was very aggressive and scary
ELLIOT:
(shuuuushing
her) Myas Mouth and Maya waving her legs
Long shot/two
shot of Michael covering
around
ELLIOT is trying to silences MAYA and is forcing himself onto her as
Long
shot of the view outside Mayas room with the Diegetic dialogue of Maya
she struggles to free
herself
screaming
INT-UP STAIRS LANDING-AFTERNOON
We hear MAYA screaming, while we see the bedroom door which is only
slightly open
FADE TO BLACK
Long shot of Michael walking through
a forest alleyway with his hands In his
EXT- FOREST ALLEYWAY-ATERNOON
pocket
ELLIOT walks at a slow pace away from the MAYA'S house

END SCENE
FADE TO BLACK