Krzysztof Meyer Biography
Krzysztof Meyer Biography
preface .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
vorwort . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
awards and prizes . . . . . . . . . . . . . . . . . . . . . . . . 8
publishers .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
stage works . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
orchestral works. . . . . . . . . . . . . . . . . . . . . . . . 13
works for vocal solois t s
or choir and orchestra . . . . . . . . . . . . . . . . . . 30
choral works . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
works for voice and pia n o
or small ensemble .. . . . . . . . . . . . . . . . . . . . . . . . 37
chamber works . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
instrumental solo wor k s . . . . . . . . . . . . . . . . . 57
music for the young .. . . . . . . . . . . . . . . . . . . . . 65
incidental music to play s a n d f i l m s.. . . . . . . 67
sikorski Musikverlage
20139 hamburg
phone: (+ 49) (0)40 / 41 41 00-0 fax: (+ 49) (0)40 / 41 41 00-41
www.sikorski.de [email protected]
22 j a n u a r y 2015
p r e fa c e
Krzysztof Meyer was born on 11 August 1943 in Cracow. From the age of five he learned the
piano, and from 1954 he took lessons in theory and composition with Stanislaw Wiechowicz. After graduating from the Fryderyk Chopin State Secondary School of Music in Cracow, he began to study at the College of Music in Cracow, where he obtained two diplomas with distinction: in 1965 in composition, under Krzysztof Penderecki (after Stanislaw
Wiechowiczs death) and in 1966 in theory. In 1964, 1966, and 1968 he went to France to
study with Nadia Boulanger for a few month each time.
In the years 1965-1967 he appeared as a pianist with the contemporary music group MW2
Ensemble', giving concerts both at home and abroad, in most European countries. He also
played his solo compositions for piano.
From 1966 to 1987 Krzysztof Meyer taught theoretical subjects at the State College of Music
(now Academy of Music) in Cracow. In the years 1972-1975 he was vice director and later
(1975-1987) head of the Department of Music Theory. From 1987 until his retirement in
2008 has taught composition at the Hochschule fr Musik in Cologne. He also lectured on
contemporary music abroad (Soviet Union, East and West Germany, Austria, Brazil). In the
years 1985-1989 he was the President of the Polish Composers Association, and between
2010 and 2012 he held the position as head of European Music Academy in Bonn. Since
2011 Meyer has been president of the German Shostakovich Society.
Krzysztof Meyers compositions have been performed mainly in Europe and in America.
They have been played at international festivals of contemporary music, such as Warsaw
Autumn', Musicki Biennale Zagreb', Holland Festival', Musikprotokoll Graz', Aldeburgh Festival', Schleswig-Holstein Music Festival', Lucerne Festival' and others. Some
of his works were commissioned by or composed for the most eminent soloists (the F l u t e
C o n c e r t o for Aurle Nicolet, the C o n c e r t o d a c a m e r a p e r o b o e for Lothar
Faber, the P e z z o c a p r i c c i o s o for Heinz Holliger, the Tr u m p e t C o n c e r t o for
Timofei Dokshitser, the V i o l o n c e l l o S o n a t a for David Geringas, C a n t i A m a d e i for Ivan Monighetti). His S y m p h o n y N o . 1 was one of the three obligatory contemporary compositions at the International Course for Conductors in Monaco directed
by Igor Markevich in 1971, as well as H o m m a g e J o h a n n e s B r a h m s which
was performed at the International Course for Conductors in Dublin in 1999 directed by
Gerhard Markson.
/
Krzysztof Meyer is the author of the first Polish monograph on the life and work of Dmitri
Shostakovich (Cracow, 1973 and 1986; German edition Leipzig, 1980. New version: Paris, 1994; Bergisch-Gladbach, 1995; Amsterdam, 1996; Madrid, 1997; St. Petersburg, 1998;
Mainz, 1998; Warsaw, 1999). Together with Danuta Gwizdalanka, his wife, he has published a monograph in two tomes on the life and music of Witlold Lutoslawski (Cracow
2003/2004). He has also written a number of articles, mainly on contemporary music, printed in Melos, Muzyka, Ruch Muzyczny, Das Orchester, Sovetskaya Muzyka and
other periodicals.
/
vorwort
Krzysztof Meyer wurde am 11. August 1943 in Krakau geboren. Seit seinem fnften Lebensjahr lernte er Klavierspielen und nahm dann ab 1954 Unterricht in Theorie und Komposition bei Stanislaw Wiechowicz. Nachdem er das Chopin-Musikgymnasium in Krakau
absolviert hatte, studierte er an der dortigen Musikhochschule, wo er zwei Studiengnge
mit Auszeichnung abschlo: 1965 erhielt er sein Diplom in Komposition bei Krzysztof
Penderecki (nach Wiechowiczs Tod), und 1966 sein Diplom in Musiktheorie. In den Jahren 1964, 1966 und 1968 studierte er jeweils fr einige Monate in Frankreich bei Nadia
Boulanger.
Von 1965 bis 1967 trat er als Pianist im ,Ensemble fr zeitgenssische Musik MW2 auf und
konzertierte in Polen sowie in den meisten Lndern des europischen Auslands. Auerdem spielte er als Solist seine eigenen Kompositionen.
Von 1966 bis 1987 unterrichtete Krzysztof Meyer musiktheoretische Fcher an der Staatlichen Musikhochschule (heute Musikakademie) in Krakau und war von 1972 bis 1975 als
Prorektor ttig, von 1975 bis 1987 bernahm er den Musiktheorie-Lehrstuhl. Von 1987 bis zu
seiner Emeritierung im Jahr 2008 war er Professor an der Musikhochschule in Kln, wo er
eine Meisterklasse fr Komposition leitete. Meyer hielt im In- und Ausland zahlreiche Vorlesungen ber Neue Musik (unter anderem in der Sowjetunion, in Ost- und Westdeutschland, sterreich und Brasilien). Von 1985 bis 1989 war er Vorsitzender des Polnischen
Komponistenverbandes. Zwischen 2010 bis 2012 war er Leiter der Europischen Musikakademie Bonn. Seit 2011 ist Meyer Prsident der Deutschen Schostakowitsch-Gesellschaft.
Krzysztof Meyers Kompositionen werden vornehmlich in Europa und in Amerika aufgefhrt. Sie erklingen bei bedeutenden internationalen Musikfestivals beispielsweise
beim ,Warschauer Herbst, ,Musicki Biennale Zagreb, ,Holland Festival, ,Musikprotokoll Graz, ,Aldeburgh Festival, ,Schleswig-Holstein Musik Festival und beim ,Musikfest Luzern. Manche Werke (darunter einige Auftragswerke) entstanden fr bedeutende
Interpreten: das F l t e n k o n z e r t fr Aurle Nicolet, das C o n c e r t o d a c a m e r a p e r o b o e fr Lothar Faber, das P e z z o c a p r i c c i o s o fr Heinz Holliger, das
Tr o m p e t e n k o n z e r t fr Timofei Dokshizer, die C e l l o s o n a t e fr David Geringas,
C a n t i A m a d e i fr Iwan Monighetti). Meyers 1 . S i n f o n i e war eines der drei zeitgenssischen Pflichtstcke beim Internationalen Dirigentenwettbewerb, den Igor Markevich 1971 in Monaco leitete ebenso wie H o m m a g e J o h a n n e s B r a h m s , das
1999 in Dublin Pflichtstck beim International Course for Conductors unter Leitung von
Gerhard Markson war.
/
Krzysztof Meyer schrieb die erste polnische Monographie zu Leben und Werk von Dmitri
Schostakowitsch (Krakau 1973 und 1986; dt.: Leipzig, 1980. Neue Fassung: Paris, 1994; Bergisch Gladbach, 1995; Amsterdam, 1996; Madrid, 1997; St. Petersburg, 1998; Mainz, 1998; Warschau, 1999). 2003/2004 erschien eine zweibndige Monographie ber Witlold Lutoslawski,
die Meyer gemeinsam mit Danuta Gwizdalanka, seiner Frau, verfasste. Meyer ist darber hinaus mit zahlreichen Artikeln (insbesondere zur zeitgenssischen Musik) fr Zeitschriften wie ,Melos, ,Muzyka, ,Ruch Muzyczny, ,Das Orchester, ,Sowetskaja Musyka
und andere hervorgetreten.
/
awa r d s a n d prizes
[1966]
[1966]
[1966] Aaron
[1967]
[1968]
[1970] Prix
[1970] Tribune
Copland Scholarship
[1972]
[1973] Award
[1974]
[1975] Medal
[1975] Award
[1976] Tribune
[1977] Medal
[1983] Honorary
[1989] Member
[1992] Award
[1994] Alfred
[1996]
Johann-Stamitz-Preis, Mannheim /
Member of Freie Akademie der Knste, Mannheim
[2003] Order
Polonia Restituta
[2007] Cross
[2011]
[2011]
[2012] Glinka
Medal, Moscow
8
publishers
s i k o r s k i M USIKVERLAGE
Johnsallee 23
D-20148 Hamburg
AGENC J AAUTORSKA AA
ul. Hipoteczna 2
PL-00-950 Warszawa
BREVIS M USICPUBLISHERS
Al. Niepodleglosci 51
PL-61-714 Poznan
/
E D ITIONCONTE M P ART
Linke Wienzeile 6/16
A-1060 Wien
c . f. PETERS
Kennedyallee 101
D-60596 Frankfurt am Main
M OECKVERLAG
Postfach 3131
D-29231 Celle
POLSKIE W Y D AW NICT W O M U Z Y CzNE P W M
al. Krasinskiego 11a
PL-31-111 Krakw
SONOTON M USIKVERLAG PROVI vA / v e r l a g n e u e m u s i k
Schleibinger Strae 10
D-81669 Mnchen
Grabbenallee 15
D-10997 Berlin
s ta g e w o r ks
t h e cyberiad ( CYBERIADA / kyberiade ),Op. 15
1967-1970
Fantastic comic opera in three acts (eleven scenes)
Libretto by the composer after Stanislaw Lems novel (in Polish German version
by Jrg Morgener)
/
Cast: Cosmic Stranger (tenor) Trull, designer (bass) Shining Ring (coloratura soprano) Queen Genia (soprano) King Mandrilius the Greatest (tenor)
Postman (mezzo soprano) Sly, designer of dream cabinets (baritone) King
Voluptatus (tenore di forza) Knight Vinodur (bass) Old Cyber witch (contralto) Old Man (basso profondo) Automatthias (baritone) In-the-Ear,
computer (mezzo soprano or contralto) Perfect Adviser / Electronic Lawyer /
Law Computer (speaking roles)
Mixed choir, bass choir, tenor choir, male choir, ballet
3 (2 picc).3 (cor anglais).3 (Eb cl/alto sax/bass cl).3 (db bn) 4.4.3.1 5 perc
(4 timp, crot, claves, guiro, ratchet, whip, steel plate, tambourine, 2 bongos, 4
tom-t, sn dr, bass dr, cym, gong, tam-t, tubular bells, glsp, xyl, vibr, marimba).
harp. cel. piano. harm. strings (8/8/8/6/4)
Duration: full eve
First performance of the first act: 12 May 1971, TV Poland, Warsaw
Stanislaw Wohl (director) Antoni Wicherek (conductor)
/
First performance of the complete opera: 11 May 1986, Wuppertal (in German)
Friedrich Meyer-Oertel (director) Jean-Franois Monnard (conductor)
Sikorski, Hamburg
lost
10
1980
s ta g e w o r ks
THE GAMBLERS (die spieler ),Op. 53
A completed version of Dmitri Shostakovichs opera in three acts
Libretto after Nikolai Gogol (in Russian German version by Jrg Morgener)
1980 -1981
11
s ta g e w o r ks
THE MAPLE BROTHERS,Op. 72
1988 -1989
( KLONOWI BRACIA / die verzauberten br d e r )
Childrens opera in two acts
Libretto by the composer after Evgeni Schwarz (in Polish German version by
Martina Homma, redaction by Jrg Morgener)
Cast: Hans (soprano) Theo and Georg, his enchanted brothers (tenor choir
and bass choir, later sopranos) Margarete, their mother (soprano) Baba Yaga
(mezzo soprano) The Cat (baritone) The Dog (baritone) The Bear (bass)
Mice (soprano choir) Chicken Legs (soprano choir)
3(picc).2.3(Eb cl, bass cl).3(db bn) 3.3.3.1 4 perc (3 timp, tgl, guiro, whip,
ratchet, tambourine, 4 tom-t, 2 bongos, side dr, bass dr, cym, susp. cym, tam-t,
tubular bells, glsp, xyl, vibr, marimba). harp. cel. strings
Duration: full eve
First performance: 3 March 1990, Poznan
Robert Skolmowski (director) Maciej Niesiolowski (conductor)
First German performance: 7 November 1993, Wuppertal
Werner Hollweg (director) Jan Michael Horstmann (conductor)
/
Sikorski, Hamburg
12
o r c h e s t r a l works
CONCERTO DA CAMERA,Op. 6
for flute, percussion and strings
1962-1964
6 perc (4 timp, tgl, claves, 2 bongos, 3 tom-t, side dr, bass dr, 5 susp. cym,
gong, tam-t, 2 tubular bells, glsp, xyl, vibr). strings (12/8/6/6/4)
Duration: 11
First performance: 25 June 1965, Cracow
Barbara Swiatek (flute) Cracow Philharmonic Orchestra Zdzislaw Drobner
(conductor) `
/
Sikorski, Hamburg
1964 -1966
1. q = 104
2. 1/4 = 1
3. 2/2 = 2
4. 4/4 = 2
4(picc).3.4(bass cl).3(db bn) 4.4.3.1 6 perc (timp, tgl, claves, 3 wood bl,
2 bongos, 4 tom-t, side dr, bass dr, 5 cym, tam-t, tubular bells, glsp, xyl, vibr,
marimba). harp. cel. piano. strings
Duration: 22
First performance: 12 June 1964, Cracow
Cracow Philharmonic Orchestra Maria Tunicka (conductor)
Sikorski, Hamburg
1964 -1965
1. Introduction (q = 132)
2. Rminiscences (q = 52)
2(2 picc).2.2.2 0.2.0.0 4 perc (4 timp, crot, 4 bongos, 4 tom-t, side dr, bass
dr, cym, tam-t, tubular bells, xyl, vibr, marimba). piano. strings
Duration: 28
First performance: 22 March 1969, Poznan
Jadwiga Kaliszewska (violin) Poznan Philharmonic Orchestra Zdzislaw Szostak
(conductor)
/
Sikorski, Hamburg
(conductor) OLYMPIA OCD 323 [PNCD 1298] Roman Lasocki (violin), Polish Radio Symphony Orchestra, Karol Stryja (conductor)
13
o r c h e s t r a l works
SYMPHONY NO . 2, Op. 14
1966 -1967
Epitaphium in memoriam Stanislaw Wiechowicz
for mixed choir and orchestra on a poem by Julian Tuwim (in Polish, French version by Jan Prokop)
/
one movement
3.3.3(alto sax).3(db bn) 4.4.3.1 6 perc (3 timp, tgl, claves, 2 bongos, 4 tom-t,
side dr, bass dr, 5 cym, tam-t, tubular bells, glsp, xyl, vibr, marimba). cel. piano. strings (12/8/8/6/4)
Duration: 24
First performance: 15 February 1969, Wroclaw
Cracow Polish Radio Choir and Symphony Orchestra Stanislaw Has (conductor)
/
Sikorski, Hamburg
SYMPHONY NO . 3,Op. 20
Symphonie dOrphe
for mixed choir and orchestra on a poem by Paul Valry (in French)
1968
3(picc, alto fl).3.3(Eb cl, bass cl).2(db bn) 0.4.3.1 5 perc (timp, tgl, claves,
bongos, tom-t, side dr, bass dr, 5 cym, tam-t, tubular bells, glsp, xyl, vibr, marimba). harp. cel. strings (16/0/8/8/4)
Duration: 20
First performance: 16 September 1972, Warsaw
National Choir and Philharmonic Orchestra Mario di Bonaventura (conductor)
Sikorski, Hamburg
1971-1972
withdrawn
14
o r c h e s t r a l works
CONCERTO DA CAMERA,Op. 29
for oboe, percussion and strings
1972
4 perc (4 timp, tgl, whip, 4 bongos, cym, 3 susp. cym, gong, tam-t, tubular
bells, xyl, vibr, marimba). piano. strings (20/0/8/8/4)
Duration: 15
First performance (radio production): March 1975
Lothar Faber (oboe) Polish Radio National Symphony Orchestra, Katowice
Piotr Warzecha (conductor)
Peters, Frankfurt PWM, Cracow scores: pe 8325 pwm 7644
SYMPHONY NO . 4,Op. 31
1973
1. q = 60
2. q = 72
3. q = 50
4(picc, alto fl).4(cor anglais).4(bass cl, alto sax).4 (db bn) 4.4.3.1 5 perc (4
timp, tgl, crot, claves, whip, wood bl, 6 bongos, 8 tom-t, side dr, bass dr, cym,
susp. cym, gong, tam-t, tubular bells, glsp, xyl, vibr, marimba). harp. piano.
strings (28/12/12/8/8)
Duration: 28
First performance: 14 May 1975, Zagreb
Polish Radio National Symphony Orchestra, Katowice Jerzy Maksymiuk (conductor)
Peters, Frankfurt PWM, Cracow scores: pe 8396 pwm 7847
Recordings: MUZA SX 1313 Polish Radio & Television Orchestra, Jerzy Maksymiuk (conductor) MUZA SX 2696 Polish Radio & Television Orchestra, Jerzy Maksymiuk (conductor)
15
o r c h e s t r a l works
CONCERTO FOR TRUMPET AND ORCHESTRA,Op. 35
1975
1. q = 96
2. q = 72
3. q = 96
4. q = 72
4(alto fl).4.4.0 4.0.3.1 5 perc (3 timp, tgl, crot, claves, wood bl, 4 bongos,
4 tom-t, side dr, bass dr, 4 cym, tam-t, xyl, vibr, marimba). strings (8/8/8/8/4)
Duration: 23
First performance: 2 April 1976, Poznan
Timofei Dokshitser (trumpet) Poznan Philharmonic Orchestra Renard Czajkowski (conductor)
Sikorski, Hamburg
FIREBALLS,Op. 37
for orchestra
1976
16
o r c h e s t r a l works
SYMPHONY IN MOZARTEAN STYLE in D major,Op. 41
1976 -1977
1. Adagio Allegro
2. Andante con moto
3. Tempo di minuetto
4. Allegro
2.2.0.2 2.0.0.0 timp. strings
Duration: 28
First performance: 1 April 1977, Poznan
Poznan Philharmonic Orchestra Renard Czajkowski (conductor)
Sikorski, Hamburg
1978-1979
1. Gaio (q = 126)
2. Maestoso (q = 66)
3. Scherzando (q = 138)
4. Con pazzia (q = 112)
5. Adagio
strings (5/4/3/2/1)
Duration: 30
First performance: 17 September 1979, Bialystok
Polish Chamber Orchestra Jerzy Maksymiuk (conductor)
/
Sikorski, Hamburg
Recordings: MUZA SX 1848 Polish Chamber Orchestra, Jerzy Maksymiuk (conductor)
17
o r c h e s t r a l works
CONCERTO for piano and orchestra,Op. 46
1979 -1989
1. q = 66
2. e = 76
3. q = 54
4. Presto (q = 160)
Duration: 30
First performance
of the first version: 21 February 1984, Wroclaw
.
Tadeusz Zmudznski (piano) Wroclaw Philharmonic Orchestra Marek Pijarowski (conductor)
/
MARCH,Op. 47
for military band
1979
3(picc).1.8(Eb cl, 2 alto sax, 2 ten sax).1 6(ten flugelhorn, bass flugelhorn).5(2 cornets).3.0 3 perc (cym, sn dr, bass dr)
Duration: 3
18
o r c h e s t r a l works
SYMPHONY NO . 6,Op. 57 'Polish Symphony
1982
1. Adagio (q = 63)
2. Allegro molto (q = 132)
3. Andante con moto
4. Allegro (q = 126) Funebre (q = 69)
4(2 picc).3(cor anglais).3(Eb cl).3(db bn) 4.3.3.1 4 perc (3 timp, tgl, 4 whip,
bongos, 4 tom-t, side dr, bass dr, cym, susp. cym, gong, tam-t, tubular bells,
glsp, xyl). harp. cel. strings (14/12/10/8/6)
Duration: 46
First performance: 25 November 1982, Hamburg
Norddeutscher Rundfunk Symphony Orchestra Christopher Keene (conductor)
PWM, Cracow Sonoton, Munich score: pwm 8710
Recordings: ISVP 127 NDR Symphony Orchestra, Christopher Keene (conductor) ISPV 179 CD
Polish Radio Symphony Orchestra, Antoni Wit (conductor) MUZA SX 2418 (second
movement) Polish Radio & Television Orchestra, Antoni Wit (conductor)
3(picc).3(cor anglais).3(Eb cl).3(db bn) 4.2.2.0 4 perc (3 timp, 4 bongos, 4 tom-t, snare dr, bass dr, tam-t, tubular bells, glsp, xyl). piano. strings
(14/12/10/8/6)
Duration: 14
First performance: 15 May 1983, Hamburg ('Brahms-Wochen)
Hamburger Symphoniker Heribert Beissel (conductor)
Sikorski, Hamburg score: sik 1429
Recordings: MUZA SX 2696 Polish Radio Symphony Orchestra, Antoni Wit (conductor) KOCH
SCHWANN CD 3-5037-2 Klner Rundfunk-Sinfonie-Orchester, Antoni Wit (conductor)
19
1982
o r c h e s t r a l works
CONCERTO FOR FLUTE AND ORCHESTRA,Op. 61
1983
1. q = 66
2. q = 100
3. q = 100 / q = 132
4. Senza metro
CANTI AMADEI,Op. 63
Chamber concerto for violoncello and orchestra
1984
1. q = 112
2. q. = 138
3. q = 58
4. q = 132
5. q = 112
Duration: 24
First performance: 19 December 1984, Cracow
Ivan Monighetti (violoncello) Capella Cracoviensis Stanislaw Galonski (conductor)
/
20
o r c h e s t r a l works
CONCERTO DA CAMERA,Op. 64
for harp, violoncello and string orchestra
1984
strings (5/4/3/2/1)
Duration: 24
First performance: 7 October 1987, Cologne
Helga Storck (harp) Klaus Storck (violoncello) Rheinisches Kammerorchester
Jan Corazolla (conductor)
Sikorski, Hamburg
Recordings: PRCD 085 Bol ena Trencowicz (harp) Karolina Jaroszewska (violoncello) Polish
Radio Chamber Orchestra Agnieszka Duczmal (conductor)
/
1986
1. Maestoso (q = 69)
2. Allegro (q = 88)
3. Allegretto (h . = 54)
4. Lento (q = 92)
5. Adagio (q = 60)
6. Allegro (h = 72)
Duration: 15
Sikorski, Hamburg
Recordings: ISPV 155 Kazimierz Moszyn ski (flute), Krzysztof Meyer (harpsichord), Capella Craco viensis, Stanisl aw Gal onski (conductor)
/
21
o r c h e s t r a l works
MUSICA INCROSTATA,Op. 70
for orchestra
1988
4(picc, alto fl, recorder).3.3(Eb cl, bass cl).2 4.3.3.0 4 perc (4 timp, tgl,
bamboo brasilene, cym, tambourine, 2 bongos, 4 tom-t, side dr, bass dr, susp.
cym, gong, tam-t, tubular bells, glsp, xyl, vibr, marimba). harp. cel. strings
Duration: 18
First performances: 6 June 1988, Cologne
Chur Clnisches Orchester Heribert Beissel (conductor)
Sikorski, Hamburg score: sik 1583
Recordings: CLASSICORD Pomeranian Philharmonic Orchestra, Michael Zilm (conductor)
Koch schwann 3-1573-2 Polish Radio Symphony Orchestra, Antoni Wit (conductor)
CARO LUIGI,Op. 73
for four violoncelli and strings
1989
Duration: 10
First performance: 29 September 1989, Stuttgart
Boris Pergamenschikow, Adriana Contina, Reinhard Werner, Zela Terry (violoncelli) Stuttgart Chamber Orchestra Cristbal Halffter (conductor)
Sikorski, Hamburg score: sik 1586
22
o r c h e s t r a l works
CONCERTO FOR ALTO SAXOPHONE
AND STRING ORCHESTRA,Op. 79
1992
strings (5/4/3/2/1)
Duration: 17
First performance: 12 January 1994, Stuttgart
John-Edward Kelly (alto saxophone) Sdwestfunk Symphony Orchestra Heinrich Schiff (conductor)
Sikorski, Hamburg score: sik 1596
Recordings: NEOS 10910 John-Edward Kelly (saxophone), Netherlands Radio Chamber Orchestra,
Micha Hamel (conductor)
1994 -1995
2.0.1.2(db bn) 0.0.0.0 6 perc (I: 2 timp, tenor dr, bass dr, bells II: 4 temple bl, susp. cym, gong, bells, vibr III: crot, ratchet, 4 tomt, marimba IV:
2 timp, 4 bongos, 4 tomt, snare dr V: tambourine, snare dr, glsp VI: tam-t,
xyl, vibr). harp. cel. piano. strings (16/0/12/10/6)
Duration: 25
First performance: 25 October 1996, Dsseldorf
Boris Pergamenschikow (violoncello) Dsseldorfer Symphoniker Jacek Kaspszyk
(conductor)
Sikorski, Hamburg piano reduction: sik 1540
Recordings: DUX 0594 Boris Pergamenschikow (violoncello), Polish Radio Symphony Orchestra,
Antoni Wit (conductor)
23
o r c h e s t r a l works
SONATA for violin and orchestra,Op. 86
(Orchestration of Dmiri Shostakovichs Violin Sonata Op. 134)
1995
1. Andante
2. Allegretto
3. Largo
2(picc).2.2(bass cl).2(db bn) 2.0.0.0 1 perc (2 cym, 2 bongos, 2 tom-t, side
dr, tam-t, glsp, vibr, xyl, marimba). harp. strings
Duration: 34
First performance: 20 June 1996, Seattle
Dmitry Sitkovetsky (violin) New European Strings Lynn Harrell (conductor)
Sikorski, Hamburg
1. Estatico (q = 56)
2. Inquieto (e = 144)
3. Lento (q = 56)
4. Vivo (q = 144)
Duration: 25
First performance: 14 December 2000, Munich
Dmitri Sitkovetsky (violin) Mnchener Kammerorchester Christoph Poppen
(conductor)
Sikorski, Hamburg piano reduction: sik 1577
Recordings: DUX 0594 Magdalena Rezler (violin), Polish Radio Symphony Orchestra, Antoni
Wit (conductor)
24
1996
o r c h e s t r a l works
fa rewell music,Op. 88
for orchestra
1997
2001
3.3.3(bass cl).3(db bn) 4.2.2.1 perc (3 timp, tgl, crot, 4 tom-t, 4 bongos,
tambourine, snare dr, tenor dr, bass dr, susp. cym, gong, tam-t, bells, glsp, xyl,
vibr, marimba), harp, piano, cel, strings
Duration: 21
First performance: 5 June 2002, Duisburg
Eduard Brunner (clarinet) Duisburger Philharmoniker Antoni Wit (conductor)
Sikorski, Hamburg score: sik 1427
Recordings: DUX 0594 Eduard Brunner (clarinet), Polish Radio Symphony Orchestra, Gabriel
Chmura (conductor)
25
2004
o r c h e s t r a l works
SYMPHONY NO . 7,Op. 97 'Sinfonia del tempo che passa
2002-2003
1. Con moto
2. Allegretto capriccioso
3. Molto lento
3(picc).3(cor anglais).3(Eb clar, bass clar).3(db bn) 4.3.3.1 5 perc (4 timp,
tgl, crot, whip, cow bells, maracas, 4 bongos, 4 tom-t, 3 tambourines, 3 side
dr, tenor dr, bass dr, susp. cym, 3 gongs, tam-t, bells, glsp, xyl, vibr, marimba,
cel). strings
Duration: 40
First performance: 17 October 2003, Poznan
Poznan Philharmonic Jos Maria Florencio (conductor)
Sikorski, Hamburg
Recordings: DUX 0695 Polish Radio Symphony Orchestra, Gabriel Chmura (conductor)
2005 -2006
1. Deciso (q = 84)
2. Lento (q = 54)
3. Precipitando (q = 112)
3(picc, alto fl).3.3(Eb clar, bass clar).3(db bn) 4.3.3.1 3 timp. strings
Duration: 32
First performance: 5 May 2006, Dublin
Stefan Tnz (violin) Jan-Erik Gustafson (violoncello) Gerhard Markson (conductor)
Sikorski, Hamburg
Recordings: DUX 0695 Magdalena Rezler (violin), Julius Berger (violoncello), Polish Radio Sym/ ukasz Borowicz (conductor)
phony Orchestra, L
26
o r c h e s t r a l works
m usique scinti llante,Op. 108
for 14 performers
2007
.
Nienapisana elegia dla Zydw krakowskich (No. 3), Dozywocie (No.4) Persefona (No. 5) (in Polish)
1. Misterioso (h = 84)
2. Con ira (q = 168)
3. Adagio (q = 58)
4. Andante (q = 69) Con ira (q = 168) Tempo I
5. Lo stesso tempo Con ira (q = 168)
Duration: 44
First performance: 14 January 2011, Katowice
Polish Radio Choir and National Symphony Orchestra Michail Jurowski (conductor)
Sikorski, Hamburg
27
2009
o r c h e s t r a l works
c o ncerto for guitar, TIMPANI
a n d string orchestra,Op. 115
2011
1. Deciso
2. Dolente
3. Inquieto
4. Lento
5. Presto
timp. strings (1/1/1/1/1)
Duration: 18
First performance: 19 August 2011, Gniezno
Lukasz Kuropaczewski (guitar) Amadeus Chamber Orchestra Agnieszka Duczmal (conductor)
Sikorski, Hamburg
/ ukasz Kuropaczewski (guitar), Jerzy Mackiewicz (tim Recordings: POLSKIE RADIO PRCD 1572 L
pani), Amadeus Chamber Orchestra, Agnieszka Duczmal (conductor)
1. Chanson dautomne
2. Les coquillages
3. Les soleils couchants
4. Marine
5. Srnade
3(picc).3(cor anglais).3(bass clar).3 2.2.2.0 perc (timp, side dr, gong, tam-t,
glsp, vibr, marimba). harp. cel. strings
Duration: 21
First performance: 11 January 2013, Dssseldorf
Claudia Barainsky (soprano) Dsseldorfer Symphoniker Andrey Boreyko (conductor)
Sikorski, Hamburg
28
2012
o r c h e s t r a l works
m usique de la lumiere et de la penombr e ,Op. 118
for chamber orchestra
2012
1.1.eb clar.1 1.1.1.0 2 perc (2 timp, 4 tom-t, 4 bongos, side dr, bass dr, susp.
cym, 4 gongs, tam-t, bells, xyl, vibr, marimba). harp. piano. cel. strings
Duration: 15
First performance: 31 January 2014, Dsseldorf, Tonhalle
notabu.ensemble neue musik Mark-Andreas Schlingensiepen (conductor)
Sikorski, Hamburg
2013
2. q = 100
3. q = 160
4. q = 144
5. e = 154 Meno mosso (e = 120) Pi mosso (q . = 92)
perc: (timp, tgl, side dr, cym) two orchestras, each: 2.2.2.2 2.2.0.0 strings
(without viole)
Duration: 15
First performance: 21 August 2013, Gdansk
Sikorski, Hamburg
Original motives from music by W.A. Mozart are heard throughout the piece.
2014
/Ldz
Artur Rubinstein Philharmonic Orchestra
Sikorski, Hamburg
29
Daniel Raiskin
one movement
3.3.3(alto sax).3(db bn) 4.4.3.1 6 perc (3 timp, tgl, claves, 2 bongos, 4 tom-t,
side dr, bass dr, 5 cym, tam-t, tubular bells, glsp, xyl, vibr, marimba). cel. piano. strings (12/8/8/6/4)
Duration: 24
First performance: 15 February 1969, Wroclaw
Cracow Polish Radio Choir and Symphony Orchestra Stanislaw Has (conductor)
/
Sikorski, Hamburg
1968
3(picc, alto fl).3.3(Eb cl, bass cl).2(db bn) 0.4.3.1 5 perc (timp, tgl, claves,
bongos, tom-t, side dr, bass dr, 5 cym, tam-t, tubular bells, glsp, xyl, vibr, marimba). harp. cel. strings (16/0/8/8/4)
Duration: 20
First performance: 16 September 1972, Warsaw
National Choir and Philharmonic Orchestra Mario di Bonaventura (conductor)
Sikorski, Hamburg
POETY )
POET S SONG (PIE s n
Six songs for soprano and orchestra to poems by Wladyslaw Broniewski (in Polish)
/
withdrawn
30
1971
1974
1. Dawn (q = 52)
2. Two Winds (q = 100)
3. The Killing of the Birch-Trees (q = 92)
4. Interludium (q = 72)
5. Acacia Trees (q = 92)
6. Butterflies (q = 104)
7. Autumn Mood (q = 60)
0.0.0.0 0.0.0.0 6 perc (3 timp, crot, claves, 4 bongos, 4 tom-t, side dr,
bass dr, 2 cym, gong, tam-t, tubular bells, glsp, xyl, vibr, marimba). cel. strings
(12/12/12/8/4)
Duration: 25
First performance: 9 September 1977, Bydgoszcz
Stefania Woytowicz (soprano) Pomeranian Philharmonic Orchestra Mieczyslaw
Nowakowski (conductor)
/
KO )
OMY JOHNNY (ACHM J JASIE n
for female voice and strings
arrangement of a folk song from Lowicz (in Polish)
/
Duration: 3
lost
31
1975
1976
Duration: 18
First performance: 22 June 1978, Aldeburgh
Peter Pears (tenor) Contrapuncti Ensemble Michael Lancaster (conductor)
MASS,Op. 68
for mixed choir and orchestra (in Latin)
1987-1996
1. Kyrie (q = 54)
2. Gloria (q = 84)
3. Credo (h = 72)
4. Sanctus (q = 84)
5. Agnus Dei (q = 56)
Duration: 26
First performance: 13 December 1996, Cracow
Cracow Philharmonic Choir and Orchestra Vladimir Ponkin (conductor)
Sikorski, Hamburg
Recordings: accord acd 096-2 The National Orchestra and Choir of the Warsaw Philharmo nic, Antoni Wit (conductor)
32
Commissioned by Landschaftsverband Hildesheim for expo 2000 promoted by the Friedrich Weinhagen Foundation
3(picc, alto fl).3(cor anglais).3(Eb cl, bass cl).3(db bn) 3.3.3.1 5 perc (3
timp, tgl, clav, crot, 4 bongos, 4 tom-t, tambourine, side dr, bass dr, 4 susp.
cym, 3 gongs, tam-t, bells, glsp, xyl, vibr, marimba). cel. strings (8/8/8/8/8)
Duration: 80
First performance: 10 September 2000, Hildesheim
Monika Borchfeldt (soprano) Gerhild Romberger (contralto) Berhold Schmid
(tenor) Andreas Scheibner (bass) Choir of St. Michaels, Hildesheim State
Orchestra Braunschweig Gunnar Khl (conductor)
Sikorski, Hamburg
Recordings: dux 0919/0920 Agnieszka Rehlis (soprano), Ewa Marciniec (contralto), Ryszard
Minkiewicz (tenor), Piotr Nowacki (bass), Polish Radio Symphony Orchestra, Polish
/ ukasz Borowicz (conductor)
Radio Choir Cracow, Camerata Silesia, L
33
.
Nienapisana elegia dla Zydw krakowskich (No. 3), Dozywocie (No.4) Persefona (No. 5) (in Polish)
2009
1. Misterioso (h = 84)
2. Con ira (q = 168)
3. Adagio (q = 58)
4. Andante (q = 69) Con ira (q = 168) Tempo I
5. Lo stesso tempo Con ira (q = 168)
Duration: 44
First performance: 14 January 2011, Katowice
Polish Radio Choir and National Symphony Orchestra Michail Jurowski (conductor)
Sikorski, Hamburg
1. Chanson dautomne
2. Les coquillages
3. Les soleils couchants
4. Marine
5. Srnade
3(picc).3(cor anglais).3(bass clar).3 2.2.2.0 perc (timp, side dr, gong, tam-t,
glsp, vibr, marimba). harp. cel. strings
Duration: 21
First performance: 11 January 2013, Dssseldorf
Claudia Barainsky (soprano) Dsseldorfer Symphoniker Andrey Boreyko (conductor)
Sikorski, Hamburg
34
2012
c h o r a l w orks
MASS
for mixed choir and organ (in Latin)
1987-1992
withdrawn
v ELICHALNAyA, Op. 71
for mixed choir
Text: Russian-orthodox liturgy (in Russian)
1988
one movement: q = 76
Duration: 7
9069
2004
TE DEUM,Op. 84
for mixed choir (in Latin)
1995/2006
Duration: 13
Sikorski, Hamburg
35
c ho r a l w orks
n e hmt hin die welt!,Op. 120
for mixed choir on words by Friedrich Schiller from Die Teilung der Erde (in
German)
36
2013
1963
1. e = 138
2. q = 76-80
3. q = 92
Duration: 9
QUARTETTINO,Op. 16
for soprano, flute, violoncello and piano on poems by Julian Tuwim (in Polish)
1966
Duration: 7
f i v e CHAMBER PIECES,Op. 18
for soprano (vocalises), clarinet, violin and viola
1. q = 46
2. e = 132
3. e = 166
4. q = 144
5. q = 52
Duration: 11
First performance: 17 April 1969, Cracow
Helena Lazarska (soprano) Stanislaw Przystas (clarinet) Jacek Frydrych (violin)
Zdzislaw Polonek (viola)
/
Sikorski, Hamburg
37
1967
1979
1. Memories (e = 152)
2. Against Discoveries (e . = 144)
3. On Navet (q = 66)
4. You Know, Darling ... (e = 88-92)
5. A Toast to the Fascists (q = 92)
6. Are You Dead or Alive? (Prestissimo)
7. A Simple Test of the Conscience (q = 100), poco rubato
8. Reytan (e = 138)
9. To the Satirist (q = 84)
Duration: 10
Sikorski, Hamburg
38
1981
c h a m b e r works
INTROSPECTION,Op. 2
for five violoncelli
1960
Recordings: DUX 0925 Karolina Jaroszewska, Beata Urbanek-Kalinowska, Jan Kalinowski, Fran ciszek Pall, Anna Armatya-Borrelli
1962
1. q = 66
2. q = 56
3. q = 100
Duration: 15
First performance: 9 May 1963, Cracow
Henryk Zarzycki, Marian Wasilka, Katarzyna Bromboszcz (violoncelli) Stefan
Towpasz (timpani) Krystyna Furmanowicz (piano)
/
1963
39
c ha m b e r works
INTERLUDIO STATICO,Op. 11
for clarinet and four violoncelli
1963 -1964
Duration: 11
1967-1991
1. Largo (q = 60)
2. Allegro (q = 112)
Duration: 13
Recordings: MUZA SX 1654 Warsaw Harp Trio ISPV 194 CD Elz.bieta Gajewska (flute),
Ryszard Duz (viola), Helga Storck (harp)
1969
Duration: 14
40
c h a m b e r works
QUATTRO COLORI,Op. 24
for clarinet, trombone, violoncello and piano
1969 -1970
1. q = 84
2. q = 60
3. q = 88-92
4. q = 60
5. q = 84
Duration: 12
AA, Warsaw score: aa 1977
1970 -1971
1974
8154
Recordings: SEEC 004 Wilanw String Quartet MUZA SX 1442 Wilanw String Quartet ISPV
101 [ISPV 162 CD] Wilanw String Quartet
41
c ha m b e r works
CONCERTO RETRO,Op. 39
for flute, violin, violoncello and harpsichord
1976
1. Maestoso (q = 69)
2. Allegro (q = 88)
3. Allegretto (h = 54)
4. Lento (q = 92)
5. Adagio (q = 60)
6. Allegro (h = 72)
Duration: 15
.
Recordings: SEEC 010 Elzbieta Gajewska (flute), Tadeusz Gadzina (violin), Zbigniew Kubala
.
(violoncello), Krzysztof Meyer (harpsichord) ACTE PRALABLE AP 0076 Elzbieta
Gajewska (flute), Tadeusz Gadzina (violin), Marian Wasil ka (violoncello), Krzysztof
Meyer (harpsichord)
/
1977
1. q = 66
2. q = 72
3. Meno mosso (q = 60)
4. Lo stesso tempo (q = 60)
5. Lo stesso tempo (q = 52)
Duration: 23
42
c h a m b e r works
INTERLUDIO DRAMMATICO,Op. 48
for oboe and chamber ensemble
1979 -1980
Duration: 15
PIANO TRIO,Op. 50
1980
1. Impetuoso (q = 132)
2. Adagio inquieto (q = 66)
3. Allegretto capriccioso (q = 80-84)
4. Cantabile e furioso (q = 60)
5. Con moto (q = 76)
Duration: 36
1981
43
c ha m b e r works
CANZONA,Op. 56
for violoncello and piano
1981
Duration: 10
First performance: 1 November 1982, Cologne
David Geringas, violoncello Tanja Schatz, piano
PWM, Cracow Sonoton, Munich score: pwm 8568
Recordings: ISPV 155 [ISPV 192 CD] David Geringas (violoncello), Tanja Schatz (piano) TOC CATA CLASSICS TOCC 0098 Evva Mizerska (violoncello), Emma Abbate (piano)
PEZZO CAPRICCIOSO,Op. 60
for oboe and piano
1982
Duration: 7
44
1983
c h a m b e r works
STRING QUARTET NO. 7,Op. 65
1985
1986
Duration: 12
CLARINET QUINTET,Op. 66
1986
1. Quieto (e = 132)
2. Con moto (q = 52)
3. Leggiero (q = 112)
4. Deciso (q = 100)
Duration: 34
45
c ha m b e r works
STRING QUARTET NO. 8,Op. 67
1985
1. Tranquillo (q = 76)
2. Furioso (q = 112)
3. Infernale, lo stesso tempo
4. Drammatico (q = 76)
5. Tranquillo (q = 76)
Duration: 19
1987-1988
Duration: 15
First performance: 10 July 1989, Lanaudire (Canada)
.
Elzbieta Gajewska (flutes) Tadeusz Gadzina (violin) Ryszard Duz (viola) Marian Wasilka (violoncello)
/
Recordings: ISPV 194 CD Elz. bieta Gajewska (flutes) Tadeusz Gadzina (violin) Ryszard Duz
(viola) Marian Wasil ka (violoncello)
/
WITTENER KAMMERMUSIK
for flute, oboe and clarinet
1988
Duration: 4
46
c h a m b e r works
FANFARE for eight trombones
1989
Duration: 20
1989-1990
1. Agitato (q = 92)
2. Calmo (q = 66)
3. Con vigore (q = 132)
4. Misterioso (q = 80)
5. Vivo (q = 138)
Duration: 25
PIANO QUINTET,Op. 76
1990 -1991
1. Maestoso (q = 66)
2. Misterioso (e = 66)
3. Inquieto (q = 116)
4. Adagio (q = 56)
5. Adagio (q = 56) Presto (q = 80)
Duration: 38
47
c ha m b e r works
PEZZO PER MAURO,Op. 77
for flute, alto saxophone, trombone, piano, double bass and percussion
1991
Duration: 9
Recordings: ISPV 189 CD Elz. bieta Gajewska (flute), Werner Mittelbach (alto saxophone), Hans Jrg Profanter (trombone), Krzysztof Meyer (piano), Heinrich Braun (double bass)
1992
1. Precipitando (q = 96)
2. Misterioso (q = 60)
3. Lontano (q. = 52)
4. Vivo (q = 112)
5. Indifferente (q = 60)
Duration: 12
STRING TRIO,Op. 81
1993
1. q = 69
2. q = 69
3. q = 69
4. q = 69
Duration: 24
First performance: 6 March 1994, Munich
Deutsches Streichtrio (Hans Kalafusz, Jrgen Weber, Reiner Ginzel)
Sonoton, Munich score: pronova 2002
Recordings: ISPV 176 CD Deutsches Streichtrio ACTE PRALABLE AP 0146 Tadeusz Gadzina,
Ryszard Duz, Marian Wasil/ ka
48
c h a m b e r works
STRING QUARTET NO. 10,Op. 82
1993 -1994
Duration: 36
First performance: 3 October 1994, Poznan
Wilanw String Quartet (Tadeusz Gadzina, Pawel Losakiewicz, Ryszard Duz, Marian Wasilka)
/
MISTERIOSO,Op. 83
for violin and piano
1993
Duration: 6
1997
Duration: 23
49
c ha m b e r works
t r i o for clarinet, violoncello and pia n o,Op. 90
1997-1998
1. Calmo (q = 72)
2. Precipitando (q = 152)
3. Grave (q = 72)
Duration: 27
l e s sons rayonnants
for two player pianos and computer
2000
i m p romptu multicolore,Op. 92
for two pianos
Duration: 20
50
2000
c h a m b e r works
c a priccio interrotto,Op. 93
for violin and piano (violin part edited by Magdalena Rezler)
2000
Duration: 7
c i nque colori,Op. 94
for flute, violin, violoncello, percussio and piano
2001
2001
Duration: 14
51
c ha m b e r works
t r i o for oboe, bassoon and piano,Op. 98
2002
1. Rapsodico (q = 120)
2. Lento (q = 50)
3. Precipitando (q = 120)
Duration: 17
2003-2004
1. Mesto (q = 84)
2. Delicato (e = 120)
3. Grave (q = 44)
4. Feroce (q = 72)
Duration: 23
52
2004
c h a m b e r works
d u etti concertanti per fagotto e pian o f o r t e,Op. 101
2004
Duration: 20
53
2004
c ha m b e r works
s t r ing quartet no. 12,Op. 103
2004 -2005
1. Lento (q = 52)
2. Con ira (q = 108)
3. Vivo (q = 144)
4. Dolente (e = 76)
5. Furioso (q . = 160)
6. Largo (e = 80)
7. Adagio (q = 63)
8. Prestissimo (h . = 152)
9. Appassionato (q = 69)
Duration: 38
1. Lento (q = 52)
2. Inquieto (q = 108)
3. Gracile (q = 100)
4. Lento (q = 46)
Duration: 26
54
2006 -2007
c h a m b e r works
D u etti per due violini,Op. 110
2008
1. Impetuoso (q = 92)
2. Quieto (q = 108)
3. Lento (q = 72)
4. Precipitando (q = 92)
5. Largo (q = 69)
6. Mecanico (q = 80)
7. Maestoso (q = 66)
Duration: 18
Pi a no quartet,Op. 112
2009
one movement
Duration: 30
First performance: 27 June 2010, Berlin
Aperto Piano Quartet
Sonoton, Munich score: pronova 2010
1. Calmo (q = 80)
2. Impetuoso (q = 132)
3. Appassionato (q = 54)
4. Feroce (q = 120)
5. Prestissimo (q = 160)
55
2010
c ha m b e r works
i m a ginary variations,Op. 114
for violin and piano
2010
d r e i mal vier
for violoncello and piano
2014
56
1959 -1961
APHORISMS,Op. 3
for piano
1961
1. q = 160
2. q = 160
3. q = 126
4. q = 144
5. q = 46
6. q = 66
7. q = 116
8. q = 54
9. q = 168
10. q = 66
Duration: 12
First performance: 20 June 1962, Cracow
Krzysztof Meyer
Sonoton, Munich score: pronova 2008
Recordings: EDA 36 Christian Seibert ISPV 195 CD Andrzej Tatarski DUX 0923 Marek Szlezer
1962
57
1963
1. q = 120
2. q = 152
3. q = 60
Duration: 16
First performance: 3 June 1963, Cracow
Krzysztof Meyer
Sikorski, Hamburg
Recordings: RBM 3022 Alex Blin Schsische Tontrger LC 9930 Bettina Otto (first move ment) EDA 36 Christian Seibert DUX 0923 Marek Szlezer
1964 -1966
one movement: q = 69
Duration: 15
Dedicated to Sofia
1. Tesi
2. Interludio I (q = 132-144)
3. Movimento (e = 144)
4. Interludio II
5. Canto Lo stesso tempo
6. Epilogo
Duration: 18
First performance: 5 June 1969, Cracow
Marek Mietelski
Sikorski, Hamburg
Recordings: MUZA SXL 0613 Marek Mietelski EDA 36 Christian Seibert
58
1968
1972-1973
1. Introduzione
2. Movimento capriccioso
Duration: 17
First performance: 28 October 1974, Paris
.
Elzbieta Chojnacka
Sikorsk, Hamburg
1975 -1997
1. Dolente (q = 66)
2. Prestissimo furioso (h = 132-152)
3. Lento molto cantabile (q = 54)
4. Ossesivo (q = 104)
Duration: 16
1975
1. q = 60
2. q = 48
Duration: 13
First performance: 22 April 1977, Poznan
Jadwiga Kaliszewska
PWM, Cracow Sonoton, Munich score: pwm 8107
Recordings: ISPV 109 [ISPV 192 CD] Wolfgang Marschner DUX 0688 Szymon Krzeszowiec
59
1976
Duration: 3
60
1976
1977-1978
1. q = 60
2. Liberamente
3. q = 72
4. q = 88
5. q = 52
6. q = 96
7. Lento (q = 56)
8. q = 56
9. q = 72
10. q = 120
11. q = 104
12. q = 56
13. e = 126
14. q = 50
15. q = 92
16. q = 66
17. e = 80
18. q = 72
19. q = 104
20. q = 88
21. q = 56
22. q = 100
23. q = 52
24. e = 144
Duration: 68
1980
.
Recordings: ISPV 109 [ISPV 194 CD] Beate-Gabriela Schmitt ACTE PRALABLE AP 0076 Elzbieta
Gajewska
61
1981
Duration: 15
Sikorski, Hamburg
1990
Duration: 5
1990
Duration: 16
62
2005
Duration: 8
s o uvenir de sa nssouci
for player piano
2006
63
2006
2007
1. Calmo (q = 52)
2. e = 176
3. Grazioso (q = 104)
4. Lento (q = 66)
Duration: 16
2009
s e i intermezzi,Op. 121
for piano
2013
1. Semplice ma espressivo
2. Con moto
3. Con grazia ed intimissimo sentimento
4. Delicatissimo
5. Lento
6. Agitato
Duration: 17
First performance: 27 November 2013, Berlin
Marek Szlezer
Sikorski, Hamburg
64
m u s i c f o r the young
MAGIC PICTURES,Op. 21a
for piano
1975
1. Melody (q = 54)
2. March of the Tin Soldiers (h = 69)
3. Sad Story (q . = 69)
4. Two Little Bucks (h = 100)
5. Uncle Hindemiths Tale (q. = 48)
6. Song of the Young Shepherd (q = 132)
7. On the Trip (q = 76)
8. Summerday (q = 72)
9. Another Sad Story (q = 100)
10. The Skipping-rope (e e e e e = 52)
Duration: 10
1968 -1978
65
m u s i c f o r the young
GEIGENKR MCHEN ( SKRZYPCOWY KRAMIK ),Op. 55
for violin and piano
1981
1. Moderato (q = 116)
2. Andante (e = 76)
3. Allegro (q = 88)
4. Adagio (e = 76)
5. Allegretto (q = 132)
6. Allegretto (h . = 56)
7. Allegro (q = 88)
Duration: 13
Duration: 13
66
1983
1968
.
THE ROSE
. ( R Z A),Op. 21
by Stefan Zeromski
0.0.2.0 1.0.0.0 piano. vl. va. vc soprano. tenor. bass
1968
Duration: 10
First performance: 4 May 1968, Cracow Teatr Ludowy
Irena Babel (director) Chamber Ensemble of the Cracow Philharmonic Orchestra
1970
KORDIAN, Op. 25
by Juliusz Slowacki
1967-1970
1.0.2 (bass cl).0 2.0.2.0 2 perc (timp, side dr, bass dr, gong, xyl, vibr). vc
bass choir
Duration: 4
First performance: 14 November 1970, Cracow Teatr Ludowy
Irena Babel (director) Chamber Ensemble of the Cracow Philharmonic Orchestra
Krzysztof Meyer (conductor)
67
1970
JUDITH
by Jean Giraudoux
1974
1982
2(picc).2(cor anglais).2(bass cl).2(db bn) 3.0.1.0 2 perc (side dr, bass dr, xyl,
vibr). piano. strings 2 sopranos
Duration: 22
First performance: 17 October 1983, Warsaw
Janusz Kondratiuk (director) Ldz Philharmonic Orchestra Zdzislaw Szostak
(conductor)
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i n d e x o f opus numbers
opus
i n d e x o f o pus numbers
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i n d e x o f opus numbers
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1989.. . . . . . . 22
i n d e x o f o pus numbers
opus
s h o s ta k o v i c h]. .
. 1995. . . . . . . . 24
i n d e x o f opus numbers
opus
festiva. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2014. . . . . . . . 29
73
a l p h a b e t i c al index
Ach mj Jasienko (O my Johnny).. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
Anthem for the European Union.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
Aphorisms, Op. 3. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
Au-del dune absence, Op. 89.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
Burlesca allongarese.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64
Canti AmadeiOp. 63.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
Canzona, Op. 56. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
Capriccio per sei strumenti, Op. 69.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
Capriccio interrotto, Op. 93. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51
Caro Luigi, Op. 73.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
Chansons dun rveur solitaire, Op. 116.. . . . . . . . . . . . . . . . . . . . . . . . . . . 28, 34
Childrens Suite, Op. 25a. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65
Cinque colori, Op. 94. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51
The Claqueur (Klakier), Op. 58.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68
Clarinet Quintet, Op. 66.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
Colloquium niezielne na ulicy (Sunday Colloquy in the Street), Op. 54. . . . . . . . . 38
Concerto da camera, Op. 6.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Concerto da camera, Op. 29.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
Concerto da camera, Op. 64.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
Concerto for Alto Saxophone and String Orchestra, Op. 79. . . . . . . . . . . . . . . . . 23
Concerto for Clarinet and Orchestra, Op. 96.. . . . . . . . . . . . . . . . . . . . . . . . . . 25
Concerto for Flute and Orchestra, Op. 61.. . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
Concerto for Guitar, Timpani and String Orchestra, Op. 115.. . . . . . . . . . . . . . . . 28
Concerto for Piano and Orchestra, Op. 46. . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Concerto for Trumpet and Orcherstra, Op. 35.. . . . . . . . . . . . . . . . . . . . . . . . . 16
Concerto for Violin and Orchestra No. 1, Op. 12.. . . . . . . . . . . . . . . . . . . . . . . 13
Concerto for Violin and Orchestra No. 2, Op. 87.. . . . . . . . . . . . . . . . . . . . . . . 24
Concerto for Violin, Violoncello and Orchestra, Op. 105.. . . . . . . . . . . . . . . . . . 26
Concerto for Violoncello and Orchestra No. 1, Op. 28. . . . . . . . . . . . . . . . . . . . 14
Concerto for Violoncello and Orchestra No. 2, Op. 85. . . . . . . . . . . . . . . . . . . . 23
Concerto retro, Op. 39.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
Concerto retro, Op. 39a.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
The Countess (Hrabina), Op. 49.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
Creation (Schpfung), Op. 91. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
The Cyberiad (Cyberiada/Kyberiade), Op. 15.. . . . . . . . . . . . . . . . . . . . . . . . . 10
74
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Dandys Courtship (Fircyk w zalotach).. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67
Drei mal Vier.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56
Duetti per due violini, Op. 110.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55
Duetti concertanti per fagotto e pianoforte, Op. 101.. . . . . . . . . . . . . . . . . . . . . 53
Dziewiec Fraszek Stanisl/ awa Jerzego Leca
`
(Nine Limericks of Stanisl/ aw Jerzy Lec), Op. 45.. . . . . . . . . . . . . . . . . . . . . . . 38
Epitaphium for Three Violoncelli and Piano, Op. 100.. . . . . . . . . . . . . . . . . . . . . 52
Fanfare for Eight Trombones. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
Fanfare for the Wrocl/ aw Philharmonic.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
Fantasia for Organ, Op. 75. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62
Farewell Music, Op. 88. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
Fireballs, Op. 37.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
Fircyk w zalotach (Dandys Courtship).. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67
Five Chamber Pieces, Op. 18.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Five Contredances, Op. 119.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
The Gamblers (Die Spieler), Op. 53 [d m i t r i
s h o s ta k o v i c h]..
. . . . . . . . . . . . . . 11
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Kordian, Op. 25. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67
Krl Edyp (King Oedipus), Op. 19.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67
Kyberiade (The Cyberiad/Cyberiada), Op. 15.. . . . . . . . . . . . . . . . . . . . . . . . . 10
Lyric Triptych, Op. 38. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
Magic Pictures, Op. 21a.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65
The Maple Brothers (Klonowi bracia /Die verzauberten Brder), Op. 72. . . . . . . 12
March, Op. 47.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Mass. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
Mass, Op. 68.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
Metamorphoses for Alto Saxophone and Piano, Op. 102. . . . . . . . . . . . . . . . . . . 53
Misterioso, Op. 83. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
Moment musical.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60
Monologue for Violoncello. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62
Musica festiva, Op. 124. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
Musica incrostata, Op. 70.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
Music for Three Violoncelli, Timpani and Piano, Op. 4.. . . . . . . . . . . . . . . . . . . . 39
Musique de la lumire et de la pnombre, Op. 118.. . . . . . . . . . . . . . . . . . . . . . 29
Musique scintillante, Op. 108. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27
Nehmt die Welt!, Op. 120.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36
Nine Limericks of Stanisl/ aw Jerzy Lec
(Dziewie`c Fraszek Stanisl/ awa Jerzego Leca), Op. 45.. . . . . . . . . . . . . . . . . . . . 38
O my Johnny (Ach mj Jasienko).. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
Pezzo capriccioso, Op. 60.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
Pezzo per Mauro, Op. 77. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
Piano Quartet, Op. 112. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55
Piano Quintet, Op. 76. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
Piano Trio, Op. 50.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43
Piesn poety (PoetsSong). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
Piesni rezygnacji i zapreczenia (Songs of Resignation and Denial), Op. 9. . . . . . . . 37
PoetsSong (Piesn poety). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
Polish Chants (Spiewy polskie), Op. 34.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
76
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Quartet for Four Saxophones, Op. 65a.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
Quartettino, Op. 16.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Quasi una fantasia, Op. 104. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63
Quattro colori, Op. 24.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
Quintet for Four Saxophones and Piano, Op. 107.. . . . . . . . . . . . . . . . . . . . . . . 54
.
Rza (The Rose), Op. 21.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67
.
The Rose (Rza), Op. 21.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67
Sei intermezzi. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64
Six Preludes.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62
Skrzypowy kramik (Geigenkrmchen), Op. 55.. . . . . . . . . . . . . . . . . . . . . . . . 66
Schpfung (Creation), Op. 91. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
Sonata for Flutes, Op. 52. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61
Sonata for Harpsichord, Op. 30. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59
Sonata for Piano No. 1, Op. 5. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
Sonata for Piano No. 2, Op. 7. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
Sonata for Piano No. 3, Op. 13. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
Sonata for Piano No. 4, Op. 22. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
Sonata for Piano No. 5, Op. 32 Sonate de sons rayonnants.. . . . . . . . . . . . . . . . . 59
Sonata for Piano No. 6, Op. 106 Sonata breve. . . . . . . . . . . . . . . . . . . . . . . . . 63
Sonata for Violin, Op. 36. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59
Sonata for Violin and Orchestra, Op. 86 [d m i t r i
s h o s ta k o v i c h]..
. . . . . . . . . . . . 24
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String Quartet No. 5, Op. 42.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
String Quartet No. 6, Op. 51.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43
String Quartet No. 7, Op. 65.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
String Quartet No. 8, Op. 67.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
String Quartet No. 9, Op. 74.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
String Quartet No. 10, Op. 82.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
String Quartet No. 11, Op. 95. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51
String Quartet No. 12, Op. 103. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54
String Quartet No. 13, Op. 113. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55
String Trio, Op. 81. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
Sunday Colloquy in the Street (Colloquium niedzielne na ulicy), Op. 54.. . . . . . . . 38
Symphony in Mozartean StyleOp. 41. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Symphony No. 1, Op. 10. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Symphony No. 2, Op. 14 Epitaphium in memoriam Stanislaw Wiechowicz. . . . . 14, 30
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