Cleared For Takeoff (Excerpt)
Cleared For Takeoff (Excerpt)
E
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By
THE U LT
Manufactured in China.
Prophecy
(From Locksley Hall, 1835)
For I dipt into the future, far as human eye could see,
Saw the Vision of the world, and all the wonder that would be;
Saw the heavens fill with commerce, argosies of magic sails,
Pilots of the purple twilight dropping down with costly bales;
Heard the heavens fill with shouting, and there raind a ghastly dew
From the nations airy navies grappling in the central blue;
Far along the world-wide whisper of the south-wind rushing warm,
With the standards of the peoples plunging thro the thunder-storm;
Till the war-drum throbbd no longer, and the battle-flags were furld
In the Parliament of man, the Federation of the world.
There the common sense of most shall hold a fretful realm in awe,
And the kindly earth shall slumber, lapt in universal law.
Alfred, Lord Tennyson
(180992)
CONTENTS
8
INTRODUCTION
10
16
18
20
26
IF AT FIRST YOU DONT SUCCEED: Strange Shapes in the Sky (Part One)
28
31
34
36
38
40
ACROSS THE POND: Who Was First to Fly across the Atlantic?
47
50
52
58
62
68
72
76
78
86
88
90
96
98
100
108
DUCKS AND DRAKES AND BOUNCING BOMBS: How Skipping Stones Inspired
the Dam Busters
111
112
114
116
118
120
122
126
128
130
ALIENS AMONG US? The Peculiar Story of the Roswell Flying Saucer
132
135
138
144
146
150
152
154
156
158
164
166
170
173
174
176
178
182
THE FIRST TIME I EVER SAW A JET I SHOT IT DOWN: Fighter Combat
During the Jet Age
188
190
192
194
200
202
206
208
210
214
216
218
ALL AROUND THE WORLD: Which Countries Make Their Own Aircraft?
220
222
224
230
233
234
236
ITS ALL HOT AIR (PART TWO): Felix Baumgartner Raises the Bar
239
240
242
244
248
252
254
256
258
261
262
264
266
268
THE CASPIAN SEA MONSTER: The Rise and Fall of the Ekranoplan
270
273
274
276
278
280
282
286
288
290
292
THERE ONCE WAS AN UGLY DUCKLING: Strange Shapes in the Sky (Part Two)
294
296
298
301
302
304
306
308
310
312
315
320
ACKNOWLEDGMENTS
INTRODUCTION
Introduction
But at the end of the show, we were invited to look up and soon we were
all tracking it. Suddenly, it tucked in its wings and began to dive toward
the ground. At first it was impossible to gain any appreciation of the
falcons speed, but it quickly became clear that she seemed to be moving
unnaturally fast. Her dive was carefully controlled with small, instinctive
movements of her tail and neatly folded wings, but it was unnerving to
see her plummet straight toward the ground with a terminal velocity way
beyond 100 mph. Just when she seemed too close to avoid smashing into
the midst of her slack-jawed audience, she swooped a couple of feet over
our headsso low that we could feel the disturbance in the still air as she
streaked past. She then followed the descending contours of the stadiumstyle seating toward her handler where, with perfect precision, she flared
and dropped gently on to the waiting leather gauntlet.
It was majestica sight so thrilling that I found myself blinking back
tears of joy, grateful for a pair of sunglasses to hide such an emotional
response to the awe-inspiring display Id just experienced. No wonder the
lure of flying has such a hold.
As long as human beings have lived alongside birds, weve wanted to
join them. Our efforts to do so have rarely been as elegant or as smooth,
but they have been dangerous, exciting, intriguing, clever, unexpected,
loud, spectacular, courageous, ambitious, unsuccessful, and brilliant. And
sometimes, on rare occasions, like that extraordinary diving falcon, theyve
moved us.
Cleared for Takeoff is a celebration of all those efforts. For me, the only
real criterion for including something was whether or not it was interesting,
so as a reference book, this volume is neither comprehensive nor necessarily
useful. In fact, its probably not useful at all because the choices Ive made
are determinedly personal ones. But usefulness was never the point.
I still cant help but look out of the window (at work) or run out of the
house (at home) if I hear the sound of an unfamiliar aircraft engine. And
the urgent, growing realization that this time its unusually close and low
gets my heart beating even faster. If what follows prompts a few people to
experience the same joy and excitement, then this books been better than
useful. I hope it will surprise, entertain, and fire peoples imagination in the
same way the books I grew up with captured mine.
RW
Cambridgeshire
December 2012
Introduction
OPPOSITE:
10
Just after the turn of the first millennium c.e., a Turkish scholar by the
name of Ismail ibn Hammad al-Jawhari climbed to the top of a mosque in
Nishabur with a pair of wooden wings strapped to his arms. From the roof,
he revved up the large crowd that had gathered to witness his achievement.
Oh, people! he shouted. No one has made this discovery before. Now I will
fly before your very eyes. The most important thing on earth is to fly to the
skies. That I will do now! He jumped, and then, just a few seconds later, he
slammed into the ground and died.
Unlike Oliver of Malmesbury, fifteenth-century polymath and genius
Leonardo da Vinci remembered to include a tail on his ornithopter design.
Yet despite Leonardos ground-breaking work in other areas, such as
human anatomy, his elegant design still depended on the assumption that
the human body was sufficiently strong to keep itself in the air. It would be
another 200 years before it became apparent that it was not.
This leads one to wonder quite what Robert Hooke, the respected curator
for scientific experiments at Londons Royal Society, was getting at when in
1674 he noted in his diary that hed told a fellow member that I could fly,
[but] not how. His claim remained unsubstantiated and also highly unlikely
because, around the same time, the Italian scientist Giovanni Borelli, taking
a break from inventing submarines and underwater breathing apparatus,
concluded that mens muscles were too weak for them to be able to fly
craftily by their own strength. He was right.
But still the birdmen kept jumping, and limbs kept snapping. A little
over twenty years after Leonardos death in 1519, a Portuguese man, Joo
Torto, launched himself from a cathedral equipped with calico-covered
wings and an eagle-shaped helmet. He was fatally wounded on landing.
A century after Leonardo designed his ornithopter, his compatriot Paolo
Guidotti crashed through a roof wearing wings of whalebone and feathers
and broke his thigh. Then, in 1742, a 62-year-old French aristocrat called
the Marquis de Bacqueville tried to fly across the Seine from a terrace at
the top of his riverside mansion. He smashed into a barge and broke his leg.
In 1770 French clergyman Pierre Desforges broke his arm after failing to
persuade anyone to test-fly his contraption from a church lookout tower on
his behalf.
Real progress toward controlled manned flight only really came about
once the idea took hold that flapping like a bird was not the best way to
stay airborne. The first person to grasp this was the British engineer Sir
George Cayley, 6th Baronet and owner of Brompton Hall near Scarborough
in Yorkshire. Inspired as a boy in 1783 by the Montgolfier brothers hot-air
12
13
Glider King Otto Lilienthal takes to the air near Berlin in the early 1890s.
balloon flight over Paris, Cayley made it his lifes work to understand the
principles of flight.
Realizing that the steam engines of the day were too heavy for his
purposes, Cayley designed his own internal combustion engine using an
alternative fuel he called oil of tar (gasoline). This fuel, however, was
prohibitively expensive, and it would take nearly another century to
create a practical fossil fuelpowered aircraft engine. Nonetheless, Cayley
became part of the birdman business. After observing the flight of birds,
he designed an unmanned glider that first took to the air in 1804. He was
soon claiming that his work was contributing to a goal that will in time be
found of great importance to mankind. By 1853, four years before he died,
he had persuaded his coachman to fly across a shallow Yorkshire valley in
14
a larger glider. There were no broken limbs this time, yet Cayleys pilot was
reported to have said to his boss, I wish to give notice. I was hired to drive,
not to fly.
He was wise not to want to push his luck. Cayleys noble art of aerial
navigation was still in its infancy, as the next birdman to advance manned
flight found to his cost. German engineer Otto Lilienthal published his
seminal work Birdflight as the Basis of Aviation in 1889 at the age of 41. He
flew his first glider two years later. Over the next five years he made some
2,000 flights, accumulating just 5 flying hours. Still, the Glider King, as
he was dubbed, had flown longer and further than anyone else in history.
But on August 9, 1896, during his second flight of the day, his glider stalled.
He crashed to the ground and broke his back. Two days later, like so many
previous birdmen, he died from his injuries.
The Glider Kings influence, however, was immense, directly inspiring
aviation pioneers Wilbur and Orville Wright. And unlike the birdmen who
had preceded him, Lilienthal had understood exactly what he was doing and
why it mattered. Just before slipping into unconsciousness for the last time,
36 hours after his crash, Lilienthal whispered to his brother, Sacrifices
have to be made. With those prescient last words, which sum up the story
of aviation, he laid claim to being the first person with the Right Stuff.
But its not what Lilienthal said on his deathbed that really captures
what this book is aboutalthough theres plenty of the Right Stuff to
comeso much as something he said when he was very much alive: To
invent an airplane is nothing. To build one is something. But to fly is
everything. Thats what this book is about.
In the pages that follow there are some what-ifs, a few designs that never
made it, and theres a romance about them certainlybut only because we
can glimpse their potential and attach to them the feelings theyd provoke
if they were real. An airplane that makes it off the drawing board makes
the heart beat a little faster. But that moment when an aircrafts nose rises
from the runway . . . thats when it really starts to matter.
15
WHAT GOES UP
How an Airplane Flies
here are four forces at work on any airplane: lift, thrust, gravity, and
drag. Whether or not any aircraft will fly boils down to making sure
youve got the right balance between them.
Lift
Drag
Thrust
Lift
Gravity
Lift is generated by the effect of air moving over the wing when the aircraft
is traveling forward. (If youve any doubts about the force that can exert,
just consider a strong wind, which is nothing more than moving air.) The
reason that force lifts the aircraft rather than, say, slamming it into the
ground is the shape of the wing: flat on the underside and curved from front
(the leading edge) to back (the trailing edge) on top. As the wing travels
forward, it cuts the air in its path, separating what flows over the wing
from what passes beneath it. But because of the curve of the wing, the air
passing over the top is made to travel further. This makes it less dense than
the air traveling straight along the flat surface beneath. As a result, the
air pressure above the wing is reduced, while that below the wing stays the
same. High pressure beneath and low pressure above generates lift. The
faster the wing travels through the air, the more lift it generates.
Thrust
Forward thrust is a prerequisite for flight, even for a glider, which, towed
to altitude, then uses gravity to generate forward speed in the same way
as a cyclist freewheeling down a hill. But to climb to height without help,
an aircraft needs to provide its own forward thrust, and that requires an
16
What Goes Up
engine. More than aerodynamics, it was the lack of engine that held back early
attempts at powered flight. How wings generated lift was understood before
the technology to build a sufficiently light, powerful engine was mastered.
Gravity
If an aircraft loses power, gravity is both a friend and an enemy. Pointing
the nose down and going downward will ensure that drag doesnt slow you
so much that your wings are no longer able to generate lift. But at the same
time it is also bringing you inexorably toward the ground. Without more
power, you will come down.
Drag
Like a housefly, drag would appear to serve no useful purpose. Its the force
caused by the airframe itself as it tries to move forward through dense,
fluid air, so it is something that power and streamlining need to overcome
until you need to land, that is. At that point, drag or resistance to the air is
essential to help the aircraft slow down. When the airbrakes pop up from the
wings on your flight to the sun, just remember that.
Changing direction
When the Wright brothers filed their first patent, they didnt claim to have
invented the airplane, but rather a way of controlling it. An aircraft moves
through three dimensions, and the brothers invented a system to control all
three. The principle, and the effect of the controls, remains the same.
In the cockpit, there are two directional controls: the control column or
stick controls the ailerons (by moving it to the left, you lower the left
wing and raise the right; move the stick to the right and you achieve the
opposite); it also controls the elevators which affect pitch (push forward to
lower the nose, pull back to raise it). The rudder pedals control yaw (right
foot to swing the nose to the right, left foot to swing it left).
Rudder controls yaw
Ailerons control roll
AIRPLANE
The Anatomy of an Aircraft
Leading edge
Right aileron
Flap
Starboard wing
Cockpit
Propeller
Spinner
18
Airplane
Nose gear
Main gear
Boeing 747
Tail fin or
vertical
stabilizer
Rudder
Elevator
Fuselage
Horizontal
stabilizer
Flap
Left aileron
Fokker triplane
Port wing
Airplane
19
(PART ONE)
t was early morning on March 21, 1999, when Bertrand Piccard and
Brian Jones touched down in the Egyptian desert. They had been
airborne for 19 days, 21 hours, and 55 minutes, during which time theyd
covered 25,361 miles. They had also become the first men to circumnavigate
the globe by balloon, powered by nothing more than high-altitude winds.
During the epic journey, Breitling Orbiter 3, their giant 180-foot-high
silver helium and hot-air balloon, had reached heights of 37,000 feet and
speeds of over 160 knots. Piccard and Jones were suspended underneath
in a gondola constructed from Kevlar and carbon fiber, which provided
good protection, but was far from comfortable. The red gondola was about
the size of a camper van and they were cooped up in this for nearly three
weeks. The two men, cold and cramped, slept in shifts and subsisted on dry
food, all the while chipping off the ice that kept forming around sensitive
electrics inside.
Their success shattered all previous ballooning records. But in doing
so, it also demonstrated, like every notable balloon flight that preceded it,
the balloons inherent problems as a flying machine. After all, Piccard and
Jones had not known when they were leaving Switzerland that they were
on their way to Egypt. And even supposing that had been their plan, going
around the world to get there was almost certainly not the best route.
It was in 1782, while watching the sparks rise from an open fire, that
Joseph Montgolfier wondered whether the same force might somehow be
harnessed to deliver soldiers behind the walls of an enemy fortress. This
thought led him to conduct experiments with a lightweight, box-like balloon
made of silk and thin wood, filled with hot air generated by burning paper.
Watching from the ground, he described its ascent into the air as one of the
most astonishing sights in the world. A month later, in December 1782,
he and his brother tienne flew a bigger (still unmanned) device across a
distance of over a mile.
OPPOSITE: Breitling
20
Orbiter 3.
There was no stopping them now. In June the following year the public
demonstration of a large, recognizably balloon-shaped craft made of sackcloth
and paper attracted the interest of King Louis XVI. He suggested sending
a pair of criminals up in a balloon (it was this sort of thing that would get
him and his wife, Marie Antoinette, guillotined a few years later) but wiser
heads prevailed: a sheep, a cockerel, and a duck were eventually selected for
a demonstration flight in the grounds of the Palace of Versailles.
With the menagerie returned safely to Earth, the Montgolfiers began
work on a balloon designed to carry people. The brothers built their new
75-foot-high balloon in collaboration with a wallpaper manufacturer. Thats
probably why it looks as if it could have been a giant lampshade from the
kings bedroom. It was decorated in blue, gold, and crimson with zodiac
signs, fleurs-de-lys, eagles, and stylized suns featuring the kings face. On
November 21, it was launched from the outskirts of Paris. On board were a
doctor, Jean-Franois Piltre de Rozier, and an infantry officer, the Marquis
dArlandes. Twenty-five minutes later they landed 5 miles away.
The effect of this first successful manned flight was electrifying. In flying
for the first time, the Montgolfier brothers and their passengers had made real
what had previously been the stuff of myth and dreams. For most, that alone
was enough. But not all were impressed. Benjamin Franklin, the American
polymath and statesman, then US ambassador to France, witnessed one of the
Montgolfiers contemporaries send an unmanned hydrogen balloon into the air.
Interesting, he heard a member of the crowd comment, but what use is it?
What use, Franklin responded, is a newborn baby?
In truth, though, the man whom Franklin so elegantly put down had a
point. Balloons had their limitations. A year after the first flight a pair of
aeronautsas balloon pilots were knowncrossed the English Channel.
Just. Flying from Dover, to reach France they had to throw overboard
everything that wasnt pinned down, including their brandy and even their
trousers. So aeronauts had some control over whether they went up or
down, but everything else was in the lap of the gods.
For another century, however, if you wanted to fly, there was no
alternative to the balloon. Pleasure flights for paying passengers
became popular. The military experimented with the use of balloons for
observation, and they were used for scientific purposes too.
James Glaisher liked clubs. A fellow of the Royal Society, he was also
president of the Royal Microscopical Society and the Photographic Society
of Great Britain. But it was the club he founded in 1850 that was closest to
22
23
24
helium balloon called Double Eagle II became the first to cross the Atlantic.
Six years later, Captain Joe Kittinger became the first to do the same
journey solo. In 1981, two of the Double Eagle II crew conquered the Pacific
with a flight between Japan and California. Ten years after that, the
biggest hot-air balloon ever built, Virgin Pacific Flyer, carried the British
tycoon Richard Branson and Swedish balloonist Per Lindstrand from Japan
to northern Canada, a new distance record of 6,761 miles. Then American
businessman Steve Fossett crossed the Pacific on his own in 1995, four
years before Piccard and Jones flew their balloon around the world for
the first time in Breitling Orbiter 3and, in doing so, pulled off what was
described as the last great aviation challenge of the twentieth century.
CLUSTER BALLOONING
If one big balloon can do the job, why not lots of little
ones? In the brilliant 2009 Pixar animation Up, the
house of an old widower named Carl is carried aloft
by a cluster of brightly colored balloons and great
adventures follow. But thats just a movie, I hear you
say. Yes, lifting a house is ambitious, but the principle
is sound, as an American truck driver, Larry Walters,
discovered in 1982, when he tied over forty helium
balloons to his extremely comfortable garden chair.
He called this homemade flying machine Inspiration 1.
This unlikely aviation pioneer had packed sandwiches and beer for a flight he
expected to take him to a few hundred feet, but at 16,000 feet, after floating past
disbelieving airline pilots on their way into LA International Airport, he became concerned.
Fortunately, as well as his picnic, hed thought to pack an airgun. After drifting at altitude
for some hours, he finally plucked up the courage to start shooting balloons until he
began to descend.
On landing, Inspiration 1 took out power cables and Walters was led away in
cuffs. Ive fulfilled a twenty-year dream, he said after his remarkable flight. To which
the US Federal Aviation Administration responded, We know he broke some part of
the Federal Aviation Act and as soon as we decide which part that is, a charge will be
filed. Despite this warning, many have followed Walterss lead. What they do is called
cluster ballooning.
25
. . .
SU C C E E D
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Caproni Stipa
Italy, 1932
Blackburn A. D. Scott
UK, 1915
Petroczy-Karman-Zurovek PKZ
Austro-Hungary, 1918
Bonney Gull
USA, 1928
Caproni Capronissimo
Italy, 1921
Flying Doughnut
USA, 1902
Breguet-Richet Gyroplane
France, 1907
Phillips Multiplane
UK, 1907
Phillips Multiplane
UK, 1904
Santos-Dumont 14-bis
Brazil/France, 1906
ability to fly seemed to diminish. Theirs was a curiosity that would find
full expression in the years to come.
It was a fascination with the death of the German gliding pioneer Otto
Lilienthal in 1896 that rekindled the brothers interest in flight. They
tackled it with what they described as unquenchable enthusiasm. The
money they earned from a successful bicycle repair shop theyd opened
four years earlier allowed them to pursue it. Teetotal and entirely happy
in each others company, they devoured books on aeronautics by pioneers
such as Lilienthal, Sir George Cayley, and fellow American Octave
Chanute, which they borrowed from the Smithsonian Institution.
The real challenge lay in how to control aircraft. So far the most
successful glider designs, like those of Lilienthal, had been controlled by
the pilot shifting his weight to alter the center of gravity. The brothers
didnt believe this offered any realistic foundation for progress. Instead
they took inspiration from birds. Wilbur had observed how, in order to
change direction, soaring birds used the tips of their wings to alter the
flow of air, rather than shifting their weight. If he and Orville could
30