2)$11.50 LE ADITIONAL / noe As taught by the Founder to the Author, Aikido is an extremely e' jent and versatile martial art. It does not rely upon a weapon ‘or weapons but shows that the body move- ments are the same whether one holds a weapon or not. ‘The term riai means, erally, a blending of truths. By understanding Aikido through riai, one sees that the taijutsu techniques ‘were developed from movements using the sword, Therefore, treining with the sword will develop taijustu technique. ‘The Founder said that a weapon should be used as an extension of the body. However, he stressed that one should not develop @ dependence upon a particular weapon. ‘To build this feeling, one should practice the basic exercises of ken and jo suburi, tai no henko, and kokyu dosa consistently. A good understanding of these basic exercises will enable the practitioner to move smoothly and surely with or without weapons. Explanations have purposely been kept at a minimum to encourage the reader to use the book as a guide to developing under- standing through practice.About the Author Mr. Morihiro Saito was born in Ibaraki Prefecture in March of 1928. In July of 1946, he met and became the student of Professor Morihei Ueshiba, the founder of Aikido, at the Ibaraki Outdoor Dojo in Iwama, He lived at the dojo and worked hard for the Founder even though he held a regular job. So complete was his desire to learn Aikido and his devotion to the Founder, that after his marriagé, instead of a honeymoon trip, he left his bride to train with Professor Ueshiba. At the New Year Celebration in 1959 he became an instructor at the Main Headquar- ters Dojo in Tokyo. Through his Sunday morning practices at the Headquarters Dojo, he attracted many students by his personal character and enthusiasm for Aikido. He became head of the Ibaraki Dojo in April of 1969. after the death of the Foun- der. Together with his wife, he also cares for the Aiki Shrine next to the dojo. In addition, he also regularly instructs at Kana- gawa, Ibaraki, Iwate, and Tohoku Gakuin Universities, the Miyagi Branch Dojo and the Japan Self Defense Force Army Weapons School in Tsuchiura. Other Aikido groups in Japan and from abroad also come to the Ibaraki Dojo for instruction, © 1973 by Morihiro Saito ISBN : 0—87040—267—6 MINATO RESEARCH & PUBLISHING COMPANY 1 Nishio Seburahawa-cho, Minato-ku, Tokyo, Japan First Printing : December, 1973 Printed in Japan Enclave Distributor ip U.S.A. & Canada JAPAN PUBLICATIONS TRADING CO. (U.S.A.), INC, 1255 Howard Street, San Francisco, Calif 94103, U.S.ATraditional AIKIDO SWORD ° STICK AND BODY ARTS ADVANCED VOL.2 TECHNIQUES MORIHIRO. SAITO© 1973 by Morihiro Saito 1SBN:0-87040- 267-6 MINATO RESEARCH & PUBLISHING COMPANY 1 Nishikubo Sakurakawa-cho, Minato-ku. Tokyo, Japan Phone: 03(501)9248 First Printing; January , 1974 Photographys by Sadao Hirata Printed in Japan Exclusive Distributor in U.S.A. & Canada JAPAN PUBLICATIONS TRADING CO.(U.S.A.). INC 1255 Howard Street. San Francisco. Calif, 94103,U.S.A Phone : (415) 431.3394. 3384 Cable: SHUTSUBO SANFRANCISCOee Role WIS Clk, Al + hon A ASH Ze BEE & ORANGE OBA Is TBE LE LR. ASML ORS HAT) EIS, A LE Ly, aH, SECME HT, CAME A, MEMEBI LG, OM PEE CHMTSILELELA PRLOMATIE I, SAORMS £ SAMS AAS ATS FT. HoT, MAT OIA PO TOMS b Tb RMAC BET TEOMHRLSH THOT, MREM LIL aRLAAT. ono MAT) + MOM Er, Gil + HCE ME LI SS LRG ATT x MEO CAT. SMMC PIS EECA — PRI TA te & BE WKS EF FAHD MMT SOLE LALK. PRs EET AC DAO BARE LEGS TLE I. Bd, ML BIUPELTHSPSBC oT, SMM RMEIEL (IKK ML TRI OL Tater. AUESEAT ICME L C12, REMASTER HL = AE a O8t= AHA SL A PGP Fe Ae ae OR BEE EO, RH Oe PELTVEKE ELK. Bk 1 SALL EET. BOB RS, KATO MMA, MRIERM AO AI LT OME ¢ BAIL EY SAKBCH,. WgAl484E 9 HIS A A Oi SF aL ea Se NRT 2 26 bith 02904520248FOREWORD The previous book covered the relationships between the basic techniques and practice methods of 6, ken, and taijutsu, This volume explains the application and variations of the basic Kumitachi as developed by the founder, Professor Morihei Ueshiba. Also the concept of Riai has been expanded to include Kumijo and relationships between jo and taijutsu and ken, and ken and jo. In Aikido, the kumitachi contain body movements according to the principles of Aiki. It is possible at any time during the kumitachi to change to taijutsu. The same holds true for the kumij0, However, it will be very difficult to switch to taijutsu, if one is dependent upon jO or ken. Therefore, for easier understanding the explanations have been made by use of detailed photographs. If the aim of the reader is to instruct in Aikid6, then this book should be considered necessary. I sincerely hope that the first volume, this book, and the third intended. volume will help the reader to broaden his understanding and correctly grasp the principles of Aikido. In the publication of this book, the cooperation of Sensei G6z6 Shiota of the Yéshinkan Dojb, Sensei Shoji Nishio of Aikido Headquarters Dojo and Sensei Yasuo Kobayashi, through their donation of photographs, is deeply appreciated. I would also like to thank Shigemi Inagaki and Masaie Umezawa of the Ibaraki Dojo for their participation in this book as well as in the previous one. jutsu, September 15, 1973 Mori iro ‘Yoshioka 26, Iwama-cho Nishi Ibaraki Gun, Ibaraki Ken. Telephone: 029945-2224—6=# H xX FF 3 (Foreword) + Gi) «BL + PAAIT © (AGI & (Ken, Jo,Taiuwu and Body Movements) 14 REGIE LC (Before Practice) +++ I ATI (BI) MBB (sword Techniques) 1 #A2A7) (Kumitachiy AR UD KT 2 MATIBALR (ku —OxAT) BAG—(1) (Bil oR) (tho eH) BAG —(2) ($i O38) (1KOFB) =OxAT BAb—(1) (SEB) (tho BB) BAG-(2) (ROR) --- (ROB) SOx) BAC—(L) (ROBB) (hos) BAC (2) ($1928) (tks) BNA BAL—(1) (ROBB) - (KOR) BAG—(2) (BOER) - (ko)EOAD ALU) (BD BE) eo eorrene ROBE) BAC(2) ($1 BE) ROR) 8 ATR! (Cachidoriy chy Het) KTV (1) ATID — ATID —( ATI AIRY ATID. AINE) —(8) AID) —(9); ATELY 00+ TL ALM HB (vo Techniques) (6) - 101 102 104 me 107) aan “14 118 Ble 9 (2) i i Hume) (3 — BOR 4) 129 HOR) —(5) - 130 Hoc) —(6) aa BUR (7) 134 ER (8) . 136 OK —(9) - 138 HUT —(10)--- - 140 BUR {Il} 1423 BL + HAT OIBS (hii hs SH A) (QJo and Taijutsu Renee) AC) a ca 5 a a a ‘ 4 - MOBS (scws otis) oe oe Ken ee) as1B$i) + AK + RANE HART A PHe Ht ALE & OREO Hic & Ok 3 Mth bw SKM SCE OMEE CTL, WAAC, : EACHS, LHI HNI, Ede, F Sess Sy 4, BY O—MBE L TROT WERK TH bn VMAS, Hom A, HME RUT, WIM OBG MME 555 PMH TI, HFC Bo Tate, ose boThEnThS. KE BPD ATE OME 2G CHT IAA C8 RMA, GH TH Bob [lk PRE Ew, PRL, ASHORE HRS CRO GS MES 8 EO (Sacizmimnen ima) 6 2 @ Ken, Jo, Taijutsu, and Body Movements Before practice, it is important to mention that ken, j6, and taijutsu techiques are not intended to be done with just the hands. Therefore, one should not use the hands too thuch but practice as the basis of technique body movements that will turn, throw, or upset the balance of an opponent Generally, it is said that the main aspect of Aikido is “empty hande: technique. Instead the idea is advanced here that the main aspect is body movement. “Empty handed” means literslly not to be holding anything. However, “empty handed” may perhaps also mean that even while holding a ken or j0 one should not rely only upon the weapon, The person who can use 8 ken or j6 as a part of his body will be able to do “empty handed” technique. For, in Aikid6, it does not matter if the techniques are mpty handed” or if one is actually holding something It is hoped that the concept of Riai as presented in the first volume has been understood. That is, ken, {6, combined from three parts into a single body. If this book is read completely, and taijutsu movements have beenLH 2 BU Rito OSH, Me WIS. ARIES, $M HITE ER Cab B.C MILD Hh S, Me ea Lh & Ste a HE FRY DELLE), Stk — short RQ, Wik S MRT) LILI b eon pC Mb BE te On He ee BE 7 Uy tk 8 te ARI oR S & it is felt that one will develop another relationship — contzol of the opponent through body movement, For instance, when holding « {6 and facing an opponent who strikes with a ken, one must be able to control him. Conversely, when one holds a ken and faces an opponent with a j5 the same is true, If both are without weapons, the attacker still must be controlled. If one bears in mind the above concepts, inconsistencies will not arise, One will be able to control an opponent without fail regardless of whether weapon is involved or not providing the idea of body movement is grasped and understood. Emphasis on body movement unifies ken, j6, and taijutsu techniques into a single Aikido, If must be pointed out once more that too much dependence upon j6 or ken is not @ good idea and is to be avoided, Because jO movements are more varied than those of ken, the tendency is to think they are more difficult and different, Therefore, one must practice basic techniques as autlined in Volume I until the j6 and ken are felt to be —15She LC METER TAS. Ho ETI, HIS L Lod L esmeamak Part of the body. A minimum of two years practice of the basic suburi is recommended. One should by all means practice the tanren uchi exercise, Those practices will develop a stability of the hips that is most necessary in taijutsu. Body movement must be accomplished from the hips. Aikid® is an art of non-resistance. In technique this is done through body movement. Body movement is developed through the basic practices, 16SBIBST MHD 74 (FO< CMO FAL, OM ARLO-e ANY 2 Ati Cha, AME e, 129 DYRREIEA 5H eM LT LMP ERES PIO HAT ITE MOAR LILO Hold bothhands together as shown Tanren Uchi For tanren uchi practice, the easiest object on which to strike is a tire (preferably, the tire is a small one, like a motorcycle tire, capable of deflecting about 10cm when struck.) ‘The purpose of tanren uchi practice is to develop stability of the hips Referen \d to improve the grip on the Ken, hould be made to the pictures for the proper method of striking. When practicing tanren uchi, modify your rip on the ken so that both hands are held close together. The bokken used for this practice ig usually rounder and thicker in shape,Ba EME The Founder, Professor Morihei Ueshiba.FILE 3 td, TH AE MAH o THES Marka Ge —To TMT, Rad EME FETM(LERVINTHS. Mnkeubd DL CUM , TALIM 2b seam as & 9) — The way ( if -Do) is like the flow of blood inside the ody. As it is contained in the body, it ie in unity with the Dibine Spirit (Love). Realization of the Divine Spirit is accomplished through practice. If there isthe smallest separation from the Divine Spirit then the way is not From a speech by ‘the Founder teARICPRLT 1A ID WAT, PALA HOAT & AC AM OME IML, RSE LDTHS, MATICAL 34, MIME SHOT, Ome, ROME RLM L THON, TA RoMm Het, MIAO = LAKME LT ERS MIME TS BLOCH, feo THAT, $1 He RHDMAL L COME Lo TOS OTHE. NED AWA GEM ATISAS SEMA 3. HH AIDA B WUE Ae bsbikeah 6 HE feta te, AR EMMA GOO T, MBO CTE Eth T PE, 2ATEAIERGAD WALKER, KEGAMTEATITH TORY EDIE DTG. ECBNSIE THEM, AHA, CHE TMH THIRDS NS LDLAMGS CHEMAT Faey bie = seme qoiat g % Mtobbebite, [space ® 4aFirst Kumitachi Var ion — (2) (Ken Method) Uketachi Uchitachi Withdrow one foot and Cut up from below. 3 | stake 4 5 Step back with the right ‘Uchikomi. ‘ foot, defend, S z 7 | Advance the right foot for- nepare to strike with an- ward and control your op- | Prpbae noysirke with 8 | ponents west a——DKI B (t-2) (tk) ROAD HIE PbS CE ERY LIMITS LEMS,First Kumitachi ‘Variation — (2) (Body Method) No. Uketachi 6 Raise your hand when the opponent raises his ken, Grasp his ken when he strikes down, 7 8 | Control his elbow, and raise your hand, 9 10 | After throwing the opponent point his own ken at him.DAI B (6-1) (soRe) 20D HEAD : a ® [Rebs EREBS. es WROR ETO, | HRB Salt GARE RL HE Feb Ra EW, DAP EBT 8. Second Kumitachi Variation — (1) (Ken Method) No. Uketachi Uchitachi 1 | Kamae. Kamae. 2 | Raise the ken up over the head Raise the ken up over the head 3 | Block the strike (ito e mi) Strike at uke’s foot 4 Take a large step forward with the left foot. Control your opponent's | Thrust at uke's chest, 5 | wnt —46agesBH RVAD @® | Ra eiee comic kes © |Mkemromect: 43 QD |HFORFOM KORE Abe MTES Lob 9, HED AER EB CHR CES, No, Uketachi Uchitachi 4 Flow with the opponent's thrust and turn to | gyauct from below. his side, Point your ken at his throat. 3 6 Tale , Grasp the back of the opponent's right hand with your left. Close the grip from the little 3 | finger. Step back with the left foot and turn the body. 9 —48“OKI Second Kumitachi Variation ~ (1) (Body Method) BH {t—-1) (KORE)DAN B (6-12) (OMB) GE 228 ee x CHAN A DALIT FSS Second Kumitachi Variation — (2) (Ken Method) This practice is for entering deep to the opponent's rear, when holding a ken, 5152‘DAN Bt 2) (OH) ® ae, Second Kumitachi Vari tion — (2) (Body Method) MUR (oe (DHF Oe atte OEP! a = ky QHAOFEM MCE DEL (ROT EI), LOOM EF GOEL APE RENTS DE Koshi Nage (Oral Instruction) (1) Your body and the opponent's form a cross, (2) Fully extend your hand toward the top of the wall and lower your hips. (3) Look up along your extended hand. (This fits the back of your hip to Your opponent's abdomen and he will ride over your hips.) —53SENATE HE AS Sensei Gozo Shiota, Head of the Yoshinkan Dojo.DAIS {t—-(1) (MORE) eit ROAD Third Kumitachi Variation — 1 (Ken Method) No. Uketachi 4 | Hold the ken down with the le 5 | Stand in hito e mi, 6 55S=OKN B® (6-1) (kom) wre RUAN HL CNB OG EMA CFGThird Kumitachi jon — 1 (Body Method) No. Uketachi Step on your opponent's right foot with your left and upset his balance,EOAI 8 {e2) (aom) = MIE BNE AI) Hl EME HB. ‘Third Kumitachi Variation ~ 2 (Ken Method) ‘This has the same meaning as variation ~ 159ker as HE - > EDK BE (642) (ROE) ORTIACAZ) (Oko) BR 60 -Third Kumitachi ‘Variation — 2 (Body Method) Refer to the Second Kummitachi Variation — 2 (Body Method),PO AD KB {e1) (8 FB) HAT (NDAT) LI ORIPALAD (KOM) LROGME MINT, bE LEI Wok [sx[ aoan | B {e-1) (tho FE) | | .Fourth Kumitachi Variation ~ 1 (Ken Method) Compare the pictures of the Fourth Kumitachi, the Second Kumitachi Variation and see the picture below, Try and develop new techniques. 1 (Body Method), Fourth Kumitachi Variation — 1 (Body Method) No. Uketachi 1s~8 | While making a wide turn, control the opponent's elbow. ey —63WOAD BE {t2) (Bl OFE) @ |mFoxeuc em cee Fourth Kumitachi Variation — 2 (Ken Method) No. Uketachi 7 | Control the left elbow of your op- ponent and settle the hips. 65 —Fourth Kumitachi Variation — 2 (Body Method) Refer to the First Kumitachi Variation — 2 (Body Method), or1 (Ken Method) No. Uketachi T itachi 9__|_ Move toward your opponent to take his ken. a alana Move to left hammi to avoid the Flow with the opponent's extended power, cut up | ken from being taken end teen te 11 | across the abdomen and finish as shown to protect | ward ues ang 12 | Yourentire body. 6HOAT = -B {e-(1) (tROAE) se BK ® D | MEOM EIS £5 MERE TIKIT 8, ® Fifth Kumitachi Variation — 1 (Body Method) No. Uketechi 5 6 7 | Have the feeling of passing through the opponent’s abdomen 2s you enter with your body 8 9 70LOKI B (6-2) (KOM a RIAN a kk @aT Fifth Kumitachi ‘Variation — 2 (Ken Method) | ees vatiaets v0 per AhBROKIJ B ft—-(2) GKOR) sH RAD ® |momeocenr POE iS. x Fi, MRO HED ME A LL 10] 7 [ial 12 fis Fifthe Kumitachi Variation — 2 (Body Method) No Uketachi 2 the opponent raises his ken, blend the movement and grasp the hilt é your left hand 10 11 | When his strike begins down, turn and enter in with the hips. 2 “Hal MER The Founder, Professor Morihei Ueshiba,3. ATHY ‘TachidoriAIH) 1) A A TIE YTachidori —No. 1 Tachidori from right hammi No. Beal aaah Ll oii as UM 1 Uke Stand in right hammi. Step forward with her right foot and enter to the opponent's right side Grasp the hilt of his ken with your right hand. Place your right foot behind the ‘opponent and place your hip next to his body Rotate your hips and throw him. Point his ken at hi 19ed28 BSR ATI (2) Apis 5H 2h EHO eit \@ ae | |MRouReAR CL oie HEME OE D |, HREMFOR EM HUTS O | eee eo THE OR Tachidori—No.2 Kote Gaeshi No. Uke 1 | Stand in right hammi, 2 | As the opponent raises his ken and strikes, slide the left foot in and blend with his 3 | _movemeat, | 4 Grasp his right hand from above with | your left. Place your right hand over his right hand, 7 | Turn your hips and step back with the left foot, moving the body, and throw. 1o | Move to left hammi and restrain the op- ponent with his own ken, | u When doing Tachidori Kote Gaeshi, your little finger should’ touch the hilt of the ‘opponent's ken, eSAID) (3) 82Tachidori — No. 3 This technique is called “Irimi Nage.” No. Uke Blend with the opponent’s movement as he raises his ken and enter with the left foot (Note the right hand) Grasp his collar with your left hand, Rotate your hips to destroy his balance and step to his rear with your right foot. Throw him with the same movement as raising the ken using your breath power. At this time take his ken and con- trol him. 83AT 4) ee 0 f >, ME CHFTachidori — No. 4 No. Uke 4 During your body turn, grasp the opponent’s wrist 6 | with both your hands’ and turn it outward. Re- strain his elbow. 7 8 5 —AIIM 5) HEC Li bE EF OMEO L eulL, MEAN CHS Tachidori — No. 5 Uke 4 | Grasp the hilt of the opponent’s ken with your right hand. Place your left arm under his elbows, 5 | enter with the hips and throw him. s eee een 86ATI 6)Tachidori No. 6 No. Uke 3. | This technique is called “Shinken Shiraha Dori”. Itis very important to raise the ken along the op- 4 | ponent’s center when taking it from hirn,ATK 7) EP CHPOME MD, TE ® | Remarsc feo ce, © |# 90Uke_ Grasp the hilt of the opponent's ken with your left hand, Step on his right foot with your right foot, extend your 6 | hand to his chin and fell him while taking his ken. aKIDD (8) RY BECHEORFO LOL, $9 DSO AT a ATOMIC CHTUke Tachidori No. 8 Place your right arm under the opponent's left elbow. Raise your hand as if lifting a ken and throw him as if striking, 93ae - i HH, OS MEM, OF ® KO WE, TROLL ETTachidori No. 9 (Refer to page 96)Tachidori No. 9 (See pages 94,95} IK —10 No. Uke Hold the opponent’s left hand | from below. With your left | hand grasp his ken’ hilt. Withdraw your right foot, Do not let his elbows drop. Place yourself alongside the oppo- nent. ‘Turn the hipsand extend your hands up from the opponent's Tes side toward his face, 4 5 6 8 9 hidori No. 10 10] Take his ken with your left hand and restrain him with 1a erated This technique is called Yon: kyo, Thi kyo.” chnique is called “San. The explanations of tkkyo through Goky6 techniques will be covered in Volume IIT SM, OMY 2, ME OF OMM eo PI, OAM 2, MFOF OMe . ge , In applied techniques of Yonkyo, the In applied techniques of Sanky®, the opponent's pple , wrist shed from the back of his hand? ‘opponent's wrist is held from the front of his hand. 96es ‘The Founder, Professor Morihei Ueshiba oRIl KLAR Jo Techniques HA | PA, AROM ICID RMEHEO- PITH 5S. RAMRL OAD HIME A ALA MALE MY, MAES 2 TES BM DELET Kumijo ‘The kumij6 presented here are the basic techniques making up the Aiki Riai. Those who read this book and practice the basic patterns are encouraged to discover and develop new ones. 991s ae First Kumijo Uke Stand with the j6 in front of the left foot. With the left foot, take a large step to the left front and thrust, (Kaeshi tsuki) Uchi Prepare to thrust. Thrust straight forward, Withdraw the jo when Uke thrusts and hold his j6 down, Sodan gaeshi, More to right hanmi and strike the oppo- nent’s head, 100 Thrust straight once again. (Choku tsuki),a | AR b FEMI TRE BSL oe. Meo a ¢tl (2) Second Kumijo (Refer to page 104) 102MPO eS EEG @® | HCKEHL RAH, to43H bike FEST Bika 103Second Kumija (See pages 102, 103) (See pages 102, 103) No. Uke 1 | _ Stand with the jo in front of the left foot, | Prepare to thrust With the left foot, step forward to the left, 2 | 3 | and, flowing with the thrust, defend Pini eae Seana 4 | Thrust of the opponent's face. Jodan gaeshi et = as = 7 | Move your body to the right and block his low strike. As shown, strike at the | Strike low to the leg. 8 | opponent's head, 9 a 3) eH 2 G maa ‘ D te z @ | Aci #5Hh LF Reset. MPosE Rt @ BPO SHER a @ [Reba LORS EMS | Loo cme RKC © |+ me R< oe 2 a 104Third Kumijo (Refer to page 106)Third Kumijo (See pages 104, 105) No. Uke Uchi 1 Stand with the jo in front of the left foot. | Prepare to thrust. 2 Move to the left and parry his thrust 3 (Pay attention to how the right hand | ‘Thrust at uke’s right leg. holds the 46.) 4 5 Hold the jo in the middle with the left | Withdraw the jo and thrust again at uke's 6 hand, give it ahalf tun and strike down. | side 7 ‘Thrust at the opponent's side, 8 E 106 —ail K-14) (BRAD) om Sad + a 6 me WA ey HREM TRIEKT, Gaza ® ® ® | FRMHTS KS CRBL, SHE DIES o CRE DIC Ott, REAL CAT BA @ |t) ® ® ® [Het HED RR ED soUME | MER. | D | OAKAARRS @ Fourth Kumija (See pages 108, 109) Ino. Uke Uchi 1 | Stand with the jn front of the left foot. | Prepare to thrust. 2 Step around to the rear with the right Pe 3} foot out of the line of atta Cloke td 4 5 6 7,| Katate toma uchi. Put the jo behind the | Take a large step to the rear and cover the neck, take one step forward. During the | entire body. | step,'strike at the opponent.) 9 10 Step forward with the right foot and | thrust at uke's side Ht | thrust at the ‘pit of the opponent's | Thrust at uke’s side, ha | stomach. 107 —(4 Fourth Kumij a (Refer to page 107) (aS) 1085) 18 LE CL Fifth Kumijo (Refer to page 112) =.fl —-15) CRUE HTD BH z Gi a 6 © | tee Ha, @ eM CHT eS ® ® e RS BRAC L, dbt ® ® © |KRe ake totems, | ET IEL a 3 ® ® | meee cao, ARM DT BIAG, D Fifth Kumijo (See pages 110, 111) No. Uke Uchi 1 | Stand with the j6 in front of the left foot. | Prepare to thrust. A Move your body out of the line of attack, i 3.| flowing with the thrust, Soe Sere Dodge uke’s thrust by stepping to the right 5 rear, 6 Step back with the left foot. Drop to your 7| left knee and protect the left side of | Katate gedan gaeshi, your face 8 9 During your defense adopt the hitoe mi | ge Pini eaten 10] 3 peeve def ‘Step forward with the left foot and strik u —12-Bie EME The Founder, Professor Morihet Ueshibaal 46) EU BM AS & BF AMEE AL 4Sixth Kumijo (Refer to page 116) mij6 is for controlling the attacker through taijutsu style movements, defense, one does not thrust even though it is possible to do so.6) NCE) SK zo Hs © | me HR @ Fels ih Litt. Res ® ® | Riess. © EVEL ® ALE HI OMPO VL eB}, © | tsickems, MPoOmEOM AT Bika ® | ear. ® o MOPEV EKER SHO AY, TPE LCM EIT. ® Sixth Kumijo /See pages 114, 115) No. Uke Uchi 1 | Stand with the jo in front of the left foot. Prepare to thrust. Step to the left, move out of the line of Move around widely to right hanmi and g | Passyourj® between the opponent's arms. a 3. | attack flowing with the opponent's thrust, | Th™st 4 | Move lightly to hold hisj¢ down, Jodan gaeshi ® | Step forward with the left foot and raise 6 | _ the io to control the opponent's elbow. 7 Strike down. As he raises his jo to strike, move in with 10 | his motion, turn and throw him by 11 | Souttol over both of his arms, —116—7) (KRSM it zu m6 © | me me 2 RREUAY DT, HFLEEOT tH Slade . OE THE] mS d eH, PEAT & Aa @ Osi g | ReesirE RM aineT. me @ ®@ | KR* omit eh LMF HITS, FR AH TAT 5AM, ® Seventh Kumijo /See pages 118, 119) No. Uke Uchi 1 | Stand with the jo in front of the left foot. | Prepare to thrust. 2 Step back with the left foot and block 3 | his strike. Be sure to grasp the j6 with | Strike down at uke's leg. A ‘the right hand under the left. 5 | With the right foot, flow forward to the e right front. ‘Thrust 7 Step on the opponent's left foot, extend sea. 6 | Stee lon ie opecaen ts eit Tack x Strike down with the left foot forward. 9 17—1 RH7) (HRN) us—Seventh Kumijo (Refer to page 117) 19BH HEA (aot The founder, Professor Morihei Ueshiba about age 45. —1202. BOK) Jo ToriHK (1) —12Jo Tori No.1 Stand in left hanmi a See Step around with the right foot to move your body away from the opponent's 3 | thrust and grasp his jo. 4 2 6 | Lock the opponent's sight arm and throw 7 8 123| AREDI CHEM S Hl PI poOBk EN 2 3 HEITOR L 8 @ |MFE Cot, —124Ja Tori No. 2 No. i Uke Stand in left hammi. Move your body out of the line of attack and grasp the j6, Step in front of your opponent with your | Fight foot, za Raise the j over your head, turn and destroy your opponent's balance 125HK) —(3) —126Jo Tori No.3 (Refer 10 page 128)Jo Tori No.3 (/See pages 126, 127) No. Uke 1 | Stand in right hammi es 2 | Step out of the attack line and grasp the 3 | J6 under the opponent's left arm. with your right hand. (Note how the right 4 | hand holds) + we 6 | Lock his left elbow and raise the i, Z 8 9 | Move to right hammi, align with his body, raise the i9 up and throw him 128[Eee CREM FOMDOM ANTHEMS Jo Tori No. 4 No.| aes aL tee Uke Move to right hammi, grasp. the j0 | 5S | between the opponent's arms with your | | right hand, 7 : WOR) 4) —129—WIK 5,Jo Tori No. $ No. Uke T | _ Stand in left hammi 2 oi 4 5 6 | Pivot on your left les 131POR) 6J0 Tori No. 6 No. Uke 1) Stand in left hammi 3.| Hold the opponent's left hand with botl of yours and lock his right arm under your 4| elbow. 5 6 Turn the hips to the right, (right hammi) Be pee) 133AML) 17) aH | 2 7 eel 2 | 3 | ’ ® | 5) |MPORREMA, APERSML CA 134JO Tori No.7 No.| 2 2 Step around with the right foot, move 3 | otf the attack lin and grasp the jo. | ee ae a | es Step on the opponent's left foot and 6 | extend your left hand to. fell him. gh =® AK (8) 136Jo Tori No. 8 Uke Rotate your body out of the line of attack. Grasp the j6 with both hands, Pivot the jO around the opponent's left hand controlling his right. Execute @ thrust to throw him. 137eH x @ @ | kemaeny @ |AETKEMY, BREMFO RAIL -138Jo Tori No.9 Uke Slide your body alongside the thrust and flow with it Take the jo with the left hand. Move the Fight foot to the opponent's rear turn your hips and throw him,IK) 10) 36 Tori No. 10 140—3 | 2 o No. Uke Dem 2] step around with the left foot out of the sf CHk line of attack a 4 ei ® | warcmens. Grasp the jo with the right hand. 5 s G ala, ig DB leeceume ulna ee Hold with the left hand, move to left eee ’ 7 | hammiand tur the hips. 8 Sie 9 em sie CHIT Thrust with the j6 and throw him 10 uiJo Tori No. 11 No. Uke 2 | Hold the opponent’s left elbow with your 3 | tight hand “+ Step on the jo with your right foot, $ bo) 1) 5H 2 9 > | a GP CMTS 1423. HL + OEE CARAFE AEF B BS) Jo and Taijutsu Relationships (The attacker tries to take the jo) METH RRS THES, MEDAN AMES S REO CHT ERTS. ‘These techniques are used to lead an opponent instead of striking or thrusting at him. —143= m e—( ca Zz 4 ee aS D [Hea D |Meunes D |MEMI GD, MEMRCAS | 2 |meonnmemmeme synod |e Raise the j0 over your head, enter in front of your opponent, Tum your body and strike down with the joa 12)ur ‘Technique No.2 Flow with the opponent's power. Raise the jo over your head. Slide a half a step to his rear and strike down with the j6,mw 4—(3) ‘Technique No. 3 Lik DOE RSL THES aere : Uke ‘As the opponent tries to hold your j6 down, lead him down, and control his left 4] am When the opponent leans forward, thrust with the i to throw him, 49Technique No. 4 No. Uke 1 - As the opponent grasps your jo, you must lead his Ki completely. 3 Z ; Scoop up the opponent's right leg to 5 | throw him 6 151Technique No. § No. Uke Control the opponent's left wrist Raise the jo from his side, step around 8 | with the left foot and restrain ‘him,me &—(6) FRE ARH ilk THE Technique No. 6 Uke Turn your body, step back with the right foot and throw him.KF IRE AMICHE OME RD Technique No. 7 No. Uke Lower the hips and step back with the left foot. (The right foot is forward.) © | Drawing a half circle with both hands, 7 | mise theo to your forehead. Step forward with the right foot to move the oppo- | Ment. Settle the ips, um them and throw4 FE + FFL EY conic sry 2 betta) Jo and Ken RelationshipsTechnique No. 1 N Uke —J6 [ Uchitachi 1 | Stand in teft hammi Stand in right hamma «| Hit the opponent's ken down. “st ew aoe) 5 | Control the opponent's right wrist Flow to the left raise the ken and strike, 6 7 | ThrustMm a2) Technique No. 2Uke — Jo Step off to the right and strike his face. Withdraw the jo. Flowing with his thrust, step to the left Do Gedan Gaeshi and hit his side. Uchitachi Strike with Shdmen Uchi Komi Thrust stepping forward with the left foot.m &—(@) BH Bh h WEAN —162Techni Uke ~ Jo Blend with the opponent as he raises his. | ken and control his elbows. Move widely to the right and strike. et ak ee 163Technique No. 4 we) RU @ BO DAMNED DETAR. @ ® @ [MEOHOLERIL AR CHEM, = | EMT CM EEML CHS, ® No. Uke —J6 2) Blend with the opponent as he raises his 3 | Kenand enter with the jo. - gar Extend against his right elbow, and pivot 5 | on your'left foot. Rai the 0, wrapping up his hands and throw him 6 —164—5) Cie) Be] RU SAI ® ® @® | ieee Liners TERT EIA ® ® @ |kercs. ® @ | ees emee oDFeM. EIT BIA ® ® @ | Mae L maT HITE a Technique No. 5 (See pages 166, 167) No] Uke 3a Uchitachi 2 3 4] Move with Jodan Gaeshi and strike his | strike with Shomen Uchi Komi. 5 6 7 | Withdraw the jo 8 9'| Move to the left and strike his wrist, Strike with Renzoku Uchi Komi 10 1 2 1g | Poss Gaeshi and strike his face, Strike with Renzoku Uchi Komi, 4 —168-nweconre | o The Hasso Gaeshi Movement Stand in right hamm Change to left h 3 | Place the right hand at the center of the 6, The left hand is forward The left hand lightly moves the jo down. 4 [5 | Move the hips back and give the jO a half turn 6 Stand in Hasso no Kamae. 169170EH tie | @ er ® [wa » | tke Bk bbe m Technique No. 6 (Refer to page 172)Technique No. 6 (See pages 170, 171) As he strikes move with him to Jodan Gaeshi, No. Uke —J6. Uchitachi 2] Blend with the opponent as he raises 3 | hisken and ehrust, A Strike with Shomen Uchi Komi, © | As if thrusting, insert the jo between his | ams. 8 | Tum the body, extend against his hands, and throw. 10 mm &—(7) 5H BO H5AD EEG LT EMT BAA ® ® Pk & ob LAE EAT 2, HET DLA Technique No.7 No. Uke — 36, Uchitachi 2 if ea | HAE ih Yotan aes and stike his | sui with Shamen Uei Komi 4 5 | Move to the left and strike his leadingfoot, | Strike with Renzoku Uchi Komi, 6 172—a) Sa ee ne D [ex KR EAM MDM Eo MPOGRET Co LER =Technique No. 8 Uke — Jo Stand in right hammi, Move forward to the left with the right foot to dodge the opponent’s strike. With | Strike with Shomen Uchi Komi the jO scoop up his right leg and throw him,a9) ce HEAD aH ie 176Technique No. 9 No. Uke — 6 Uchitachi 2 3 Move forward to the left and strike the 4 cl aoe Strike with Shomen Uchi Komi. | Move your left foot the opponent's | rear, tuin the hips and throw him @ —177er ra Bide Wk ED | BGR LF BT aE ay, a ee _ ee Technique No. 10 No Uke 36 5 Uchitachi yy [i | Stand in eft hammi aa 3 Do Jodan Gaeshi but strike low at the eg. | Strike with Shomen Uchi Komi 4 s 178race (36) S100 (4%) NETRA TR METRE LW LA OLIVS OMTHTON - 81610 mn eK me MHI ED i C08 LNOK H SOLANGE AFCA TOS) EO Be BW WB Lio 2 8 YB & HOM REE - ANB “He eM WR FUE Ore eensateck BE WO TH de aninatée ALA MOE (eae) Th MR ie Te BST CberniN 19% (HO) Pio WY HA - yO S