THE HARSH MISTRESS

by PJ McIlvaine

PJ McIlvaine [email protected]

FADE IN: CAPTION: PHILADELPHIA-1860S EXT. CEMETERY-DAY A MINISTER solemnly intones while a plain wood casket is lowered into the cold hard ground by CEMETERY WORKERS. EVANGELINE WOODHULL, mid 30s, and her children, JANE, 10, and PHILIP, 8, are the only ones in the small group of MOURNERS who seem genuinely grief-stricken. Evangeline quietly SOBS into her handkerchief. Standing directly opposite Evangeline and her children is COUSIN MARTIN, 11, who delights in making faces at Jane and Philip. Martins mother, ANTONIA, a stout woman with the face of a dried prune, blows her nose dramatically. The Minister finishes. The Mourners scatter. Evangeline, Jane and Philip hang back. EVANGELINE May God keep you in his warm embrace, my sweet Mama. ANTONIA (impatiently) Evangeline, hurry along. Do you want Martin to catch his death as well? PHILIP (under his breath)

Yes.

EXT. ANTONIAS HOUSE-DAY Well-kept, clapboard row house. INT. FORMAL DINING ROOM Ornate, of an era gone by. Antonia and Martin silently eat. Martin picks up his silver goblet and frowns. MARTIN Im thirsty, Mother. ANTONIA Then we shall get you some water, my pet.

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INT. SERVANTS KITCHEN-SAME TIME Evangeline, Jane and Philip eat from plain wooden bowls by the hearth. PHILIP Cousin Martin made faces at us the whole time. Why did he do that, Mama? Didnt he love Grandmother? EVANGELINE Of course he did, Philip. He loved your Grandmother very much. JANE He did not. He made fun of her while she was alive, never mind that shes dead. Hes an insufferable boor and I hate him. I wish he had died instead of Grandmother. EVANGELINE Jane! God is listening. JANE No, hes not. If he was, Grandmother would still be with us. O.S. A bell RINGS. Evangeline SIGHS as she rises. CUT TO: Evangeline enters the formal dining room. EVANGELINE Yes, Antonia? ANTONIA The pitcher is empty. EVANGELINE Ill fetch Tizzie. ANTONIA That slowpoke? Martin starts to choke. Antonia glares at Evangeline. Biting her tongue, Evangeline grabs the pitcher and races out. EXT. BACKYARD-MOMENTS LATER Evangeline draws water from the well.

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INT. FORMAL DINING ROOM-MOMENTS LATER Evangeline pours water into Martins glass. ANTONIA That took long enough, you lazy dolt. Martins face nearly was blue. Feeling better now, my dove? Martin nods as Evangeline turns to go. MARTIN I should like some cake now. EVANGELINE Excuse me? I am not your--ANTONIA You heard the boy. Evangeline goes to the buffet and slices a piece of cake. Her back turned, Evangeline spits in the cake before she hands it to Martin. EVANGELINE Here you go. A nice big slice. Martin digs in like a pig at the trough. INT. BEDROOM-LATER Evangeline enters as MARTHA, an elderly housemaid, gathers Evangelines belongings. EVANGELINE Martha, what is the meaning of this? MARTHA (Irish accent) Sorry, mum. Miss Antonia said to move you into the attic. The children too. EVANGELINE Is that so? Well just see about that. Where is my sister-in-law? MARTHA Miss Antonia has one of her migraines. Shes not to be disturbed. EVANGELINE Then youll just have to wait until I can speak with my sister-in-law.

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MARTHA Sorry, mum. I got me orders. INT. ATTIC-LATER A cold, forbidding place. Evangeline tucks Jane and Philip in their cots. JANE I dont like it up here. Its drafty. PHILIP I bet there are mice up here too. Evangeline kisses Jane and Philip. EVANGELINE It wont be for very long. Think of it as an adventure. PHILIP We shall see Papa soon? EVANGELINE Sooner than you think, my darlings. Now say your prayers. PHILIP Now I lay me down to sleep--Jane ignores her mothers admonition and pulls the covers over her head. INT. PARLOR-DAY Antonia lounges on a settee as she reads a book and eats chocolates. O.S. A KNOCK on the door. ANTONIA Oh come in. Evangeline enters. EVANGELINE May I speak with you, Antonia? ANTONIA (irritated) Must it be now? Talking is not good for the digestion. (beat) Very well.

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Evangeline closes the door behind her. ANTONIA (CONTD) Speak up. What is it? EVANGELINE I wish to make things plain between us. (beat) I will not be spoken to by your wretched son in my own home as though I were a scullery maid. ANTONIA Your home? Why, you ungrateful creature! If it werent for the charity that my step-mother extended, you and your illtempered brats would be in the poorhouse. EVANGELINE If Charles were here, you would not be so bold. Antonia LAUGHS. ANTONIA Charles. My nefarious step-brother. How long has it been since he last wrote you? Six months? Eight? (beat) Your situation is clear, Evangeline. If you wish to remain under my protection, you must earn your keep. EVANGELINE Which is precisely why I speak to you today. Rest assured that we will not eat a crumb of your so-called charity a moment more than necessary. Im already in the process of making the arrangements. ANTONIA Arrangements? Pray tell, enlighten me. Youre a penniless, discarded wife with no relation to call upon. You will rethink your high and mighty airs soon enough. EXT. MAIN STREET-DAY Evangeline crosses the street, sidestepping wagons and horses.

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INT. PAWN SHOP-DAY Evangeline hands her wedding ring over to the STORE OWNER. CUT TO: Evangeline exits the shop as she closes her purse. Lost in thought, she walks away, then her attention is caught by a handbill in a storefront window: Westward Ho! Great Plains Expansion Raises Excitement and Once in a Lifetime Opportunity! INT. SALOON-DAY Crowded and noisy. Evangeline enters and hesitantly scans the room. MEN at the bar stop their drinking to eye her; even in her severe black mourning clothes, shes a beauty. Slouched at the end of the bar is ALEC McLAREN, early 50s, trapper, his long silver hair neatly tied back. Hes dressed in dirty deerskin. At a table sits THEOBOLD MAPES, a preening sop in gentlemans clothing. Mapes speaks to a clearly DISTRESSED MAN while other FELLOWS wait their turn. Standing nearby are two of Mapes cohorts in crime, the rotund, no-necked BARNABY and the acne-scarred FITZWILLIAM, barely out of his teens. Alec spots Evangeline, smiles, nods appreciatively. She ignores him and goes to the BARKEEPER. EVANGELINE Can you help me? Im here to see Mr. Theobald Mapes. BARKEEPER You and fifty other people. Over there, Miss. Evangeline goes to the end of the line, acutely aware that Alec is staring at her. She blushes and folds her arms over her chest. The Distressed Man gets up, angrily pushes his chair over and storms out. Mapes shrugs, lazily eyes Evangeline; a slow grin crosses his face. He turns and WHISPERS to Barnaby.

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Barnaby goes to Evangeline and WHISPERS as Mapes pours himself another shot of whiskey. Barnaby returns to Mapes, WHISPERS in his ear. Mapes nods. A hopeful Evangeline smiles. Alec moves himself and his drink closer to Evangeline. ALEC (roughly, Scottish brogue) Waiting to see him? Evangeline doesnt realize that Alec is speaking to her. ALEC Are you deaf as well as mute? EVANGELINE I beg your pardon? ALEC Are you here to see that man? EVANGELINE If you refer to Mr. Mapes, the answer is yes, though what business it is of yours, I do not know. I am not in the habit of addressing strange men. ALEC (chuckling) Mapes? Is that what hes calling himself now. EVANGELINE You know him by another name? ALEC Men like him go by many names. EVANGELINE I have no time for riddles, sir. I must consult with Mr. Mapes on a matter of great importance. Evangeline takes the handbill from her purse and shows it to Alec. EVANGELINE (CONTD) Just what are you inferring, Mr.---

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ALEC I infer nothing. Alec McLaren at your humble service, Miss. Its Mrs. EVANGELINE

ALEC Just that? Or dont you have a last name? EVANGELINE Woodhull. Mrs. Charles Woodhull. ALEC Nice to make your acquaintance, Mrs. Charles Woodhull. (beat) If Mapes says hes qualified to lead a wagon train, far be it from me to say different. EVANGELINE It is my understanding that Mr. Mapes has encountered great success in similar endeavors. ALEC (unimpressed) Really? (beat) That may be. What I can attest to first hand, my dear woman, is that the prairie is a harsh mistress and men of a stronger nature than Mapes have succumbed to its fatal lure. Alex takes a long gulp from his tankard and wipes his mouth on his sleeve. Evangeline stiffens, her lips curdling in disgust. Barnaby beckons to Evangeline. BARNABY My master shall see you now, Mrs. Woodhull. Barnaby leads Evangeline to Mapes. Alec resumes his drinking, but shifts his position the better to eavesdrop. Mapes takes Evangelines hand and kisses it, his lips lingering a second too long.

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MAPES Mrs. Woodhull, tell me how I can be of service to a lady of such delicate beauty and refinement. EVANGELINE I saw your handbill in the dry goods store. I would like to inquire as to the possibility of my family joining you on this glorious quest. I see. MAPES

ALEC (mutters under his breath) I bet you do. MAPES Does Mr. Woodhull share your interest? EVANGELINE My husband has already made the journey. I see no reason to be coy, Mr. Mapes. Due to our precarious finances, my husband found it necessary to leave Philadelphia to explore new avenues of opportunity. Mapes leans forward, all ears. MAPES If I may be so bold, exactly what avenues of opportunity? EVANGELINE To till the land. To own his piece of Gods green earth. Mapes sits back, visibly disappointed. MAPES (dryly) A noble undertaking. EVANGELINE In Charles last letter, he wrote that he had acquired quite a bit of land. I have not heard from my husband in some time and circumstance compels me to act. I understand you intend to depart a week from Friday.

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MAPES True, but I must warn you, its a long and arduous journey. It would tax the hardiest of men, let alone a woman of gentle temperament. Alec GUFFAWS. EVANGELINE Do not be fooled, Mr. Mapes. I am no stranger to hard work. However, if theres no room for another family--MAPES Quite the contrary. You are in a most fortuitous position. Just this very day a family was forced to withdraw. The lady of the house had a change of heart. EVANGELINE Fortuitous indeed. Mr. Mapes, you need not fret. I shall not have a change of heart. Mapes snaps his fingers and Barnaby comes running. Alec finishes his tankard and strides by Mapes and Evangeline. MAPES My man Barnaby will see to the contract. Upon your signature, I require a deposit of two hundred and fifty dollars, with the remaining balance due upon the successful completion of the trip. Evangeline GASPS. EVANGELINE I had no idea...two hundred and fifty dollars is all I have. MAPES No need to worry, sweet lady. As long as youre able to make the first payment, well settle up with Mr. Woodhull. I can imagine his joy at being reunited with his sweet little family. Give Barnaby your address and hell bring it by later. Evangeline rises. MAPES (CONTD) I saw you conversing earlier with that abominable man.

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Who?

EVANGELINE

MAPES The creature at the bar. His name is Alec McLaren. Is he a friend of your husband? EVANGELINE He most certainly is not. I never saw him before in my life and never expect to again. MAPES Id surmised as much. Mrs. Woodhull, I would strongly suggest that you disregard anything that ruffian might tell you. The man is well known for his base nature and undesirable fraternizations. Its even said that the fellow has taken an Indian for a wife. (beat) I cannot, of course, vouch personally for the veracity of this, but it would not surprise me in the least. A beast such as McLaren takes his pleasure where he can. EVANGELINE (nervously) Thank you for your good counsel, Mr. Mapes. But about the Indians...I have two little ones. Do you think it likely we would encounter the savages? One hears such wild stories. MAPES Dime novel rubbish. Any Indian we might meet is more afraid of us than we are of them. In any event, our guide is wellversed in the ways of the red man. Trust me, Mrs. Woodhull. You and your children have nothing to fear. Barnaby takes Evangeline by the arm and leads her off. Fitzwilliam joins Mapes as Alec returns to the bar. FITZWILLIAM Another pigeon, Mr. Mapes? MAPES Yes, Fitzwilliam, and a most delectable one, ripe for the plucking. I do so enjoy seducing virtuous wives. Behind their locked doors and crinolines, their piety would make the Pope blush.

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The two share a ribald LAUGH. Alec throws a few coins to the Barkeeper. MAPES (CONTD) I dont know what I find more offensive, these sanctimonious wives or their supercilious husbands. If Im subjected to another tale about Gods green earth, I shall slit my throat. As if these gelded blue-bloods could grow anything more than a turnip. Alec leaves the bar as Mapes and Fitzwilliam roar with LAUGHTER. INT. ANTONIAS HOUSE/ATTIC-DAY Evangeline packs. CHARLOTTE, a sad-eyed woman who holds an INFANT, watches. CHARLOTTE Is there anything I can say or do which would prevent you from pursuing this madness? EVANGELINE Spare yourself, Charlotte. I would have left long ago if Mama had not taken ill. CHARLOTTE This is all that witch Antonias doing. EVANGELINE No. This is all Charles doing. I am wife nor widow and neither role suits me well. At least Antonia knows where her husband lies. CHARLOTTE Aye, the grave was the only place the poor soul could find any solace. EVANGELINE Tis a cruel thing to say. CHARLOTTE Cruel, but true. Still, why must you seek Charles out? Its not as if you love him. Have you not forgotten what you told me on your wedding day, in this very room? Evangeline averts her eyes.

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EVANGELINE That was a long time ago. I hold Charles in high...esteem. CHARLOTTE I beseech you, Cousin. If you are determined to persist in this folly, let the children stay with me until you know Charles fate. EVANGELINE With six of your own and another on the way? Your plate is full as it is. Charlotte bursts into tears. CHARLOTTE I will never see you again. I shall die from loneliness. Evangeline hugs Charlotte. EXT. GENERAL STORE-DAY Alec loads supplies into his wagon. INT. GENERAL STORE-DAY Barnaby and Fitzwilliam argue with the PROPRIETOR. PROPRIETOR Now see here. Mr. Mapes hasnt paid me for the last--CUT TO: Barnaby and Fitzwilliam exit the store and go down the street. Alec goes inside to get more supplies. The Proprietor talks with two older men, STORE REGULARS. PROPRIETOR (CONTD) I wish I knew what that scoundrel Mapes was up to. STORE REGULAR 1 Whatever it is, you can be sure its no good.

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STORE REGULAR 2 Too many people have taken the trip out west with Mapes, never to be heard from again. The vultures lick bones clean. Alec slows down to catch their words. PROPRIETOR Mapes crew bought the barest of essentials, and haggled me to boot. They said he intends to restock at Fort Allister but--STORE REGULAR 1 The vultures or the Indians. Take your pick. Alec stoops to pick up a sack of grain. ALEC Does one of you fine gentlemen know where I can find Mrs. Charles Woodhull? STORE REGULAR 1 Now what sort of business would a monkey like you want with a proper genteel lady such as Evangeline Woodhull? PROPRIETOR Unless its monkey business. The men LAUGH as Alec scowls. STORE REGULAR 2 She lives on Foxwood Court. The third house down. INT. ANTONIAS HOUSE/KITCHEN-LATER Evangeline takes a hot loaf of bread from the oven and lays it on the counter as TIZZIE, a stocky Irish girl in her late teens, enters. TIZZIE Begging your pardon, Miss Evangeline, but theres a man here to see you, a most fierce looking man, if I do say so. EVANGELINE A man? Did he give his name?

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TIZZIE No, mum, and I didnt dare ask. All dressed in buckskin, he is, and smells of it too. He looks like a character from one of them penny novels Miss Antonia likes to read. EVANGELINE Is Miss Antonia the only one who likes to read them, Tizzie? Did you not tell him that I was otherwise occupied? TIZZIE I tried to, but he doesnt look like the sort of man whod take no for an answer. EVANGELINE Very well. Tell Mr. McLaren that Ill be down directly. (beat) I trust you did not apprise my sister-inlaw of his presence. TIZZIE Miss Antonia is in her room with one of her headaches. Hes waiting for you in the yard, mum. I didnt think it wise to show him into the parlor, not with that stench about him. EXT. YARD-DAY A curious Jane and Philip stare at Alec. PHILIP Have you killed many Indians, sir? What? ALEC

PHILIP Indians. I bet youve killed lots of them. ALEC A few, but not half so many as talkative wee bairns who barely reach my knee. A terrified Jane and Philip run off as Alec CHUCKLES. Evangeline, a shawl wrapped around her shoulders, approaches him.

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EVANGELINE Mr. McLaren. ALEC Good day, Mrs. Woodhull. EVANGELINE To what do I owe this visit? Perhaps youve come to apologize for your rudeness the other day? ALEC If anyone was rude, twas you, Mrs. Woodhull, but I have not come here to quarrel. Alex COUGHS and removes his hat. ALEC (CONTD) Its come to my attention that your friend Mapes harbors less than, shall we say, honorable intentions towards you and the rest of your traveling companions. As a gentleman, I felt duty bound to warn you. EVANGELINE (icily) On what facts do you base this supposition? ALEC Other than my gut? I was in the general store when Mapes men were buying provisions. They demonstrated a remarkable lack of planning and foresight. EVANGELINE Could Mr. Mapes have a perfectly valid reason? ALEC That jackanapes would say that the party should travel lightly and replenish at Fort Allister. EVANGELINE That is not reasonable? ALEC But not logical. Need I remind you that eight hundred miles lies between Philadelphia and Fort Allister.

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Eight hundred miles of thirst that will make the back of your throat scratch like coarse sandpaper. Eight hundred miles of relentless sun beating upon your brow till your head bursts like the hull of a schooner run aground. Facing such bleak prospects, most reasonable people would tend to overstock on the side of plenty, would you not agree, Mrs. Woodhull? EVANGELINE I cannot say one way or the other. I have never made the voyage. ALEC That is my point precisely, Madame. I have, more times than I care to count. Mapes is going about it all wrong. It is not my intention to alarm you--EVANGELINE In that you have failed. I have full faith and confidence in Mr. Mapes. Good day, Mr. McLaren. Do not trouble yourself further on our account. Evangeline turns to go but Alec grabs her by the arm and spins her around. EVANGELINE (CONTD) (shocked) How dare--ALEC Hasnt one word of what I said penetrated that thick skull of yours? Mapes has no intention of bringing you to the destination hes promised you, at least, not with your baggage round his scrawny neck. Hell make a good show of it until one morning youll awaken to find him gone like mist on the moor. And then like the fools that he knows you are, youll stagger on until some renegade Indians put you out of your misbegotten misery, but not before Mapes has his way with you. Evangeline GASPS. Such impudence! ALEC (CONTD) Or will it be the other way around--Evangeline slaps Alec hard across the face.

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EVANGELINE You take far too many liberties, Mr. McLaren. Ill thank you to leave now before I do worse. ALEC With pleasure, Mrs. Woodhull. I wish you luck on your grand and glorious adventure. God knows, youll need it. Alec stalks off. A worried Tizzie, wielding a broom like a rifle, goes to Evangeline. TIZZIE Mum, what if hes right? He appears to know what hes talking about. Them Indians are savages. They collect scalps like me dear old Mam collects teacups. EVANGELINE Mr. McLaren is not to be trusted. Go on about your work. INT. STABLE-DAY Alec tends to his horses. As he grooms them, voices from his past speak to him. ALECS FATHER (V.O.) America is the land of milk and honey, Leonie. Our bairns will know the taste of freedom. They shall dream--ALECS MOTHER (V.O.) You and your dreams, Robert. They will be the death of us yet. INT. ANTONIAS HOUSE/ATTIC-NIGHT The children sleep as the wind whips. Evangeline anxiously tosses and turns. DREAM SEQUENCE: Evangeline stands at her mother-in-laws grave. She turns and sees CHARLES, a pale moon-faced man, beckoning to her. Evangeline runs to Charles but just as she reaches him, he dissolves into a leering Mapes. She runs off but a FIERCE INDIAN WARRIOR bars her way; he takes out a knife and grabs her by the hair and pulls her head back, the blade slick against her throat. END DREAM SEQUENCE

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Evangeline jolts awake, GASPING for air. She touches her throat, looks at her fingers, half expecting to see blood. INT. BARN-DAY Evangeline practices her horsemanship with an old mare hitched to a buggy. EVANGELINE Go on, Daisy. (beat) Please? The mare doesnt budge. INT. GUNSMITH STORE-DAY Evangeline enters. The OWNER, pre-occupied with polishing a shotgun, puts it aside. OWNER Good day, Madame. EVANGELINE Good day to you. I should like to purchase a weapon. OWNER Then youve come to the right place. I have just the one. A beauty, she is. The Owner takes out a wood case and displays a dainty revolver. OWNER Itll fit in your knitting kit snug and dandy. EVANGELINE I dont know. It seems...small. The door opens and who walks in but Alec, animal pelts slung over his shoulder. OWNER Mr. McLaren. I didnt expect you until later this afternoon. ALEC I trust its ready?

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OWNER I finished not five minutes ago. But youll have to wait. Im helping the lady. EVANGELINE Please, dont wait on me. I havent made up my mind. The Owner exits to the back of the store. ALEC In need of protection, Mrs. Woodhull? Evangeline ignores Alec as she tries the revolver out for size. The Owner returns with a rifle and hands it to Alec. OWNER Here you go. Better than new, I dare say. Alec inspects the rifle as Evangeline quietly takes note. OWNER (CONTD) Plan on leaving soon, Mr. McLaren? ALEC Indeed I do. Certainly before that fool wagon train pulls out. Alec slams the pelts on the counter. ALEC (CONTD) This should settle my account. OWNER Aye, and more. Alec pointedly stares at Evangeline. ALEC Is there a problem, Mrs. Woodhull? EVANGELINE None whatsoever. ALEC Id stick with the revolver if I was you. Itll fit quite snug--EVANGELINE In my knitting kit. I know.

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ALEC See you next spring, Owen. (beat) That is, if I make it through the winter. Alec takes his rifle and exits. OWNER Have you made up your mind, Mrs. Woodhull? EVANGELINE I have. Now as for the payment. My husband, who has a keen eye for such things, has a book signed by a most imaginative author by the name of Herman Melville. Its about a whale--OWNER Cash on the barrel. No credit. (beat) But the Missus has a keen eye for fancy earrings, that she does, and those earrings youre wearing would suit her quite well. Evangeline SIGHS as she reluctantly takes off her earrings. EXT. ANTONIAS HOUSE/YARD-LATER A tin can stands on a tree stump. Evangeline aims a rifle as Jane and Philip watch from the stoop. Evangeline pulls on the trigger, fires and falls promptly on her backside, missing the can by a mile. Philip enthusiastically CLAPS. EXT. ANTONIAS HOUSE-FRONT YARD, SEVERAL DAYS LATER A frazzled looking Evangeline and the HOUSEHOLD HELP load a wagon as Tizzie indelicately pushes a steamer trunk onto the steps. TIZZIE Here you go, mlady. Full of the Masters books. EVANGELINE Theres no room for it, Tizzie. The wagon is overloaded as it is. TIZZIE But, Mum, the Mistress said---

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EVANGELINE I dont care what Antonia said. The books stay here. We cant eat them. Yes, Mum. TIZZIE

Tizzie lugs the trunk back up the steps. Jane runs out of the house and up to Evangeline, a music box in her hands. JANE Where shall we put this, Mama? We cant leave Papas music box behind. Hed be so disappointed. EVANGELINE Ill find a safe spot for it, dont worry. INT. HALLWAY-DAY Jane and Philip stand to one side and watch the hustle and bustle. Martin comes up behind Jane and pulls on her long braids. That hurt! JANE

MARTIN Thats a pinch compared to what those murdering, thieving Injuns will do to you. Mother doesnt give you a week before your scalps--Tizzie comes upon the children. TIZZIE Master Martin. What now? (beat) Oooh, Ive got just Cook just set out a that she did, a big mischief you be up to the thing for you. bowl of rice pudding, bowl it is too---

Martin scrambles down the hall. JANE Tizzie, you know Auntie forbade him to eat pudding. It upsets his digestion.

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TIZZIE Does it now? Heavens, I forgot. Come now. Your Mamas looking for you. Your great adventure is about to begin. JANE I wish you were coming with us, Tizzie. So do I. PHILIP

TIZZIE Aye, but Mrs. Carew would never let me go. Dont dally, now. EXT. WAGON-DAY Evangeline helps Jane and Philip into the front seat. Jane clutches a handmade cloth dolly. Tizzie starts to SOB. TIZZIE Miss Evangeline, the house is going to be like a morgue without you and the wee ones. Evangeline hugs Tizzie tightly; she lets go just as an out-ofbreath Charlotte runs up to her and pushes a picnic basket into her arms. CHARLOTTE Its not much but tis all I could spare. EVANGELINE Charlotte--Without another word, Charlotte runs back down the street. Evangeline climbs up into the seat and takes the reins. Fitzwilliam canters up; he spots Tizzie, smiles broadly. Evangeline takes one last look at the house. FITZWILLIAM If youre ready, Mrs. Woodhull? Evangeline pulls on the reins but the horses wont move. FITZWILLIAM (CONTD) My Pa always said that horses were like women. They need a firm hand.

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Tizzie GIGGLES. Evangeline takes the crop and hits the lead horse. The wagon lurches forward and slowly moves down the street. O.S. A SCREAM. CUT TO: Martin writhes on the kitchen floor as he clutches his stomach. CUT TO: Tizzie flies into her room and pulls a small satchel from under her bed. TIZZIE Mam, please forgive me for disobeying but Id rather face them painted savages than get another boxing from that beastly woman. CUT TO: Tizzie runs down the street as fast as her stubby legs can carry her. Antonia races out of the house and shakes her fist at Tizzie and the wagon. ANTONIA So this is how you repay my kindness, you wretched--Tizzie catches up with the wagon. Fitzwilliam helps her jump on board, her skirts rising above her thighs; their eyes meet. Tizzie blushes. EXT. WAGON TRAIN PROCESSION-DAY A line of fifty or so wagons pass through the town. Leading the way is Mapes, Barnaby and TWO HATS, a young Indian half breed, wearing a pipestove hat. BYSTANDERS wave as the wagons pass. CUT TO: Outskirts of town. Alec rides an outboard with three horses tied to the back. From a distance he watches the wagon train pass. His demeanor stiffens when he sees the half-breed. MONTAGE:

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Shots of wagons and their PASSENGERS. A BABY CRIES. Mapes rides past Evangeline. He tips his hat and smiles. She politely smiles back. Fitzwilliam flirts with an infatuated Tizzie. A hot and dirty Evangeline at the reins. INT. EVANGELINES WAGON-NIGHT An exhausted Evangeline tucks Jane and Philip into their cots. She lowers the light on the lantern and proceeds to put a balm on her blistered, bleeding hands. CUT TO: Evangeline emerges from the wagon just as Fitzwilliam and Tizzie stroll off into the nearby woods. EVANGELINE Dont stray too far, Tizzie. Evangeline tends the fire as Mapes approaches. MAPES Good evening, Mrs. Woodhull. Pardon the intrusion, but I seem to have lost my boy Fitzwilliam. You wouldnt happen to know where the boys run off to? EVANGELINE I really couldnt say, Mr. Mapes. MAPES The lad seems quite taken with your servant girl. EVANGELINE Tizzie is not my servant. She is free to come and go as she pleases. MAPES Well, what Fitzwilliam does on his own time is his affair. On a long journey, such dalliances are bound to occur. I trust you didnt find the days travels too exhausting. EVANGELINE Not in the slightest. I found it exhilarating.

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MAPES Sleep well, then, for its another rough day youll be facing come morning and more days after that. (beat) Of course, Mrs. Woodhull, dont hesitate to seek me out if I can be of...service. Mapes stares at her, his tongue curling like a serpent. Unsettled, Evangeline averts her eyes. EVANGELINE Thank you, Mr. Mapes. Mapes departs. Evangeline takes a drink from a canteen. Moments later, a flushed Tizzie and Fitzwilliam emerge from the woods. EVANGELINE (CONTD) Fitz, Mr. Mapes was looking for you. FITZWILLIAM Must be the horses. Ill hop right to it. Fitzwilliam shyly lets go of Tizzies hand and walks backwards, never taking his eyes off her. He stumbles and nearly trips over a log. Tizzie GIGGLES as she waves farewell to Fitzwilliam. EVANGELINE It seems you have a champion, Tizzie. TIZZIE (dreamily) A champion is just what he is, mlady. And an honest to God gentleman. I wish me Mam could meet him. Tizzie YAWNS. TIZZIE (CONTD) Good night, Miss Evangeline. EVANGELINE Good-night, Tizzie. Tizzie climbs inside the wagon as Evangeline stares into the fire. Who will be her champion?

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EXT. RIDGE-SAME TIME Alec sees the fires from the wagon train encampment. He pulls a blanket over himself and leans against his buckboard. ALEC Shes made her bed, let her lie in it. Then he recalls the words of the Store Regular 1. STORE REGULAR 1 (V.O.) The vultures or the Indians. Take your pick. ALEC Ahh, it wouldnt hurt to stick close by. MONTAGE: More days on the long, hot trail. Whatever sense of adventure Evangeline, the children and Tizzie felt at the outset have long gone. This is backbreaking work. Evangeline passes the broken remnants of a wagon. Tizzie on Fitzwilliams horse as Fitzwilliam walks alongside. The Indian Half Breed climbs off his horse, kneels and checks the ground. Evangelines wagon passes him, and the children, their eyes wide with wonder, stare at the half-breed. PHILIP Hes not as red as I thought he would be. JANE Shhh! He might hear you and come after us while were asleep. Alec on his horse, the relentless sun beating down. EXT. EVANGELINES WAGON-NIGHT Jane and Philip play tag with several other CHILDREN. Fitzwilliam sloppily eats from a tin plate. Finished, he holds out his plate for more, which Tizzie happily refills. Tizzie offers some to Evangeline, who shakes her head. EVANGELINE Your Indian guide. Does he have a name?

28.

FITZWILLIAM Master Mapes calls him Two Hats. Thats all I know of him. Not a very friendly bloke. He keeps his own counsel. TIZZIE He gives me the willies. FITZWILLIAM Dont worry, my love. If any red man should come sneaking up on us, Id cut off his blooming head. O.S. A fiddle plays. EXT. ALECS CAMP-SAME TIME Alec grooms his horses. He cocks his head as he hears the fiddle. CUT TO: A FIDDLER plays an Irish jig as MEN, WOMAN and CHILDREN kick their heels. Jane and Philip grab Evangelines hand and they all join the dancers. Fitzwilliam extends his arm to Tizzie; she curtsies and the two join in. Mapes comes upon the scene and spots Evangeline; his eyes bore into her. Evangeline notices him staring at her and selfconsciously pulls her shawl around her shoulders. CUT TO: Alec hides out of sight and watches Evangeline as she dances. Her hair falls from its bun and cascades around her shoulders. Alecs face tightens as he spots Mapes. Two Hats saunters into view, his face a mask. Alec grimaces at the sight of him. EXT. WAGON TRAIN-DAY Fitzwilliam drives Evangelines wagon, Tizzie beside him. Evangeline rides alongside. EXT. EVANGELINES WAGON-DUSK Evangeline approaches Tizzie.

29.

EVANGELINE Have you seen the children? TIZZIE I believe theyre playing hide and seek, mum. Evangeline goes off into the woods. TIZZIE (CONTD) I told them to stay close. EXT. RIVERBANK/WOODS-DAY Two Hats, reading a book in the fading daylight, sits under a grove of trees not far from the riverbank. Evangeline emerges from the woods; she spots Two Hats and immediately stiffens. Two Hats closes his book. EVANGELINE I dont suppose you speak English. Evangeline motions with her hands. EVANGELINE (CONTD) Little ones. Children. TWO HATS (perfect English) If youre looking for your son and daughter, I saw them not too long ago. I believe theyre on their way back to camp. EVANGELINE (embarrassed) Excuse me. I had no idea. TWO HATS That a savage like me could read and speak your language? Two Hats closes his book and rises. EVANGELINE Im truly sorry if Ive offended you. I brought along some of my husbands books. Youre welcome to them whenever you like. Good day.

30.

EXT. EVANGELINES WAGON-NIGHT Evangeline, Jane and Philip eat dinner. Two Hats saunters by; when he sees Evangeline, he nods. Evangeline smiles back. PHILIP Tizzie says that Indians eat their babies when they run out of buffalo meat. EVANGELINE Philip! I think youve heard more than enough of Tizzies wild tales, and the next time I see her Ill be sure to tell her. Now if you two have finished, its time for bed. Jane and Philip GROAN. CUT TO: Later that evening. Evangeline washes clothes as Barnaby saunters up. BARNABY Gevening, Mrs. Woodhull. Mr. Mapes would like a word with you, if its not too inconvenient. Very well. EVANGELINE

INT. MAPES WAGON-NIGHT Mapes plays a game of Solitaire as Evangeline enters. MAPES Mrs. Woodhull. Thank you so much for coming. Please make yourself comfortable. Evangeline sits down. EVANGELINE Barnaby said you wished to see me? MAPES May I offer you a drink? EVANGELINE Thank you, but no.

31.

MAPES Ive given your situation a great deal of thought and I believe Ive come up with the ideal solution. Mapes puts his hand on Evangelines shoulder; she pulls away and primly folds her hands in her lap. EVANGELINE My situation? Im afraid I dont know what you mean. MAPES From what little youve told me, it appears that I have no guarantee of ever seeing the rest of my money. EVANGELINE You have my word, Mr. Mapes. And my husbands. MAPES Ah yes. Your husband. (beat) Still, Im owed a very large debt, and I have gone to great expense. Its occurred to me that perhaps we can come to another accommodation. EVANGELINE Mr. Mapes, Ive given you all the money I have, I dont--MAPES It is not money I refer to, Mrs. Woodhull. Mapes gets up and pulls the burlap cover down. Evangeline blushes beet red as the meaning of Mapes words dawns on her. EVANGELINE (sputtering) Surely you--Mapes takes off his waistcoat and unbuttons his shirt. Evangeline turns around. EVANGELINE (CONTD) Mr. Mapes! I am a married woman. MAPES As if that ever stopped me. As for your husband, he need never know.

32.

Mapes pulls off his shirt and tosses it aside. He puts his hands on Evangelines shoulders and kisses her neck. She tries to wrest free but Mapes has a vice like grip on her. MAPES (CONTD) Ive had many a woman in my bed, but never have I desired a woman as I desire you. As God is my witness, youve bewitched me. Evangeline turns and slaps Mapes squarely in the face. EVANGELINE If you ever touch me again, I will kill you! Evangeline storms out. Mapes rubs his jaw as Barnaby enters. BARNABY That was a quick one, eh, Master? MAPES Shut your filthy mouth! (beat) Inform Two Hats that were leaving come morning. BARNABY The morning? But I thought--Mapes hurls a tankard at Barnaby, who ducks. BARNABY (CONTD) Ill tell him, Master. What about Fitz? MAPES Not a word. I wash my hands of the lovesick fool. Barnaby exits. A frustrated Mapes throws his cards on the floor. INT. EVANGELINES WAGON-DAYBREAK Evangeline rouses to the sounds of LOUD, angry voices. O.S. Tizzie SCREAMS. Evangeline quickly grabs a shawl. Jane awakens and rubs her eyes.

33.

JANE (sleepily) Whats wrong, Mama? EVANGELINE I dont know. Stay here. EXT. CAMPSITE-DAY A GROUP OF ANGRY MEN roughly handle Fitzwilliam as FRIGHTENED WOMEN and CHILDREN cower. Tizzie tries to help Fitzwilliam, but the men hold her back. STOCKY MAN We ought to string you up right here and now! A TALL MAN punches Fitzwilliam in the stomach and he falls to the ground. Tizzie breaks away, runs up to the Tall Man and pounds on his chest. TIZZIE Leave him alone! Hes done nothing. A RUDDY FACED MAN grabs Tizzie and pushes her back. Fitzwilliam jumps up to defend Tizzie but a THIN MAN grabs him and puts a knife to his throat. THIN MAN Hangings too good for him, let me--EVANGELINE (O.S.) Step away from the boy or Ill shoot. All eyes turn to Evangeline, rifle in hand, aimed and ready to fire. After a few tense moments, the Thin Man lowers his knife and releases Fitzwilliam. EVANGELINE What is this all about? BEARDED MAN Its that scoundrel Mapes. Hes gone. EVANGELINE You must be mistaken. TALL MAN Its the truth. He snuck out just before dawn. The Injun too. EVANGELINE There must be another explanation. Perhaps they went ahead to scout---

34.

BEARDED MAN With the horses and all the supplies? Not bloody likely! The Thin Man points at Fitzwilliam. THIN MAN And he was in on it. FITZWILLIAM You must believe me, Mrs. Woodhull. I had no inkling that Mapes was capable of such treachery. TIZZIE Hes telling the truth. Another man steps forward; lets call him MATHIAS. MATHIAS I believe you, son. But thats neither here nor there now. EVANGELINE Hes right. Taking vengeance on this hapless lad will not help our plight. MURMURS of agreement rise up. THIN MAN Then what it is you propose we should do, Mathias? Were not yet halfway to Fort Allister and my wife is close to birthing. MATHIAS Any decision we make, we should make as a group. Decision? STOCKY MAN

MATHIAS To press on or return to Philadelphia. EVANGELINE (incredulous) I cant go back. I have nothing to go back to. (beat) We must go on. Evangelines words are met with a chorus of Ayes. holds his hand up. Mathias

35.

MATHIAS I suggest we meet in an hours time. Count the supplies we have left and then we shall speak again. Agreed? MURMURS of agreement. Tizzie hugs Fitzwilliam as Evangeline turns to Mathias. EVANGELINE Thank you, kind stranger. Mathias tips his hat and walks off. EXT. RIDGE-DAY Mapes, Barnaby and Two Hats on their horses. As they pass, Alec silently watches, hidden by the underbrush. EXT. CAMPSITE-DAY Evangeline, Mathias, Tizzie, Fitzwilliam and the others. BOWLEGGED MAN Ive got enough supplies to last a week. WOMAN IN BONNET Its the same with us. Other people nod and MURMUR. Mathias, now the de facto leader, SIGHS heavily. MATHIAS At the rate were traveling, it will take us at least another six weeks to get to Fort Allister. MAN IN GLASSES Thats if the weather holds. And we have no more trouble. MATHIAS (to Fitzwilliam) Lad, have you made the journey before? Do you know what lies ahead? Fitzwilliam sadly shakes his head. Evangeline raises her hand. Yes? MATHIAS (CONTD)

36.

EVANGELINE We could pool our provisions and ration them. One meal a day for the women, two for the little ones and the men. BEARDED MAN Youre forgetting the Indians. Theyll kill us full bellies or not. MURMURS of uneasiness ripple through the group. An ELDERLY MAN steps forward. ELDERLY MAN What say you, Mathias? MATHIAS I say we must go back. To continue would be foolhardy. EVANGELINE But you dont understand. I must go on. My husband--MATHIAS You may do as you like, Madame. I will not hold you back, or anyone else, for that matter. As for the rest of us, we head out at dawn. The group breaks up as a disappointed Evangeline tries to hold back her tears. Philip tugs on her skirt. PHILIP Is the adventure over, Mama? EVANGELINE Im afraid so, Philip. EXT. EVANGELINES WAGON-DAY Evangeline drives the horses when Fitzwilliam rides up and motions at her to slow down. FITZWILLIAM We must stop. Why? EVANGELINE

INT. CARMICHAEL WAGON-DAY A sweaty, heavily PREGNANT WOMAN lies on a blanket, surrounded by several other WOMEN. The Pregnant Woman SCREAMS as a contraction hits her.

37.

FIRST WOMAN There, there, Nell, save your strength, itll be over soon. Another Woman makes the sign of the cross as Evangeline enters the wagon. EVANGELINE What can I do? FIRST WOMAN Pray. Nells having a hard time of it, its her first and its breech. Poor soul. EXT. CARMICHAEL WAGON-NIGHT Evangeline takes a breath of air as Mathias approaches. MATHIAS How is Mrs. Carmichael? EVANGELINE As well as can be expected. However, I would not advise her to travel or I fear well lose her as well. MATHIAS A day then. But no more. And keep close to camp. No wandering off. EXT. BROOK-DAY Fitzwilliam and Tizzie dally by the water. With a mischievous gleam, Fitzwilliam shucks his clothes. Tizzie pretends to be shocked and puts her hands over her eyes. TIZZIE You wouldnt dare! Tizzie parts her eyes and sees that Fitzwilliam does dare. O.S. A SPLASH. Fitzwilliam waves to her. Tizzie unbuttons her blouse. LATER A soaked Tizzie runs out of the water, her undergarments clinging to her wet skin. She falls on the ground. Fitzwilliam follows her, and they share a silly wet kiss. Fitzwilliam puts his shirt around her.

38.

TIZZIE (CONTD) You are cheeky. What if my mistress should see us? Fitzwilliam kisses her again. EXT. EVANGELINES WAGON-DAY Jane and Philip at play as Evangeline walks up. EVANGELINE Where is Tizzie? JANE She went off with Fitz. EVANGELINE (under her breath) That girl! I warned her not to go too far. EXT. BROOK-DAY Tizzie lays on her back, her eyes closed. O.S. The CRACKLING of leaves and twigs. TIZZIE (teasingly) That took long enough. I thought you had abandoned me. Tizzie opens her eyes and stares into the painted face of an INDIAN. Before she can scream, he clamps his hand over her mouth. EXT. CAMPSITE-DAY An arrow hits an OLD MAN in the back. INT. EVANGELINES WAGON-DAY Evangeline hears GUNFIRE. She opens the wagon cover and is horrified to see INDIANS ON HORSEBACK attacking the camp. Jane and Philip stand frozen. Children! EVANGELINE

Jane and Philip clamber inside the wagon. Evangeline grabs her rifle. A SOBBING Jane and Philip clutch her.

39.

JANE & PHILIP No, Mama. No. EVANGELINE I must. Stay here, whatever you do! BATTLE MONTAGE Mathias fires his shotgun at an Indian. The Indian tumbles over his horse. A band of Indians mow down a group of SCREAMING WOMEN. Evangeline cocks her rifle and fires wildly. An Indian throws a torch onto a wagon. Mathias is down to his knife as he engages an Indian. An arrow to Mathias back cuts him down. Wagons burn as the camp is overrun. Evangeline stands her ground as an INDIAN WARRIOR approaches her, knife gleaming. Evangeline aims her rifle, fires...but it fails to shoot. Evangeline lunges at the Indian Warrior with the rifle butt, but she misses. He pulls it out of her hand. A torch lands on Evangelines wagon. Inside, Jane and Philip SCREAM. Evangeline takes a step back as the Indian Warrior grabs her by the hair. She flinches, her dream come to life. Suddenly a SHOT rings out. The Indian Warrior falls forward, dead. Dazed, Evangeline turns and spots Alec on his horse, galloping like the wind, guns blazing. Evangeline scrambles to her wagon and pulls the children to safety as Alec races up. Evangeline hoists Philip onto their horse. Jane breaks free and runs back to the wagon. Jane! EVANGELINE (CONTD)

An INDIAN runs up, tomahawk in hand. Alec makes short shrift of him with a knife to the mid-section. Alec races inside the wagon and pulls a protesting Jane out. Alec hands Jane to Evangeline (she and Philip are already on the horse) and he too climbs aboard.

40.

Hold on!

ALEC

Alec digs his heels and the horse takes off, leaving the mayhem behind. CUT TO: Woods. Mapes, Barnaby and Two Hats slowly canter. O.S. The distant sound of GUNFIRE. EXT. CAMPSITE-NIGHT Alec, Evangeline and the children. Alec chows his meal down with gusto. Jane and Philip, pale and wan, their expressions wooden, huddle under a blanket. ALEC Whats the matter with you bairns? Youve barely touched your food. PHILIP Were not hungry. JANE Mama, do you think Tizzie got away? And Fitz? PHILIP

EVANGELINE Its quite possible. Alec SNORTS. PHILIP If only I were bigger. I wouldve killed one or two. Maybe even three. ALEC You wee ones chatter like magpies and make just as much sense. EVANGELINE Children...if youre done, why dont you try getting some sleep? Evangeline gives Alec a disparaging look as she attends to the children. Alec shrugs, grabs the childrens bowls and digs in. CUT TO:

41.

Several hours later. The children are asleep in the buckboard. Evangeline, a blanket wrapped around her shoulders, sits by the fire, a rifle in her lap. Alec approaches, his arms laden with branches and twigs. He throws a couple on the fire and sets the rest by the wagon. ALEC That should do us till morning. Evangeline ignores him. ALEC (CONTD) Mrs. Woodhull, Im sorry if I was gruff before. Im not used to having bairns underfoot. Alec sits opposite Evangeline. EVANGELINE I too have been remiss. I havent properly thanked you. We owe our lives to you. ALEC Ill admit, twas a nice bit of luck. Usually I dont travel so far inland. EVANGELINE I did have one thought. Could we go back? Someone might yet still be alive but wounded--No. ALEX

EVANGELINE Or what might be salvaged--ALEC (exasperated) Woman, do you have ears? I said no. Picking from the dead. Its unholy. EVANGELINE The dead are dead, Mr. McLaren. Its the living that need attending to. Evangeline tosses a twig onto the fire. EVANGELINE (CONTD) Since youre in such a talkative mood, what do you intend to do with us?

42.

Do?

ALEC

(beat) I should think its fairly obvious. Ill take you as far as the fort. After that, youre on your own. (beat) What was so important that your girl risked her life back there? EVANGELINE Her fathers music box. ALEC Music box? Not much use for that out here, Im afraid, not unless you wish to play it for the owls and jackals. EVANGELINE My husband was, I mean, is, an educated man. ALEC Educated? Like in book learning? Poetry? Evangeline nods. ALEC (CONTD) That should serve him well on the wild frontier. Evangeline gives Alec a suspicious look. Is he being sarcastic? ALEC (CONTD) Im an educated man, too. I know poetry. There once was a girl from Nantucket... Evangeline grimaces. EVANGELINE Do you think its possible that Tizzie was taken hostage? ALEC Better for her that she wasnt. EVANGELINE Are you always so dismissive and superior, Mr. McLaren? Evangeline gets up and walks into the woods.

43.

ALEC I wouldnt advise straying too far from camp, Mrs. Woodhull. If the Indians dont get you, the bobcats might. Evangeline warily steps back. Bobcats? EVANGELINE

ALEC Aye. And bears and who knows what other creatures. Bears are especially hungry this time of night. Evangeline reluctantly returns and sits down. Alec YAWNS, slides down and puts his hat over his face. ALEC (CONTD) Good-night, Mrs. Woodhull. O.S. A wolf HOWLS. A fearful Evangeline grabs the rifle and holds it against her chest. CUT TO: Several hours later. Jane CRIES out. Alec, sleeping with one eye open, immediately rouses. Evangeline is slumped against the buckboard, rifle to her breast. Mama! JANE

ALEC Shh, child. Your Mama just fell asleep. JANE Im frightened. I had an awful dream. ALEC About the Indians? Jane nods. Alec motions for her to come to him; she hesitates. ALEC (CONTD) Child, I promise not to eat you for breakfast. Jane goes to Alec, and he wraps his blanket around her. ALEC (CONTD) Not all Indians are bad, you know.

44.

JANE Youre lying. (beat) Is Tizzie dead? Aye. ALEC

JANE You see? They are bad. ALEC No, child. Ill prove it to you. Once upon a time, there was a beautiful Indian Princess. Evangeline awakens, but pretends to be asleep as she listens to Alec. JANE What was her name? ALEC In their language she was known as Morning Lily. She had long black silken hair and a...anyway, her father was an honored chief. JANE He had a lot of medals? ALEC Of a sort. Many warriors vied for the hand of Morning Lily, but she snubbed them all until the day a young handsome trapper traveled to their camp to trade goods. JANE Did they scalp him? ALEC I should say not! But they could have, if they had been bad Indians, which they were not. (beat) The moment Morning Lily laid her lovely hazel eyes upon the young trapper, no other man would do. The young warriors of her tribe were furious. JANE So they scalped him.

45.

ALEC Quite the contrary. The wise old chief gave his blessing to their union. I told you he was good. JANE I suppose now youre going to say that they lived happily ever after, like in a fairy tale. ALEC (faltering) Aye. Like a fairy tale. Jane snuggles up against Alec. JANE (yawning) Good-night, Mr. McLaren. ALEC Good-night...Jane. As Jane drifts off, Alec absentmindedly pats her hair. EXT. OPEN PLAINS-DAY Evangeline drives the buckboard. Alec rides alongside; he spots Philip staring at him. Alec hoists Philip onto the horse and hands him the reins. Evangeline smiles to herself. EVANGELINE I have the feeling that youre not as gruff as youd like people to think, Mr. McLaren. ALEC One thing has nothing to do with the other, Mrs. Woodhull. When I was his age, I knew how to ride, shoot and skin. PHILIP (eagerly) Can I--No. EVANGELINE

Evangeline glares at Alec, who pretends not to notice. CUT TO:

46.

Several hours later. It starts to rain. Alec pulls two pelts from the back of the wagon and puts them over the children. He hands the other pelt to a grateful Evangeline. EXT. CAMPSITE-NIGHT Evangeline washes the soiled dinner dishes in a bucket of water while Jane and Philip solemnly watch Alec feed the horses. ALEC Did you see that? What? You. PHILIP ALEC

Alec lifts Philip over his shoulder. Jane GIGGLES. EVANGELINE Time for bed, children. Must we? JANE

PHILIP Im not tired. ALEC Aye, listen to your Ma. Off to bed, no grumbling, or Ill sic a hungry wolf on you. Alec GROWLS for the childrens amusement. Jane pulls on Alecs hand. JANE Only if you tell us a story. ALEC Lassie, you heard your mother. I dont know any stories, none fit for your ears, at any rate. PHILIP You do so know stories. I want to hear more about the Indian Princess. Alec stares at Jane.

47.

ALEC You told him? I thought that was our secret. EVANGELINE She meant no harm. It was a nice story. ALEC You know it too? I have no privacy here. EVANGELINE Mr. McLaren--Alec storms off into the woods. Jane runs to Evangeline and hugs her. JANE (crestfallen) I didnt know it was a secret. I didnt mean to make him mad. CUT TO: Several hours later. Alec cleans his rifle while Evangeline tosses twigs into the fire. Alec clears his throat. ALEC Im sorry for the way I spoke before. To the girl. EVANGELINE Its Jane you should speak to, not I. (beat) That was no story. Pardon? ALEC

EVANGELINE Morning Lily and the trapper. That was you. Alec silently continues cleaning. EVANGELINE (CONTD) What was she...how do they call it? (beat) Your squaw? No. ALEC

(beat) My wife.

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Alec abruptly rises and walks away. Evangeline stares after him, concerned. Clearly, a sore subject. EXT. OPEN PLAINS-DAY Evangeline drives the wagon. Alec is on his horse, several hundred feet away. In the horizon, FIGURES ON HORSES come into view. Philip points in their direction. PHILIP Mama, look. Evangeline pulls on the reins and the horses slow down. She smiles until she realizes its a BAND OF INDIANS. Evangeline grabs a rifle. Jane and Philip dive for cover under the pelts. Evangeline rises the rifle, ready to fire, until Alecs horse breaks into a gallop and he meets up with the group. Alec and one of the Indians shake hands. Jane peeks out from under the pelts. JANE Does Mr. McLaren know them? Evangeline slowly lowers her rifle. EVANGELINE It would seem so. INT. INDIAN VILLAGE-NIGHT Teepees. Alec sits by the fire and talks with the CHIEFS and WARRIORS of the tribe. Jane and Philip play with several INDIAN CHILDREN. INT. INDIAN TEEPEE-SAME TIME Evangeline is fussed over by several INDIAN WOMEN. One of the women unpins Evangelines long hair. EVANGELINE Please, thats not necessary, Im really quite--CUT TO:

49.

Evangeline exits the teepee, her dirty, tattered clothes replaced by traditional Indian garb. Her hair, braided with flowers, flows freely past her shoulders. She is a vision. Alec stares at Evangeline, transfixed. EVANGELINE (CONTD) I tried to get them to stop, but they wouldnt listen. How do I look? Hideous. ALEC

Evangeline sits next to Alec and is promptly handed a bowl by a TOOTHLESS OLD WOMAN. EVANGELINE No, thank you. Im not hungry. Alec takes the bowl from Evangeline. I am. ALEC

Alec starts eating, then says something in the tribes native tongue. The Warriors LAUGH; they nod and smile in Evangelines direction. EVANGELINE (to Alec) What did you say? ALEC Me? Nothing. I merely commented on the fine weather were having. The Toothless Old Woman grins salaciously at Evangeline. EVANGELINE (to Alec) Whatever you said, I am sure it had very little to do with the weather. LATER Late night. The Indians dance and CHANT around a roaring bonfire. Evangeline holds a sleeping Jane and Philip in her arms. Out of the corner of her eye she sees Alex and a PRETTY INDIAN WOMAN slip away together. Evangeline grimaces; it shouldnt bother her, but it does.

50.

JANE (drowsily) Where is Mr. McLaren going? EVANGELINE Hush now. Youll wake your brother. EXT. CAMP-DAY Alec drives the wagon as Evangeline, dressed in her regular clothing, sits beside him. EVANGELINE Was that Morning Lilys tribe? Alec ignores her, his face blank. EVANGELINE (CONTD) How long before we reach the fort? ALEC Not soon enough, by the grace of God. EVANGELINE Must you be always be so unpleasant? ALEC And you, woman, must you badger me with your annoying questions? Ive already agreed to take you to the fort. What more do you want of me? EVANGELINE Civil company would be pleasant. ALEC Then youre in for a rough ride for Im neither civil nor pleasant. EVANGELINE On that we agree. But have a care when youre around the children. I dont want your bad habits rubbing off on them. ALEC (bewildered) Pray tell, Mrs. Woodhull. Have I done something to offend you? Evangeline grabs the reins from Alec. The wagon lurches forward.

51.

EVANGELINE I thought you had abandoned us. When you went off with that Indian woman. The children were afraid you werent coming back. Alecs eyes twinkle with merriment. ALEC Oh, its the children twas afraid? I did not know that you were spying on me, Mrs. Woodhull. EVANGELINE (hotly) I was not spying! I wouldve been blind not to see it. ALEC At this point, I would much prefer that you be mute. EVANGELINE You, sir, are insufferable! ALEC I could say the same of you, Madame! INT. FRONTIER SETTLEMENT BAR-DAY Mapes is up to his old tricks again as he cons some more poor UNSUSPECTING SUCKERS, this time an Elderly Man and his Wife. Mapes inspects a ring. MAPES I wouldnt give you more than five dollars and even thats too much, but given your plight--ELDERLY MAN Five dollars? But its gold! Mapes CHUCKLES. The Elderly man and his Wife exchange nervous glances. MAPES Who on Earth told you that? The Elderly Man stands. WIFE Joshua, please. The baby. The medicine. The Elderly Man slowly sits back down.

52.

EXT. WOODS-DAY Jane runs through the woods. JANE Here I come, ready or not! Jane enters a clearing and spots Philip standing deathly still. JANE (CONTD) That was too--Jane takes a step forward, stops and GASPS. A nasty looking snake slithers towards Philip. PHILIP Im scared. JANE I know you are, but dont move. Ill get Mama. PHILIP Dont leave me! ALEC (V.O.) Whats going on here? Alec steps out of the underbrush, spots the creature, grabs it and casually tosses it away. PHILIP Why didnt you kill it? ALEC Why should I? It meant you no harm. JANE What if it had bit Philip? ALEC Not all snakes are venomous. (beat) It is easy to kill. Deciding to let an adversary live is oft times harder. EXT. RIVER-DAY The horses drink as Evangeline washes her face and neck. Jane and Philip dip their toes in the water.

53.

EVANGELINE Dont get too close. Keep in mind what Mr. McLaren said about the rapids. PHILIP Can we go for a swim? EVANGELINE No. The waters much too cold. Youll catch your death. The children pay her no heed. Jane throws a stone into the water. JANE (to Philip) I bet you cant throw it farther. Bet I can. PHILIP

Philip grabs a large stone, winds up his throwing arm and hurls. He stumbles and falls into the river. Startled, Evangeline looks up and sees Philip flailing in the water. Philip! EVANGELINE

Evangeline runs toward them. Jane dives into the river. JANE Dont worry, Mama. Ill get him. Jane, no! EVANGELINE CUT TO: Alec totes firewood to their campsite when he hears Evangelines SCREAMS. Alec drops the wood and instinctively grabs a rope from his wagon. EXT. CHURNING RAPIDS-DAY A drenched Jane drifts by a tree and manages to latch onto a limb. Evangeline catches up with her but Philip is already several hundred yards downstream. Alec races alongside the river bank, never losing sight of Philip. Philip lands against a rock.

54.

ALEC Hang on, boy! Alec throws the rope to Philip, but he misses by several feet. Alec tries again; still short. Philip starts to lose his grip and is about to go under but Alecs aim is true on the third attempt. Philip grabs the rope. Alec pulls him out. EXT. CAMPSITE-DAY Evangeline rubs Jane dry with a blanket. Alec walks up with Philip in his arms. Evangeline silently embraces them both. Alec wordlessly passes Philip to Evangeline. PHILIP Im sorry I disobeyed you, Mama. EVANGELINE Mama nots mad, darling. Are you all right? You must be freezing. PHILIP Not really. EVANGELINE You certainly are our guardian angel, Mr. McLaren. I dont know how I can ever thank--ALEC (gruffly) Save your thanks. I couldnt very well let the boy drown like a rat. Id better start a fire. Well be lucky if he doesnt catch pneumonia. Alec turns away. Evangeline smiles after him. EXT. WAGON-DAY Evangeline drives, An ashen faced Philip, coughing fitfully, lies under a bed of pelts. Jane rubs his face with a moist cloth and touches his forehead. JANE Mama, hes awful hot. EXT. CAMPSITE-NIGHT Evangeline holds a feverish Philip close to the fire.

55.

EVANGELINE Are you warm now, sweetheart? Philip barely nods. CUT TO: Alec chops wood. Behind him, a teepee like structure takes shape. CUT TO: Jane hands a moist washcloth to Evangeline, who gently rubs it over Philips face. Philip has a COUGHING fit. Evangeline shifts his position but the COUGHING only gets worse. Alec purposefully strides up to her, grabs Philip out of her arms and storms off. Evangeline chases after them. EVANGELINE (CONTD) What are you doing? INT. TEPEE-NIGHT Alec holds Philip (his head covered by a blanket) over a smoky fire. ALEC Thats the way, laddie. Breathe deeply. Evangeline enters. ALEC (CONTD) (to Evangeline, smiling) Did you hear that? His lungs are clearing up already. Philip? EVANGELINE

Philip lifts the blanket and smiles weakly. CUT TO: The wagon. His fever broken, Philip peacefully sleeps. Evangeline tenderly pulls the fur pelt up to his chin. Evangeline goes to the fire. Alec lies against the wagon wheel, his hat covering his face.

56.

ALEC Stop being such a mother hen and let the bairn rest. EVANGELINE Once again, you never cease to amaze me, Mr. McLaren. ALEC What amazes me is that we finally agree on something. (beat ) Now, if its not too much trouble, Id like to get some sleep. Good night, Mrs. Woodhull. EVANGELINE Good night, Mr. McLaren. (beat) But dont think that youre fooling anyone, least of all yourself. Evangeline smiles warmly at him. Alec scowls and turns on his side. EXT. WAGON-DAY Evangeline at the reins when a wheel passes over a rut and breaks. CUT TO: A sweaty Alec fixes the wheel. Evangeline, HUMMING happily to herself, hands him a tool. ALEC Madame, I dont believe that breaking a wheel is anything to hum about. Evangeline defiantly HUMS even louder. EXT. WAGON-DAY Evangeline, Jane and Philip ride up front while Alex canters along side. JANE What do you think the Fort will be like, Mama? EVANGELINE I have no idea. Perhaps Mr. McLaren can tell you.

57.

PHILIP Mr. McLaren, have you been--ALEC Aye. More times than I care to count. Its a place to hang ones hat. No better than any other, I suppose. Hot water. A clean bed. Tolerable food. PHILIP Mama can make anything taste good. ALEC That she can. EVANGELINE Is that a compliment, Mr. McLaren? ALECS FATHER A statement of fact, Mrs. Woodhull. JANE Will Father be there to meet us? PHILIP Now thats stupid. Father doesnt even know were coming. Its a surprise, right, Mama? Evangeline hesitates, then nods and smiles. JANE Do you think that beastly Mr. Mapes will be there? ALEC Not bloody likely! A thief like Mapes is like a squall. Here one minute, gone the next. EVANGELINE A colorful comparison, Mr. McLaren. But accurate. So you know a little about the sea? ALEC Extremely little. JANE Mama and Papa came here on a great big boat.

58.

ALEC Lassie, many people travel here on great big boats, mores the pity, and still more of them meet misfortune and a watery grave. Alec digs his heels into his horse and canters off. JANE Mama, did I say something to displease Mr. McLaren? EVANGELINE Mr. McLaren is a man of many moods. Pay him no mind. EXT. FORT ALLISTER-DAY Hustle and bustle of a typical frontier settlement. SOLDIERS on guard, COWBOYS on horseback, SETTLERS going about their business, buggys, etc. Alec, Evangeline by his side, drives the wagon into the town. Jane and Philip excitedly take in the new surroundings and sights. Our old friend Barnaby exits a saloon and does a double take when he sees Alec and Evangeline. INT. SALOON-DAY Mapes and several GAMBLERS at a rear table. Mapes grins malevolently as he throws down his cards and scoops up the pot. The Gamblers GRUMBLE. Barnaby rushes in. Two Hats drinks by himself at the end of the bar. BARNABY Begging your pardon, Master, but I need a word with you. MAPES (to the Gamblers) Will you excuse me, gentlemen? Barnaby WHISPERS into Mapes ear. MAPES (CONTD) Impossible! You must be mistaken.

59.

BARNABY I got eyes, dont I? Its her, I tell you. And McLaren. Theyre alive as you or me. MAPES What about young Fitzwilliam? BARNABY No sign of him. Mapes pauses, then CHUCKLES. MAPES No reason for concern, Barnaby. Who knows, we might be able to turn this unexpected development into our advantage. (beat) Go. Dont let them out of your sight or youll wish youd never been born. BARNABY Yes, Master. Barnaby shambles out. Mapes nods at Two Hats, who finishes his drink, then goes after Barnaby. EXT. BOARDING HOUSE-DAY Alecs wagon is tied out front. INT. BATHROOM-DAY Evangeline roughly scrubs Philips ear. Jane, swathed in a towel, dries her hair. PHILIP Ouch! Youre hurting me. EVANGELINE Im sorry, but I never thought it possible that so much dirt could accumulate on such a little boy. Jane LAUGHS. Philip makes a face, splashes water at Jane but most of it gets on Evangeline. INT. GENERAL STORE-DAY Alec bargains with the STORE OWNER. CUT TO:

60.

Alec exits the store with a large bundle. He walks away, followed by Barnaby and Two Hats. INT. BATH-DAY Evangeline luxuriates in the tub. The door opens; Alec thoughtlessly barges in. Evangeline GASPS. A red-faced Alec turns his back. ALEC Pardon me, Mrs. Woodhull. I thought you were decent. Evangeline pulls a screen in front of the tub. EVANGELINE Do you always storm into a room without knocking, Mr. McLaren? ALEC I said I was sorry. What more do you want, woman? Alec puts the bundle on a nearby chair. EVANGELINE What, pray tell, is that? ALEC Clothes. For you and the bairns. (beat) I took a wild stab at the sizes. Even if they dont fit precisely, Im sure you know what to do. EVANGELINE That was very kind of you. ALEC Kindness had nothing to do with it. Im purely being practical. EVANGELINE Nevertheless, youve done far too much for us already as it is. Im sure youre anxious to be on your way. Alec stares at the screen and sees Evangelines silhouette as she steps out of the bath. ALEC Aye, but my horses could use a few days rest. And your plans, Mrs. Woodhull?

61.

Plans?

EVANGELINE

ALEC Theres a train heading back East in a weeks time. No doubt youll be going with them? No. EVANGELINE ALEC (surprised)

No?

EVANGELINE First I intend to visit the Sheriff and lodge a complaint against that hooligan Mapes. ALEC A complaint, is it? And just what good do you think that will accomplish? The scalawag is long gone. Youd have an easier time to catch a weasel asleep. (beat) You have more pressing matters to attend to. Id advise you to--EVANGELINE After thats done, I intend to make inquiries. ALEC What sort of inquiries? EVANGELINE Would you please hand me--What? Oh. ALEC

Alec grabs the bundle and hands it to Evangelines outstretched hand over the screen. EVANGELINE Thank you. You picked them out yourself? ALEC I---dont change the subject, dang it! Evangeline slips into her dress and grins. Alec chose well.

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EVANGELINE Mr. McLaren, youve done this before, havent you? I what? ALEC

Evangeline pushes the screen back and pins her hair atop her head. EVANGELINE You neednt trouble yourself about us any longer, Mr. McLaren. Well manage. ALEC Manage to get yourself into more trouble, I daresay. You think I dont know what youre up to? Evangeline whirls around and smiles sweetly at him, all innocence. EVANGELINE Im sure I dont know what you mean. Alec grabs Evangeline by the arm and roughly shakes her. ALEC Damn it, woman! EVANGELINE Ill thank you to let me go! ALEC Not until I knock some sense into that silly twit brain of yours. EVANGELINE Silly? Is that what you think of me? ALEC And stupid and thoughtless. (beat) If you cant think of yourself, at least consider the children. How long do you think youd last out here on your own, vulnerable and unprotected? Its not simply the savages you have to worry about. Scamps like Mapes are a dime a dozen, and we know how well your judgement was on that sad affair. Evangelines eyes fill with tears.

63.

ALEC (CONTD) Its time you faced some unpleasant facts, Mrs. Woodhull. EVANGELINE And what unpleasant facts might those be, Mr. McLaren? ALEC Youve neither the temperament nor the constitution for this country. What youve encountered is but a bitter taste of the hardships that lie ahead. Evangeline wrenches her arm away. EVANGELINE Are you forgetting, Mr. McLaren? I have a husband. He shall protect me. Alec gives her a hard, long look. ALEC Aye. A husband. Thats a fact. (beat) To my way of thinking, Mr. Woodhull is either dead or hes run off with all your money--Evangeline raises her hand to slap Alec but hes too quick; he grabs her hand and forces it to her side. He draws close to her, so close that she can feel his breath upon her. ALEC (CONTD) Pardon me for being so blunt, Mrs. Woodhull, but I cant think too highly of a man who abandoned his wife and children. EVANGELINE Charles didnt abandon us. He had a dream. But what would you know of such childish things? Alec finally lets go of Evangeline. ALEC Your room is paid up through next week. Might I suggest that you use the time to reflect upon your course of action. EVANGELINE I will not change my mind.

64.

ALEC Then I bid you farewell, Mrs. Woodhull. May God have mercy on your dream. EVANGELINE Better to have a dream than none at all. Good-bye, Mr. McLaren. Godspeed on your journey. EXT. STORE-DAY Alec passes a store. Something in the window catches his eye. EXT. MAIN STREET-NIGHT Evangeline, Jane and Philip. As they walk past a row of stores, they hear MUSIC. INT. MEETING HALL-NIGHT A BAND plays a spirited jig. COUPLES square dance. Evangeline, Jane and Philip stand to the side and CLAP along with the music. Suddenly a YOUNG BUCK grabs Evangeline by the waist. YOUNG BUCK May I have the pleasure of this dance, ma'am? EVANGELINE (flustered) Oh, no, I dont think--PHILIP Go on, Mama. Itll be fun. Evangeline relents and allows the Young Buck to escort her onto the floor. Alec enters, spots Evangeline dancing; he scowls. Evangeline LAUGHS as she keeps up with the beat. The Dancers swing back and forth, changing partners. Alec smoothly enters the dance and passes a surprised Evangeline. They meet up again as the BAND plays faster, but this time, Alec doesnt let go of her. They continue dancing, their eyes never leaving each other. The song ends to WHOOPS and HOLLERS, but Alec still has his arm around Evangeline.

65.

EVANGELINE (self-consciously) Mr. McLaren. People are staring. ALEC I have something I wish to say. Yes? EVANGELINE

ALEC If you insist...I will take you and the bairns to your husband. And his dream. Alec reaches into his shirt and hands Evangeline a music box, similar to the one that was burned in the wagon. Without another word, he abruptly turns away and exits. EVANGELINE Mr. McLaren! Wait! Evangeline goes after him, then stops. Jane runs up to her and excitedly grabs the music box. JANE Isnt it lovely? Papa will be so pleased. EXT. WAGON-DAY Evangeline drives the wagon out of the fort as Alec takes up the rear. Philip and Jane sit in the back. Mapes, Barnaby and Two Hats lurk in the shadows. BARNABY Should I follow them, Master? No. MAPES

(beat) Mrs. Woodhull and I will cross paths again. Of that I have no doubt. But the next time we meet, it shall be on my terms. Barnaby gives Mapes a lascivious leer. Philip spots Mapes and GASPS. PHILIP Mama, its him! Who, dear? EVANGELINE

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PHILIP The wagon master. That awful Mr. Mapes. EVANGELINE Darling, your eyes must be playing tricks. Mapes is far away from here. Hell never hurt us again. PHILIP It was him, Mama. Truly. Why dont you believe me? Evangeline slows the horses. Alec rides up. ALEC Whats wrong? Is the child ill? EVANGELINE Philip insists that he saw Mapes. Alec scours the street and sidewalks. ALEC Laddie, Mapes is many things, but one thing hes not is stupid. PHILIP (stubbornly) It was him. Evangeline flicks the reins and the horses pick up their pace. JANE What sort of a house do you think Papa has waiting for us? EVANGELINE A fine house. PHILIP Finer than Aunt Antonias? EVANGELINE Finer and grander indeed. It will have a parlor, and a music room, and a library. Alec SNORTS. DISSOLVE TO: Map of the Old West, the crossing highlighted by a lit trail. QUICK CUTS:

67.

Alec trades pelts and notions with SETTLERS. Lightning flashes across the night sky. A frightened Jane and Philip huddle against Evangeline. The wagon approaches an Indian village. A coyote BRAYS at the moon. CAPTION: PRAIRIE MISSION, MONTANA Small frontier town. Alec canters ahead. Evangeline drives the wagon. Alec stops in front of a General Store. Evangeline follows suit. A HUSKY FELLOW comes out of the store, lugging feed sacks over his shoulder. INT. GENERAL STORE-DAY Jane and Philip race up to the counter and hungrily eye the penny candy. Alec and Evangeline walk up behind them. STORE OWNER comes out of a rear room. The Husky Fellow enters to fetch more supplies. STORE OWNER How can I help you fine folks today? ALEC You can start by giving these wee ones some candy. Jane and Philip look to Evangeline, who nods. EVANGELINE What do you say? Thank you. JANE & PHILIP

The Store Owner hands the youngsters cherry licorice sticks. STORE OWNER What about the Missus? We have some plum dandy hats. EVANGELINE Not today, perhaps some other time. Im looking for my husband. Charles Woodhull. I understand he settled not far from here.

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STORE OWNER Charles Woodhull. Let me think, the name rings a bell...hey, Elias, isnt he by your spread? The Husky Fellow stops and turns. ELIAS Charlie Woodhull. Thin, blonde-haired man? Wears spectacles? EVANGELINE Thats Charles. ELIAS Hes about three miles from my place. If you dont mind waiting until I finish loading, Id be happy to show you the way. Jane excitedly hugs Evangeline, but Philip looks downcast. PHILIP Do you think Papa will recognize me? EVANGELINE Philip, what an odd thing to say! Of course he will. JANE And well be a happy family, just like before. Evangeline self-consciously stares at Alec, who suddenly seems preoccupied inspecting sewing notions. EXT. OPEN PLAINS-DAY Elias drives his wagon as Evangeline follows. Alec rides alongside. On the horizon is a plain wood cabin. As they draw closer, Evangeline realizes that this desolate place isnt at all what shed envisioned. The house is ill kept and the barn is half-built. ELIAS Ive been helping Charlie out, when I can. Its not as bad as it looks. They pull up to the house. Evangeline and the children climb down from the wagon. Jane runs to the front door.

69.

Papa?

JANE

Alec steps in front of the child. Stay here. INT. CABIN-DAY Alec enters. The room is threadbare save for several stiff wood back chairs and a table. Flies BUZZ around a food encrusted plate. INT. BACK ROOM-MOMENTS LATER Alec kicks the door open with his boot and discovers Charles decomposing corpse on the bed. Charles--EVANGELINE (O.S.) ALEC

Alec grabs Evangeline to prevent her from entering, but hes too late. Evangeline bursts into loud SOBS and buries her face in Alecs chest. Alec closes his eyes and tenderly caresses her hair. EXT. PLAINS-DAY Alec sticks a wooden cross into a freshly dug grave. EXT. CONLON HOUSE-NIGHT Jane and Philip watch a LITTLE GIRL play fetch with her puppy. INT. CONLON HOUSE/KITCHEN-NIGHT Evangeline wipes her tears. SARA CONLON, Elias mother, a once pretty woman now old and gray, fixes tea. Elias stands in the doorway. ELIAS I dont understand it. He looked fine the last time we saw him, didnt he, Ma? Sara shoots a warning glance to Elias as she sets the tea cup before Evangeline. SARA Can I get you anything else, dear? Evangeline slowly shakes her head.

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SARA (CONTD) This is a harsh country, not fit for man or beast. I should know. Out back Ive buried three babies and two husbands, God rest their souls, and my poor son, he done buried his wife last spring. EVANGELINE If its all right with you, I think Id like to be alone. The children--SARA Theyre fine. Theyre playing with Hannah. Come on, Elias. You heard the lady. Ill help you unload the wagon. Sara and Elias exit. A beat later, Alec enters. EVANGELINE Is it done? Alec nods. EVANGELINE (CONTD) I shouldve liked to have given him a decent burial. At the very least, a minister--ALEC The closest preacher is a hundred miles away. By the time hed get here--EVANGELINE Of course. Youre right again, Mr. McLaren. Pardon? ALEC

Evangeline rises and goes to the window. EVANGELINE You had me pegged right, Mr. McLaren. I was abandoned. My husband left me to pursue his dream and now hes dead. You should be quite proud. ALEC The Grim Reaper, when he comes, brooks no arguments. Im sure your husband was a fine man, and I deeply grieve for your loss.

71.

Evangeline gives Alec a sharp look, but no, his condolences appear to be sincere. ALEC (CONTD) What do you plan on doing now? EVANGELINE What else can I do? (beat) We shall return. ALEC To Philadelphia? No. EVANGELINE

ALEC (exasperated) Mrs. Woodhull, surely you cant mean, you dont intend.--(beat) A broken down shack, two half starved mules--EVANGELINE You think I had it any better in Philadelphia, living off the crumbs my dear sister-in-law swept off the dining room table? Id rather be scalped by the Indians. ALEC If you persist in this folly, you just might get your wish. EVANGELINE I take it youll be leaving. Leaving? ALEC

EVANGELINE Youve done what you said, and more. Your obligation is done. Evangeline offers her hand. Alec slowly takes it. EVANGELINE (CONTD) Good-bye, Mr. McLaren. May you have much success in your travels. ALEC Well, I....yes. Good-bye it is.

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EXT. CONLON HOUSE-NIGHT Elias watches Alec climb on his horse. Alec hands his rifle to Elias. ALEC Make sure that Mrs. Woodhull gets this. ELIAS That I will. Godspeed. Alec rides off. EXT. WOODHULL CABIN-NIGHT Elias helps Evangeline down from his wagon. ELIAS Are you sure you want to spend the night here? We have plenty of room. Ma would love the company. So would Hannah. It gets awful lonely for her. For me too. EVANGELINE I appreciate the offer, but its time we got settled into our new home. Come along, children. Jane and Philip remain in the wagon. EVANGELINE (CONTD) What is it? JANE I dont want to stay here. PHILIP Me neither. Its dark and cold. EVANGELINE You wont feel that way once we get a nice fire going. JANE What about the bad Indians? ELIAS No bad Indians around these parts. Mrs. Woodhull, dont forget to see Mr. Foster at the dry goods store. Hell give you credit for sure. He always has his eye out for a pretty woman. (beat) Forgive me, I didnt mean---

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EVANGELINE Its all right, Mr. Conlon. ELIAS Elias. Were neighbors now, arent we? Well, I best be going. Ill come by in a day or so to see how youre doing. Oh, I almost forgot. Ma would kill me. Elias hands a covered basket to Evangeline, then the rifle. EVANGELINE But this belongs to Mr. McLaren. ELIAS He wanted you to have it. (beat) Jane, Philip, come over and play with Hannah and her puppy whenever you please. PHILIP Mama, may we get a dog? Perhaps. EVANGELINE

The children wave at Elias as he drives away. Evangeline rolls up her sleeves. INT. CABIN-NIGHT Evangeline was right. A roaring fire and a brisk broom works wonders. Jane and Philip sit at the table, finishing supper, as Evangeline continues to clean. JANE It was awful nice of Mr. McLaren to bury the music box with Papa, wasnt it, Mama? Very nice. EVANGELINE

PHILIP Mama, arent you going to stop to eat? EVANGELINE Not now, dear. Theres so much work to be done. Ive barely made a dent. O.S. An owl HOOTS. PHILIP (nervously) What was that?

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EVANGELINE Just an owl. Nothing to be frightened of. JANE What if it was a bad Indian? EVANGELINE There are no bad Indians here. Elias said so, remember? PHILIP What if hes wrong? JANE If Mr. McLaren was here, hed know if it was an owl or a bad Indian. PHILIP Why did Mr. McLaren have to go away, Mama? Why couldnt he stay with us? EVANGELINE (brusquely) Children! (softer) Mr. McLaren had to be on his way. Now please finish up. O.S. Another strange NOISE. Now Evangeline is spooked. She grabs the rifle and cocks it. JANE Mama, theres something outside. Im sure of it. PHILIP Its the Indians! Philip dives under the table. Evangeline advances towards the front door, brandishing the gun. EVANGELINE Jane, go with your brother. JANE I will not! Im not afraid. Evangeline gathers her courage and flings open the front door, her rifle aimed. She GASPS when she sees its Alec. EVANGELINE Mr. McLaren! Philip and Jane scamper to Alec and hug him.

75.

ALEC My, such a fine welcome. Youd think Id been gone for a hundred years. EVANGELINE What are you doing here? I thought you--ALEC I seem to have misplaced my hat. Your what? EVANGELINE

ALEC Ive come at a bad time. Ive interrupted your meal. PHILIP Theres plenty. Would you like some? ALEC Only if your Ma approves, but Im not so sure, the way she has that rifle stuck up my nose--Evangeline closes the door and sets the rifle aside. Alec sits down at the table and serves himself. ALEC (CONTD) (to Evangeline) Did I frighten you? EVANGELINE (weakly) (stronger)

No. No.

ALEC Ive been thinking, Mrs. Woodhull. This house is a lot of work for a woman alone. A tremendous amount of work. EVANGELINE (wearily) Weve been through this before, Mr. McLaren. Were not leaving--ALEC Woman, may I finish? I never said anything about you leaving. The answer is obvious. (beat) You need a man.

76.

EVANGELINE (startled) I beg your--ALEC A man. You know. To help around the house. Did you take a look at the barn? One good storm and itll blow right over. Crops need to be planted. The corral wouldnt hold a woodchuck. Winter will be here soon enough. You cant do it all by yourself. EVANGELINE Mr. Conlon has graciously offered to lend a hand. ALEC More than a hand, Ill wager. (beat) My time is such that I could afford to stay a few weeks. You? EVANGELINE

ALEC Until the fall, at any rate. Jane and Philip excitedly tug at Evangeline. JANE Oh, Mama, can he? Please? PHILIP Now can we get a dog? EVANGELINE Children, quiet. Let me think. (beat) Mr. McLaren, you have me at a disadvantage. I dont know what to say. Say yes! JANE & PHILIP

EVANGELINE Weve taken up far too much of your time as it is. ALEC Its not as if Id be doing it for free. Id expect to be paid. Good meals. Pleasant company.

77.

(beat) The emphasis on pleasant. EVANGELINE I dont---Evangeline glances at the children, whose faces brim with excitement. EVANGELINE (CONTD) Very well. (beat) A bargain it is. Good meals. Pleasant company. Jane and Philip CHEER and APPLAUD. QUICK CUTS: General Store. Evangeline picks out supplies. Alec fixes the barn roof. Philip plays with a BARKING puppy. Evangeline hangs laundry on a line as Alec plows. Elias helps Alec out. Alec pauses to reflect on his efforts. Slowly but surely the place is shaping up. Mapes at his old tricks as he sweet talks NEW SETTLERS out of their money. INT. BARN-NIGHT Alec washes up. Philip and Jane play with the puppy. ALEC What do you call the mutt? PHILIP Hes not a mutt. Elias said he was a purebred. ALEC Aye. A purebred mongrel. Alec grabs the puppy and affectionately rubs his stomach. JANE Weve decided to call him Blackie.

78.

PHILIP You decided, not me. Evangeline enters. EVANGELINE Bedtime, children. JANE Mama, cant we stay little while longer? EVANGELINE Thats what you said a half hour ago. Off you go now. Mr. McLaren must be sick of your chatter. Dont forget to wash behind your ears. PHILIP Good-night, Alec. ALEC Good-night, children. You too, Blackie. The children exit with Blackie in tow. Evangeline averts her eyes while Alec puts his shirt back on. EVANGELINE You dont have to do that. Do what? ALEC

EVANGELINE Put up with the children. I know how they can get underfoot and be a nuisance. ALEC If they were getting underfoot youd be the first to know. For bairns theyre quite civilized. EVANGELINE Do you have any of your own? Children, I mean. ALEC (brusquely) I have a son. EVANGELINE A son? Why is it that youve never mentioned---

79.

ALEC (harshly) Now who is the one being underfoot, Mrs. Woodhull? EVANGELINE Youre right, as usual. (beat) Pleasant dreams, Mr. McLaren. Evangeline turns and leaves. ALEC Mrs. Woodhull, wait--Evangeline is already in the house. Alec angrily kicks at a saddle. Opportunity lost. INT. WOODHULL CABIN/CHILDRENS BEDROOM-NIGHT Jane and Philip sound asleep. INT. WOODHULL CABIN/ROOM-NIGHT Evangeline restless, tries to do some mending by the fireplace, but she puts it aside. INT. BARN-NIGHT Alec, as restless as Evangeline. He storms out of the barn. CUT TO: Evangeline storms out of the house. CUT TO: Evangeline and Alec meet halfway in the yard. ALEC (nonchalantly) Mrs. Woodhull. EVANGELINE (equally nonchalantly) Mr. McLaren. ALEC Out for a stroll? EVANGELINE Its such a beautiful night. Just look at those stars. It makes one feel as though one could reach out and grab them.

80.

Alec stares at Evangeline. Her eyes are brighter than any star in the universe. ALEC (gently) And if that were so, Mrs. Woodhull, what would you do with them? Some things are best left out of the realm of human grasp. EVANGELINE Mr. McLaren, I would like to apologize. For what? ALEC

EVANGELINE For what I said before. I assure you, I didnt mean to pry. ALEC (bemused) But thats exactly what you were trying to do. EVANGELINE (sheepishly) Maybe so. But it was not meant in a disrespectful way. The truth is, I worry about you. ALEC (surprised) You worry? About me? EVANGELINE Youve helped us so much. Look at this place. Ill never be able to repay you, not in a thousand years. ALEC I havent done all that much. A few planks of wood and a fair amount of elbow grease--EVANGELINE Thats not what I meant, and you know it. The children adore you. They hang on your every word. ALEC And you, Mrs. Woodhull? What say you on the matter?

81.

Me?

EVANGELINE (flustered)

(beat) Perhaps I have grown attached to you in some small way. Small? ALEC

EVANGELINE Like the children with the puppy. ALEC I am not a puppy, Mrs. Woodhull. And we are certainly not children. Alec gently touches Evangelines face. Evangeline closes her eyes and breathes deeply, but just when it appears that shes going to fall into his embrace she stiffens, pulls away and returns to the house. Alec stares after her, befuddled. EXT. YARD-DAY Alec works on the corral. Evangeline walks up. EVANGELINE Youve been working since sunup, Mr. McLaren. Wouldnt you like to sit a spell and have a cup of tea? ALEC (roughly) I dont have time for tea, thank you very much. EVANGELINE I just thought--ALEC Did you not hear me the first time, woman? Evangeline storms back to the house. Alec hits his thumb with a hammer and lets loose with a string of curses. INT. WOODHULL CABIN/ROOM-NIGHT Elias stokes the fire as Hannah plays with Jane and Philip. Evangeline goes to the door; Alec is still working on the corral.

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ELIAS I offered to help him but he refused. Said hed rather do it himself. (beat) Hes a strange bird, your McLaren. EVANGELINE Hes not mine. Hes a porcupine. ELIAS (confused) A porcupine? EVANGELINE Prickly. He keeps his emotions and thoughts tight around him. Would you like another cup of tea before you leave, Elias? EXT. YARD-NIGHT Evangeline wraps a shawl around her shoulders. INT. BARN-NIGHT Alec grooms the horses. Evangeline enters. ALEC Is he gone? EVANGELINE Mr. Conlon? He left quite some time ago. You could have come in the house if only for a moment. Twould have been the polite thing. ALEC I was in no mood to be polite. I was tired. EVANGELINE But not too tired to groom the horses. ALEC Idle hands make for Devils work. Alec smiles to himself. Evangeline smiles with him. ALEC (CONTD) My mother used to say that to me as shed box my ears. I was quite a handful. EVANGELINE You came to America at an early age?

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ALEC I was barely thirteen. My mother didnt want to leave her family and friends. She resisted it as long as she could. Twas was all my fathers doing, his head was filled with wild--EVANGELINE (softly) Dreams? ALEC Aye. Dreams of a new life in America, the land of milk and honey. His dreams cost him dearly. My mother and sisters died on the voyage. Soon after we came ashore, he fell ill with a brain fever. I was an orphan, with nothing to my name. I survived on my wits and a strong back. (beat) Hand me that blanket, will you? Evangeline gives the blanket to Alec, which he then gently rubs against the horse. EVANGELINE Youve had a hard life. ALEC It is said that God gives us no more than we can bear. EVANGELINE You believe in God, Mr. McLaren? ALEC He has not spoken to me recently. EVANGELINE You are avoiding the question, Mr. McLaren. ALEC You ask me so many questions, it is hard for a man to keep track. EVANGELINE It is not like you to beat around the bush. Why dont you just come out and say it? Youre leaving. ALEC That shouldnt come as any surprise. Itll be fall soon enough.

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That was our bargain. Remember? (beat) Ive little doubt that will delight your friend Conlon. EVANGELINE What has Elias got to do--ALEC Hes a decent enough chap. Bland, but with broad shoulders. You could do worse than him. EVANGELINE Im not interested in Elias Conlon. I barely know the man. Alec gives her a long look, then shrugs. ALEC If not Elias, then another. In this country, youll not go very far without a man. Once your mourning is over--Mourning? EVANGELINE

Evangeline bursts into hysterical LAUGHTER. ALEC (concerned) Mrs. Woodhull. Are you ill? EVANGELINE Is that what you think Im doing? Oh, dear Lord. Evangeline dabs at her eyes with the corner of her sleeve. ALEC I fail to see the source of your amusement. EVANGELINE Im sorry. Please forgive me. Its just that you seem to be under the impression that I married Charles for love. ALEC Twould be a reasonable assumption.

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EVANGELINE Very reasonable. But inaccurate. I met Charles Woodhull for the first time on our wedding day. The match was arranged by my father before he passed away. If the truth be told, he owed Charles a considerable sum of money. Alec creases his face in disbelief. ALEC Let me understand you clearly. You married a man simply to settle your fathers debt? EVANGELINE My fathers reputation was all he had at the end. (beat) It was fortunate indeed that Charles did not find me...unattractive. With time I grew rather fond of my husband. Fond? ALEC

EVANGELINE That strikes you as odd? ALEC Very. You do not seem to be a woman capable only of...fondness. The horse WHINNIES. Evangeline gently pats her. EVANGELINE You still havent answered my question. ALEC Refresh my memory, Mrs. Woodhull. EVANGELINE You are leaving. Alec grabs a pitchfork and tosses hay at the horses. Yes. ALEC

EVANGELINE Tomorrow? The next day? ALEC I have not yet decided.

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EVANGELINE Of course you have. You just dont wish to tell me. ALEC I was not aware that reading minds was one of your many talents. EVANGELINE Have you ever considered settling down, Mr. McLaren? ALEC Im a trapper, not a farmer. Perhaps if I were a younger man with a different disposition, but Im not. Evangeline considers his words, than slowly drops her shawl to the ground. Alec bends down to pick it up only to see her dress fall as well. He dare not raise his eyes. ALEC (CONTD) Mrs. Woodhull, I think it best you return to the house. The bairns--EVANGELINE Are sound asleep and will be for hours. I had no idea that taking care of a puppy could be so tiring. Evangeline wraps her arms around Alec and softly kisses his neck. Alec strains to keep his composure. ALEC (huskily) Mrs. Woodhull, you try the patience of mens souls, but I must repeat--EVANGELINE Dont you think that we are long past the need for formalities, Alec? ALEC No good can come of this. I beg of you, return to the house without further delay or I will not be able to guarantee--EVANGELINE My safety? Idle hands make Devils work. Evangeline playfully cuffs Alecs ears as they tumble into the hay.

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INT. WOODHULL CABIN/KITCHEN-DAY Evangeline HUMS to herself as she serves breakfast to Jane and Philip. Alec enters, WHISTLING up a storm. ALEC Would you happen to have some breakfast for a man of voracious appetite, Mrs. Woodhull? EVANGELINE I most certainly do, Mr. McLaren. Alec sits down. Evangeline sets a full bowl before him. EVANGELINE (CONTD) I trust you slept well. ALEC Like a log. Must be the night air. Or good clean living. EVANGELINE (playfully) Is that what you call it? Alec begins eating and as he does, Philip mimics his every move. Alec abruptly puts his fork down. ALEC (roughly) I best be getting to work. Alec shoves his chair it upends, then walks out. JANE & PHILIP I thought Mr. McLaren was in a good mood. So did I. EVANGELINE CUT TO: Several hours later. Evangeline is busy cleaning when Philip scampers in. PHILIP Mama, why is Mr. McLaren loading up the wagon? Is he going somewhere? EXT. YARD-DAY

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Alec secures his horses to the buckboard as Evangeline approaches. EVANGELINE You didnt tell me you were going into town for supplies. ALEC Im not going into town. The truth finally dawns on Evangeline. EVANGELINE I dont understand. I thought after last night--ALEC A bargain is a bargain. Evangeline steps closer and puts her hand on Alecs arm. EVANGELINE How can you go? Alec brushes her hand off. ALEC I told you before. Im no farmer. Ill leave the horses. EVANGELINE I dont want your blasted horses! ALEC I promise Ill be back before the first snowfall. EVANGELINE No, you wont. Youre lying. If you go now, we shall never see you again. Alec hoists his pelts into the wagon. ALEC My word is my bond, woman! EVANGELINE Is that what you told Morning Lily? (beat) Your son? Alec stops for a long, hard moment, but says nothing. His refusal to argue inflames Evangeline.

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EVANGELINE (CONTD) Do as you please, Mr. McLaren. As you say, a bargain is a bargain. I cant stop you. But if and when you ever do return, you may be surprised at what you find. I have a mind of my own, and a body to go with it. And as you are so fond of telling me, this is a harsh country. A harsh country indeed. (beat) You may not be a farmer, but neither are you a man. You are no better than a cripple. Worse, youre a coward. A coward? ALEC

EVANGELINE Youre afraid to admit that you have feelings for me and the children. ALEC You entered into a loveless marriage. Dont lecture me about feelings. Evangeline storms into the house. CUT TO: Alec rides off as the puppy BARKS. Jane and Philip sadly wave good-bye. CUT TO: Evangeline, her back against the cabin door. Tears stream her face. EXT. INDIAN VILLAGE-DAY Alec trades goods and notions. INT. BARN-DAY Evangeline feeds the horses. She bends down to pick up a pail and is overcome with dizziness. She dry heaves as a HORSE softly NEIGHS. INT. WOODHULL CABIN/KITCHEN-DAY Evangeline by the fire. Elias enters, buttoning his shirt as he goes.

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ELIAS McLaren did good work. Couldnt have done better myself. Thanks for letting me clean up a bit. EVANGELINE Would you like some--Evangeline turns too quickly and is suddenly light-headed. She grabs onto a chair for support. Elias comes to her aid and helps her sit down. ELIAS Maybe I should get Ma--EVANGELINE No, no. Its passed already. I havent been sleeping well lately. ELIAS You do look a bit peaked, Mrs. Woodhull. Perhaps this isnt a good time to discuss this. EVANGELINE Discuss what? ELIAS Jane and Philip. They read and write, dont they? Evangeline slowly nods. ELIAS (CONTD) Ma never had such book learning and its always been a source of shame to her. Would you consider taking Hannah on as a student? Wed pay you, naturally. Anything you need doing around the house, you can count on me. (beat) At least, until McLaren comes back. Evangeline gets up and pours Elias a cup of coffee. EVANGELINE Youre a good neighbor, Elias Conlon. Elias stares at Evangeline; from his wistful gaze, its obvious he wants to be more than just a good neighbor.

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EXT. WOODS-DAY Serene brook. A deer drinks from the water. The peace is shattered by the sound of GUNFIRE. The deer races off. Alec curses under his breath as he runs after the deer. Its an effort though, and he PANTS heavily. He pushes himself through the underbrush. Suddenly Alex CRIES out; the rusty jaws of a bear trap clamps shut on his left leg. The rifle falls several feet away. Alec MOANS as he looks down at his bloody leg. He gingerly tries to pry the trap apart but the pain is unbearable. Alec mercifully passes out. DISSOLVE TO: Hours later. Dusk. Alec, sweat dripping down his face, tries to use his knife as a lever to loosen the trap but his concentration is broken by the sound of branches BREAKING. With a mighty effort, Alec drags himself under a bush. BARNABY (O.S.) Looks like a storm might be brewing, Master--Alec closes his eyes and bites down on a twig, his face twisting with pain. MAPES (O.S.) Well, now, what do we have--Mapes picks up Alecs rifle. MAPES (CONTD) How strange. No man in his right mind would--Barnaby points at the underbrush. Alec holds his breath. Mapes draws closer and discovers Alec. MAPES (CONTD) Look, Barnaby. You remember Alec McLaren. Barnaby sees Alecs leg and WINCES. Alec waves the knife. ALEC Not another step, Mapes, or--MAPES It seems to me that youre in no position to make threats. (beat)

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From the looks of it, Id say youve been here for quite a spell. It doesnt take long for gangrene to set in. Im not a physician but common sense tells me that the only way youre going to get out of this mess is to cut your leg off. ALEC A one legged trapper? Id sooner die! MAPES As you wish. (beat) How is the pious Mrs. Woodhull? Did she ever find her husband? It shouldnt be too difficult to locate her and collect on my debt. Alec GROWLS. ALEC You stay away from her! MAPES Whos going to stop me? You? Logic would dictate otherwise. Barnaby aims his gun at Alecs head. BARNABY Should I put him out of his misery, Master? MAPES A waste of a bullet. I dont believe that Mr. McLaren is going anywhere for the foreseeable future. ALEC What happened to your Indian? MAPES You mean Two Hats? The scoundrel left the same way he arrived. Unannounced. Come along, Barnaby. Weve tarried long enough. Mapes reaches forward and grabs Alecs knife. MAPES (CONTD) Ill give your regards to Mrs. Woodhull. A splendid example of a woman, wouldnt you say?

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Mapes and Barnaby exit, but not before Mapes kicks the trap. Alec GROANS and falls back on the ground. DISSOLVE TO: Hours later. An unconscious Alec thrashes and MUMBLES incoherently. INT. WOODHULL CABIN/BEDROOM-SAME TIME Evangeline awakens from a troubled sleep. Getting her bearings, she wraps a blanket around her, goes to the window and sadly gazes at the horizon. EXT. WOODS-DAY A band of INDIANS on horseback. They pass close to Alec but dont spot him. Theyre almost through the woods when Alec GROANS. CUT TO: The Indians surround Alec, talking excitedly in their native tongue. From their reactions, its clear that they know Alec personally and are arguing on how to proceed. Finally, an OLDER INDIAN settles the matter by unsheathing a large hunting knife. Alec rouses from his stupor, sees the Indians, the knife and begins to flail. Four Indians hold him down as the Older Indian hacks at Alecs leg. Alecs SCREAMS pierce the stillness of the woods. CUT TO: The Indians drag an unconscious Alec, his leg a bloody stump, on a stretcher made of leaves and tree limbs. INT. TEPEE-NIGHT OLD INDIAN WOMAN wipes Alecs forehead with a damp cloth. ALEC (mumbling) Evangeline. Evangeline. Watch out. Mapes. The Older Indian who amputated Alecs leg enters and stares at the Old Indian Woman. She shakes her head. DREAM SEQUENCE Alec on horseback rides up to the farm, the clouds an unnatural gray.

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He passes Charles grave and sees another wooden cross alongside it. He turns and spots a LAUGHING Mapes behind him. Alec draws his gun to fire but Mapes cuts down his other leg with a scythe. END DREAM SEQUENCE Back in the tepee, Alec opens his eyes and in his delirium, thinks that he sees Evangeline. He holds out his hand and tenderly brushes her face, but its not her, its actually the Old Indian Woman. ALEC (CONTD) (mumbling aloud) I love you, Evangeline. Old Indian Woman pushes his hand away, CACKLES. INT. WOODHULL CABIN/KITCHEN-DAY Evangeline watches snow fall to the ground. Even with a shawl wrapped around her, her abdomen protrudes. EXT. BARN-NIGHT Parked buggies and horses. INT. BARN-NIGHT A holiday gathering filled with TOWNSPEOPLE. Evangeline sits quietly in a corner as she watches Jane and Philip dance. Elias comes up to Evangeline and hands her a cup of punch. Thank you. EVANGELINE

ELIAS Would you like to go outside? Mighty stuffy in here. EXT. BARN-NIGHT Evangeline and Elias. EVANGELINE Mr. Conlon, I mean, Elias, youve caught me off guard, Im not sure I know how to respond--ELIAS All I ask is that you consider my proposal.

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(beat) Im not so foolish to think that youre in love with me or I with you. But Hannah needs a mother and yours a father, especially with the new one coming along. Embarrassed and ashamed, Evangeline turns away. ELIAS (CONTD) Folks will think its mine. No one need be the wiser. Ill treat the child as if it were my own. We dont even have to share the same bed, least, not until after its born--EVANGELINE Elias, youve been a godsend to me and the children, but in all candor, I cant accept your proposal. ELIAS Cant or wont? (beat) If its on account of that no good McLaren--EVANGELINE (firmly) He will come back. A bargain is a bargain. Evangeline sees the disappointment on Elias face. EVANGELINE (CONTD) Id like to go inside. Its getting rather chilly. ELIAS If you should ever change your mind--EVANGELINE Don't count on it, Elias. I married once for duty. Never again. The next time I marry, if I ever marry, it shall be for love, and love alone. INT. TEEPEE-DAY Alec rouses. Hes weak, disoriented, but alive. He abruptly sits up, pulls off his blanket and sees that his left leg is cut off at the knee. He closes his eyes and curses. A wooden crutch stands in a corner. CUT TO:

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Using the crutch for support, Alec hobbles outside. Snow falls lightly as Indians huddle around a fire. The Old Indian Woman comes up to Alec, but he pushes past her. Two Hats exits an adjacent teepee. Alec makes a beeline for the Indians around the fire. Savages! ALEC

Alec swings his crutch at the Indians. YOUNG WARRIOR grabs Alecs crutch and kicks his right leg out from underneath him. Alec falls to the ground, GROANS. Old Indian Woman tries to go to Alec, but Two Hats holds her back. Alec tries to stand without the benefit of the crutch, but he loses his balance and falls face down. Alec slowly pulls himself up. Two Hats bends down, picks up the crutch and silently offers it to Alec. Their eyes meet. Without a word, Alec grabs the crutch and shuffles back into the teepee. EXT. WOODHULL CABIN-DAY A blizzard rages. Visibility is close to zero. INT. WOODHULL CABIN/KITCHEN-DAY Jane and Philip do their lessons by candlelight. Evangeline sits in a rocker and quietly sews. Blackie snoozes by the fire. O.S. A loud BANG. Blackie awakens and BARKS. PHILIP What was that? EVANGELINE Just the wind, dear. O.S. Another loud BANG. Blackie goes to the door, BARKING and scratching. JANE I bet its Mr. McLaren! Evangeline grabs a candle, braces herself against the storm and opens the door. She sees a hooded figure approach the house. EVANGELINE I think youre right, Jane. I think---

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The hooded figure pushes past her and into the room. Its not Alec, its--MAPES Mrs. Woodhull. What an unexpected surprise. Arent you going to close the door? (beat) I said, close it. Evangeline slowly shuts the door. Mapes sweeps the snow off his hat and removes his coat. Blackie GROWLS and bares his teeth. Mapes kicks at him. No! JANE & PHILIP

Blackie scampers under the table. EVANGELINE How dare you show yourself here after what youve done. Get out! MAPES In such wretched conditions? And I thought you were a hospitable soul. Mapes smiles at Jane and Philip. MAPES (CONTD) Good day, children. EVANGELINE (to Jane and Philip) Go to your room. JANE But Mama--EVANGELINE Do as I say. Jane and Philip reluctantly do as theyre told. Evangeline goes into the kitchen. EVANGELINE (CONTD) If its food you want, I have some bread and--MAPES Plenty of time for that, sweet lady. Where is Mr. Woodhull? Id like to tell him in person what a lovely wife he has.

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EVANGELINE Hes in the barn, feeding the animals. I warn you, Mr. Mapes. My husband has a violent temper. Ive told him all about your skullduggery and I cannot guarantee your safety should he find you here. Mapes glances around the room; no sign of a mans things, no boots, no hat. MAPES In the barn, you say. Evangeline, her back to Mapes, slowly reaches for a knife. EVANGELINE I thought youd be clear out to California by now. MAPES So did I. Unfortunately, circumstance delayed me. How fortunate for you. Evangeline holds the knife in her hand. EVANGELINE As I said before, Mr. Mapes--Mapes grabs Evangeline by the hair and pulls her head back, then slams her hand against the wall. The knife drops; Mapes kicks it across the room. Evangeline tries to break free. Mapes puts his hand on her breast. EVANGELINE (CONTD) Let go of me, you vile beast! MAPES What if Im not so inclined? What if I wish to--Mapes claws at Evangelines long skirt and pulls it over her thighs. EVANGELINE Please dont hurt me or the children. (beat) Ill do whatever you ask. MAPES Of that I never had any doubt. Mapes slowly unbuttons Evangelines blouse.

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MAPES (CONTD) I must confess to you, in all honesty, Mrs. Woodhull, that when I first learned you had survived the Indian attack, my heart was overcome with passion. EVANGELINE Murderer! You left us to die. MAPES Not at all. My men and I went out to scout the territory. How were we to know that the camp would be attacked in our absence? EVANGELINE Liar! If it hadnt been for Mr. McLaren--MAPES Ah yes. Mr. McLaren. Your knight in shining armor. Well, you neednt worry your pretty little head about him any longer. Mapes removes Evangelines blouse and kisses her shoulders. EVANGELINE What do you mean? MAPES I mean that McLaren is walking with the angels. Or devils, as the case may be. EVANGELINE I dont believe you. Mapes CHUCKLES as he takes out Alecs knife. Evangelines face falls as she recognizes it. MAPES Rest assured that McLaren shant be coming to your rescue this time. EVANGELINE What have you done with him? Mapes pushes Evangeline to the floor, her hair wrapped around his hand. She CRIES out. Mapes quickly unbuckles his pants. The door to the childrens room opens. Mapes hurls the knife at them. Jane SCREAMS and shuts the door just as the knife hits it.

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EVANGELINE (CONTD) Have pity. I said I would do what you want. MAPES Before Im through with you, youll be doing much more than that. Evangeline smiles invitingly at Mapes. EVANGELINE Why take by force what you can have willingly? (beat) You were right. MAPES (confused) Right? Mapes loosens his grip. Evangeline rolls over. EVANGELINE My husband. Hes dead. MAPES Dead? Dont tell me McLaren--Evangeline slowly nods. MAPES (CONTD) I never took the man for a killer. EVANGELINE Neither did I. But kill him he did, in cold blood. McLarens jealousy got the better of him. He held me captive against my will and he--MAPES (eagerly)

Yes?

EVANGELINE I cannot speak of it. MAPES (disappointed)

Oh.

EVANGELINE So you see, Mr. Mapes, youve done me a tremendous favor. And I intend to show my gratitude.

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Evangeline closes her eyes, grits her teeth, then kisses Mapes hard on the lips. He pushes her against the wall and lifts her skirts. His hands roam over her body. Mapes stops in mid grope and frowns. MAPES My God, woman! Youre with child. Evangeline shoves her knee into Mapes groin; he GROANS and crumples to the floor. Evangeline pushes him aside and grabs the rifle. Is it loaded? She doesnt remember. Mapes gets his bearings back and advances towards her, grinning maliciously. EVANGELINE Stay back. Stay back or Ill shoot. I will. I swear. Evangeline pulls on the trigger. Nothing happens. Mapes CHUCKLES as he takes another step. Evangeline pulls on the trigger again. This time, it fires. The bullet hits Mapes right in the gut. He staggers back, incredulous, as the blood pours out of him. Mapes falls on the floor, dead. The bedroom door opens. Jane peeks out. Mama? JANE

Jane and Philip rush to Evangeline. CUT TO: Evangeline (a rope tied around her waist) slowly drags Mapes body out in the blizzard. From the door, Jane and Philip hold tightly onto the rope. JANE (CONTD) Mama, hurry! Evangeline dumps the body in a drift. She starts to return to the house, then looks back. The snow has already covered Mapes. Evangeline makes a fist and raises it against the gray sky.

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EVANGELINE You shant win! I wont let you. You are harsh and demanding, but so am I, by God. Ill yet have the last laugh. INT. TEEPEE-NIGHT Alec lays huddled under deerskin pelts. An Indian, whom we have already seen and suspect is a Chief, enters. The Indian sees the food that Alec has left untouched. () Denotes Indian native tongue. CHIEF MOUNTAN BROOK (I did not save you from infection only to have you now die of starvation.) Alec ignores the Indian. CHIEF MOUNTAN BROOK (CONTD) (Stoneface is angry.) ALEC Damn right Im angry. You should have left me to die. CHIEF MOUNTAN BROOK (Thats what I said, but your son wanted you to live.) ALEC To live like a cripple? He hates me that much? Well, you can tell my son for me that he has done me no favor. CHIEF MOUNTAN BROOK (You have not changed. You are as stubborn as ever. I should have cut off your tongue as well your leg). EXT. CABIN-SPRING (DAY) The ground is covered with patches of snow. Blackie, now a young dog, stops, SNIFFS and scratches. Evangeline, hugely pregnant, exits the barn, pail in hand. She catches Blackie digging in the snow and runs toward him. EVANGELINE Blackie, no! In the distance, Elias rides on his horse. CUT TO:

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Evangeline watches as Elias pats the earth down on the new grave next to Charles. EVANGELINE (CONTD) We should tell the Sheriff. ELIAS Nearest Sheriff is three towns over. And what would he do? Its not likely anyone will miss this varmint, pardon my language. Evangeline suddenly doubles over with pain. Elias carries her into the house. INT. WOODHULL CABIN/BEDROOM-DAY Jane, Philip and Hannah play quietly by the fireplace. Elias nervously paces. The bedroom door opens. Sara exits, a small bundle in her arms. ELIAS Is she all right? Sara nods. Elias SIGHS with relief. Sara unwraps the bundle as she beckons Jane and Philip. SARA Say hello to your new baby brother. Dont be shy. Jane and Philip stare at the newborn in wonder. The baby picks this moment to CRY. Hes loud. PHILIP

SARA Most babies are. INT. WOODHULL CABIN/BEDROOM-DAY Evangeline nurses the baby. Elias enters with a tray. ELIAS I didnt mean to interrupt. Ma thought you might be hungry. EVANGELINE Thank you. Im famished. Elias sets the tray on the bed.

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ELIAS Have you thought of a name? EVANGELINE I have. Nathaniel. ELIAS Tis a fine name. Strong and hardy, like his Ma. Elias gently touches Nathaniel. EVANGELINE Would you like to hold him? ELIAS I dont trust myself, Id probably--Evangeline passes Nathaniel to Elias. Elias awkwardly holds the infant in the crook of his arm and slowly eases himself down in the rocking chair. EXT. RIVERBANK-DAY A bearded, haggard Alec, a bottle by his side, sits under a tree. He listens to several INDIAN WOMEN SING as they wash clothes. TWO HATS (O.S.) So this is how my father spends his time? Drunk and listening to the songs of old washer women? Two Hats rounds the tree, sits down. ALEC The Chief tells me that I have you to thank for my current state. Two Hats remains impassive. ALEC (CONTD) You should have let me die. TWO HATS So Ive been told. (beat) Who is this Evangeline? ALEC Shes no one. Shes a...dream.

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TWO HATS A dream with a name. You dont wish to return to her? ALEC No. She probably thinks Im dead. Better for her that she think so. Better for me to believe I am. TWO HATS Better for Mapes with two legs to have her than you with one? Alec glowers and takes another drink. Two Hats goes past Alec. ALEC I was wrong about everything. Two Hats stops and cocks his head; his look says, go on. ALEC (CONTD) After your mother died, I was wrong to take you from her people. I could no more erase the Indian from your veins than I could the Scottish from mine. I wanted you to know that before...I go. Alec smashes the bottle against the tree. EXT. WOODS-SUNRISE A cleaned up Alec on a horse, his crutch slung over his back. As he passes a ridge, he looks up and sees a line of Indians. Two Hats lifts his hand in friendship. Alec returns the gesture. EXT. FRONTIER SETTLEMENT-DAY Alec passes a store and sees a music box in the window. He smiles as he steps inside. EXT. YARD-DUSK Philip sits by the corral and gazes at the horizon. INT. WOODHULL CABIN/ROOM-NIGHT Jane and Hannah play with cloth dolls. Evangeline tends to Nathaniel. Elias enters carrying a stack of firewood. Evangeline goes to help him; as she does, she spots Philip sitting in the dirt.

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Evangeline goes to Philip. EVANGELINE What are you doing, Philip? Nothing. PHILIP

EVANGELINE Weve talked about this before. We have to accept the fact that Mr. McLaren isnt coming back. We must go on with our lives. PHILIP (defiantly) Im not waiting for him. Philip gets up, kicks at the dirt and walks off. INT. BARN-EVENING Elias feeds the horses. Evangeline enters. EVANGELINE Would you like some help? ELIAS Ill be done soon. (beat) Is Hannah asleep? Evangeline nods. EVANGELINE You should see them all snug together, smiling like angels. ELIAS Each morning she badgers me about coming here. She so loves Jane and Philip. And she adores fussing over Nathaniel. Evangeline leans against a hay bale, memories of that night with Alec flooding her mind. ELIAS (CONTD) I know you once said that there was no point in me asking, because your mind was not likely to change, but--EVANGELINE Ask me now.

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ELIAS Will you marry me? Yes. EVANGELINE

ELIAS I know Im not---did you say yes? Evangeline nods. ELIAS (CONTD) If you dont mind my asking, what changed your mind? EVANGELINE My children have spent too long without a father, and yours without a mother. Nathaniel is a demanding master. And I underestimated how much upkeep the farm requires. Elias takes Evangelines hands. ELIAS Ill be a good husband to you, Evangeline. And maybe in time youll come to have some feelings for me. Evangeline lowers her eyes. How soon? ELIAS (CONTD)

EVANGELINE Whenever you like. I see no reason for delay. Elias gives Evangeline a quick peck on the cheek and happily goes about his chores, a new spring to his step. Evangeline smiles gamely as she wipes a tear away. INT. DRY GOODS STORE-DAY Alec trades with the STORE OWNER when hes approached by a BUSYBODY. BUSYBODY Alec, what happened to your leg? ALEC I lost it in a card game. Would you like to play me for yours?

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The Busybody hastily retreats. INT. CONLON HOUSE/BEDROOM-DAY Evangeline models a wedding gown as Sara kneels before her, pincushion in hand. O.S. A KNOCK on the door. Yes? SARA

ELIAS (O.S.) May I come in? SARA I should say not. You know its bad luck to see a bride on the eve of her wedding. Off with you! Sara steps back to admire her work. EVANGELINE How do I look? SARA Its perfect. I knew my gown would fit with a little fixing. EVANGELINE Youve been so very kind to me. Sara hugs Evangeline. SARA I think of you as my daughter already. Everything is going to be just dandy, youll see. The children get along so well. Elias hasnt been so happy in months. Hes not a bad lad. Between you and me, I didnt like my husbands much when I married them. I like them better now that theyre in the grave. (beat) Now let me see if I can remember where I put the veil. If I cant find it before you leave, Ill have Elias run it over later. Sara rummages in a drawer. Evangeline sadly stares at her reflection in the mirror.

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INT. WOODHULL CABIN/ROOM-DAY Nathaniel sleeps in a homemade cradle. Evangeline nervously putters around. Jane and Philip do some lessons. JANE Why cant we all live here? EVANGELINE I already explained. Elias cant be expected to run two farms. JANE But this is Papas. PHILIP Mama, you should have been nicer to Mr. McLaren. Maybe he wouldnt have left. EVANGELINE I wish things were different, but theyre not. I hope wherever Mr. McLaren is, hes found peace. Children, its too lovely to stay cooped up. Why dont you go outside and play? JANE What about our lessons? EVANGELINE You may finish them later. Jane and Philip exit. Evangeline checks on Nathaniel; she bends down and softly kisses him. EXT. MEADOW-A SHORT TIME LATER Jane and Philip pick dandelions as a lone figure on horseback comes up on the horizon. Blackie jumps up and BARKS. INT. BARN-DAY Evangeline waters the horses. JANE (O.S.) Mama! Come quick. EVANGELINE What is it? Evangeline drops the bucket of water. CUT TO:

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Elias drives a buckboard, the wedding veil tucked inside his belt. CUT TO: Alec passes the two graves (the ones he saw in his dream) and quickens his pace. Evangeline meets up with Jane and Philip. Jane points; Evangeline shields her face. EVANGELINE (CONTD) Oh God. It cant be! Evangeline walks at first, then breaks into a run. Alec hops down off his horse. Evangeline throws herself into Alecs arms and bursts into tears. EVANGELINE (CONTD) May the Lord have mercy on me! I thought you were dead. ALEC Aye. And so I was. Woman, what did I tell you? Alec McLaren always holds up his end of the bargain. Evangeline looks down and grimaces. EVANGELINE What happened to your leg? ALEC A gift from our friend Mapes. EVANGELINE A fiend that will never harm us or anyone ever again. The grave? Evangeline nods. ALEC (CONTD) Ive been thinking, Mrs. Woodhull. EVANGELINE Yes, Mr. McLaren? ALEC This farming nonsense. I might yet get the hang of it with practice. That is, if youll have me, one leg and all. ALEC

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EVANGELINE As a hired hand, Mr. McLaren? No. ALEC

(beat) As your lawful husband. Jane, Philip and Blackie rush up to Alec and nearly knock him over. ALEC (CONTD) Goodness. This cant be Philip? What has your Ma been feeding you? Bears? And Jane, youve shot up like a weed. Remind me later that Ive got something special for you that I picked up on my travels. JANE Mama, Nathaniels crying. ALEC Nathaniel? Another dog? EVANGELINE (smiling broadly) Not quite, Mr. McLaren. INSERT: From a safe distance, a broken hearted Elias watches Evangeline and Alec kiss. A sudden gust of wind blows the wedding veil out of Elias hands and onto the prairie.

FADE OUT THE END