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“We COMPLETE
Double Bass Parts
selected works of
MOZART, HAYDN
and
WEBER
Edited and Published by
Oscar G. Zimmerman oreword
‘THIS BOOK, the second of the series
of “Complete Double Bass Parts,” contains
the works of Mozart, Haydn and Weber most
frequently found on symphonic programs. I
hhave also included the Contra Bass obbligat
of the Mozart aria “Per Questa Bella Mano
which interests most serious students of the
Double Bass.
Seemingly every conductor has his own
views in regards to tempi, A prime example
is the last movement of Eine Kleine Nacht-
‘musik. There is a great variance between the
tempo taken by Toscanini and that taken by
Sir Thomas Beecham, both great interpretors
of Mozart, Toscanini conducted it at double
the speed of Beecham. As a guide, therefore,
Thave added the metronome markings which
I feel are most practical, although no metro-
nome markings were actually put down by
Mozart or Haydn.
‘The printed parts of the Mozart and
Haydn symphonies are for Violoncello and
Double Bass combined; the suggested fing-
cerings are only for Double Bass. The bowings
are acceptable for both instruments.
—Oscat G. ZimMERMan (fontears
MOZART
OVERTURES | The Marriage of Figaro
Don Giovanni
‘The Magic Flute
SERENADE { Eine kleine Nachtmusik
Uf
SYMPHONIES } No. 34
No. 35 (“Haffner”)
No. 36 (“Linz”)
No. 38 (“Prague”)
No. 39
No. 40
No. 41 (“Jupiter”)
ARIA } “Per Questa Bella Mano”
HAYDN
SYMPHONIES
No. 88
No. 94 (“Surprise”)
No. 97
No. 99
No. 100 (“Military”)
No, 102
No. 103 (“Drum Roll”)
No. 104 (“London”)
WEBER
Der Freischtitz
Euryanthe
Oberon
OVERTURES
EDITED ano PUBLISHED ay
OSCAR G. ZIMMERMAN
90 WESTMINSTER ROAD — ROCHESTER, NEW YORK 14007
64
0
n
85
93
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‘and Printing
