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Summer 2010 Music Appreciation Schedule

This document provides the calendar and schedule of assignments for a Summer 2010 Music Appreciation course. Key details include: 1) The first day the course website is available and the first listening/concert blog assignment is due. Online chat sessions will be held on certain dates from 10-11am or 12:30-1:30pm. 2) Six exams will be given throughout the summer, each covering listening selections and reading material. Discussions boards and bibliographies are also due on specified dates. 3) The exams will test knowledge of pieces from the assigned listening tracks and readings. Catch pieces will be treated as separate examples for some composers' works.

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0% found this document useful (0 votes)
43 views3 pages

Summer 2010 Music Appreciation Schedule

This document provides the calendar and schedule of assignments for a Summer 2010 Music Appreciation course. Key details include: 1) The first day the course website is available and the first listening/concert blog assignment is due. Online chat sessions will be held on certain dates from 10-11am or 12:30-1:30pm. 2) Six exams will be given throughout the summer, each covering listening selections and reading material. Discussions boards and bibliographies are also due on specified dates. 3) The exams will test knowledge of pieces from the assigned listening tracks and readings. Catch pieces will be treated as separate examples for some composers' works.

Uploaded by

ix007
Copyright
© Attribution Non-Commercial (BY-NC)
We take content rights seriously. If you suspect this is your content, claim it here.
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Download as DOC, PDF, TXT or read online on Scribd
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Music Appreciation

Calendar Summer 2010


IMPORTANT: Exams and quizzes must be completed by 4:00pm on t e due date! All ot e" assi#nments suc as discussion boa"ds and $eblio#"ap y can be submitted t "ou# %%:&'pm on t e due date! ( at sessions a)e sta"t and end times listed on t e calenda"! A""i)in# late to a c at session may "esult in pa"tial c"edit *o" t e session! Please "emembe" t at you need to post an ent"y in you" +istenin# and (once"t ,lo# eac $ee-! .o" example/ i* t e blo# assi#nment be#ins on t e %st o* t e mont / t en you s ould a)e posted once by t e 0t / t$ice by t e %&t / and so *o"t until t e #"adin# deadline! 1c"oll do$n to t e bottom o* t is pa#e to see detailed in*o"mation on t e mate"ials co)e"ed on eac exam! 2ate Monday, June 21 #ednesday, June 2$ Impo"tant In*o"mation First day website is available Listening & concert blog assignment begins see syllabus and Assignments section o! website !or details" %nline c&at session 10'00(10')*pm" +iscussion ,oard 1 due' 3IMPORTANT: 1tudents $ o miss t is deadline $ill be d"opped *"om t e class! T e only exception to t is $ill be *o" students $ o added t e class on t e 4%st o" 44nd and t e"e*o"e don5t a)e access by t e 46"d!7 %nline c&at session 10'00(10')*pm" %nline c&at session 12'$0(1'1*pm" %nline c&at session 10'00(10')*pm" Exam % due )'00pm see e/am details below" Listening and concert blog 1st grading deadline +iscussion board 2 due %nline c&at session 12'$0(1'1*pm" %nline c&at session 10'00(10')*pm" Exam 4 due )'00pm see e/am details below" %nline c&at session 0'00(0')*am" %nline c&at session 10'00(10')*pm" +iscussion board $ due Exam 6 due )'00pm see e/am details below" Listening and concert blog 2nd grading deadline %nline c&at session 12'$0(1'1*pm"

-&ursday, June 2) Monday, June 2. #ednesday, June $0 Friday, July 2 Monday, July * #ednesday, July 0 Friday, July 1 Monday, July 12 #ednesday, July 1) Friday, July 12 Monday,

July 11 #ednesday, July 21 Friday, July 2$ Monday, July 22 #ednesday, July 2. Friday, July $0

%nline c&at session 10'00(10')*pm" Exam 4 due )'00pm see e/am details below" +iscussion ,oard ) due #ebliograp&y due %nline c&at session 12'$0(1'1*pm" %nline c&at session 0'00(0')*am" Exam & due )'00pm see e/am details below" Listening and concert blog 3rd grading deadline +iscussion board * due

Exam 2etails: 3/am 1 ( 4istening selections' C+1 trac5s 1 10, 647S t&e Medieval Motet !rom t&e 4ectures section o! website, Middle Ages !older 811 total pieces9 o :eading' pages 1 11 o -a5e ;ui<<es 1($ prior to ta5ing 3/am 1 3/am 2 ( 4istening selections' C+1 trac5s 11 22= C+2 trac5s 1 ) 81* total pieces9 o :eading' pages 100 121 o -a5e ;ui<<es )(2 prior to ta5ing 3/am 2 o >ote' t&e t&ree movement?s !rom Monteverdi?s Orfeo and ,ac&?s Awake, A Voice is Calling will be treated as separate listening e/amples 3/am $ ( 4istening selections' C+2 trac5s 2 1, 11 2)= C+$ trac5s 1 1$ 81) total pieces9 o :eading' pages 122 2)1 o -a5e ;ui<<es 0(1 prior to ta5ing 3/am $ o >ote' t&e two movements eac& !rom Mo<art?s Don Giovanni and A Little ig!t "#sic, as well as t&e !our movements !rom ,eet&oven?s *t& Symp&ony will be treated as separate listening e/amples 3/am ) ( 4istening selections' C+$ trac5s 1) 21, 2$= C+) trac5s 1 2, * 0, 11 1$= C+* trac5s 1 2 81* total pieces9 o :eading' pages 2)2 $2. o -a5e ;ui<<es 10(12 prior to ta5ing 3/am ) 3/am * ( 4istening selections' C+* trac5s $ ), 2 11= C+2 trac5s 1 2, 81) total pieces9 o :eading' pages $$0 )01 o -a5e ;ui<<es 1$(1* prior to ta5ing 3/am * o >ote' t&e two movements !rom Stravins5y?s $ite of %&ring will be treated as separate listening e/amples= t&e movements !rom 6uccini?s '#randot and Copland?s A&&alac!ian %&ring will not be treated separately i! you &ear any portion o! t&ose wor5s, simply indicate t&e appropriate title no movement name or number is necessary"

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