100%(1)100% found this document useful (1 vote) 592 views63 pages(Drum) Essential Styles For The Drummer & Bassist - Book One
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TRACK
CASSETTE SIDE I
FUNK © R&B * POP-ROCK * FUSION ....ff1
#2
#3
4
#5
#6
a7
#8
"9
#10
#1
a2
#3
5 Na Me Nt Nae NaN
STIN (BRAZILIAN/ AFRO-CUBAN) .....0..4H14
#15
CASSETTE SIDE 2
6
m7
#18.
Ho
#120
#21
#22
#23
6
24
#25
#26
#27
#28
#29
#30
1 Ng Sat Sa a San So
a Na
bout the Authors.
PVCS
ME (TING)
Medium Funk (2:13)
Pop Bunk #1 (2:22) ss.
Pop Bunk #2 (1:57)
nk (2:06)..
Funk-Shufile (2:32:
Eunk-Rock (2:51) «+
R& BML (2:26)
R&B H2 (2:02)
Rock & Roll (2:30) .
Bright Cross-stick Fusion (2:27).
Slow Fusion Vamp (2:27)...
Fusion,
7/4 Vamp (2:11) 26
Raggae-Funk (2:43) 28
Bossa Nova (2:22). 30
Fast Samba (2:26)... 32
Medium Samba (2:58) .
Slow Samba (2:27)
Baion (2:43)
3/4 Samba (2:25)
Cha-Cha (1:48)
Mambo (2:16)
Songo (2:15)
6/8 Afro-Cuban (2:24)...
Medium Shuffle (2:32)
1- Bright Swing (2:44)
3/4 Swing (2:
Broken Swing Fee
Ballad (2:36)...
Up-Tempo Blues (3:09)
Man fon Nan Son,
ESSENTIAL STYLES FOR THE DRUMMER & BASSIST * Book Qne 3 PERFORMANCE/
LISTENING SUGGESTIONS
This medium funk groove
requires that the drummer
‘The bass drum part should
reflect what the bass player is
playing. The snare drum on
beats 2 and 4 is a necessity!
Ac the end of measures 2 and
4 there is activity in the bass
part, as well as in the drums
(especially beats 3 and 4,
which are long-sounding
notes). As the track
progresses, the intensity can
be increased by moving from
hi-hat to the dome of the
cymbal. Be careful not to
hat.
overplay the fi
“lock in” with the bass player.
Fas
|
‘The bass figures here need to
be short for the most part.
Notice the increased rhythmic
activity at the end of each
two-bar phrase leading to the
next one. This corresponds
with what the drummer is
doing and helps give the
rhythm section a unified feel,
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