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Apocalypse: WS Merwin, in Time', 2001

The document contains three poems about the apocalypse: 1) WS Merwin's "In Time" describes a couple preparing for the end of the world by eating oysters and dancing together by candlelight on a night of explosions in the distance. 2) Stanley Kunitz's "Halley's Comet" tells of a young boy waiting on his roof for the comet to crash into Earth and end the world as his teacher and preacher had predicted. 3) Mary Karr's "Disappointments of the Apocalypse" depicts the aftermath as opposing soldiers agree on the details of the apocalypse, citizens prepare to ascend, and those who remain are left

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0% found this document useful (0 votes)
100 views3 pages

Apocalypse: WS Merwin, in Time', 2001

The document contains three poems about the apocalypse: 1) WS Merwin's "In Time" describes a couple preparing for the end of the world by eating oysters and dancing together by candlelight on a night of explosions in the distance. 2) Stanley Kunitz's "Halley's Comet" tells of a young boy waiting on his roof for the comet to crash into Earth and end the world as his teacher and preacher had predicted. 3) Mary Karr's "Disappointments of the Apocalypse" depicts the aftermath as opposing soldiers agree on the details of the apocalypse, citizens prepare to ascend, and those who remain are left

Uploaded by

Phillip Moore
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Download as PDF, TXT or read online on Scribd
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Sheffield University Poetry Society

APOCALYPSE
WS Merwin, In Time, 2001:
The night the world was going to end
when we heard those explosions not far away
and the loudspeakers telling us
about the vast fires on the backwater
consuming undisclosed remnants
and warning us over and over
to stay indoors and make no signals
you stood at the open window
the light of one candle back in the room
we put on high boots to be ready
for wherever we might have to go
and we got out the oysters and sat
at the small table feeding them
to each other first with the fork
then from our mouths to each other
until there were none and we stood up
and started to dance without music
slowly we danced around and around
in circles and after a while we hummed
when the world was about to end
all those years all those nights ago

Stanley Kunitz, Halleys Comet, 2000:


Miss Murphy in first grade
wrote its name in chalk
across the board and told us
it was roaring down the stormtracks
of the Milky Way at frightful speed
and if it wandered off its course
and smashed into the earth
thered be no school tomorrow.
A red-bearded preacher from the hills
with a wild look in his eyes
stood in the public square
at the playgrounds edge
proclaiming he was sent by God
to save every one of us,
even the little children.
Repent, ye sinners! he shouted,
waving his hand-lettered sign.
At supper I felt sad to think
that it was probably
the last meal Id share
with my mother and my sisters;
but I felt excited too
and scarcely touched my plate.
So mother scolded me

Sheffield University Poetry Society


and sent me early to my room.
The whole familys asleep
except for me. They never heard me steal
into the stairwell hall and climb
the ladder to the fresh night air.
Look for me, Father, on the roof
of the red brick building
at the foot of Green Street
thats where we live, you know, on the top floor.
Im the boy in the white flannel gown
sprawled on this coarse gravel bed
searching the starry sky,
waiting for the world to end

Mary Karr, Disappointments of the Apocalypse, 1993:


Once warring factions agreed upon the date
and final form the apocalypse would take,
and whether dogs and cats and certain trees
deserved to sail, and if the dead would come or be left
a forwarding address, then opposing soldiers
met on ravaged plains to shake hands
and postulate the exact shade
of the astral selfsome said lavender,
others gray. And physicists rocketed
copies of the decree to paradise
in case God had anything to say,
the silence that followed being taken
for consent, and so citizens
readied for celestial ascent.
Those who hated the idea stayed indoors
till the appointed day. When the moon
clicked over the sun like a black lens
over a white eye, they stepped out
onto porches and balconies to see
the human shapes twist and rise
through violet sky and hear trees uproot
with a sound like enormous zippers
unfastening. And when the last grassblades
filled the air, the lonely vigilants fell
in empty fields to press their bodies
hard into dirt, hugging their own outlines.
Then the creator peered down from his perch,

Sheffield University Poetry Society

as the wind of departing souls tore the hair


of those remaining into wild coronas,
and he mourned for them as a father
for defiant children, and he knew that each
small skull held, if not some vision
of his garden, then its aroma of basil
and tangerine washed over by the rotting sea.
They alone sensed what hed wanted
as he first stuck his shovel into clay
and flung the planets over his shoulder,
or used his thumbnail to cut smiles and frowns
on the first blank faces. Even as the saints
arrived to line before his throne singing
and a wisteria poked its lank blossoms
through the cloudbank at his feet,
he trained his gaze on the deflating globe
where the last spreadeagled Xs clung like insects,
then vanished in puffs of luminous smoke,
which traveled a long way to sting his nostrils,
the journey lasting more than ten lifetimes.
A mauve vine corkscrewed up from the deep
oblivion, carrying the singed fume
of things beautiful, noble, and wrong.

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