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JPEG and MPEG Image Compression

The document summarizes JPEG and MPEG standards for image and video compression. JPEG is used for still image compression and defines 4 modes including sequential DCT compression. MPEG is used for full-motion video compression and defines I, P, and B frame types. Both standards use DCT, quantization, and entropy encoding during compression, and the inverse processes for decompression. MPEG achieves higher compression ratios than JPEG by using inter-frame prediction between frame types.

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1K views

JPEG and MPEG Image Compression

The document summarizes JPEG and MPEG standards for image and video compression. JPEG is used for still image compression and defines 4 modes including sequential DCT compression. MPEG is used for full-motion video compression and defines I, P, and B frame types. Both standards use DCT, quantization, and entropy encoding during compression, and the inverse processes for decompression. MPEG achieves higher compression ratios than JPEG by using inter-frame prediction between frame types.

Uploaded by

Prem Bahadur Kc
Copyright
© © All Rights Reserved
Available Formats
Download as DOCX, PDF, TXT or read online on Scribd
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JPEG and MPEG image compression

There is an increasing effort to achieve standardization in image compression.


The Joint Photographic Experts Group (JPEG) has developed an international standard for general purpose,
color, still-image compression.
MPEG standard (Motion Picture Experts Group) was developed for full-motion video image sequences with
applications to digital video distribution and high definition television (HDTV) in mind.
JPEG - still image compression
JPEG is widely used in many application areas.
Four compression modes are furnished
1. Sequential DCT-based compression
2. Progressive DCT-based compression
3. Sequential lossless predictive compression
4. Hierarchical lossy or lossless compression
While the lossy compression modes were designed to achieve compression ratios around 15 with very good or
excellent image quality, the quality deteriorates for higher compression ratios.
A compression ratio between 2 and 3 is typically achieved in the lossless mode.
Sequential JPEG Compression consists of a forward DCT transform, a quantizer, and entropy encoder while
decompression starts with entropy decoding followed by dequantizing and inverse DCT.
In the compression stage, the unsigned image values from the interval [0,(2^b)-1] are first shifted to cover the
interval [-2^(b-1),2^(b-1)-1].
The image is then divided into 8x8 blocks and each block is independently transformed into the frequency
domain using the DCT-II transform.
Many of the 64 DCT coefficients have zero or near-zero values in typical 8x8 blocks which forms the basis for
compression.
The 64 coefficients are quantized using a quantization table Q(u,v) of integers from 0 to 255 that is specified by
the application to reduce the storage/transmission requirements of coefficients that contribute little or nothing to
the image content.
The following formula is used for quantization

After quantization, the dc-coefficient F(0,0) is followed by the 63 ac-coefficients that are ordered in a 2D matrix
in a zig-zag fashion according to their increasing frequency.
The dc-coefficients are then encoded using predictive coding, the rationale being that average gray levels of
adjacent 8x8 blocks (dc-coefficients) tend to be similar.
The last step of the sequential JPEG compression algorithm is entropy encoding.
o Two approaches are specified by the JPEG standard.
o The baseline system uses simple Huffman coding while the extended system uses arithmetic coding
and is suitable for a wider range of applications.
Sequential JPEG decompression uses all the steps described above in the reverse order. After entropy
decoding (Huffman or arithmetic), the symbols are converted into DCT coefficients and dequantized

where again, the Q(u,v) are quantization coefficients from the quantization table that is transmitted together
with the image data.
Finally, the inverse DCT transform is performed and the image gray values are shifted back to the interval [0,
(2^b)-1].
In Progressive JPEG Compression, a sequence of scans is produced, each scan containing a coded subset
of DCT coefficients.
A buffer is needed at the output of the quantizer to store all DCT coefficients of the entire image.
These coefficients are selectively encoded.
Three algorithms are defined as part of the JPEG progressive compression standard;
o progressive spectral selection
o progressive successive approximation
o combined progressive algorithm.
In the progressive spectral selection approach, the dc-coefficients are transmitted first, followed by groups of
low frequency and higher frequency coefficients.

In the progressive successive approximation, all DCT coefficients are sent first with lower precision and their
precision increases as additional scans are transmitted.
The combined progressive algorithm uses both of the above principles together.
Sequential Lossless JPEG Compression
The lossless mode of the JPEG compression uses a simple predictive compression algorithm and Huffman
coding to encode the prediction differences.
Hierarchical JPEG Compression
Using the hierarchical JPEG mode, decoded images can be displayed either progressively or at different
resolutions.
A pyramid of images is created and each lower resolution image is used as a prediction for the next higher
resolution pyramid level.
The three main JPEG modes can be used to encode the lower-resolution images - sequential DCT,
progressive DCT, or lossless.
In addition to still image JPEG compression, motion JPEG (MJPEG) compression exists that can be applied to
real-time full-motion applications.
However, MPEG compression represents a more common standard and is described below.

MPEG - full-motion video compression


Video and associated audio data can be compressed using MPEG compression algorithms.
Using inter-frame compression, compression ratios of 200 can be achieved in full-motion, motion-intensive
video applications maintaining reasonable quality.
MPEG compression facilitates the following features of the compressed video
o random access,
o fast forward/reverse searches,
o reverse playback,
o audio-visual synchronization,
o robustness to error,
o editability,
o format flexibility, and
o cost tradeoff
Currently, three standards are frequently cited:
o MPEG-1 for compression of low-resolution (320x240) full-motion video at rates of 1-1.5 Mb/s
o MPEG-2 for higher resolution standards like TV and HDTV at the rates of 2-80 Mb/s
o MPEG-4 for small-frame full-motion compression with slow refresh needs, rates of 9-40kb/s for videotelephony and interactive multimedia like video-conferencing.
MPEG can be equally well used for both symmetric and asymmetric applications.
The video data consist of a sequence of image frames.
In the MPEG compression scheme, three frame types are defined;
o intraframes I
o predicted frames P
o forward, backward, or bi-directionally predicted or interpolated frames B
Each frame type is coded using a different algorithm and Figure below shows how the frame types may be
positioned in the sequence.

I-frames are self-contained and coded using a DCT-based compression method similar to JPEG.
Thus, I-frames serve as random access frames in MPEG frame streams.

Consequently, I-frames are compressed with the lowest compression ratios.


P-frames are coded using forward predictive coding with reference to the previous I- or P-frame and the
compression ratio for P-frames is substantially higher than that for I-frames.
B-frames are coded using forward, backward, or bidirectional motion-compensated prediction or interpolation
using two reference frames, closest past and future I- or P-frames, and offer the highest compression ratios.
Clearly, the highest compression ratios can be achieved by incorporation of a large number of B-frames; if only
I-frames are used, MJPEG compression results.
The following sequence seems to be effective for a large number of applications.

While coding the I-frames is straightforward, coding of P- and B-frames incorporates motion estimation.
For every 16x16 block of P- or B-frames, one motion vector is determined for P- and forward or backward
predicted B-frames, two motion vectors are calculated for interpolated B-frames.
The motion estimation technique is not specified in the MPEG standard, however block matching techniques
are widely used generally following the matching approaches.
After the motion vectors are estimated, differences between the predicted and actual blocks are determined
and represent the error terms which are encoded using DCT.
As usually, entropy encoding is employed as the final step.
MPEG-1 decoders are widely used in video-players for multimedia applications and on the World Wide Web.

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