It’s Easy To Play Ballads. agp co read, vimplitied arranpemenes of kecren rina uh arargdoe vase thors yeribo bao ATi tb “Thy A Unde Tendernans “Semaine Whee at nc reste Song! ArrangedThat Ole Devil Called Love, 8 As Time Goes By, 32 Let Me Try Again, 16 Love Is Blue (UAmour Est Bleu), 4 Morning Of My Life (In The Morning), 38 This Guy’s In Love With You, 18 Try A Little Tenderness, 23 Fool (If You Think It’s Over), 14 Pll Never Smile Again (Until | Smile At You), 20 Against All Odds (Take A Look At Me Now), 35 Sometimes When We Touch, 11 Nights In White Satin, 6 Annie’s Song, 26 The Power Of Love, 42 Separate Lives, 45 Feelings (Dime), 29Love Is Blue (L’Amour Est Bleu) Music by Andre Popp Original Words by Pierre Cour English Lyric by Bryan Blackburn Slow + —= y Gt e eee a = P Blue, blue my world is blue, blue is my world now Red, red, my eyes are red, ery - ing for you a - z £ te — ra Sake f= i - f f a t —s Em AT D G Em Cc — : i S=5 ooo a oe a I'm with-out you. Grey, grey, my life is grey. lone in my bed. Green, green, my jea - lous _ heart, Eos ¢ z £ ig. — —" -# — D G Em A D G Cold is my heart i you went a - way. I doub-ted you now we're a - part. how the | bright sun E A E A © Copyright 1966 Ste. Nouvelles Des Editions Musicales, Pars, France Shaftesbury Music Co. Ltd, 12 Stratford Place, London W All Rights Reserved. International Copyright Secured.= 2S eo o SS a eS black, the nights I’ve known, long - ing for you, so lost and a - lone. gone, the love we knew, I [2 a blue is my world, now | I’m with-out you. I'm with-out you. rit. Em Cc B7 Em B7 EmNights In White Satin Words & Music by Justin Hayward ons ee = *+ a": zt Nights in white sa - tin, Gaz - ing at peo - ple, gasp pt D nev-er reach-ing the end. some hand in hand, Let-ters I’ve writ- ten, just what I’m going through, q Em D Cc G & ie: ze Sh we ee =o > ao? a SS er nev-er mean-ing to send. they can’t un-der-stand. fas Eu. Beau-ty I'd al - ways missed Some try to tell me, J TA. q ae i Bs: ds ¢ F Em P Em D with be-fore. these eyes __ thoughts they can-not de-fend, Em D © Copyright 1967 by Tyler Music is to be, Just what the truth just what you want Y c Ltd, 19/20 Poland Street, London, W1. All Rights Reserved. International Copyright Secured.~ == ——— rau i #@ @ @ ¢ @ @ o a Zs é oo qs I can’t say an - y - more. ’Cause I love you. Yes, I you'll be in the end, and I = 4 i oe kK 5 3 # 2 4 a: o o Hae aE = a - z z= Zz a p ro Em A to Coda —>~_ ———__| 1 love you, —_ oh, how I | love__you Cc Em D Em D —— Em D c B c B copa —_— po. 4: ° oe a rit. love___-you. = pe iad i —# {24 2 + V OO ———— YS Em D EmThat Ole Devil Called Love Words & Music by Doris Fisher & Allan Roberts Medium slow blues tempo — we Pe _ Gree a fo * oo # a zo a oe? fir ry | i. Pp Pr Some-one’s Pa in my ear. I say |no, no, go a-way, but Te 2 Pf Fm7 Bb7 ~—Bb7 #5. Ebmaj7 EbHS Eb6 Fm7 E7 he don’t hear. He fol-lows me a-round, builds me up, tears me down, I Eb6 Dm7 G7 Cm Cm#’ Cm7_—s C6 — K K SS as pg eo —— —) try my best to shake him, but he just hangs a-round. It’s that Ole Dev-il called 5 z i bb e be B 9. Dib x : he Cm7 F7 Fm7 Ebs Fm7 —C7bsb9 ‘Love’ a- gain, get’s be -| hind me and keeps giv-ing me that | shove a- gain. Put-ting Fm7 ~~ Bb7 Bb7#S —— Ebmaj7 D7 Gm c7 © Copyright 1945 MCA Music (a division of MCA Inc), USA. MCA Music Ltd., 139 Piccadilly, London W1 for the World 8 (exc, North, Central and South America, Australasia, Japan and the Philippines). All Rights Reserved. International Copyright Secured.rain in my eyes, F9 BHO Cm7/F heart. It’s that | sly <4 Bb7 bs Fm7 Fm7 tell-ing me that I’m the luck -y Fr in my dreams and Bb9 rocks Gm7 EG FH son-of - - | gun a- gain, He keeps b — 7s bo Fm7 Bb7_ Bb7#s one a-gain. 3 still have the rain, Ebmaj7 D7 Gm C7 Cm7/F F9 3 A b met —— 3 a — 3 + 5 a os rr = wee o= oe ae ro f ew) still ___have those tears and those | rocks in my heart. bo. be g gs g = “s T By9 bo ED Ab Gm FHm7 Bi9 — — = ep = Ges go eT ——— Pe efoto Sup-pose I did-n’t stay, | ran a—way, would-n’t play, that dev-il what a po-tion he would gg 4 e yy Fee its Fm Bb7 Gm7 c7b9 Gb? Fm7 E7He'd fol-low me a-round, build me up, tear me down, till fight a-gain, I know | darn well He’ll con-vince me that He’s right a-gain. Eb6 Dm7 G7 Cm Cm#7 Cm7— Cm6 el = an o > = 3 oa digo 4 gee! —— 4 T 3 I'd be so be-wild-er’d, I would-n’t know what to do. Might as well give up the = ho | € bb ~ be 2 t r 2 fe cm7 F9 Fm7 Ebs Fm7 —C7bs bo When he mee Se Fm7 pb7Bb7 #5 Ebmaj7 D7 Gm c7 ee oo Ss - Zz ay aie sings that si-rensong, I just got-ta tag a-long withthat | Ole Dev - il called : Be. 4 42 # [De x HS if : siZ Cm7/F F7 BS bo Fm7 E7 #9 1 2 3 3-"—1Fe sa: ee It’s that “Love.” — d be ba _ = be e ke oe. Z ee G7 c7bo Eb = AbT G77 F7 Ebsus EbSometimes When We Touch Words & Music by Dan Hill & Barry Mann Moderato E = kK Sa, oe zee oa t mp y o ae aio 2 ee oe « You « Ne: 7 Nee eee re 2 ie c C7 F Fm ask me if__.__—s IT._ love you and I choke on = my __ re - ply. — mance with all___it’s stra te—gy leaves me batt-ling with my pride. c F/C G/c ra - ther hurt youhon |- est - ly,__ than mis 4 lead you with a lie. But |throughthe in - se-cu |- fi - ty,__ some ten-der-ness —_ sur-vives. oo And | who am I to judge on what I’m | just an-o - therwri |- still | trapped with - in = my you say or G Dm7 G Cc G/B © Copyright 1977 McCauley Music/Mann & Weill Songs Inc./ATV Music Corp. (for the World). ©Copyright 1977 ATV Music Ltd., 3/5 Rathbone Place, London W1 (for the UK and Eire). ll All Rights Reserved. International Copyright Secured.do? . on - ly just be - gin truths. he - si - tant__ prize figh oo He a el = a> = x 6 = rs poe = oe az = see the real____ you. _|__ And | some-times when we touch, trapped with-in my youth. | _ t—- Zine le by » fs Dm7 C/E G Cc t = I wan-na | hold you till I die, till we 2 D7 G F Em Dm 11 Cc Dm7 to Coda €)- —— as o_o 6 9 yr —— — 28 dee a” —— 4 both break down and cry. _| I wan-na | hold you__till the fear{ in me___ sub - 9-8 ire G Em Dm7 Gll eo o- } the | hon - es - ty’s __too much and I have to close my eyes 12cer K —— : ae 2 = 2} Js mf You ez ee : ; Fm7b5 Bb7 Eb FI3 Bb7 _, a A Ge — Pe SSS = loved me in the past, but our ro- mance did - n't "yf You e £ he £ 2 PS E e Db Fm7b5 Bb7 Eb Bb7 Eb —_———_, ——— thrilled me with your kiss, dar - ling, now I pro - mise 2 i 4 D3, ~ & ig ° He Fm7bs Bb7 Eb FI3 cb - we 6 eo o -* 7 a this: Vil ne ver smile a - gain, 2 2 = Dak bf: 2 $e 48 Bb7 Eb Fe Fm7 © Copyright 1939 Sun Music Co. Inc., USA. Campbell, Connelly & Co. Ltd., 8/9 Frith Street, London WI. All Rights Reserved. International Copyright Secured.oe ~ = . ri ne ver uae Ni 2 2 He St Fe 3 | = eg z oe a ee } what good would it PB pig ed B7b5 Bb7 oe ee o oe = o tears would | fill my eyes, my #2 pig é + B7Hs Bb7 Eb z 4 re te ? te heart would re - a - lise that our ro ha ~ Abmo Bb7$s Eb DI3 G D7 ~ | SOO = es SS SS mance is through. Vl ne - ver love a- gain, be J 2 2 aa te G Fee Fm Bby Eb OFH Fm7I'm so in love with you. rl ne - ver f BS Bb7 Eb Fee Fm7 B75 Bb7 Eb Eb7 Abmaj7 Abm6 Eb — z=: + oe F wa Sa < start to smile a - gain, un - til I smile at Th ie == bis Gm7 C7 Fm7 Fo Bb7 = 3 = Z a oe ——— _—_ With = -| in my heart, I know I will ne - ver 8. is Ig Eb FH Eb Emaj7 Eb 22Try A Little Tenderness Words & Music by Harry Woods, Jimmy Campbell & Reg Connelly Slowly — tJ @ e = = N ¢ a oe oo “o- a mf In the bus - tle of to -| day, we're all in - clined to with a ten - der word of love, you can make the wrong things = # s 2 e -é Det 2 2 Cc Am Em Dm7 G7 4 = : ae = } } 6 eo oes oe © 5 2 < fa: = r miss lit - tle things that mean so much, a word, a smile, a right. Charm-a - way the clouds of grey, and |make this drab world 7 Bs FE 8 3 € - 2. Cc Dm7 hous G7 C G7/D C/E Am6 B7 — = kK kK é P SS SS SS oe kiss. When a wo-man loves a man, he’s a he - ro. in her bright. When your | wor - ries drag you | down, it’s so ea - sy to for - zg 4a eo 2 PE B £ ° €. Em G7 Cc Am Em Dm7 G7 — et K kK z e 6 eS ete [ee ee oe eyes. And a he - ro. he can al - ways be, if he'll just re - al - get. But | make the ef - fort just thesame, and see the thrill you'll oe 2 ESE oe: y 7o- 2 #2 ¥f: i Cc D7 G E7 AT Am7 D7 © Copyright 1932 for all countries Campbell, Connelly & Co. Ltd., 8/9 Frith Street, London WI. 23 All Rights Reserved. International Copyright Secured.: She may be a - wo-man do get wea-ry, Cc Dm7 G7 wear-ing the same shab- by dress. And when she’s wea - ry Gm/Bb A D7 PRR try a lit-tle ten-der -| ness. —“ You know she’s wait-ing t 4 goat ? ae o 3S just an - ti - ci - pat-ing, things she — may nev - er pos 4 sess. os Ad Qos K ‘Q: 8 z be lie , b, G9 G/F C/E Dm7 G7 Cc a Dm7 G7 Cc Gm/Bb A ——_ Rf — 5 = o a oe o e ao oF = While she’s with - out them, try oa lit - tle ten - der - | ness. ae ez ae oe S- 8 go D7 F6 G7 Cc 24— | = { | | | = 2d et SS ee oe # “— It’s not just sen-ti -| men - tal, she | has her grief and Se = = e be s i C7 F E7 Am — ———< 6 is — oo) az = eo = = 3 4 care, and a word that’s soft and gen - tle, makes it be 2 t d: t feo EZ rt 5 = AT Dm AT — ———— = ey ze 7 —s) oe Se ea - si - er to bear. You won't re- gret it, BE 2 - ¢ - t a = z l Dm Gsus G Cc —— ss ae a kK kK === oo os é oe re ate oo wo-man don’t for-get it, love is their whole hap - pi ness. It’s all so ea-sy, bB Be a be = Di —— Hie 2 Dm7 G7 c Gm/B> A 1 a os oe ae eS try a lit-tle ten - der - | ness. —. eo | =e > oe = te ff ; F6 Dm7 7 Cc G7 25Annie’s Song Words & Music by John Denver Moderato P you | fill up my sen - ses, } (iS SS ——_ night in a for - est. Like the | moun-tains in = = f _¢ 2. o 2 ay ee G D pick D/B D/A = fa fez o o—_=—?" i spring - time, ____ like « walk in the rain. =e i o t—+ - — ee f — fis e- E+ G F#m Em G A AT Like a> |storm in the © Copyright 1974 Cherry Lane Music Co. USA. 26 Cherry Lane Music Ltd., 18/20 Ridgeway, Wimbledon, London SW19. Alll Rights Reserved. International Copyright Secured.sleep - y blue © - cean. G D pict D/B D/A | | 4 - — 2 et f SSS 2 sen - ses, {| come fill me a - | gain. f= ~ @ e * pe ze > o- > = —_ > G Fm Em AT D Come, let me Dsus D Dsus G A oe + # g z SS x — I J let_me give my life to a en Let me like a night in a for - est. { Like the a ge » r FY e » a w a 7 } l Bm G D pct DIB ss 4S EE ee ee drown in your laugh - ter, let me die in your moun-tains in spring - time, ___| like a walk in the # eo e = = oe oT _ we = | - D/A G F#m Em G 27Let me lay down be ~ | side Like a storm in the de # 6% B: EZ ss es ——— — Tt you, ft let me al - ways be with you. sert, | like a sleep - y__ blue Oo - cean. A Bm G D pict — Come let me love you, come — You fill up my ses - ses, come D/B D/A G F4m Em A D Dsus D Dsus gain. ‘ IL I bh D Dsus D Dsus D DsusFeelings (Dime) English Words & Music by Morris Albert Spanish Lyric by Thomas Fundora Em Em/D# Em7/D Agjch —— ar Feel-ings, __ noth-ing more than | feel-ings, ___ try-ing to for - t t Am/C D7 G Fm7 B7 —I— feel-ings of love. Em Em/D$ Em7/D Agict gk a K —_— — oe! = ot = e Sa oe =e s ease — — Tear-drops, roll-ing down on my face, try-ing to for - pyst a ft dd ee ie Am/C D7 G E7 feel-ings of love. © Copyright 1974 Editora Augusta Ltda., Sao Paulo, Brazil. For the whole World except the American Continent: Intemational Melodies Geneve, 8 Rue de Hesse, CH-1204, Geneve, Switzerland. 29 Assigned for the territory of the United Kingdom and Eire to Bucks Music Ltd., 1a Farm Place, London W8. All Rights Reserved. International Copyright Secured.Cc Am7 D7 Bm E7 } for all my life Pll | feel it, I wish I'd nev-er Am D7 Bm E7 4 | K | =, = ota x 4 5 oa a tS o = === met you, girl. you'll nev-ercome a -] gain, —, ear t ae a 3 £ g #2 3 SS Cc Am7 D7 Bm E7 feel - ings, Am D7 Fm7 B9 B7 b9 4 3 # @ a 6 x i ow oe 2 o- ! ' % Em Em/D¢ Em7/D AgiCk i FS hp Se = =F eo a a Feel-ings, feel-ings like I've | nev - erlost you} and feel-ings like I'll feel you a-gain in my arms. 7 {- FB = is a ° are -P Poy dy ley hy ; ee 30Am/C D7 G E7 to Coda} have you a-gain in my | heart. Cc Am7 D7 Bm E7 DX al QD Am D7 FHm7 BO Bb 9 Am7 D7 Bm E7 Repeat to Fade Am D7 Bm E7 i k = —4—t pa 31As Time Goes By Words & Music by Herman Hupfeld Moderato ev—X—XaX= b - be Deck: 4 ¥. a a ‘tbs E° F7 D° Bbm/Db Bbypb c7#s C7 This || day and age we're liv-ing in gives Fm7 B7 Bb SO~DSO&BDT Eb Cm bia cause for ap-pre-hen-sion, with | speed and new in-ven-tion and ===> 2 2 eS SS SSS fo Sor things like third di-men-sion. Yet we . = 2 ba 2 1 Se 5 é Fm7 Bb7 Ebmaj7 cI c7b9 c7 must get down to earth at times, re - get a tri-fle wea-ry with | Mis-ter Ein-stein’s theo-ry, so we Fm Bb7 Eb G7 Cm Bb D7 © Copyright 1931 by Harms, Inc, New York USA. 32 Redwood Music Ltd, 14 New Burlington Street, London W1, United Kingdom copyright owner. All Rights Reserved. International Copyright Secured.d ply. as time goes by. KH 3 ia 5 s b oe i 5 ee ee ee $3 : lax, re-lieve the ten-sion. No | mat-ter what the pro-gress, or | what may yet be proved, _ the ete te 2 Ss 2 py oF o az. Gm D_ Bb7 Fm Bb7 Eb Gm Cm - 7 z —— FE Kor =, K fs ee eee ot * s oe sim-ple facts of life are such they | can-not be re-moved. You must re-mem-ber this, a r Qe é =$ e ph = f ia Z = o Fm Fmbs Bb Fm Bb7 4 So | o : or 2 oe tae be “iP rir ——T kiss is still a kiss, a | sigh is just a sigh. {___ The | fun-da-men-tal things ap - oe e. , 1 # |e 7 a = ra oot fe b J “= Gm7bs Bb7 Eb Ebm6 Eb6 cm Gm F7 And | when two lov-ers woo, Fm7 Bb7 Fm7 Bb7 — Ebmaj7 Fm Bb7 m = i a i | 4 — pee ee a: i= still say ‘I love you,’ on | that you can re-ly. { No | mat-ter what the fu-ture eo e # iS pe f J fe: f te? Hig = Gm7bs Bb7 Eb Ebm6 Eb6 Cm Gm F7 33brings, as time goes | by. Moon-light and love - songs Fm7 Bb7 Fm7 Bb7 Eb Ab G7 Eb soEb7 Ab a fi | ‘5 ee a = tee ee “BK jea - lou-sy and hate. te be = — 8 C7 Fm7 FR oe oe a ———— Sr =e —— Wo-man needs man and man must have his mate, that | no-one can de -+ ny._______It’s eis ete ite } ne - verout of date, hearts full of pas -_ sion, ih e oA He Cm Fee F7 Bb Fe Bb7 a Sass + - ty Ny wea ea } 5S oO 7 ae still the same old sto-ry, a | fight for love and glo-ry, a | case of do or die! ___| The e o e £ = = ra z 3 s J a eters Se Fm Bb7 Gm7)5 Bb7 Eb Ebmo Eb6 cm Gm [1 l[2- world will al-ways wel-come_ | lo - vers, as time goes by. ° rr F7 Gm7 Eb Gm E° Fm7_ Bb7 Eb Eb 34Against All Odds (Take A Look At Me Now) Words & Music by Phil Collins Slow A7sus/E Asus A A7Tsus/E A(add B) = ea pes e999 9-6 7 of 2 # i EF b o —— a — + How can I just let__ you walk away, just let you | leave without _ a trace? When I 5s se *g g Bisus Bm7 CHm7 D A7sus Em7 stand here tak - ing ev - ‘ry breath with you, . You're the G A/G FHm7 Bm7 ee ——_ : ly one who real - ly knew__ me at all__|_ oat e : Em7 A © Copyright 1984 Effectsound Ltd/Golden Torch Music Corporation/ Hit and Run Music Publishers Ltd, 81-83 Walton St., London SW3. 35 Alll Rights Reserved. International Copyright Secured.eo — o- Zz ¥ f—# cf e Z ——2 — — — So take a look at me now, _| well, there's just an ——. 43 ~ fF Asus A D/A ~ fo € » , »« 5 SS — re — a emp - ty space, and there’s no - thing | left here___— to -mind me, just the oe i ff 4 +4 E7/A Bm 5 G 4 A o f—* 2 ote =? (a = x we Hi oe Se —=—=_— —— mem-ory of your face. Well, take a look at me now, | well, there’s just an a 44 98g. Em7 Asus D/A to Coda ra oo —™ mG a—~ oa = ty one of? » 9? @ 0 9-9 # oe —S— — emp - ty space and you comin’ back |___ to. me ___ is ag-ainst___the odds and that’s what 7 3 £ £ £ 4 iE # = ros ET/A Bm G lL. DS zt ft ee o f f= = a sy 4 = Z az Se ——_I’ve got__ to face._| 3.1 . : $4 ¢ < | - Z Em7 Asus[2. DSS (St = SSS — Ive got to face. Take a good look at me now, t ¢ $ $ De # * Em7 Asus A 4) CODA I've got to take. Em7 Asus A ATsus/E Asus A 4 ose — o —— oo r = o—2- ié f = a o =—— = $s Take a look at me now, | ee ez. — a — A7sus/E A Asus A/D A/CH Gtadd A) & 2. How can you just walk away from me, When all I can do is watch you leave? Cause we shared the laughter and the pain, And even shared the tears. You're the only one who really knew me at all. Chorus: 3. I wish I could just make you turn around, Turn around and see me cry. There's so much I need to say to you, So many reasons why. You're the only one who really knew me at all. Chorus: 37Morning Of My Life (In The Morning) Words & Music by Barry Alan Gibb Moderato K aoe Ea — fe ee V P : . . In the mor - ning, when the moon is at its rest, day - time, I will meet you as be - fore, @ oe fe ~ Tre ae ff ft £ = —e— F Bb re ze a a ae a you will see me at the time I love the best, you will find me wait - ing by the oc - ean floor. o f+ o f+ oe fie eo fie a 9 o F Bb watch - ing Build - ing sun - light, shift - ing sands, 38 © Copyright 1966 Abigail Music (Australia) Pty. Ltd. Rights assigned to Penjane Music (Australia) Pty. Ltd. Campbell Connelly & Co. Ltd., 8/9 Frith Street, London WI. All Rights Reserved. International Copyright Secured. Gm7 Am7 | = oe e @__@¢ é oy, | — pools of wa - ter, iced from cold _____ night. in a world no - one un - der-stands. eo e f£ «@ pg e £ e 2 =: : Gm7 Am7ian Gm7 Bb 1 [2 morn-ing of In the life. C7 C7 ) * SSS Ss } } — — ‘Tis the | morn-ing of my life. — yt Ee = pape @. Bb F Bb/F of my life, min-utes take so long to drift a y. Please be Bb C7 F 39pa - tient with your life, its on - ly 2 2 eo + + ee fw e ff @ aa Ge rox £ £ ag ¢ z —o- re) po morn - ing and you've still to live your day. | In the a — — < ——— a [ Bb c7 F i —" Zz: ze i o— 5 Z — eve - ning,__._| I will fly you to the moon, {| — to the o f+ oe fie e ft # eo f+ Pe 2 eo eo o F Bb F 1 Z a ass o_o zZ — | top right hand cor-ner of the cei- ling in my room, where we'll o f + o ft + e fe e = z i ? o Bb F } a - noth - er Gm7 Am7Gm7 Gm7 To swing on clothes Am7 tis the Bb morn-ing of my - lines, morn-ing of my life. life, C7 Bb F BbF So ie = — 2 a Pas o In the morn - ing, — eo o eo f= o DE ooo o o? o eo? e of - a F BbF F oo eo Ger a = Foe a = in the morn ning. e o e f s Pe ot ¢ o o—-# fe oft —# = o VY Bb/F 41The Power Of Love Words & Music by C. deRouge, G. Mende, J. Rush & S. Applegate Bb The whis-pers in the |morn-ing. of lov-ers sleep-ing Gm Bb + ——r"] bs SSE ja = — K t= oS G Se Se eee —__ tight,____ are roll-ing by like |thun-der now____| as I look in your ont eb 2 ee Zz ~S S rt : pret F Bb b = TE fy ee s eee Ree St I eyes,________| [hold on to your bo - dy and feel each move you times itseems Im far a - g wil ry art 7 Gm El —_——— K 4 = a 5 cee oe ee make —_ Your voice is warm and | ten- der, a love that way; But nev-er won-der Where | am cause] am | Se oO oa o Poy tf yf Efy ty fF rf ftf 7p © Copyright 1985 Libraphone Musikverlag (CBS Songs Mosikverlag GmbH). 42 CBS Songs Ltd., 3/5 Rathbone Place, London W: All Rights Reserved. International Copyright Secured,KY — | ———~ oe oz + ik oo = f oa Zz — et I could not for -| sake { *Cause | am your la - al - ways by your | side. { ‘Dyb t = +3 Yo yp J 4 ao 3 oe % Bb Eb Eb/D t=: ee SS ee V dy — and you are my man | when-ev-er you reach Se Se Ree ? y > "7 se y -_ ¢ ee eee e vw F cm —_—— ——— Saas oo £ = KL” —— for me {| Til do all that I can De & —— = — = } = v oe ¢ é é oe oe 1 2. Bb | | r= re Ag: a SS oe SS HH = 2 - ee — Ev-en tho’ there may be we're head-ing for | some - thing, = Ke 2S 55 aS eb Eb/D ps = Fe 2 é ss oa ce FP 2 eo y & — some-where I’ve nev-er been. { some-times I am_ fright + = x SS e + oe ¢ e 43cn Bo F EI | B — K K a aaaaaaomme™ ee i¢—e+s oe 2 a 8 8 ——————— -ened but I’m rea-dy to learn{ “bout the pow-er of | love. — = + {+ yP - 2 gait oe t o! sot x = = o Se S$ Eb F Bb— ED F b i ate = io £ @ age oF o t == oz The sound of your heart | beat - ing, made it clear sud-den - x ey y L r SS SS SSS Gm FOE F Bb = FO — res K ord i Se ae -ly. The feel-ing that I can’t’ go__ on is light years a - ee Se oo oe o oe ea DS. al Coda CODA F Bb ——~ 2 4 poe ey oe ESS ————— —_ + -way “Cause | am your la- The pow-er of love = 5 ——— ys b— = yb ry a et — {| rb to fade ee 22 SS Sa ee } The pow-er of love The pow-er of loveSeparate Lives Words & Music by Stephen Bishop Ab Bb7sus4 eb == == — = oy ae —— é z —+ e o a5 2 o You called me from the room in your ho - |tel, = B 85 De Z Cm7 Ab EI —— = ee —— — ¢ 5 oe ee os all full) of — ro - mance for some-one you had met, and ae B 2 o 2 Ab Ab/Bb ra ,— s - — ao oe —— zs Ss fo # os o_o * tell - ing me how sor-ry you were lleav-ing so — soon, and that you : Bg eo jo a ea + l Ab, Fm7 Bb7 3 _——_ kK — ce 7a # oa = = om miss me some-times when you're a - flone in your room. Do I é © Copyright 1985 Gold Horizon Music Corp., Stephen Bishop Music Pub. Co, and Hidden Pun Music Inc. All Rights Reserved. International Copyright Secured. 45Fm? Eb/G Bbc Fmbs a = pas os — —— @ o e+ + = “— —— feel lone - ly too? You have no oe, ® al By Bb7 El Fm7b5 aS ; = ——— on EE es Se — right__t_____________—s—s to’ ask me how I feel. You have no to Coda )- Eb Ab Ab/Bb Eb/G Ab Bb7 2. —S oa se — = ct o e+e 2S , — # right to speak to me so | kind. T can’t go jon, hold-ing on to —_— z 2e 2 Ds, fF ie ~e- SS <——— BbiC Cm7 Gm7 Fm7 Ab/Bb Eb AbjED now that we’re | liv - ing - “rate thes Eb AbyEb Cc Fm*bs El Al Gm9 oe ¥ — a x y — eee aa = eS P P 2. Well I held lives. It’s so ty-pi- cal, love a |e 1% EA eo po = pi = rFm El Al Eb Fm7 Eb = —3— oe SS ——— — by Se = ¢« oe yo 6 i as 22-6. a —— — t — leads to i-so-la-tion.| So you | build that wall, so you ons ea 4 £ e a , D& al Coda €) Fm7 Bb7sus4 Cm Fm7)5 build that wall i strong - er. 3. You have no CODA A b Ab/Bb Eb oEbG Fm7 Abysb (on) find my-self look-ing in your | eyes. But for jnow we'll go on liv-ing sep’rate Eb Fm7 AbiC. G/B Abyb Eb = ae 2 a o Fea Pr na ae >, lives, Yes for now we'll go on liv-ing sep-rate | lives. — > Jad rh. ED: Ds rom +; pF Zz. {Sex Te pe—e—t} e eo SY Chorus 2: Well, I held on to let you go. And if you lost your love for me, you never let it show. There was no way to compromise. So now we're living separate lives. Chorus 3: You have no right to ask me how I feel. You have no right to speak to me so kind. Someday I might find myself looking in your eyes. But for now, we’ll go on living separate lives. 4] Yes, for now we'll go on living separate lives.