ay cae te Se. auetnries sie le EBS! DIGI Ny ART FROM AROUND THE GLOBE VOLUME ONE. STEP-BY-STEP WORKSHOPS AND ARTIST INTERVIEWSliniadinie ee Upload your portfolio today for free and share your artwork with thousands of professional and amateur artists... www.imaginefx.com GALLERIES | FORUMS | BLOGS | WORKSHOPS | INTERVIEWS | REVIEWS | DOWNLOADS5 [ | Mareen ho nese emcee eet ue Sh oan uns ImaginePX magazine. Over the following 224 on Raee tn sa ae enae RM our Ree Vert aicone ROO MURS test Ate MeN Peta ee Ue eo eee Nai Pont eo meen tOgt eRe Sto ereROseTTE NUE Tt Freight sara ‘We've grouped the artists and artwork by ue See Me Nreen eV cis nse h ey Burren era ec ecente Cabs n ty Saas Renee eeun acura PAM eae ese) Pre Me EnCana exhibition so rich, diverse and spectacular, Teeny Px rose nets ie eect ImagineFX collector Fantasy Art Exhibition volume 1Bre: Collector's Special [tiptoe Oona nS Cee nuke ad Een Reed orang oe Caceres sar persia Tete rete rit nous Perini Dor dare) Emer roe ere ccna ee ae cat aes Pra tn cy arena Californian whose haunting work ‘Concept artist and comic book Psesrstcrnsin tress ‘creator who finds beauty in decay Pm en Ro ‘Create a gothic beauty in Painter Tornoe and Photoshop with jason Chan Se cme cae enery esa ROT Ronan E os eee kien cae eer ey ore re een csr ay Serer Cs Pe ca ein Bm Pm cee Para peas Brom ‘Master ofthe gothicwho defined ens Smear Z coreg Paes eo ee) nee ens Ma & Daren cree eee Sc a nt er ionFAR EAST 'So- Maybe it’s the food... Ancient cultuces, old mythologies andthe very latest techniques 136 Robert Chang j Discover a luminous world of appled light and varied moods From sketch to finished fantasy painting with Robert Chang AMERICAS YS» Couldit be the climate? ‘The New World ishome to more creators of whole new universes 156 Daryl Mandryk Maker ofa tichly-textured world of technology and terors Saulpta painting from blocks of colour with Daryl Mandryke 170 Andrew Jones Images that communicate directly with your instinctive reptilian brain Bring rich beauty out of abstract shapes with “Android” Jones EUROPE Yag> Must be all the ruins From great traditions spring some of today’s greatest innovations 186 Jim Burns “Narrative snapshots realistically depicting things that do not exist” 196 Henning Ludvigsen Photo-realistc worlds, but all with “strangely skewed” elements Produce fantasy-themed portrait | & ‘with Henning Ludvigsen E 0 iInfluential artist Frank Frazetta is a grand master of fantasy. His lifetime's work captures the magic of the genre. fantasy at oes 21010 Trane Tries Conan, “za, Death Dealer just a fey of the mans frm ces wold haveben enough 0 texan 3 defining influence on the fel, bur is cup has eon far ‘ore proliethan that. Noten hve bis poweral and weal mages made him a fece within the ponte he hasalsobelpedeopae fantasy selton the arise may. "Anponeshoseremhadsomich as a psn iret in fantasy ar ‘nl peau Fave wondered how Frank manag to bes i ahead fof the competition; however, a brie istry the arc ial i wry em in Ite 19205 Broo, Frank vas ahsays spingtobean as Family legend Fhasiccha be began ctawingat the age of hice ad had cutgenen inlorschool hy thetime hejeined | Fhvalled "athe Brooklyn Academy of Fine Arts age jst ‘ght theboysalnt wasn by is nor, Michele lang, ims atalemed pines cry of “Mama mit!" wentup when Frank proved he wasa prodigy an nota preci ra LETIT SNOW Ac 16, Frank went vo work forthe famous comic book artist Ton ima, ad a year later his fit commenting "You can sea ket of his influence even today in ome cf nay ink work” By 1952 Rank had tuined down a cacer in profesional baseball and was ginning to find his feet a6 a proesionaatis, Magazin Enterprise published bist (and ot length comic book Thun, and he ad a regular strip Jenny Comet ~ in arational paper. Thiswasthe high | point of Franks invert with fomiesshis work on Fath Gotdon Araseven name checked by Googe | Tica. But hethen took fot | AL Capp ghosting his stip Li ‘Abner This, Frank admit 38 2 nen Tsbouldit have done raw zy” AND THE GOOD NEWS ‘When Frank and AI Capp pared | company ght years eet, the | ‘work a comics had) move on sel the great mn found hist ft in the coli The bres: came when Franks bast fiend, Roy | Krell, sugested he proce | constr novels rank’ sie, Ele, creis a | caricature of Ringo Star, pated | for Sad Magazine in 1964, asthe | tre ginning Thief an ate ‘serstion because ws ding the 6Osthatthe now konicimagss (of buarians and baw sine | fis began to appease was also | ‘dings tine that Fe ben twheonehis competion. | Theft that Robert EHowant's | Conan setis sold millions meant | Frazeta covers were de igus for farwasy novels Lack. for Frank, | few people could wok as quick. | Paotingssuch as Neandethalare | rept oa take ash ‘comple LEGEND, His repution established, Frank went on to produce 2 series of | increasingly “amazing mages notably Death Dealer and Siher Maron ie ssat all) there composi, subject mater syle land nodience. Princes of Sas, from 1970 produced as parcof an Edgar Rice Burroughs release program, shousamereconsire, trated tos wok He began io ak back his production inthe 70s, however, fc by the Ss he was paged SILVER WARRIOR, ‘rth iss. & comacack es ct pepe oaem Short 1995 when, tuning ciamuprataemeg tat! We from being prosnted the fist ‘time Spectrum Grand Mager of Fantasie Ar aan, he sted 3 series of stiches Thro his determination and Ai, Frank Fazeta as made flay for amie 10 phim the imagination wihout feng the reed to kowtew 10 the at § cceishinent. He made “Tc t sceptable to proche ems ‘rations and monsters Fancy att tookeasepforwtlinothelight of posit wth Frank Fata or fhatalonehedeserss hesitate of InagineFX Legend PROFILE aeeJASON “| guess | live in the clouds more than on the Earth?” The fantastic and ethereal art of Jason Chan. sot of lave hema images and more seul images foe Tre lot ofmensters and demons 98 Jason “Ive aay loved to de. wok Aro Maro and Megatfan then mage ‘onto Men Final Fata, then Warr fd igh that make my pies work Tason's gol sw move people, io alfct hem dic withthe power of his nagar. hm lays happy whenever eta ex hess, “WhetherJASON CHANGothic beauty sen ==. GOTHIC BEAUTY Learn to create a dangerous beauty from start to finish in Cy fone Painter and Photoshop, withJason Chan: con ee ee ee er et ee pares er ame eee ete rere reer rad er ret eee eT eT etn Sear ‘Sesh mano Perce mmm ert ee rh Te ee aa eer ey nee aR penne Wh cOn Ren eC Tree ear TE eeeeraieapraan }ivep vaso ranet pe ooean leer SLL c a Rn eens Ce ee eect a eer eee epee eae Pte a et er ee ST a es ae ee ete ee eee ee nore rai aioe) eee peer at ToT Bee or teeter ieeeyeie eee pen a er er eee ene! Sree) SR eo eee a Pasteur eerie oo ee ea Scistmporancic know wharyou | vant the ccouracheme be. You can Scere rt ramme rarrear eeretin F Searels were rn eve Ts rsrer riers sot entre een ean Some people spend mare time preparing, BT oe mene oappeeirrenery PoLpbeyect nt cet meen rng pene meres iparnereeta rn catty ene re Prete ter i Peano eee Desa eres Pr cee Aas et ee ray perenne is (Q)Base colour eenreet nr ay ere an ene Se Nemes tera Pes peer e oeeent es Present ee merry Essecrereiststien reer Pee ener teesWorkshop PRO SECRETS raed @ Temperature changes , _Abiivedieiaehrent ete aoa Peesou ir eeeeeuepLiet a en eee a Ean ete eo ees Pre oonencoretars aren eo Soaks ny Pee eter pe es Cerne ei ea ets ern eT Succ) Letiien wit nieetey Perea aaron rere erica Sg eed ere ee aes erro eee ete eee etree aoe eaters eee) eee eer er eee pares rey Sener en Finally akealight colour and genily Po eter Poorer eat rere) Sete re ere este Pret ec eee erence | reflect Tights nt you shadows, hich Ponte eae et Pern eto er eee are ari ee eer ers peta eee Pee ene SSreerverhemnrannst ney ocmrne nese nnn feceaen teins eT ey a ea eet nie ene eae cae) Pea Soeur eee eee ee eee a era Sorte ere ee) ued tesiereneernny ea tae ee ee) Peer eae yon) bier teeters te se Pree erect Poni enene eccy eo ee et ee ra ere en et) eee es inthesiters hands, onthe other hand Berea eee ier es Somme ee ee en Pere ec ens Saree eC cienyReuaISpIEEE @Xo)eeVedbr=z\t larg Relea) ees ear ey perenne eemirc Petes reer et en erry ene eee fc; Re ee omen beaut Fce1 Te to change and eas eel a a ee ese Ee eC ee en Leas Oo SAS ees ee a es ee Poe? aS Pare ea = irene neerrin Sean aod oor nena st bce hae Peer ene omer ne SS ese ee ease Tey Pe ea serene) eee et ee a eae re Cece ee Se ee er ee ren oes eee en ee ete eed Pertenece ht Ema errr oeemeevet Pr earn Perret Par en er emer ae ee rent coe Peer een en ie See see Cn Pe Sen areas ee ae eS iB eta CaS raPRO. SECRETS. Se rod ieee es Peace ins Se eee egy enn ene eee eT cr eee Pee areenrennemtch ete) Serer OmOnC tT oer ey einer cee es Pee eet Seen ee tl Cred 1 decide eatly on that anced Serer ess Pee eeeean rey Pec eres Penne t Cee Peet citer Ar) anaes pe ee eee eee rete) coe ees ey ee ee) eee aren Pree Guu Penenaeineranat metas Th Seen esata Se Sete ee Sete bn ae See er ee eee er Pee gs Pecan penny Pty Comers pain ight, se ree en ee eens eee poner eerie ore ay ct eee ett Tense ca coe eee nine tsSe of Qy ic ae | \ jh ae ey y) 7 A a isaee Drew Struzan Star Wars, Blade Runner, ET, Star Wars again. For 30 years there’s been only one man to call if you need a movie poster ew Sruzan has, nis ‘own way, Became a Holywood icon, Over a Tong, ine his splendidly seh a formed the perfet complement 19 countless Blockbuster movies ‘hut Drew vast always chums ‘vith Hollsonds grandee. fac, his beginnings were so rable that his ea trae Cinderela sory “Twa poor hesays, blu didat hive naything” Now his work conneess Witham the entire word a EARLY LEARNER Drew abi eval icelfenly on, ‘When he wal child heres were so amazed by his drawings that ok hem to be Inspected by nothomna have wo workatit “Tlentalways needs a catalyst and for Drew thiscame inthe form of ine He didnt hase mowed drawing instead. Inspired hissurroundings his ability quickly became apparent, along. with his innately artistic ature. “Tvealwaysbeen nuove and intaitve,” he eveas, In 1965, having just turned 78 Drew moved t0 Los. Angeles and cenvoled at art school. “T was the clase starving artis.” be says “1 ould alford the tikion, sod go to schoo! inthe mosning and they'd ick me out Then Td go in again through theback dooe” Eventually scholarship tole aay some of the hardship and enabled che young amit to concent on hsstios, Net long after his things became a Tie more complicated? "Tet 2 seg marcel and hod chil, teclls Dre. left schoo fora year jn onler to suppert them, bat ‘eventually his wife ota jab and he ‘wenthactta school Hossever, Dress was always working on freelance ‘commissions. “As time went on T got Detter jobs” he ackls."Tlcaton really heped and esenially became 1 profession INTELLIGENT DESIGN, When he ghaduated. most of his lassates heaved for New Yorks, bat Drew staged on In Los Angeles ned ficlanced for he music inst Thy Tiel yong tists ecnise thy were cheap and diferent to what they'd seen belore” he ‘plain. seas creative highpoint Tos Angeles in the erly 1 ROFILErelly bet and they were sll making "anh sues to pat 98 It was ‘ret fn," realls Drew Tsperimental or not the bil till had to be pd,“ had to take jb ‘where gota cheque every week,“ e ‘explains, #0 found sdesign studho where they di alburn comets” The rest couple of yeats tight Diew how to be a commercial ati ‘awing, to. perform cvery day, secing the process oF design, how things are printed and how all works together wally turned me into a professional,” he recalls. The ‘other advantage of his position was exposure: “Foerything thar Fd een ‘doing at that stadio wens printed and istrbated. 40 people were sing rywork elas” (CHANGING MAN Bren better, some of those people ‘were movie execties, “While wat sil that stale the movieindustry scually stated calling and asking reo werk on things" he reals ‘With the beginnings ofa cient bse, Dewrsens freelance nd began to hone his alll “T-dont know if Tw naive, simple-minded or just focused on makingare” hesays. ‘All Ted isa way ta make a ving. $0 ny Toes as alias een hove 1 Icom a eter artist Fr the next few years that, just chat he di sworkinghiswayup fom theboto 1 did alot of monster movies a movie fs the years progresed, 90 did Drew. “Artists dont grow ol.” be says, “they hast keep on leaming Drew inte theconcei Tne art the fm bine," bough a Fillet sensivty to the market ‘which changed and made ita ys. That Process sll ongoing: “Fm stil angling day 10 day. There is no Single me’ Tin aiming at. Ts laying find something et STILL DIFFERENT By 1978, Star Wars was a global phenomenon, and Drew's poster for me an enduring fan favourite, The studios bea a path 0 his door and by the ‘806 he was reducing around 10 designs a yar for fins a varied as Blade Ronner EI, Coming To Ameviea and The Goonies. Buc his personal style was sil subsumed by the estes of the business He had 10 become a differen pace to be.” he itfren artist foreach mew proce. Drew found his expetimental space in the unsypical stds he mepared foreach new ob, Showing these to clients ad an interesting eflee. “They saw something they hadi seen before” be says. "They wereld cf i¢and they didn't ann 3 But hey got more ued o every time hey sai 0 every they Ted it and gocto do what wanted todo” Ashesay: “Its just2 matter of tenacity and ceumsiance,7PxPosé =Nicolas BouvierATi “An image should do more than tell you what a monster looks like. It should forge a gut connection with the subject.” The visceral style of Mr Waters... Saeed Ro aye ee es ee eee ee et ce ee a ee ae ee eee ee eee See ee a eee eee ee ene Priel oper iach oe crete an [ere ean Renee eee ae eee eee ene ee ee et cnet ered Pepenenee ie ermeaaep eerie Ma create cera Re Soetoro ee eee oan ae ee ett Ye ee Ret eee ec Hearne aie 5g prin eos Fee ragieet pr mim pervect mrad rere GR Hr 2 eae rere earagm eit erpteee neni nici ot Oh ola pe aera. ay aria co emt ea Rirearctenpeny A Rilgrteer erie ona Race prea eean RCTS ely bles | aes ala ariairepreeehianen Detain an Gray mee eter yee ome tamer rete eer ner mee treme cee Poona ear eiena era aren Arr Seo anor Re alo Boor ver nit ee ie Io aoc cena a ere ete oo eee eee)We delve into the mind Cray a Toco creates-a personal piece of art Called The Grief Well ness Pe en eee en ete en es me er mea c Cnn ee ee tery Perera eset teh eee eer en Pe eee eta tee el Sa renee te rer erese ny cers er recs ee yourscanner pass. Lnecmmend ees ter eee eT Pere i aneeere mar eet a eee a ee ae Cees) ee eeh Fuel your imagination XY ;Cee eee ene Pe eed ee eet ee eet ee eee ees ee ees pareve eee rs ee ee eee et eee ete ees Sere een Eorrnin seni rreamn graye ener rene Sear ee es = ee ee cities SELF PORTRAIT 2 ee eee noon ut Ce ee er Se a ee eet et eee Cent ee er ee ce eee erm eer seen teeters er a eter Le Rene eerieeeye erent Peery pee tern Omer e erty Per ee a eee ee Ce ee ee ee cee es Cor eases eee a eee ee a Se ae ae ene Sere ee ete eae eae eee et eee a Tree eaten eee emg cee enc nen ents Reet earn eee ee » Don't shy away from the scariest spaces [Ragen PUR Une Rem coawerreeaec etd roots of our phobias, fears and quirks Pen eect Serie rr Fae mer ane Penne neers ree es Perera Peer ney eminent) Peer Tet eee eee any Pree near tr eanrenery Eoneenenetien rear eenen Ree mene ke ener ty eet eT emcee ieenreent eeennnats een Sree Reser an ROUGH SKETCHESCORTESE DAT ee ony ee na ees os pen ener eres ee eget ker) Ee eer ener end Felina (melancholy reget, despa, Prem emt ‘only actor ofcourse. Campesonao Ser eer ee rare aon sees poten enna ees eee ns Pees Pa ea eee ay Poe poe oo ene eee eee) ee ety Beak Re eee ad Perr errs) ene eee ey eer’ et ALL rene er oe Poe co ony Feces er eer ns eee es Peer t try cee nets Pec et erence ere ts eee eens] Prete ments Sone ents bloc rom Prague anda plate of rusty Een emerriea Temeti In depth Fuel your imagination ss Soe an if ma a 7 \eculaaraeaararaie eeseheetrabit a Ree ee? Paes Se ee eer ON rene eee meine arene ee eee eat elated See ane reread Crea eos cere) ocean eesee nears ost lust say no erence cee ree eerste eee ty eee ern Pr eeRenan T Reiner eee aT Porn ay Pon eins Soe Sens PoC un ee eer ae tas ee eee ore eee en ee ee eas Recess eee ae ee eae) earn eer eet tiie) Prenat) Soe ee eee a ee en rot errant ert eerie ety Pea me Ponce nas er ene et ats CAS comcast SFEen ee) ee Peer eet erry eee pence eed Scene eee eneeiean as sere sory Soa eae fraternal tie) pores tener Rae ow ere een Pecnere et erie ee ens eS eee eee poe ee aeeesen erates Pe ae ear ae acta eee ens Pa a rea ee tas See ee eee Pere ac all Red peoeie per enter nner panes ery Preeti mets ence an Cora aac eke tau scope that dont think at mod fs eee aed Seca eres ee eer Fe CUE us nortan Pere) ecm ters ee ees eis meeert SST eet Rt ee ees ee ees pate ened Se eee ee re eS eee) Peer eee See ean Re ane eee a ee eed eee eee ests Ear eres CeeSHADE OF BLUE, ne bem Para BE we oo BLOOD RI ITUAL, Ongar dpm Brom Fantasy’s dark arts have a prince of their own, and his name is Brom... and Van tel the ae'80s His often bi or haunting hoice selection of novels, role playing games between tin otis and fs, nes, be Sys. he's happy sing ‘demons dancing abouc in his head Today, Brom bringing his creative vision to full fruition, from words 10 pictures The artist i curtently promoting his st graphic sentially novel, The Plucker an evil childrens ON THE MOVE Br spent his formative yearshot it around the globe in tow US Army. This he recognises as Fmportant “ete living in such places as Japan, Hawai, Alsbamma and for my somewhat altered perception of realty. Aru" he says “helped rae to be when moving imo anes ‘ommunity and. was my iiend when Twas alone” Though. It provided "a formative “creative Impulse ravelling the world as 8 child probably iste all fun and fumes. Bron early subject mater fakes that obvious “1 sated out ‘with monsters eating people.”@6 At last my novel is finished and is on its way to scratch out the iurtitor doing cute products gains the grain Fe even at the home uuagenemen, the crew puting Dare Sy together flipped.” he remem twas usc what they were for” Brom ind ff a foe vein: “They ended up d'around OIL AND WATER time honoured fashion: on canvas with oils.“ do use the computer fceasionally.” he says, “for pte production and ouch up works but pothing cam replace the intuitvenes of brush on canvas For all that tadiionalism technique, rom is self taught “Tdkdnthavethebenefitoflearning ME vs. liety fom another aris. Mos of what | learned from studying andl emlating the wor ot artists oho T admired, ch Rockwell, NC Wyeth, Waterhouse and Mucha, AND NOW. The licker, a novel, isBromslacest projec. "fs been an obs fms, “Haunting my nights for the last several Now at las is finished and on i vay 10 scratch cut the eyes. of illren fall a With 160. pages and 100 illustrations, The Plucker is a nightma disguised a achen’s story. His mid projec BLACK WING. BoreasPetia ole bu dar teean (oes in a new community and was Pair hee enece ents.)a2 EX\Posé | S=pylan ColeSe bi Beet Ac a bee eee ST aN A eee eon “In a way | consider some of the more fantastic work |’ve done a glimpse into my subconscious.” Phil Straub gives us a peek under the hood ea peor ere Seer See is oer ena eee ee ee eed Perec er one ee enone ey Praesent Ciete sea eee eae eee eee eet eee Tuck escugh to male alvin ding Lente ane ety Pree eee neRereNT Tene renee Poe enn ses iene ene cette SS eee) eens ee Pee e ee Tete Peete een ere Peete nese een nn et ae Ce eee pevet tee rernte esa ee eee ny ee eet aoe te ars er tere a aie Pere Eee peor eerie corer mine nn PN ir et ee nee en Ce ae eens Seether teary Pe eee ener Perens eee rg or arene Pree eer en en cco rena Sn een eee) erie ee caver Pearse neta Peeper ements Posen eta nerenrt ey romrneernreneise. a hy Disaianshio Bs ‘eae bhp ir at ease So 2 Ea eer erePHILip STRAUB's, C2, bali \Y, Mt eel of a SaPROFILE & Try it yourself SS eeIn depth The end of the world — THE END OF THE WORLD a Nroonecivme ace st ke ee eUa to.grab the attention of your Eel ales with a dramatic » and apocalyptic scene Roe aa Peon en secre rans Perea ee ety pee rer era irene neers Eeperenesenr arent eee ilfocus on fundamemal Mstration Pre eatery ore eee ene eee ey ESiceees eran eee eet any Peron enar mers eres Mee Pent uren Perens ese ener aseeereen coer rm ieee er ere Pieeeae eee eeere erat orerrerntin Wenning) nes eased er tee een) Sse errr oern inary ‘keep things imple nygoing to stick Roem acaire st ie cee cee eee ee Peete ee etre ied ees rarer eed Peery Merete erent ee ery eer rte pees tenes Pear reyWorkshop >> @p Reference ee eee tea pete ote ty Peet ier enero Pe ere ere eee ee Sra a en Pesiee openrerorentny en eee Pee atari ee ee a ees eee ses Pen Pree ert co eects peeemernreer yt ar een SS eet aera eo rose cy to visualise he final panting imagine Peerene ery etn een ety Peer eC ee eee et lehringis pongo sl the ee 50 Ce et eS eens tn ee eh en een neat Co eee sc) eee eee layout shat enables meta comer alot of Perera eee eee ere eee ey eee eee eran Peni ecu d eee ee erty Pee rence rey eset) {hinds horizontally nd vertialy where eee re eres eee ee eed ene eee iets renee eee eres ‘ona power peint further defines that ee ees poaireee re none See eee ee are See tal Serer) rer nr Se ees Se a Case errs ee ee eee Ce oe ey ere eee ted Pee ee eee as fie tee eerie a eT Per oti ate aod ponerarar cy eee eee Peeters ceetere Sta eee peer rar eear i neranns ‘alae composition that sconeticted to Pee caeleey Peas Peete es er ee ete ace ree Dee ced Ce eee eee en ns ee ees eae ete Petree eri ery Cone es Peter ten eens en eee Sen Me ee Peet ner Pen ree its Pens ey Pen eee een] Peery Perera eect Pen Percee rete Seen een Pre errpeeer etn Eee ee rereee Sn mn eaten nna as ee se eer tan Posie rece ereRM ea ieee ea eee eee ee Pee nie iene ee an ete ens ca ec ree eee eed Reena eee! eet a) Peer erty ene eer err Pres ate ey Peron eaters ene eee eres ee eee ee Preteen iy Pee ene ee ee Peer ee Conny eee ee Pt an tiea Pen een eee tert ce! Corer oy ere ee Pr See ce Pane AT Cy Era err he Eee ne Se eee ee ee een eece ina Preneed Peenrenieeay rit aren] ey ee eee eee es eee Sa eee Poe eee are ener! ca as Peer heer renee ore) Pei ern oer ee rego ee So eo eet enn Ce) Comer Peters een reine itis Fare ee ees ree Pert ner ss eee ete ry Pet ee eee Sora nan eng rey a een Toners enn how de colour structure wil late othe Renner reser eer sche emerson) .. = In depth The end of the world Sas Pee ee ad eet aero ee eet Se eee Perera eran Ror rere veneer eee ey Sen pene ey eee eee Peete res Retro) Roots eee ns Praee eee en ea Cera) ee eres ny Pees neat eee eae eto eet) Seno) Peer eee ee eee) ansA cae re sansa eee ennne eee ete Sa eee an aay eee rete ee est eet) Srey Da Eu ieee Paserece eee ea ae nee reer Coane arr Rete Cerone ret eter ed Sears eee eer ere eae ere erate ten eee Sn een ee ene a eee Sterne eieerel See eee ty Se ear ete a Sree ey pect ar e Eon eterna ed FIQE st, cous PRO SECRETS Colouring co soaivestioue Peed ery peeereto lefoser 30 renders nd photos was really eer eects Lema et een reer tenet focos from thebigpienre of thefmagetw Pe eet nee Sa ee any Se eee er eee ene ee eee ree eater ey cements Perea Tiny teen ae eee ne ee ae! effet agers, namee destroyed bulking Pieces ni Pore ea »cane) [ieee es ester verre ieee eee eee es Paci nene eee Pareerescar eer ete ee ey es Peers Pre ceo Se ey perso te cece yn Rr Cen I ne ae ees ees Coane whattim doing Thsis why thew er ee re ed fom yc y rene eo ees em ean Cc ceretan Minette eid fone Reman re Tom eee ant eet ras cna oe en ns Cee ent een en eek tice) er eae er een is ioe Pa een) een as colour ges itsimportantto add esses Seen ey ee ead Berne Realistic lighting eee eer ers ee een pete ee ees es ea reese Aer enemy Coreen Tenn peer en ete en ee ‘eflcts les igh than his jevelery Sra Ce Ponerenn ns oe ee ee ee aed Trea comnts ra Sr oe ce Sn Ae eT eae a enna nce crea Pence tans ree ere rey Poe Senet Peer es Sua ieee Peciereece en ereriy Sor ree ete Se acre ore eres et eee Pee ren Fpeeripere ren eveeper mens any vile beushmas eft behind fom See eee SS a ey toe aS fo ees oe any eee ere Se) es CM Ko eee ety Pomerat ear etree soe Pen nec Te teen 4 A eee eee Pee earn es ind Perea eer Sem vere rct Tey teen eran Eocene Pera Teencrt See eT ns) renal Cra) een ere tees ar coerce seer es Proveneereereetr etsy Porter ent esr necee ny pearedAreas) meen heen tcl Porte Pere reer seg Pee eee hore ene ears Sra perpen en er Perens Pe eren een mee ny era pee oe eee ere eect aa) Ronee cco mre as ee ee eee Been eer eres Pere eek eens Fiepeverereneny ys Earn ead rey soubor eras Pe ee oes Pee oe eat eee erate eer Poca togtherfinkhed belone mavingon arene rr) enn ees eens tt Peer em Tiging sd mood. In depth Apocalyptic visions Ea Seat pete ery eee ey Ren eae arene Pree eee ee Sey ee eee ee) Det meee aay eee ae Pee een ees pore COR rd pcoereenenn tr ey rests the ground. Tadept horizantal Perera eee ee nn eT Poet ees i Panes ace Ses ai = Cees inal een he Saractrs eee es eee es ae rer Pee enn cea eet een Rieter emer Rees reer Pre eee ne etn enero Peete ee a Sea eo Renee) Peer eee ets Pre een et ae Rees ere a Peon ee eter Pee ed Pamir pabeernnett Parmenter aaron Firemen muir arene Coen nyROBERT CHANG “I have big dreams and lofty goals. Whatever I’ve done pales in comparison to what I'm trying to accomplish.” Meet our first ever ‘Master of Art.’ | y, , rent ae eee ee ee eee ee ee eee ee Ce ea ee ee re eee Sot eee \ eens See aed pee eerethenre seme rer cern aero ea) emeierpenner emery eee eT ee rere ey eee es eee en » Fl Ses cal actin inthe itera ike. 0The art of Robert Chang cae ry, =) ce Y Mr ce ee Peper east eae :OTe, IT. Ph otosh Ss eon LE DIGIT, AL = PAINTING ge This tutorial guides you through each step of painting a fantasy wae ciCital painting using Photoshop and Painter. By Robert Chang ‘by being hunted by deraon sales. The patents protect the bby with heir lives while the demon dalers cone darkagic using the kl of fallen ‘ara asthe source of power The father courersthe asauk with bis own ME re cco intng. You should be fir faiiar ‘with Phowoshop and Paine for this, {torial as some ofthe tps ate exclusive {cach software. However, the bes way {lear ona paintingéutorialis 0 pt {get hung upon the software details, but {ouunderseand he mentaly and the approach of thearist. Toda’ssoftwaris highly competitive and thes pogiams often have sar {ols thas why understanding how and why an ars uses specific too is more immporantthan dupicatingibe trial Ee ney aspecal kind of punsimen tot our tolerance forlack ot efieny and ‘exgonomics. My mowo is gimme able. ‘or nothing ataThe first sketch I start with avery mh sketch using dsteon resolution (either 1600x1200 or 1280x1024). Thave his babi fling the Blankeeaneas with igh grey, beemse a plowingsshite ‘onkoristoo hans tsar at Tnever draweon thebackground lye, bese Fhavinga separate lye for the drawing is exert dal wth shen outa ‘aking cormctone and edits ier. ahsay co the exe sagen Photcehon Ipeaise sn much better at edng than Paincer, an theresalways alot of singin the cary stages The Tis sketch is orally so rug ‘hatte only person whe eat tinder iis myselt Once tm hope withthe composition, Vl de that sletchayerto about 29 percent pac een an ate ad a Tn ease you doit know ippingibe Image horny (or ookingin the ‘iron iam oiler eck have ‘ver scen ascienific explanation for this reasoning, but may guess isis Decause we all havea bins depending on whether were eftor ight handed Favouring one would mean tha your bra is wited wo naturally ean in one direction so when youlook atyour drawing inthe mize you netice what appeared tbe proportionally fine as ‘vious misakes suchas cooked eyes oF Slanted vertical lines ip my image horizontally as soon as my bain ges and then doa d the sh th BRO. sed tecingtheshape, so that SECRETS ‘means il flip the imageberween five and 10 times overa couple of hours. Back track ‘shan tn painting ee ceca Twat dpa el when ea epcingthisscenesoTusedattod | tmenecnwe Nawizonanda ligiworniseyeangle. | Saree, Taal, eater ee ae Growing Migpateadend Geeeary | sesabayauesy ‘etch layer I dont need ary move, earmgntfict Piao tm the background back ‘whiteand saves JPEG version forthe | tmeramnan aca ‘ke of documenting the step ‘Nnvorscnena The colour rough ‘ar anedoee, Thisstage swat all thecolour | Whanmuthanpens pete colours aeblacked in | Randa ‘quicllyrobevested out. Tasty putthe | Seer tnemntat ‘colourson another ier and eitherhawe | ealeebetrn the thedawinglayerontopasaMukiply | Seon. layer or vce vera an nga the > more, beeawsetheeolourrough has slready defined them, ital though fast fadethe nes o tat can stil se thembutthey dont overpower the image [Nex row all can tothe wind andlaen layers. Yep, this is wen serious businessbegins would then ‘ot key start the ofl paitingon a sepuate layer, 40 the colour rough is undisturbed, Ther’ a good reason for ‘hat whic Fl pet nt ee. ‘Nsgotican se, decided tha wanted to have someblbc inthe sky instead of completly overcast sky This part tras done in Painter becuse Lwanted thewet on tet aspect of Peters bishes forthe clouds Photoshop snot silat wee on et pamting Talo made surethe figures skin tones reflected the bho ofthe dy Tstare printing daa’ face with bad brush strokes. prety much nile the look wanted fight ff heb, emething which rvely happens In thecary stars tend to be bolder vith my brushwork, then asthe painting progresses become mere cautions, \which isa bad thingheeauseall the spontaneity apes out the window and things start oti p. dell shoul beet thoughout the ene paling, proces, ot fast eaily on. Work on the sky i dcicled thae are the ewes sloyback Hoseevey,thistimeT waned an ‘verexposed look, much kein howgraphy where thesky appears ‘verve. ten gavehe background a Izy ook i lie foo acne Ive alka made oso ha dads fice RN LEO ‘Stop and review decided ike the old version beter so eut and pasted itback [otic that also waned the ble sky bck again ehistime ie say). This shy Tat to save sep, so that yourean eopare the older versions se if vo going the right direction arnot Also when Iai it’s goad to keep the colotrrough onitscw ayer itso that ‘outcan click on and off to compare and Sect youtre dingall ght compared to the fel you rented originally. Aloter changes happened here The ruins face and bod proportions came ovaly dierent, ut Thad them allercomparng the new version totheolder one Teantstess enough haw important eo keepcompating totheald yerions, because you ould ‘eer ofthe ight trackand norknow it Tred aiferent design forthe demon stalkers ui didi em work, Las xed the sal sytheseapon, bute tid fo ight Traded the mousing inthe bac, using one ofthe Wet Acrylic brushes in Primer, asitgave me the squigaly bride Tne that wanted Tals change the dimension ofthe image wo bea tandard desktop proportion, Make your changes changed mum back but alezed her pose alte. Dad's gs were mowed toa difere insee that the leaves have gone fom the topright comer, | was sure I wanted them any roves got of them forthe ‘momentand liked how thesky opened up fora diferent ie) also decided that the mega shoulder pad armour ‘oak design forthe demon salkess Tokea silly so changed itback wo a [Main Pood and clk: also shoughtit night lok beter have double bladed sextet a they lol it ike acre fod cant recall the lst time ew anyone design a double Baded seythe ‘Themountain goctightened up abit and {painted the autumn coloured tres an theft | used a pate knife wih the Random jiteron for that inpressonitle leafylook ere’ important point if youre bout to make some bigchangesahvays do tom a separate lager because ts feta security incase you don ike your changes Woking tha way in Paneer Isa problem, however because some of Piers brashes wil leave artifacts (a andorn marks) on the spot ‘sere you pain a lank layer shat has no background, Character assessment The demon stalkers po redesigned ante them tobe moe fie pappets, With empty ivory shellsilled with black make (demonic restareseth no et shape), and I wanted thesmeke waif ‘outa thecracksand each orifice ofthe Dpppet shel Talia thought the bossa of thelr cloaks made brown to mach ofa dominant colo, changed this Lighting Tel the sy was oo dar and remembered an older sep where the shy looked hike a verbena ‘overeat, Tweaked the sh 1 Hoke Sina to chat older version, singahe Hisigram oo, noticed the ightingen the family and the background were nconsisint, changed he values on‘he background to match the values on the family gave the demon salen the middle a demon skal soe could useitto channel the power of fallen comrade (the green ghost fir) RemersherI aki to keep things on separate layers ifyou cant Hee, ‘hanged the position of mun’ eg and, beste the ami son asparate layers eas to mae changes ‘You can sce thatthe old colour ough ie sll nderesth where the legused 0 beso that means] had to paint more background ta coverit un. Trial and error sometimes you get into the zone and just keepin pang Ter Ewasin thezone painting che dad and murs faces Tehonpht hata ing fine una] checked agin the previous sensi and malized thatthe older one looked mich ete. The newer ein Fnad mote detail and wastechaielly ‘ore accurate, but member this advice its ahonys better to erin the name of aesthetics thanta look forthe sake ff techniali LE BT nee In depth: Digital fantasy painting Body shapes gave the dad glowing runes ‘onhissword anda bite tal Tako cleaned up dad's entre body 1 pointtin clean, flatcolour base for ‘arcu pars of hs tf, ool start plein inthe decorations and ppnteas Talo painted his leg armour Athispoint elt btinsecae about the way the mum’ legs were lit, so Thad ry wie pose forme and took some reference photos, an they define hoped lo Thad prt ff panting the Baby snce «he beglnning, because had never ime ababy before. began by studying abunch of baby pons on the internet anal made sone mental ets. Among he points noticed were that bubieshaverealylargecyes an tiny noses and her featutesareallsfe ures urched eer fk aca think Tended up witha prey okay Taking aby Decoration Decorating abvays takes long time, because you might paintsome intieme parse fra hiro sculgtad rcliefon some building and then decide that you hate, You'd have to goback to the driving board and come op wth 3 ew design. In this pattrnsand sculpted rei for dad's Srmour The cared wal face on dad's belly armour plate was a spar of he ronient des, which Tthink wos well Tala pent same tne fining the faye deinicions skin and consistency infighting Consistency Iiterthe above step, had todo seme mote refining for consistency in ‘values and lighting on am and cad Fish heir air and aekd mie design ements io mans ut She had come oo plain next to dad fancy ‘ufc For painting the ground, Fwent franew approach —1 jst randomly applied any colour that was remedy ‘able foraucumn colours then used ‘atious Mending bss in Panter and Ughtenad them toga >Workshop Rough him up notice hat the shape of ne of the clouds happened to mirror the shape ofthe seythe ln the foreground. decide thar had wadjushe louse se there won't he any weed obvias tangents then stare to paint inthe issn the dase vale fst. Dad looked abiesnt oT oghed him sp bysivinghima five lace shadew using one thers brashes in Paine, andsome loose sands ofa ‘onthe once Grass layers Fame shesocana lige of resin afferent ve and colour ‘Then added mote layers of grows. ended up with something like 10 ayers of diferent colourfalucof grass Thad to carey hapa oF which anes indi he fail and eich ones ‘were crshelinderneath thei it, Ta paint the casted fom the SE kets Layer system blades, heganby callapsingall he grass layers Then | eopied hat ager onto the dliphour, undid he colle, pasted in ‘he clipboard, armed that per ntoa single eh toned mip Tera 50 percent opacity then tntormed Sothatitsat ar theangle the sun was shining ven. Forbetter contra fighting onntency, 1a wo soar each rane layer and either a shades ad Ih. Jalsa decked add sore fallen lees. I chose opaincenlyome lea then I dplietd it many times nto diferent coor and orientations. 1 ‘rete the leaves with an eraser o give each onea more unique shape. 1 Invoduced afew oles made by bugs hing them, Never-ending story Relow ie she finished paimsing ‘nat, aways ind things to change ‘rd afer ve decided a paintings Finished and the ignated This time, realised the mm and dad looked ton clean, sa T gave them bie, blood stain, dried mud and cas ‘One of my favourite pars of finished punting rally belngable cella bunch of layers fewer layers ust Masten the whol image Similar to hen fim akersay “is erap!” or the ideo game crestor say "Ship t ‘esnmed cme things that it expectto learn while pala this pce hope this tutorial reflects he kssons Tye earned and that yeu ve enjoyed rending them.H icarson SAGEaad “There’s a 10-year-old boy in me who is designing the coolest toys he can think of. And the best toys scare you a bit.” Daryl Mandryk feels the fear Siege ten cent er etn Renee acre en Pee ener etna een Maree ey Peer ernie ine eed eer ner ety eee es Pere hiee eetes ny ee erica een ee eer Peter ene hearers enone ete Renner ans Perini sian Perens ets od St eee cee eee peeiorcremc try Paterna rite Pete ee ay Pee eetereenre ner [Peiemieesr ect | enetraillate estate = paper | ee eaienerwarene rs | ‘ieee teresa ESS pitetiprresepaia eererectreeenenreetn Screen Smee Errored edSyriac bal’Fert sonia pene) See eter inting? In thie workshop, Ce ery Re un eg acres ee BOR Meena ee te these echniqites well, you should be See Eee eee cs ce eee ey ees Seen eee oad ee ees ae eee eres oes cs rr FROM CONCEPT TO CREATION acre MMe rare CRC acots images quickly Lio MMM (ole Lm AN-1°l A= O MON AS © MRM) Lk ath S these tong fundamentals Sed ee eee ees ee eee ea ett Persea Mid Pou) Sarena er ee ee eee pene need ee een rn RCo et eet o ese er en ey Sen eee) Pec eines eee ae erent ee ena Paes ee et Soc ers nen Poe ee eas ute ees eat er ee aon Se ees eee al oe eee cr eens eat Seed Coens eee tenant ee ett Saeco Paar ce ee eee eet Se eee ae ee er Tener ere oem) nN een cer eye nee Tees cere ee ee Ser’ Pen an enn ene erent pee et rE] Perron ier ern Perec ary a ene Poneman’ arenas Masking —— pas ei retin Perera Perce erent Sener oneSis alPRO SECRETS Eee ete | (@) interes Toray baie amare rte Poet gets noe en Pierre enna Paterna nee eres ee Ser ene ee Sore ets Seren eee Sr arene cee eta Peete rete peers CCR is eae rT strokes shel aiity my idea forthe Perey rece ee oi neem ey een Eoin een e Pere as nD Pere noe el ee ere eee eet en cosa nee eee pee ere pene ree ben ent Pe eee (heraiod ieee) Cee es eee creat seer a ener Se ene sce eee Peer eet eee rey eee nen sien) Penn neat eer ie Aaa Pyotr ene ee tg Cee te rs ee pect eae ee eens ee eee ee ee ree tad Bar Pee on ern eae ee er ee en ohne rns oniFrom concept to creation Or eee Sentra Eee eres ian ttt es ee nenneyt eine ae fe aber era ay era tea Reenter TT) aeons rer eae Se eee ee em er one eee eer eT = ee ee eee eS erin Pee ee et Peon ec ene eet eee eta eer eae neerirron ot Ce ce eet ee es peeve Penoeeeserneseneer toy earimecurer Marne renee Po eecey Snir rere an ear eee a te . (Selet> Save Selection), so that need tof play between das and Ths wo Read eet cen ater bah er erent es See eee eee et ee ee eas Sa eee eo oe a ee piborrevted ieee ere ne on Nee pees PM ee een ere ee me en Pec esc ney ent ST a eared eee or er te anceNe Eotcy etre tory es een Pore ea erent Pere srmrcreni eevee) how to usethem, Generally if surfacels See oe ee ee rece Pater eee aay peel ere peer eee ee rer aes en ey ere ert ete cs en See icn Renee erer etree nnn craic) Go for the details eae as Pry ae erty laste shoot hat cavers the paint Re eee ee ere eres enn emer a Cena etn) Perens Tne eres ees ences Perit a special Fx A Bren esac Perc eee cto things ike gute spels ging of nse, eter ere ee ne ee eer eer eae eens ee Tene Presence entra Poetry Ln ean Tete sey ee etree ces ey contol the opacity ofthe glow, ether pene er neanercner ee Cert et este PC Or nr) eau Aone) een eer een oe ee See pean ea ets PS rCen eer eee? Eero ty eee Peete nem oe nn ee ee Se a Serene teen sree2 A Vitaly Samarin AlexiusCee eety Se ee panes corr eee. ne Eee aed conan orate Pernice ern cl erecting newer of xan ogee ee ema at) eee as Sk ee eer eas ees See ee Se eee Peete aug pre renee) Por pore ee eer ereenn fet scenery pera ere ica ae ear ReieenernecrtnMancy Peete Pa ar eat eter een en » eae Scot eer eee eee eae a : elder eine emer ey ms crore ee es Pee nn ayo ee Deere Ie ers eee es on ed ea ee eae ee Teen ee ee es a een ne Seer eet ee eee et? eta ence ae ea ete ete ee eet retry perenerenntetes eet mam) erence ene ame RTO Sire er) Peer mens ee ce was asafe haven for neincomparisonto | uptoanalaraclockand never having fl evel world whichthadahardime | outa vacation form,” Andrew explains, Penne reer ee ree CPa ere ae ener ner tr Pv ie terns ee ene ne enero ng Piece eet en mane een Ph i Cae SeaRay Maras a a we eleWorkshop CREATING BEAUTY OUT OF CHAOS PROFLE! alate Reccc NANI talata arts Nola Rom alo ccmomcKomelae In this workshop. shows you how to embrace the chaotic aspects of your inner workings and how the force aetna ecehoal-adelmemetectcvereial eee reid een re el ee eer Ss élonerand explore Te partnered with eee So ee eer a eee Pe ee ne elaborate nish, while demonstatinga Pernivelion i peer terest) eee Ser) eotersiaese in eonelirrepeepemntiries nreenrenerie mea peeoeerenoen Pesca Payot perry I start off with simple white docurnen eee ene eee ee ram ee ee Pere eit Py Senate ee eee ee err nent are Ty reer een eee ne coset er eee ee Poser saree ape See eet eee ernech eens ee eee ney Peace toe) er erent ee erent) Se aes Paneer tal ee Pee ee ese ern Serer ene One ey ee Eh ae ec ene ene Roe ee ean once horn and era ines orate ere anes pecrcerreymenrecrn Sere rey en ee een eee es Beene eT Rene etn ee eee iT pee eer ts Sen et Psion peice nt Pree e erent) prrarereenre rinse eresPera oe ed Peet er a ea a ee eee) naa es (rr ne eee Paes ene ae et Cote ee! Seer es re nen) a en tec ene meer eet en nay Seer ee ened ee er ce ee ener any Pern Oem SL en eras eS Pree ves oer eRe peer renee nes eet reunite) Sea ee tes eee ene eee ere ens oer eoneenetetr rend tn ere seer ore retten eel ent SS eee? Cee ner pee ee es eet seen Ts) ey oc oe meas ‘Shape play — cee eer Des ey ne Sn ee ies shapes and forma thachave appeared ee Re aS {asada of abstract eset eee ts painting Tusethe Chaltool and eee Poet eee KEN a een eter ert erry (7) Sonnection ee ete caer eater ere este Berne ores ernie Pee iene’ Sr nee pe artes er eee eee nT een Peer et et ee Pear aah! Deeaeie reeene ninaoe eee: Se ea Pepe erence ees Pare ete eee ees red SOs nee ee ee ates ie ee ey ere ee tas reer are en Pere ee aoe) ENO Sn Meee aT Pty peer errr Poet Mea Ps Cee aes ee Soe eeet eee ee ircren inet teen esti cary yet cee ceed poem onto tet] etree ene nee err Renee In depth Beauty out of chaos A Pog Peron ements Se ee ‘stiation andthe ever tone ofthe Pa ee erly eee een ees nee eng ee ery Coenen een Cee ees Se eee nan Po Ret ee en Pees Peo ee) reed eee etter er Taal eatesof changing vale ose Ser ee aay SNDe) Decor ena perception saTean se any pose eres ee euerens iting witha fresh pai of yes Se ene oe enn cet es pee ee tae ees ee recens ett a Cen Photoshop and select the portion of the PIS eeene ere eee ces etree Ronee Pec aeerneieety ae nen Pree erence! changing theslhoueteofan image cise earner Ee erat Se mean Sore te tne aa Pe eee tens een ee Poy een ie how mach the soul that began ee ees Sete ernie Penne ese eeeinereeepor erin Cee Pee eng Ss ee Br serene teri Se eee) ee ere te eee arene tend reer ee iene eens se ere enon anes eee ee ei ieee cunt otisiners peter) int eee sno eee eaR,es 7stating ince ton Irae demands an ars with clear and convincing Vision of the fire Tia Burs te that man for lending author such as. lene. Asimon, Robert Sierbergand Pete Hamilton. & science feton sod builder par excellence ~ and the only nom Americantowina aga wan for At (Bet ScienceFiction Ark) Jim soos through the ejes of the sathorshe work frtocestesshat he cally "narathe ancpahan realy depising things that donocexie” PILOT OF THE FUTURE Jim started ear “Fen athe age fof thee or fu 1 loved ding, ‘usandaeioplanea” Onclgnted, fm ial things ‘lke wilde At some point it sab transformed sel the lve of sence fiction” Asforany Bir fl Dan Dare ‘as hooked: “1 alored the 0 lines" huteven move theta wrk of Frank Hampsod, and Ter Frankly” heen Tins obsession with avon PROFILE tof the Fone Bringing science fictions big hits to life with shape and colour, Jim Burns is a master creator of worl cominged to grow unabsted, chietly expressing. self in an sonment of inceaingy inure drawings. “Common sence dictated tha show have fone stright fom school to ar lege” jim re. “ht my heart spoke loxderthan my brain! ‘nd 30 in the spring oF 1966, us-yearld fim was ndted i the RAF as atin pil. Tings didnt wer cat. “Trevor aches theeraled aus ger pilot chogh that was very Uy ambition” he sighs. That may be So but ifs bener by fir to have Towed and lo " aceme oon age” Jim reall his Raga lr Force days Andinaich bizare svi my He nw hat ages a mote ane move dren ike quality nthe years go Dy." With fee firmly “om the ground, Sim contin ta rise Fo the sy by mbokingonafoudaton course in art and design at Newport School ofr FOSS THINGS FIRST T eat pinpoint the date” cays Je, “bait washes sts the work of Chris Fos pred 3708 3 Sunday colour supplement article sometime in the late 6¢” That ‘yas when the penny dropped “n ‘hot moment realised there 88 pestenal career forme in ths ther peculiar discipline The buvkding arise began working towards his new 1 "rveything 1 paimed informed in some way by relay moment” Skye Signingupasa fy. im fished bie fist commision for Sphere Books frassar timer eal The LostConmmard, "The atwork wis loriously exec in pencil sn cle ergoCee aS Aone kOn eee Rela m cnc) potential career for me@@Tieuane ii aa ones eer ’ aaomemcotie | loved drawing cars Pe Pres Pht TOUR ALN PSE Nene 2d claims Tuya chat even at {dunks putin Wis et shut Launch, pat couk! noc ss @ aefe Suite se EncnHic niNANG LUDVIGSEN ENNING Myre) _ “One thing | like to do is add strangely skewed elements that make the viewer stop and think...” Henning Ludvigsen is playing with your mind. Ce ee ee ene ) é eee a poereetter nny eee eens ace ees ee) Po eee Perrotta) ee Reece cme rire) Rererenersre tT orn Penreceemrts any omrarerneterny ct *In depth Digital fantasy portraits PROFILE MAA Pcl WL Ch 4 ee) anya C A guide to making a fantastic fantasy-themed portrait that resembles the reference model. By Henning Ludvigsen Sas ee ed ee a es eee ene Penta Ss paper terete ete i eae Se eas eee Seana ant ean ee aS ee Ce er PL er eee ee eee ered Sas ree Cer Cee ear at Cee ee ee eee Sena the best peers Peete rr imerestingookin the a sae SUC a Pern ny Senses cin EPs or \ en Pree meat c Pence eres Poiana nen z eee ne Sud Wren ett eer rt Pernt cnt) Women Sor ecco meaty Peet rete ea Woo ere Tense Neorg Pee ere ery eee een err nner ers Rene rien he ioesr meer mec eee rts Perera teers Soren Beret Snes Tey eee ere eens Petts Cees See entee) ee eens eee ee ea Sree pene eee eer een hen erate ee es eee eee Se eer er) See eer eee See at ue pee rer eee ee ae rcs et somewhat lose wo pointing Poe innit) ete) or) Riceeeeareay Soon erie) Sane neroh Ce precise terieeeny Perera eens eOuecrites een id Ce ener ee Leer ay Stor setching secon traces See aces epee ere cone eee ane Peet ee ever een etre eee Ce eg ee an eee ey pe mone rare eee ny Pr ee en ens rane eet eet ets When makingthe sete, Fusualy start Ses (eed Poe ca Ceo eer ee eeirer eins Peer srscenttr) Frerer earners rcs tenets Pr eras sd sn ae Pe ee eee ore et ee Pee ee ee nn ese a er Peters Conor mene) poner ener reriviners fe ran Rote See eee teeny Ce Raed poe ees rover nmnn ere rey Pomvesa vena eerivies Peni eeatanied Pee et ects ey Sees eee ey Ree ponenererel ee ete! eae tereete ee ee eee eee ey ene en toy eee ence) ee ened Res enentntsind eee ete Sen eet] eee ee eee Detter et as See ee eestor peer ereneetiiss Cr Roce Soc Ro ho ae eee SRR So eccrine trtnnn tt Sep ree er ar Pe eee ea eer ees inert Pree ee Cerone emery rere Tan ane ei en nT Ceara Fea ere ney a ener aa pciemerers Poste COS a cee) Doeerrn nan iota ee eet ens erent ee eee Ls ene ee ere ieee cyer Suc) Rendering the skin properipusualy Pete rod Sener Senet eae eee aes Cee Pea eee e en es ene Se etd een Se en Paneer | ead Sees) Pred Roepe crurit ee pone RS ene ner een ey Pere ema s een enti oer eet cee et er Poet en enna Per een ia? oe ean ees Poe ee rena Pence eee a Pate ec Nake aR roca Parent Pee Le ess Roe eter a ree eee eT ee eee Serer een eee tey earn In depth Digital fantasy portraits er ed Pera ees eas eee eee ers Pe eerrenerr erty Peete reer Pore ny en wheres ores er Tne eee Lay einer ovens ee ee) Pein Mere nentns reer accented peti ren es Prosra Bytes een Seen et eed ee ec eee te eS Sr es Pee rer rte Byteenren sere eee Cee ne ccd Ce Lo ery peepee pein eB ereen penne eaprieer vie Peteeneeea tere ee eet a eat ee eee eee oe tonet eee ies eee ree areata ee ny Sant ener Poe eat eer eure Patines Pe eee ed eee pine PL eres Rien ee Reena ee eee Ee »ord eee eee tenner Peete earteci Pee erat ay ereecoea ree ae eee aa coeur reread peace, Sem ay Peers. arierpenney Preimicer merronren been etre eEeeny eis Nessa kT peo es Dist eres renee erer ey Crom eeeecrer ees Peers Seta termes) Sea eer Perec ring Laer 53) Ran the Brush Suoker>Spaner fer a orate! Lenn en eens eer eens eee enna) Pe eee ereeeCoe sapere nae teers Serine epee)Sa) meSergey SkachkovmuggerSubscriptions liiagini SCI-FI DIGITAL ART €EFX special subscription offer SAVE UP iapar TO 30% | Subscribe to ImagineFX today and save up to 30% off the cover price! ineFX is the only magazine for fantasy and ntains an eclectic ture of in-dept rom the word's best artists, galleries ang interviews, features, community news and product reviews, PRICING UK: £53.80 EUROPE (incl. Eire): £59.93 RoW: £73.45 Cc] SS FOR JUST $99* ‘ImagineFX “ImagineFX Subscribe online - Offer closes 5 Jan 2008 fey Snes ence www.myfavouritemagazines.co.uk/2007 (gees i eee r call our subscriptions hotline: ee eee ee information I have ever fantasy community. It 0870 837 4722 (+44 1858 438 794 for seen. is amusthave has invaluable tips and international calls) quoting reference 2007 investment for any techniques fora range of Lines open Monday to Friday 8.30am to axpiingconent an software and encourages hatwanis 0 taketheir aspiring artists to get their 9.30pm, Saturdays 8.30am to 4pm GMT skills to the next level” ak cd a aetna we ast sunanentat nan Andrew Jones, international exposure.” Concept Artist, Jonny Duddle, Massive Black Inc freelance artistFeaturing a eee nent ect se kod irene ne ee VATIC COZANTASY ARTeExusrrion —__ i Sa! A dazzling collection of digital art from around the globe los Vso on —a Step-by-step painting workshops and interviews ATW ela ac Tee) raat Ronen