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John Scofield Retrospective Quiet and Loud Jazz Playbill Program

John Scofield will perform a retrospective concert at Jazz at Lincoln Center featuring music from two of his acclaimed albums, Blue Matter from 1986 and Quiet from 1996. For the Blue Matter portion, Scofield will perform with the original bassist and drummer from the album, along with pianist Jim Beard. For Quiet, Scofield will lead a group with six horn and reed players including Joe Lovano, with drummer Bill Stewart and bassist Larry Grenadier. Scofield does not intend this to be a note-for-note recreation but rather a living interpretation of the music that allows it to have its own life distinct from the original recordings.

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Martin Russo
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0% found this document useful (0 votes)
760 views16 pages

John Scofield Retrospective Quiet and Loud Jazz Playbill Program

John Scofield will perform a retrospective concert at Jazz at Lincoln Center featuring music from two of his acclaimed albums, Blue Matter from 1986 and Quiet from 1996. For the Blue Matter portion, Scofield will perform with the original bassist and drummer from the album, along with pianist Jim Beard. For Quiet, Scofield will lead a group with six horn and reed players including Joe Lovano, with drummer Bill Stewart and bassist Larry Grenadier. Scofield does not intend this to be a note-for-note recreation but rather a living interpretation of the music that allows it to have its own life distinct from the original recordings.

Uploaded by

Martin Russo
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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qxp_GP 4/27/17 3:30 PM Page 1

Friday and Saturday Evening, May 56, 2017, at 7:00 and 9:30

Wynton Marsalis, Managing and Artistic Director


Greg Scholl, Executive Director

JOHN SCOFIELD RETROSPECTIVE:


QUIET AND LOUD JAZZ
JOHN SCOFIELD, Electric and Acoustic Guitar
JOE LOVANO, Reeds
CHARLES PILLOW, Reeds
ROGER ROSENBERG, Baritone Saxophone, Bass Clarinet
MICHAEL RODRIGUEZ, Trumpet
JOHN CLARK, French Horn
JEFFREY SCOTT, French Horn
JIM BEARD, Piano, Keyboard
GARY GRAINGER, Bass
LARRY GRENADIER, Bass
DENNIS CHAMBERS, Drums
BILL STEWART, Drums

Jazz at Lincoln Center thanks its season sponsors: Bloomberg Philanthropies, Brooks Brothers,
The Coca-Cola Company, Con Edison, Entergy, The Shops at Columbus Circle at Time Warner
Center, SiriusXM, Steinway & Sons, and United Airlines.

Jazz at Lincoln Centers Please turn off your cell phones and other
The Appel Room electronic devices.
Frederick P. Rose Hall
jazz.org
05-05 Scofield.qxp_GP 4/27/17 3:30 PM Page 2

Jazz at Lincoln Center

Notes on the Program approach every couple of years, to bring


out different aspects of my playing, rather
By Jeff Tamarkin
than trying to show every aspect of my
For his May concerts at Jazz at Lincoln music on each project. I bought an acoustic
Center, John Scofield intends to revisit the guitar for this record and ended up using it
music of two of his most celebrated early on the whole album. That was a bit of a
albums: 1986s Blue Matter and 1996s diversion for me because I feel I couldve
Quiet. But, says the guitarist, thats no rea- been more effective had I played electric
son to surmise that hes pining for the past. on the album too.

All music has roots, anything thats any Accordingly, for the retrospective shows,
good, anyway, he says. Things that are Scofield has assembled two rather different
new work for a reason, and its usually crews. For the Blue Matter segment, origi-
because theyre exploring older points of nal bassist Gary Grainger and drummer
view in a slightly different way. I think both Dennis Chambers will be on board, as will
of those projects came out well, and I pianist Jim Beard, who wasnt on the album
wanted to try playing that music again. but toured with Scofield at the time. For the
Quiet portion, Sco will lead a group featur-
Although both of the original albums were ing a half-dozen horn and reed players,
produced by bassist Steve Swallow (who including the great saxophonist Joe Lovano,
played on Quiet but not on Blue Matter), with drummer Bill Stewart and bassist Larry
they could not have been more different. Grenadier comprising the rhythm section.
Blue Matter, says Scofield, is one of five
fusion albums that I made during the time I Its great to have Bill, who plays these
was with Miles Davis and for a couple of tunes like nobody else, and Larry, who
years after my tenure with him. It was a toured with me for a year after I made the
great period for me because playing with record, says Scofield. In the horn section
Miles gave me a lot of confidence, and I we have two of the original players, Roger
had gotten quite comfortable with the elec- Rosenberg and John Clark, and Im so
tric jazz idiom versus the acoustic one that happy to have Joe taking the Wayne
I had played in more extensively before I Shorter role for this gig. It was so great that
played with Miles. I was pretty much trying Wayne said yes to blowing some on the
to learn how to play straight-ahead jazz album. Hearing him play my tunes was an
before I joined Miles band. With Miles we experience Ill never forget. And Joe is my
played funk jazz and Miles was completely favorite tenor player and one of the great-
consumed by developing that music, using est jazz improvisers I have ever had the
a real rock/R&B rhythm section and elec- chance to play with.
tronic instruments exclusively.
Dont expect Scofield and the bands to
Quiet, released a decade later, was both attempt note-for-note recreations, though;
more nuanced and more expansive. I had thats not what he has in mind at all.
always been a fan of larger ensemble Were just going to play the music and
works, especially by Gil Evans, Duke see what happens, he says. People will
Ellington, etc., Scofield says. Id made easily recognize the music, but I hope it
only small group records and I wanted to has a life of its own thats different from
try putting myself in a more orchestral situ- the records. Im sure it will, because thats
ation. Im always trying to take a different what we areliving change in organisms.
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Jazz at Lincoln Center

Meet the Artists open musical mind. Touring the world


approximately 200 days per year with his
own groups, he is an Adjunct Professor of
Music at New York University, a husband,
COURTESY OF THE ARTIST

and father of two.

Joe Lovano
Saxophonist, composer, and producer Joe
John Scofield Lovano (Reeds) is fearless in finding new
modes of artistic expression. He won a
John Scofield (Guitar) has influenced jazz
Grammy Award for his 52nd Street Themes
since the late 1970s and is going strong
and has received 14 other Grammy Award
today. Possessor of a very distinctive sound
nominations. Lovano has won DownBeat
and stylistically diverse, Scofield is a mas-
magazines Critics and Readers Polls count-
terful jazz improviser whose music gener-
less times for Tenor Saxophonist, Musician
ally falls somewhere between post-bop,
of the Year, Jazz Album of the Year, and Best
funk-edged jazz, and R&B. Born in Ohio and
Band. He has also gotten numerous top
raised in suburban Connecticut, Scofield
awards from JazzTimes and the Jazz
took up the guitar at age 11, inspired by
Journalists Association. Born in Cleveland,
both rock and blues players. He attended
Ohio in 1952, Lovano attended Berklee
Berklee College of Music in Boston. After a
College of Music, which later awarded him
debut recording with Gerry Mulligan and
an honorary doctorate degree. Since 2001 he
Chet Baker, Scofield was a member of the
has held the Gary Burton chair in jazz perfor-
Billy Cobham-George Duke band for two
mance and since 2009 has been a founding
years. In 1977 he recorded with Charles
faculty member of the Global Jazz Institute
Mingus and joined the Gary Burton quartet.
at Berklee. He is a guest lecturer at New
He began his international career as a band-
York Universitys Jazz Program, The Juilliard
leader and recording artist in 1978. From
School, and Manhattan School of Music.
1982 to 1985 Scofield toured and recorded
Lovano has toured with jazz greats such as
with Miles Davis. His Davis stint placed him
Woody Herman Thundering Herd, Dr. Lonnie
firmly in the foreground of jazz conscious-
Smith, Jack McDuff, Mel Lewis Jazz
ness as a player and composer. Since that
Orchestra, Paul Motian Trio, Charlie Haden
time he has prominently led his own
Liberation Music Orchestra, Carla Bley Band,
groups in the international jazz scene and
Elvin Jones Jazz Machine, and Saxophone
recorded more than 30 albums as a leader
Summit. He has also created a body of work
(many already classics), including collabora-
for his own large ensembles including
tions with contemporary favorites like Pat
strings, woodwinds, and voice; his horn-rich
Metheny, Charlie Haden, Eddie Harris,
Nonet; and, more recently, his acclaimed
Medeski, Martin & Wood, Bill Frisell, Brad
UsFive group featuring two drummers. Joe
Mehldau, Mavis Staples, Government
Lovano Quartet: Classic! Live at Newport,
Mule, Jack DeJohnette, Joe Lovano, and
featuring Hank Jones, was recorded in 2005
Phil Lesh. Hes played and recorded with
and released by Blue Note Records in 2016,
Tony Williams, Jim Hall, Ron Carter, Herbie
his 25th Blue Note recording as a leader.
Hancock, Joe Henderson, Dave Holland,
Lovano has performed and recorded with
Terumasa Hino, and more. Throughout his
jazz greats including Woody Herman, Mel
career Scofield has punctuated his tradi-
Lewis, Bob Brookmeyer, Paul Motian, Bill
tional jazz offerings with funk-oriented elec-
Frisell, Tony Bennett, Abbey Lincoln, Charlie
tric music. All along the guitarist has kept an
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Jazz at Lincoln Center

Haden, John Scofield, Gunther Schuller, Lahm, Tom Scott, and T.S. Monk. He excels
Elvin Jones, McCoy Tyner, Ed Blackwell, at many styles of music and ensemble sizes
Herbie Hancock, Dave Holland, Hank Jones, and is a first-call New York session player.
Dave Liebman, Michael Brecker, Dave An accomplished woodwind doubler,
Douglas, Judi Silvano, Ravi Coltrane, Chucho Rosenberg also plays clarinet, bass clarinet,
Valds, and Ornette Coleman. He performed bassoon, and flutes. His work has been
on Scofields Past Present, which won the acknowledged by DownBeat critics and by a
2015 Grammy Award for Best Jazz NARAS MVP award. Rosenberg is also a
Instrumental Album. composer and bandleader. Mongo
Santamaras album Dawn (Amanacer),
Charles Pillow which featured Rosenberg as composer and
With five CDs as a leader and more than soloist, won the Best Latin Album Grammy
100 as a sideman, Charles Pillow (Reeds) is Award. Rosenbergs first album as a leader,
one of todays premier multi-instrumental- Hang Time, was released in 2000. Based in
ists. Pillows deorchestrations of New York City, Rosenberg teaches, plays on
Mussorgskys Pictures at an Exhibition Broadway and in the Radio City Music Hall
(2004) and Gustav Holsts The Planets Orchestra, and gigs with his Quartet.
(2006) have earned critical acclaim, as has
Van Gogh Letters (2010), featuring Pillow Michael Rodriguez
on woodwinds, Jim Ridl on synthesizer, Trumpeter and composer Michael
and Gary Versace on accordion. Pillows Rodriguez (Trumpet), was born in 1979 in
arrangements and compositions meld Queens, New York. At age eight he moved
ambient, jazz, classical, and world music to Miami and studied classical guitar. With
into a unique symphony of sound much encouragement from his family, he
approach. Recordings as a sideman include then began trumpet in middle school and
projects with Michael Brecker, John was later accepted at the prestigious New
Scofield, James Moody, Paul Simon, Ron World High School of The Arts to study
Carter, David Sanborn, Maria Schneider, trumpet and guitar. Rodriguez continued his
Joe Henderson, Jay Z, Donald Fagen, Bob trumpet studies with a full scholarship at
Belden, Kirk Whalum, Chaka Khan, Gladys the University of Miami. After completing
Knight, and Tony Bennett. Pillow is cur- two years, he transferred to the New
rently on the faculty of the Eastman School School in New York, where he received his
of Music and is a Selmer artist/clinician. bachelors degree. Rodriguez has per-
formed with pianist Eric Reed, Clark Terry,
Roger Rosenberg Bobby Watson, Quincy Jones, Joe Lovano,
Roger Rosenberg (Baritone Saxophone, the Toshiko Akiyoshi Orchestra, the Chico
Bass Clarinet) studied at Indiana University OFarrill Orchestra, the Jazz at Lincoln
and the New England Conservatory of Center Orchestra, Jessica Simpson, the
Music, and he has been an A-list baritone Carnegie Hall Jazz Band, the Carla Bley
player for over three decades. He has band, Harry Connick Jr., the Eddie Palmieri
worked with artists including Tito Puente, Septet, Arturo OFarrills Afro-Latin Jazz
Buddy Rich, Chet Baker, Lee Konitz, Janet Orchestra, the Smithsonian Jazz Orchestra,
Lawson, Miles Davis, Quincy Jones, John Bon Mintzer, and Gonzalo Rubalcaba. In
Scofield, Sarah Vaughan, Gerry Mulligan, addition to his demand as a performer,
Michael Brecker, the New York Philhar- Rodriguez has also recorded with many
monic, Thad Jones and Mel Lewis, Bob artists, most notably with Charlie Haden
Mintzer, Eddie Palmieri, Steely Dan, David and Gonzalo Rubalcaba.
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Jazz at Lincoln Center

John Clark horn at age 14. His performance credits


Horn player, arranger, and composer John include The Lion King orchestra on
Clark (French Horn) has performed world- Broadway from 19972005, tours with
wide in jazz, pop, Broadway, classical, and artists such as Barbra Streisand, and
studio settings. Clark received his masters serving as a member of the Alvin Ailey
degree in music from the New England American Dance Theater and Dance
Conservatory of Music. He established his Theater of Harlem orchestras since 1995.
jazz credentials with a series of recordings Scott has also performed numerous times
with his own band, the most recent being I with the Jazz at Lincoln Center Orchestra
Will on the Postcards label, nominated for with Wynton Marsalis and Arturo OFarrills
Record of the Year by the National Afro-Latin Jazz Orchestra. He can be heard
Association of Independent Record Dealers. on movie soundtracks scored by Terence
He has performed or recorded with Gil Blanchard and Tan Dun, and on commercial
Evans, McCoy Tyner, Miles Davis, Hank recordings with artists such as Chico
Jones, the Vanguard Jazz Orchestra, George OFarrill, Robin Eubanks, and Freddy Cole.
Russell, the Mingus Orchestra, J.J. He has arranged and composed for Off-
Johnson, the Absolute Ensemble, Jimmy Broadway productions as well as original
Heath, James Moody, Wayne Shorter, Chick works for winds, brass, jazz ensembles,
Corea, Frank Sinatra, Diana Ross, Aretha and soloists.
Franklin, Sting, Leonard Bernstein, Boston
Symphony, Jazz Composers Orchestra, Jim Beard
New York City Ballet Orchestra, Tanglewood Since moving to New York in 1985, Jim
Festival Orchestra, Carnegie Hall Jazz Band, Beard (Piano, Keyboard) has toured with
Jazz at Lincoln Center Orchestra, Leroy greats including Steely Dan, Pat Metheny,
Jenkins, Gerry Mulligan, and many others. John McLaughlin, and Wayne Shorter. He
Clarks work has been performed or has recorded with Dizzy Gillespie, the
recorded by the Gil Evans Orchestra, McCoy Brecker Brothers, Dianne Reeves, Meshell
Tyner Big Band, Paul Winter Consort, Ndegeocello, Toninho Horta, and Steve Vai.
Genghis Barbie, and the Pugh-Taylor Project, Beard has over 100 published composi-
among others. Clark has received a compo- tions featured on recordings by John
sition grant from the National Endowment McLaughlin and Michael Brecker, as well
for the Arts, a NARAS award for Most as in books like The New Real Book. He
Valuable Player in the Recording Field, and a has appeared with the Metropole
DownBeat Critics Poll award. He has Orchestra, Detroit Symphony Orchestra,
appeared on HBO, PBS, The Late Show and the Jazz at Lincoln Center Orchestra
with David Letterman, and Saturday Night with Wynton Marsalis and performed at
Live and has performed at Sweet Basil, the major international festivals and venues
Blue Note, Visiones, the Jazz Standard, including Carnegie Hall, Avery Fisher Hall,
Iridium, and the Knitting Factory. Clark con- Royal Festival Hall, Blue Note, CBGBs, and
ducts workshops and master classes and Montmartre. His compositions and/or play-
has published Exercises for Jazz French ing have been heard across film, television,
Horn. He is on the board of directors of the and radio call signals. Beard has produced
Manhattan New Music Project. dozens of recordings led by or featuring
Mike Stern, Bob Berg, Bill Evans, Eliane
Jeffrey Scott Elias, Chick Corea, Al Jarreau, Medeski,
Jeffrey Scott (French Horn), a native of Martin & Wood, Bill Frisell, Marcus Miller,
Queens, New York, started playing French Richard Bona, and Esperanza Spalding.
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Jazz at Lincoln Center

Beard teaches at the Mason Gross School significant projects with many of the
of Arts, Berklee College of Music, Aaron genres most inventive and influential musi-
Copland School of Music, and the Sibelius cians. Over the course of a performing and
Academy in Finland. He has recorded six recording career that spans three decades,
critically acclaimed albums as a leader. Grenadier has earned a far-reaching reputa-
Beards productions and compositions tion for his instrumental talent, instantly rec-
have been nominated for seven Grammy ognizable tone, and the sensitivity, imagina-
Awards. He was featured on Randy and tion, and creative curiosity that have estab-
Michael Breckers 2007 Grammy Award- lished him as an in-demand sideman and
winning Some Skunk Funk. valued collaborator. Grenadiers trademark
upright bass work has been a longstanding
Gary Grainger fixture in the bands of pianist Brad
Born in 1955 in Baltimore, Maryland, Gary Mehldau and guitarist Pat Metheny and has
Grainger (Bass) began playing bass with his graced albums by a broad array of presti-
older brother, drummer Gregory Grainger. gious artists, including Paul Motian,
In the late 1970s the pair joined Earth, Charles Lloyd, Enrico Rava, Danilo Prez,
Wind & Fires protg band Pockets, Chris Potter, Joshua Redman, and Kurt
touring extensively with Earth, Wind & Fire Rosenwinkel. He has also released three
and recording for Columbia Records. albums with his own acclaimed trio, Fly,
Grainger first attracted wide attention in and recorded five albums with his wife,
the late 1980s, playing electric bass with noted singer-songwriter Rebecca Martin.
John Scofield on tour and on several
recording sessions, including two late Dennis Chambers
1980s Gramavision albums, Blue Matter Dennis Chambers (Drums), born in 1959,
and Loud Jazz. After departing from began drumming at age four and was gig-
Scofields band, he teamed up with the ging in Baltimore-area nightclubs by the age
groups drummer, Dennis Chambers, and of six. In 1981 he became the Sugar Hill
formed the funk band Graffiti. Grainger has Labels house drummer and recorded on
also recorded with Carl Filipiak and Haakon many Sugar Hill releases. He was a mem-
Graf. In the late 1990s he began working ber of Parliament/Funkadelic from 1978 to
with his brother in a fusion band, designed 1985, and in 1986 he joined the John
to display the highly empathetic nature of Scofield band. He has since played with
their musical relationship as well as most of the major figures in jazz fusion, a
Graingers composing skills. They have diverse list including George Duke, the
released Grainger Phase I, Grainger Phase Brecker Brothers, Santana, John
II, and Grainger Phase III. Grainger has McLaughlin, Mike Stern, CAB, and Greg
recently been touring with the international Howe. Chambers is well known for his
group Acoustic Alchemy and promoting his technique and speed, his ability to both play
own signature 5-string bass guitar made by deep in the pocket and also stretch far out
PRS (Paul Reed Smith). of it, and his stylistic versatility, particularly
in the realms of jazz fusion, funk, and Latin
Larry Grenadier music. Chambers is also known for his fast
As one of contemporary jazzs most hands and triplets on the bass drum. He has
respected and accomplished bassists, Larry helped many young drummers, the most
Grenadier (Bass) has built an expansive prominent being Tony Royster, Jr.
body of work that encompasses a variety of Chambers performed on Maceo Parkers
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Jazz at Lincoln Center

critically acclaimed live album Roots and Jazz at Lincoln Center


Groove. He has toured extensively with Jazz at Lincoln Center is dedicated to
Carlos Santana and makes appearances inspiring and growing audiences for jazz.
with his band Niacin. In 2011 Chambers With the world-renowned Jazz at Lincoln
was a featured drummer on The Late Show Center Orchestra and a comprehensive
with David Lettermans Drum Solo Week II. array of guest artists, Jazz at Lincoln Center
advances a unique vision for the continued
Bill Stewart development of the art of jazz by producing
Originally from Des Moines, Iowa, drum- a year-round schedule of performance, edu-
mer and composer Bill Stewart (Drums) cation, and broadcast events for audiences
has performed with many well-known of all ages. These productions include con-
musicians, including John Scofield, Pat certs, national and international tours, resi-
Metheny, Maceo Parker, Larry Goldings, dencies, weekly national radio programs,
Joe Lovano, Charlie Haden, Lee Konitz, television broadcasts, recordings, publica-
Joe Henderson, Michael Brecker, Kevin tions, an annual high school jazz band com-
Hays, Bill Carrothers, Jim Hall, Marc petition and festival, a band director
Copland, Peter Bernstein, James Moody, academy, jazz appreciation curricula for stu-
Joshua Redman, Steve Wilson, Seamus dents, music publishing, childrens concerts
Blake, Dr. Lonnie Smith, Nicholas Payton, and classes, lectures, adult education
James Brown, and many others. He has courses, student and educator workshops,
also recorded six albums as a leader, a record label, and interactive websites.
including two for Blue Note Records. His Under the leadership of Managing and
latest recording is Space Squid (2015) on Artistic Director Wynton Marsalis, Chair-
Pirouet records. He is also a co-leader of a man Robert J. Appel, and Executive
long-standing trio with Larry Goldings and Director Greg Scholl, Jazz at Lincoln Center
Peter Bernstein, whose new album Ram- produces thousands of events each season
shackle Serenade was released in 2014 on in its home in New York City, Frederick P.
Pirouet records. Rose Hall, and around the world. For more
information, visit jazz.org.
05-05 Scofield.qxp_GP 4/27/17 3:30 PM Page 8

Jazz at Lincoln Center 201718 Concert Season


30th Anniversary Season
Reaching our 30th season is a significant milestone. We are grateful for the countless musi-
cians, fans, students, donors, foundations, and leaders of all types who are taking this jour-
ney with us.
Since our first downbeat as a summer concert series in 1987, Jazz at Lincoln Center has
been a vital part of the New York cultural landscape. Over the past three decades, we have
become an important advocate for jazz, culture, and arts education globally. Jazz at Lincoln
Center was established as an independent non-profit organization in 1996, opened the House
of Swing in 2004, and launched Blue Engine Records in 2014 to share our vast archive of
recordings. In our 25th season, we began to offer free webcasts of our concerts, helping to
build a global audience for the music by providing more people with better access to great
jazz. We are proud to serve a regular and growing viewership of over 330,000 people in 140
countries. Our education programs continue to expand; in the last year alone, we engaged
over 148,000 students, many of whom had no other access to quality music education.
Anchored by the Jazz at Lincoln Center Orchestra with Wynton Marsalis, this landmark
season begins in Rose Theater on September 14, 2017 with The Fantastic Mr. Jelly Lorda
raucous celebration of New Orleans legend Jelly Roll Morton. Throughout the season, living
legends like Chick Corea, Marilyn Maye, Jack DeJohnette, and 2016 Pulitzer Prize winner
Henry Threadgill will grace us with their unique, diverse artistry. Audience favorites like Joey
Alexander, Paquito DRivera, Catherine Russell, Michael Feinstein, and the Nuevo Jazz
Latino super-group return to great demand, and Steve Miller continues to curate and perform
popular concerts exploring blues and the roots of jazz. Renowned artists like Somi, the all-star
HUDSON quartet, and the Harlem Quartet make their Jazz at Lincoln Center debuts.
The Jazz at Lincoln Center Orchestra continues a long tradition of reinvigorating key jazz
repertoire in performances like Celebrating Ornette Coleman, Benny Goodman: King of
Swing, and Corea Plays Monk. In an ambitious new program, the band will present The Jazz
at Lincoln Center Orchestra Songbook, a special showcase of the JLCOs best original com-
positions, including those by Ted Nash, Victor Goines, Chris Crenshaw, and Carlos
Henriquez. The Orchestra will close the season with Wynton Marsalis, a concert featuring
the world premiere of Marsalis latest composition and a collection of original pieces drawn
from throughout our visionary leaders storied career.
We hope youll join us during our historic 30th season. Subscriptions are on sale now! Visit
jazz.org/subs, email, or call 212-258-9999 for more information.
05-05 Scofield.qxp_GP 4/27/17 3:30 PM Page 9

Jazz at Lincoln Centers annual artistic, educational, and archival programs are supported
by the following generous contributors:

LEADERS
Shahara Ahmad-Llewellyn Gail and Alfred Engelberg Charles Stewart Mott Lisa Roumell and Mark
The Ammon Foundation Mica Ertegun Foundation Rosenthal
Helen and Robert J. The Hearst Foundations New York City The Jack and Susan
Appel Marlene Hess and James Department of Cultural Rudin Educational
Anonymous D. Zirin Affairs in partnership Scholarship Fund
Jody and John Arnhold Joan and George Hornig with the City Council Rebecca and Arthur
Siris Capital, LLC / Robin Mady Hornig Jacqueline L. Bradley and Samberg
and Peter Berger William R. Kenan, Jr. Clarence Otis Lisa and David T. Schiff
Jessica and Natan Charitable Trust Jennifer and Michael Burwell and Chip Schorr
Bibliowicz Ann Tenenbaum and Price Barry F. Schwartz
Lisa and Dick Cashin Thomas H. Lee Jay Pritzker Foundation Dianne and David J. Stern
Betsy and Alan D.* Cohn Adam R. Rose and Peter Karen Pritzker/ Seedlings Steward Family
Dalio Foundation R. McQuillan Foundation Foundation and World
Diana and Joe DiMenna The Ambrose Monell Louise and Len Riggio Wide Technology
Doris Duke Charitable Foundation The Rockefeller Foundation
Foundation Foundation Surdna Foundation

GUARANTORS
Amy and David Abrams Gordon J. Davis Buzzy Geduld The Fan Fox & Leslie R.
The Herb Alpert Fiona and Stanley J. Great Performances Samuels Foundation,
Foundation Druckenmiller United Airlines Inc.
Anonymous Entergy Ellen & Efraim Grinberg Chloe Breyer and Greg J.
Bank of New York Mellon Ford Foundation Jeffrey B. Kindler Scholl
Bloomberg Philanthropies The Fred A. and Barbara Wynton Marsalis The Shops at Columbus
Brooks Brothers M. Erb Family Janice and Steve Miller Circle at Time Warner
The Coca-Cola Company Foundation National Endowment for Center
Diane M. Coffey Donna J. Astion and the Arts Kimberly and Viqar Shariff
Mary Beth and Stephen Michael D. Fricklas Karen and Charles Phillips SiriusXM
S. Daniel Laura and Lywal Salles Faye Wattleton
Peggy Cooper Davis and
BENEFACTORS
The Altman Foundation Larry Gagosian M. Billie Lim and Therese S. Rosenblatt
The Argus Fund Howard Gilman Stephen M. Ifshin* and H. Marshall
Augustine Foundation Foundation The Frederick Loewe Sonenshine
Emily and Leonard Laura M. and and Peter Foundation Morgan Stanley
Blavatnik T. Grauer Foundation Greg Marcus The Harold and Mimi
Carnegie Corporation of Tania and Brian Higgins Ronald D. McCray Steinberg Charitable
New York Charitable Trust Sara Miller McCune Trust
Con Edison HSBC Premier Parsons Family World Stage
The Crosby Family The Charles Evans Foundation Wyncote Foundation
Beth Rudin DeWoody Hughes Memorial Ophelia and William
Loren R. Douglass Foundation, Inc. Rudin

SUSTAINERS
Anonymous (2) Harvard Business Club of New York State Council May and Samuel Rudin
Jeffrey A. Altman Greater NY on the Arts with the Family Foundation, Inc.
Sarah Arison Ruthann and Daniel support of Governor Shearman & Sterling LLP
Patricia Blanchet Heinrich Andrew Cuomo and The Shubert Foundation,
Betty and Philippe Camus Mr. and Mrs. J. Tomilson the New York State Inc.
JP Morgan Chase & Co. Hill Legislature Harold and Mimi
Donna H. Dodson Sonia and Paul T. Jones Oceanic Heritage Steinberg Charitable
Hugh Fierce Sandy and Eric Krasnoff Foundation Trust
The Ella Fitzgerald Carolyn and Ed Lewis Gbena and Aisha Sy Syms Foundation
Charitable Foundation Lisabeth Foundation Oyebode Time Warner, Inc
Fribourg Family Lostand Foundation Perelman Family Reginald Van Lee
Foundation Lauder Foundation Foundation Daria and Eric Wallach
Neil J. Gagnon The George Lucas Family Peter J. Solomon George T. Wein
The David Geffen Foundation Company LLP Carol Winograd/Tricoastal
Foundation Merrill Lynch Rose-Lee and Keith Foundation
Susan C. Gordon Reinhard Stanley Zinberg Family
Foundation
05-05 Scofield.qxp_GP 4/27/17 3:30 PM Page 10

ANGELS
Simi Ahuja and Kumar Judith and Jamie Dimon Katheryn C. Patterson & Carol and Don M. Randel
Mahadeva Stacey and Eric Flatt Thomas L. Kempner Brian J. Ratner
Amtrak Carolyn Surgent and Keith Fox and Thomas Philanthropic Fund
Anonymous (3) Jacques Friedman Keyes Clara and Walter G.
Rose M. Badgeley Dr. Henry Louis Gates, Jr. M. Robin Krasny Ricciardi
Charitable Trust Charlene and Keith Goggin Elaine and Ken Langone Mrs. Frederick P. Rose
The Hilaria and Alec Valerie S. Grant Blanche and Irving Laurie Eugene and Maxine
Bladwin Foundation Roberta Campbell and Foundation Rosenfeld
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Josiane and Thierry Jonathan Rice Joan Binstock and David Barry and Joan Tucker
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Mr. Bernard Nussbaum Deborah Roberts and Al Phyllis and Richard Unterberg Foundation
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05-05 Scofield.qxp_GP 4/27/17 3:30 PM Page 13

UPCOMING EVENTS
Jazz at Lincoln Centers
Frederick P. Rose Hall
May 2017 THE APPEL ROOM

ROSE THEATER Ccile McLorin Salvant


and the Aaron Diehl Trio
Essentially Ellington High School Jazz Band May 1920 at 7pm & 9:30pm
Competition & Festival A breathtaking young vocalist whose musical
May 12 at 2pm: Competition Part I expertise far exceeds her years, Ccile McLorin
Salvant has ascended to the major leagues in the
May 13 at 10am: Competition Part II
blink of an eye. With a voice, a vision, and an
May 13 at 1pm: Competition Part III
impeccable band at her side, the soulful 26-year-
Jazz at Lincoln Centers annual Essentially Ellington old vocalist has topped critics polls, earned fans
High School Jazz Band Competition & Festival is around the world, and won the 2016 Grammy
one of the most innovative jazz education events in Award for Best Jazz Vocal Album. For her third
the world. The Competition & Festival is the culmi- headlining appearance in The Appel Room, Salvant
nation of the yearlong Essentially Ellington program, crafts a program completely of her choosing.
during which participating bands are invited to sub- Through original compositions, timeless hits, and
mit a recording and 15 finalists are selected through forgotten gems, you will witness Salvants incred-
a rigorous screening process. Join us to witness ible ability to assimilate a vast lineage of jazz vocal-
these talented young musicians perform the music ists into her own powerful and distinct expression.
of Duke Ellington and other seminal composers. Free pre-concert discussions at 6pm and 8:30pm.

Count Meets the Duke June 2017


May 1920 at 8pm
Wynton Marsalis, Vincent Gardner, and Rodney ROSE THEATER
Whitakerall current or former members of the
Jazz at Lincoln Center Orchestrajoin a group of World of Monk
handpicked young artists to perform the music of June 13 at 8pm
Count Basie and Duke Ellington. Kansas Citys The music of Thelonious Monk offers limitless
Count Basie Orchestra remains a standard-setting opportunity for improvisation and interpretation.
example of a hard-swinging big band, with iconic Monks music is loved all over the world, and
soloists, infectious tunes, and the eternally envied because of its fundamental simplicity, musicians
All-American Rhythm Section of Jo Jones, of all styles and backgrounds find kinship in it. This
Freddie Green, and Walter Page. Duke Ellington, global exploration of Monk features the Jazz at
too, was an extraordinary bandleader, as well as a Lincoln Center Orchestra with Wynton Marsalis
genius composer of incalculable influence. and two very special guests. The first of tonights
Throughout its incredible variety, Ellingtons music featured guests is flutist Baqir Abbas, a virtuoso
has a timeless quality and unmatched ability to Pakistani musician who has performed with the
uplift and enlighten, offering an ideal showcase a JLCO on several prestigious occasions. The
big bands nuance and cohesion. When the Count JLCOs second guest this evening is Hamilton de
meets the Duke, it will be an inspiring multigener- Holanda, a top Brazilian instrumentalist widely
ational exploration of the jazz canons core. considered the Jimi Hendrix of the bandolin. A
Free pre-concert discussion at 7pm. versatile master who has singlehandedly rein-
vented the 10-string bandolin, de Holanda synthe-
sizes distinct musical styles from around the
world. Together, these international virtuosos and
our American big band will interpret Monks music
in a way completely unique to this collaboration.
Free pre-concert discussion at 7pm.
Except where noted, all venues are located in Jazz at Lincoln Centers Frederick P. Rose Hall,
Time Warner Center, 5th floor.
Tickets starting at $10.
To purchase tickets: Visit jazz.org or call CenterCharge: 212-721-6500. The Jazz at Lincoln Center
Box Office is located on Broadway at 60th Street, Ground Floor. Hours: MondaySaturday, 10am6pm;
Sunday, 12pm6pm.
For groups of 15 or more: 212-258-9875 or jazz.org/groups.
For more information about our education programs, visit academy.jazz.org.
For Swing University and WeBop enrollment: 212-258-9922.
Find us on Facebook (jazzatlincolncenter), Twitter (@jazzdotorg), YouTube (jazzatlincolncenter), and
Instagram (jazzdotorg).
05-05 Scofield.qxp_GP 4/27/17 3:30 PM Page 14

UPCOMING EVENTS

Jazz at Lincoln Centers


Frederick P. Rose Hall
May 2017 Victor Gould, Barry Stephenson, and Henry
Coneray III
The Cookers May 15
with Billy Harper, Jaleel Shaw, Eddie Henderson, 7:30pm & 9:30pm
David Weiss, George Cables, Cecil McBee, and
Billy Hart Bill Charlap Trio
May 36 with Peter Washington and Kenny Washington
7:30pm & 9:30pm May 1621
7:30pm & 9:30pm
Akiko Tsuruga Trio
So Cute, So Bad Album Release Celebration Chris Cheek Berklee Quintet
with Graham Dechter and Jeff Hamilton May 22
May 7 7:30pm & 9:30pm
7:30pm & 9:30pm
Bill Charlap Trio
Jeff Hamilton Trio with Peter Washington and Kenny Washington
with Tamir Hendelman and Christoph Luty May 2328
May 8*9 7:30pm & 9:30pm
7:30pm & 9:30pm
*May 8 is part of the Monday Nights with Louis Hayes: Serenade for Horace Silver
WBGO series Blue Note CD Release party and 80th
Birthday Celebration
Essentially Ellington Alumni Band with Abraham Burton, Josh Evans, Steve
May 10 Nelson, David Bryant, and Dezron Douglas
8pm & 10pm May 2931
7:30pm & 9:30pm
Juilliard Jazz Orchestra: Music of Duke
Ellington June 2017
May 1114
7:30pm & 9:30pm Light Blue: Gabe Schnider and Friends
Celebrate Monk
Jazzmeia Horn June 1
A Social Call Album Release Celebration 9:30pm
with Stacey Dillard, Josh Evans, Frank Lacy,

In deference to the artists, patrons of Dizzys Club Coca-Cola


are encouraged to keep conversations to a whisper during the performance.
Artists and schedule subject to change.

Dizzys Club Coca-Cola is located in Jazz at Lincoln Centers Frederick P. Rose Hall,
Time Warner Center, 5th floor New York.
Reservations: 212-258-9595 or jazz.org/dizzys; Group Reservations: 212-258-9595 or jazz.org/dizzys-reservations
Nightly Artist sets at 7:30pm & 9:30pm.
Late Night Session sets Tuesday through Saturday; doors open at 11:15pm
Cover Charge: $2045. Special rates for students with valid student ID. Full dinner available at each artist set.
Rose Theater and The Appel Room concert attendees, present your ticket stub to get
50% off the late-night cover charge at Dizzys Club Coca-Cola Fridays and Saturdays.
Jazz at Lincoln Center merchandise is now available at the concession stands during performances in Rose Theater
and The Appel Room. Items also available in Dizzys Club Coca-Cola during evening operating hours.
Dizzys Club Coca-Cola gift cards now available.
Find us on Facebook (DizzysClubCocaCola), Twitter (@jazzdotorg), YouTube (jazzatlincolncenter), and
Instagram (jazzdotorg).
05-05 Scofield.qxp_GP 4/27/17 3:30 PM Page 15

MAY 3, 7PM | MAY 4, 7PM & 9PM


MICHAEL FEINSTEIN:
THE MUSIC OF MEL TORM
Michael Feinstein with Maddie Baillio, Ann Hampton Callaway,
Billy Stritch, and the Tedd Firth Big Band
THE APPEL ROOM

MAY 56, 7PM & 9:30PM


JOHN SCOFIELD RETROSPECTIVE:
QUIET AND LOUD JAZZ
Guitarist and 2017 Grammy Award winner John Scofield with
Gary Grainger, Jim Beard, Dennis Chambers, Bill Stewart,
Larry Grenadier, Joe Lovano, and more.
THE APPEL ROOM

MAY 1920, 7PM & 9:30PM


CCILE MCLORIN SALVANT
AND THE AARON DIEHL TRIO
Grammy Award-winning vocalist Ccile McLorin Salvant
THE APPEL ROOM

MAY 1920, 8PM


COUNT MEETS THE DUKE
Wynton Marsalis, Vincent Gardner, and Rodney Whitaker
are joined by the next generation of jazz greats to perform
the music of Duke Ellington and Count Basie
ROSE THEATER

MAY
frederick p. rose hall box office centercharge
broadway at 60th st. ground fl. 212-721-6500
05-05 Scofield.qxp_GP 4/27/17 3:30 PM Page 16

JUNE 14, 2017


THELON
ONIOUS
NIOUS MONK
K FESTIVAL
JUNE 1 3 , 8 PM JLCO SEASON FINALE! JUNE 1 , 9 : 3 0 PM
WORLD OF MONK LIGHT BLU
UE: GABE SCHNIDER
Jazz at Lincoln Center Orchestra with AND FRIEN
NDS CELEBRATE MONK
Wynton Marsalis and speecial guests With music director and guitarist Gabe Schnider
Baqir Abbas and Hamilto on de Holanda
DIZZYS CLU
UB COCA-COLA
ROSE THEATER
JUNE 2 3 , 7 PM & 9 : 3 0 PM
P JUNE 2 4 , 7 : 3 0 PM & 9:30PM
ROUND MIDNIGHT : MONKS LEGACY MONKS DRREAM:
Featuring pianists Joey A
Alexander RUSSELL H
HALL PLAYS MONK
and Sullivan Fortner With music director and bassist Russell Hall, tenor
THE APPEL ROOM saxophonist R
Ruben Fox, pianist Mathis Picard,
drummer Kylee Poole, and vibraphonist Joel Ross
DIZZYS CLU
UB COCA-COLA

venue box office centeercharge dizzys club coca-cola


frederick p. rose hall broadway at 60th st., ground fl. 212-721-6
2 500 212-258-9595
PHOTO COURTESY OF FRANK DRIG
GGS COLLECTION

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